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Claude – Protoform – South Korea

PROTOFORM

Claude

 

FILE SÃO PAULO 2026: Inter-creativity – Art and Technology – LED SHOW
Electronic Language International Festival

 

Protoform – South Korea

Protoform explores the primal structure from which all forms emerge. Composed of drifting particles, the work visualizes microscopic elements colliding and coalescing into a living sphere, echoing the formation of cells and molecules. Through continuous transformation and expansion, it reveals the invisible order underlying nature, capturing the moment where form remains fluid and becoming is infinite.

BIO

Soon Cho (CLAUDE) is a Seoul-based new media artist creating immersive, data-driven artworks inspired by nature’s fundamental structures. Through particles and generative systems, he explores abstract beauty and the invisible dynamics that shape life and matter.

Andres Isaza Giraldo – last_movie_on_earth_run_01 – Colombia / Portugal

LAST_MOVIE_ON_EARTH_RUN_01

Andres Isaza Giraldo

 

FILE SÃO PAULO 2026: Inter-creativity – Art and Technology – CINEFILE | Short
Electronic Language International Festival

 

last_movie_on_earth_run_01 – Colombia / Portugal

Following the extinction of humanity, a machine revives the life of its programmer and all his ancestors. In a matter of seconds, it has primal dreams of an exuberant pilgrimage of which almost no ruins remain.

BIO

Filmmaker born in Colombia. He studied Film and Television at the National University of Colombia and Multimedia Art at the University of Lisbon. He directed the short films Medias blancas (2017), Sereno (2022) and The Last Film on Earth (2023), which premiered at festivals such as FICUNAM, FICCI and the Beijing International Short Film Festival. His work explores cinematic time in the personal world.

HIROAKI UMEDA

holistic strata
Tokyo-based choreographer and video artist Hiroaki Umeda creates mesmerizing visual environments for his visceral solo works, appearing as a fine-spun swirl of movement in a digital storm of light and sound—an elusive figure, by turns frantic and still, awash in pulsating electronic waves. In a program of acclaimed companion pieces, Haptic and Holistic Strata, Umeda’s distinctive dance vocabulary draws on a range of butoh, ballet and hip-hop. He conceives his interdisciplinary events as a sensorial whole, creating the beats and sonic textures as well as the entrancing video and lighting effects. Designed to elicit primal emotion, Umeda’s work is minimalist and radical, subtle and violent, abstract yet precise, and thrillingly physical.

Lauren Gregory

Triptych
FILE ANIMA+GAMES RIO 2015
Lauren Gregory’s work has been described as primal — drawing from the vocabulary of early human cave paintings, she instinctually always paints with her fingers. Working quickly in oils, she records surprisingly precise images of her live portrait subjects, commemorating the tenderness of their brief human connection.

RUAIRI GLYNN

Fearful Symmetry
Taking its title from a line in William Blake’s poem “The Tyger”, the installation is inspired in part by the visceral description of an encounter with a creature in the night. So startling that the author questions the purpose and tools that could make such a life form. Intending to bring visitors to a primal state of hyper-awareness, the encounter of the work aimed to create such a visceral encounter.