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JOSE ANGEL VINCENCH

exile

josE Angel

source: trendhunter

‘Exile’ by José Ángel Vincench is an art installation that is based on typography.

The sculpture is comprised of five mobile homes that each takes form of a letter used to spell out the word ‘exile.’ Vincench is a Cuban artist that completed this enormous project, which is made out of trailers equipped with an entrance.

The art installation is self-explanatory as viewers can read the letters. The uninhabited trailers used in this project are meant to make viewers think about the reasons why people live outside of their own nation. It’s not about political issues but rather a simple meaning about living in a state of isolation.
‘Exile’ by José Ángel Vincench is an art installation that is based on typography.

The sculpture is comprised of five mobile homes that each takes form of a letter used to spell out the word ‘exile.’ Vincench is a Cuban artist that completed this enormous project, which is made out of trailers equipped with an entrance.

The art installation is self-explanatory as viewers can read the letters. The uninhabited trailers used in this project are meant to make viewers think about the reasons why people live outside of their own nation. It’s not about political issues but rather a simple meaning about living in a state of isolation.
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source: teafortwotalk

At last the Biennial is upon us, and what better way to start seeing it than through the vast collection of public realm installations across the city? With sculptural pieces of work dominating many popular spaces in the city centre, art lovers have no excuse to miss these brilliant additions to the city’s streets. First exhibited at the 11th Havana Bienniale, these mobile installations have found their way across the globe to Liverpool…

Today running an errand across town, I stumbled upon Vincench’s Exile, an installation composed from five free-standing trailers, each shaped into the form of a letter to spell out the word EXILE. The word immediately conjures up many images for me, and not having a guide with me as I took in this piece, I automatically made some interpretations of my own: the trailers at first reminded me of those in which prisoners are carried from courthouse to jail, and the word ‘Exile’ strongly resonated with this idea of a convicted outcast.

Since reading up on Vincench, I have discovered that his work is truly intended to convey the status of refugees who are forced to flee their home countries due to social and political issues outside of their control. The work aptly visualises this idea, as the trailers are wheeled and ready to move at any time, and their boxy, claustrophobic shape suggests the idea of entrapment even in escape: these people do not choose to flee, but they must.

The trailers themselves are just big enough to fit a single person inside, and again, this implies the loneliness and isolation that comes with seeking asylum. Refugees find themselves cast out and alone, in search of safety, yet unable to trust those around them, and perhaps only able to rely on themselves. Vincench’s piece portrays this with accuracy, through the size and clumsy shapes of the trailers and in so doing, causes his audience to consider some key socio-political issues.
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source: mirpricepov

Yстановка Архитектурный установка караван изгнании (изгнания) Хосе Анхель (Хосе Анхель Vincench), представленный на выставке, легко читать и понимать, а также minimistichna его содержимое. Ее состав пять передвижных домов (прицепы). Каждый из бытовки, вагончики, сделанных в виде писем, образуя слово Exile (изоляция ссылка). Концепция проекта является символика пустых пустынных прицепов, предназначенных для лиц, проживающих за границей. Здесь мы имеем в виду не только потерю человека родине, но одиночество в более широком смысле, по личным причинам, верований, стремлений.

Архитектурный Установка Изгнание (изгнание) является частью серии “Las красивыми домами TIENEN семьи”, также на выставке в выставке современного искусства в кубинской столице. Здесь, на выставке представлен ряд художественного восприятия реальности – использований персональных выставок, групповые проекты, наружной установки.