highlike

Elina Zazulia – Subdermal Drift – Colombia / Russia

SUBDERMAL DRIFT

Elina Zazulia

 

FILE SÃO PAULO 2026: Inter-creativity – Art and Technology – LED SHOW
Electronic Language International Festival

 

Subdermal Drift – Colombia / Russia

Subdermal Drift is an audiovisual work exploring invisible synthetic materialities that permeate bodies and landscapes. Using AI-generated imagery, the project creates translucent, membrane-like textures and slow internal movements that evoke a postbiological sense of corporeality. Rather than depicting figures, the work unfolds as a tactile field where organic and artificial matter merge into a state of continuous transformation.

BIO

Elina Zazulia is an interdisciplinary media artist from Russia, currently based in Colombia. With a background in architectural environment design from the Stieglitz State Academy of Art and Design, she creates audiovisual works and installations exploring materiality, perception, and the spatial behavior of digital images.

Seohyo – Tidal Tessellation – South Korea

TIDAL TESSELLATION

Seohyo

 

FILE SÃO PAULO 2026: Inter-creativity – Art and Technology – Randomic Dimension
Electronic Language International Festival

 

Tidal Tessellation – South Korea

Tidal Tessellation is a generative animation reinterpreting urban flow as fluid movement. The artist projects the energy of city crowds onto the ebb and flow of tides. Using Perlin noise, geometric grids deform according to organic rules, overlaying natural rhythms onto rigid architecture. This work transforms static LED screens into breathing canvases where natural order permeates everyday life, harmonizing the city’s pulse with algorithmic vitality.

BIO

Seohyo  is a generative artist and educator exploring the intersection of algorithmic order and randomness. She expands public art by utilizing urban LED screens as canvases for code-based abstractions. Rather than focusing on static outputs, she emphasizes the generative process to let art naturally permeate everyday life, capturing the living pulses of the city through data and logic.

FILE SAO PAULO 2022

SUPERCREATIVITY

FILE SAO PAULO 2022- SUPERCREATIVITY

FILE Electronic Language International Festival

July – August 

Wednesday to Sunday, 10 A. M. – 8 P.M.

Centro Cultural FIESP

 

.
Creativity is not limited to the arts. It also takes place in all disciplines of Culture. Thus, in the aesthetic sense, it ceases to be creativity and becomes Supercreativity: the sum of all creative engines that permeate and connect to our culture.
.
A criatividade não se limita às artes. Também ocorre em todas as disciplinas da Cultura. Assim, no sentido estético, deixa de ser criatividade e passa a ser Supercriatividade: a soma de todos os motores criativos que permeiam e se conectam à nossa cultura.
.
Kreativität ist nicht auf die Kunst beschränkt. Sie findet auch in allen Disziplinen der Kultur statt. Somit hört es im ästhetischen Sinne auf, Kreativität zu sein, und wird zur Superkreativität: die Summe aller kreativen Motoren, die unsere Kultur durchdringen und mit ihr verbinden.
.
創意不僅限於藝術。 它也發生在所有文化學科中。 因此,在美學意義上,它不再是創造力,而是成為超級創造力:滲透並連接到我們文化的所有創造性引擎的總和。
.
創造性は芸術に限定されません。 また、文化のすべての分野で行われます。 したがって、美的意味では、それは創造性ではなくなり、超創造性になります。これは、私たちの文化に浸透し、つながるすべての創造的なエンジンの合計です。

Gerwald Rockenschaub

The work of the Austrian artist Gerwald Rockenschaub, born in Linz in 1952, has been associated with Neo-Geo since the early 1980s, when a group of young artists concentrated on the formal vocabulary of the abstract avant-garde. Neo-Geo permeated the aesthetics of American minimal art with the consumeristic position of pop art. Rockenschaub’s art cannot be simply categorised in any particular style, however; in his animations, foil pictures, objects and site-related installations, he refers in equal measure to ideas and positions of modernism and to phenomena of everyday culture.

Hansi Raber & Andreas Lutz

Algorithm Cinema
Daemon

FILE FESTIVAL

Machines and artificial intelligence have permeated virtually every aspect of our lives and consistently are about to conquer the last bastions of human autonomy. Do machines represent the more contemporary, ultimately perhaps even better humanoids and mankind gradually gets absorbed by this perfect system?
The audio-visual installation “Daemon” analyzes the never-sleeping and permanent alertness of an artificial intelligence.
FILE LED SHOW

guillaume mazars

ambient light
Project for a kiosk on the lakefront of Chicago. Waterfronts are special places. A meeting point between earth and sea, the horizon is exposed. More than elsewhere the sky is present, it illuminates and color permeates the place. The project aims to exacerbate this feeling by framing the views and accentuating the light of the moment.A translucent fabric filter diffuses the light, revealing the average color of the sky. This veil delimits the space and generates privacy. The fabric masks some of the context to better reveal its brightness. Inside a suspended fabric ring provides shade. The center of the roof is open to expose the sky. All you can see and connect with is the horizon and the sky.