تريشا براون
트리샤 브라운
トリシャブラウン
Триши Браун
floor of the forest
Trisha Browns Boden des Waldes – teils Skulptur, teils Tanzstütze, teils Performance – wird im Rahmen von Dance / Draw präsentiert und verfügt über einen 12 x 14 Fuß großen Stahlrohrrahmen, über den Seile gebunden und mit gebrauchter Kleidung dicht eingefädelt werden. Innerhalb der Struktur winden und weben sich zwei Tänzer, die sich buchstäblich durch die Skulptur ziehen und ausziehen. Jede Aufführung unterliegt dem Zufall, so dass die Individualität jedes Tänzers, der sie aufführt, ihre Bewegungen bestimmen kann, was bedeutet, dass keine zwei Aufführungen jemals gleich sind.

Great Work of the Metal Lover

Magnum Opus, or The Great Work, is an Alchemical process that describes a personal, spiritual and chemical method for creating the Philosopher’s Stone, a mysterious red colored substance that was capable of transmuting base matter into the noble metal of gold. Discovering the principals of the Philosopher’s Stone was one of the defining and at the same time seemingly unobtainable objectives of Western Alchemy. The Great Work of the Metal Lover is an artwork that sits at the intersection of art, science and alchemy, re-examining the problem of transmutation through the use of modern microbiological practice and thus solving the ancient riddle.

SELF ABSORBED

Tim Murray-Browne

FILE SÃO PAULO 2025: SYNTHETIKA – Art and Technology – Installations
Electronic Language International Festival

SELF ABSORBED – Scotland

SELF ABSORBED is an interactive installation exploring how AI interprets human identity. A custom model reads the visitor’s body, linking each pose to generative audiovisual output. Unlike human-designed interfaces built on reductive abstractions, this interaction emerges from unsupervised machine learning, forming a connection with a multidimensional, non-linear, and non-representational digital space.

BIO

Tim Murray-Browne is an interactive artist and creative coder. He creates installations and performances using the moving body to shape immersive experiences. His work questions what aspects of our humanity are lost as we entangle ourselves with the bureaucratic mechanics of AI and digital technologies.

Camminando sul muro
Gli artisti stavano in piedi, camminavano e correvano paralleli al pavimento lungo due pareti adiacenti mentre erano sospesi in speciali cablaggi fissati su cavi a carrelli su binari industriali lungo il soffitto.

Inverta
A circular axle is able to rotate by the use of 36 universal joints hanging from perspex rods and transmitting their rotary motion onto the next. In between the joints, 36 stainless steel objects are attached that rotate at the same speed as the axle. One of the objects has a slightly thinner body, making room for two integrated timing pulleys and thin cogged belts that connect it with the drive mechanism situated on the upper circular frame. The objects are made from thin sheet material and are carefully balanced by placing several counterweights inside their hollow bodies and by perforating their tails, reducing the amount of material furthest away from the axle. During the entire revolution their centre of gravity perfectly aligns with the position of the axle so that a stable rotation is ensured.

Serendiptichord

The result of a cross-disciplinary investigation spanning fashion, technology, music and dance, the Serendiptichord is a wearable musical instrument that invites the user (or movician) to explore a soundscape through touch and movement. This curious device is housed in a bespoke box and viewed as part of a performance. Unpacked and explored on and around the body, the Serendiptichord only reveals its full potential through the intrepid curiosity of its wearer. Adhering to the body like an extended limb, this instrument is best described as choreophonic prosthetic. Referencing the architectural silhouette of a musical instrument and the soft fabrication of fashion and upholstery, it is designed to entice the movician to explore its surface through touch, physical manipulation and expressive movement. Although this acoustic device can be mastered alone, it also holds subtle openings for group interaction.

Mens SS 2020
“After the scene shifted from a selection of 2D garments, removed to reveal Browne’s brilliant designs below, the show began in earnest. The looks, as gleefully playful as ever, took on elements of Browne’s typical offerings and elevated them to the level of supreme costume design. Several imposing silhouettes recalled dresses worn by Antoinette-era aristocracy, with gargantuan trousers and shapely sportcoats crafted to resemble distorted Ivy League staples. Elsewhere, pleated skirts emerged as a prime trouser replacement, with cropped jackets and seersucker jockstraps to introduce a sporty motif.” Jake Silbert

Интерактивное аудиовизуальное танцевальное представление
Breakdown исследует двумерный симулированный мир, в котором его физические правила постоянно меняются и ими манипулирует внешняя сущность. Обитатель этого мира находится в постоянном движении, чтобы приспособиться к его характеристикам. Он взаимодействует с физическими правилами и развивает диалог с сущностью, контролирующей силы. В конце концов, обитатель нарушает правила мира и попадает в новый мир, новое измерение.

غيم
تم تغطية الهيكل الفولاذي المثني يدويًا للنحت بجلد من مصابيح الإضاءة المتوهجة (الجديدة والمحترقة) ، وإضاءة الخلفية من الداخل بمقدار 250 مصباحًا فلورسنتًا مضغوطًا ، بسحب طاقة إجمالية تبلغ حوالي 20 أمبير (ما يعادل اثنين المنافذ المنزلية). يتم توصيل كل من هذه المصابيح بخيط سحب ، مما يسمح للمشاهدين بالتحكم في إضاءة الهيكل – مثل البرق في السحابة فوقهم.

Post-Truth and Beauty
Post-Truth and Beautyは、光と音の抽象的な世界を部分的に垣間見ることで、「真実」のつかみどころのない性質に類似した感覚体験を生み出すことを目指しています。訪問者は、スピーカーリングに入ると、一度に1つずつ作品と対話するように招待されます。光と音はどちらも、視聴者の頭の位置に応じて変化します。視聴者が頭を動かして視点を変えると、この世界のさまざまな部分が明らかになります。

تريشا براون
트리샤 브라운
トリシャブラウン
Триши Браун
Walking on the Wall
The performers stood, and walked, and ran parallel to the floor along two adjacent walls while suspended in special harnesses rigged on cables to trolleys on industrial tracks along the ceiling.

O experimento da cama I
Testemunhe como as cobertas são puxadas para trás para revelar os rituais indomável Homo Sapiens em seu local de aninhamento favorito – uma cama gigante! Como um documentário bizarro sobre a natureza, THE BED EXPERIMENT rastreia quatro homens e quatro mulheres, que enquanto confrontam seus medos e desejos mais profundos, equilibram o espirituoso e o estranho com o dolorosamente real.

La USS Yorktown è una delle stazioni spaziali più singolari e interessanti che abbiamo mai visto in un film di Star Trek. E questo incredibile scatto di bellezza è probabilmente una delle mie scene preferite di uno qualsiasi dei film di riavvio di Star Trek.

Newark & M.G
La place de Trisha Brown dans l’histoire de la création Outre-Atlantique est unique : après Martha Graham et sa modern dance, Merce Cunningham qui dynamite les codes, Trisha Brown va s’imposer dans un courant, la danse postmodern qui a influencé nombre de chorégraphes actuels. La danse ici est jaillissante, faite de duos de plus en plus complexes avec bien sûr ce jeu des équilibres instables comme autant de coups d’arrêt au geste. Le plus souvent, sous nos yeux, un couple d’interprètes voit surgir un autre tandem dans un incessant jeu de déconstruction des lignes. Des marches, des courses, des dialogues féconds s’instaurent en scène. Newark est pour beaucoup une des grandes pièces de Trisha Brown.

THE BED EXPERIMENT ONE

Witness as the covers are pulled back to reveal the rites and rituals of the untamable Homo Sapiens in its favorite nesting place — a giant bed! Like a bizarre nature documentary THE BED EXPERIMENT tracks four males and four females, who while confronting their deepest fears and desires, balance the witty and weird against the painfully true to life.

“As the piece proceeds, the focus shifts from mating rituals to the antics of lovemaking, from the battle of the sexes to baby worship, and from dreams of conquest to nightmares of disembowelment. The bed turns from the cradle of civilization into a hospital cot, from a sultry desert to a tundra of monsters. As the scenes evolve — the performance is a 60-minute continuum — the tone mysteriously oscillates between extremes of farcicality or pathos. How the performers effect these wondrous transformations is one of the Adaptors’ most singular professional secrets”. Alan M. Kriegsman

Cloud
The hand-bent steel substructure of the sculpture is covered in a skin of incandescent light bulbs (new and burnt out), and rear-lit from within by 250 compact fluorescent bulbs, pulling a total power of approximately 20 amps (the equivalent of two household outlets  ).Each of these bulbs is attached to a pull-string, allowing viewers to control the illumination of the structure – like lightning in the CLOUD above them.

Magic Circle Colour Variation

БРЭД ДАУНИ И ЭЙКЕЙ
Brad Downey est un artiste contemporain américain, originaire du Kentucky. Il est né en 1980 et est diplômé de Pratt institute à New York et de Slade School of Art à Londres. Il habite actuellement à Berlin. Brad s’intéresse à plusieurs formes d’art comme la sculpture, la peinture, la photography et surtout le street art. Ses oeuvres sont toujours surprenantes et il adore détourner les objets de la vie quotidienne avec beaucoup d’imagination et d’humour comme des panneaux de signalisations, des bancs publics.

Yoko VIII
The sculpture is one of a series of works Brown began making in 1999 using his wife as a model. All the works are made to scale using Yoko Brown’s exact measurements; the sculptures vary between half and three-quarter scale. They are all cast in the same white acrylic composite resin but the figure is variously dressed and posed in each. more…

Fall 2017 Menswear Collection
“His designs initially shocked the fashion world but soon came to lead the trend of slim-fitting menswear. Browne drew much of his inspiration from classic mid-20th-century American style and incorporated preppy details such as grosgrain trim and short trousers shown with exposed ankles.”more…

تريشا براون
트리샤 브라운
トリシャブラウン
Триши Браун
SET&RESET/RESET I

S/S 2014

Yoko XVII

Hommage à Zofia Kulik

The group Sedzia Glowny (Chief Judge)—Karolina Wiktor and Aleksandra Kubiak—has radicalized the Polish performance-art scene. Since 2001, this unusual duo has been pushing the limits of human exhaustion to the further point of serious health conditions. By treading difficult paths, and striking the most disturbing and confusing chords, they have explored the sensual and psychological phenomena with their audiences, which include perversion, cruelty and masochism. They have tested the boundaries of gender roles under extreme conditions, experimented with games and role-playing between genders, as well as with the pleasures and responsibilities that come with power. The exhibition documents, reconstructs and closes the first stage of their activities, interrupted by Karolina Wiktor’s serious illness—the stage after which, as the artists themselves admit, the group will never be the same again.

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Interactive audiovisual dance performance
via highlike submit
Breakdown is an interactive audiovisual dance performance presented at the Ears Eyes and Feet event in the B. Iden Payne Theater, May 2014, UT Austin Texas.
Breakdown explores a 2 dimensional simulated world in which its physical rules are constantly being changed and manipulated by an external entity. An inhabitant of this world is in constant motion to adapt to its characteristics. He interacts with the physical rules and develops a dialogue with the entity who controls the forces. Eventually the inhabitant ends up breaking the world’s rules and release himself into a new world, a new dimension.

seed

Брэд Дауни и Эйкей
Fountain

WiFi Radiation

Doe

БРЭД ДАУНИ И ЭЙКЕЙ
Climate Control

아담 데이비드 브라운
Out of the Blue

De Rode Draad

Pop Pop Bang

Scalable City
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