extended Baryon Oscillation Spectroscopic Survey ( eBOSS)
“Taken together, detailed analyses of the eBOSS map and the earlier SDSS experiments have now provided the most accurate expansion history measurements over the widest-ever range of cosmic time. These studies allow us to connect all these measurements into a complete story of the expansion of the Universe.” Will Percival
Zhipeng Wang
FILE SÃO PAULO 2026: Inter-creativity – Art and Technology – MUSIC
Electronic Language International Festival
Singularity – China
A singularity is a point of infinite curvature where laws dissolve. Singularity visualizes the invisible forces of sound at this threshold. Using real-time algorithms, millions of particles are simulated as a volatile quantum field. Driven by spectral data, visual matter oscillates between entropy and a unified core. Transforming the dome into a particle accelerator, the work immerses the audience in a collision of digital matter and sonic energy—the birth and collapse of a universe.
BIO
Zhipeng Wang, digital artist, graduated from the China Academy of Art, Intermedia Art Academy. His practice includes live audiovisual performance, generative art, and sound art, among other forms.
Zen Cohen
FILE SÃO PAULO 2026: Inter-creativity – Art and Technology – VIDEO ART SHORT
Electronic Language International Festival
Desert ECH0000000 – United States
Desert ECH0000000 is a site-specific video performance recorded during an artist residency at High Desert Test Sites in Joshua Tree, California. This work emerged from an immersive engagement with the landscape, where movements through the desert were captured and mediated using a camera and customized software. It invokes the concept of quantum branching—the idea that every event with multiple possible outcomes gives rise to parallel universes.
BIO
Zen Cohen’s exhibition credits include the deYoung Museum, SFMOMA, Yerba Buena Center for the Arts, Vanity Projects, Museo de Arte Moderno (CDMX), Ex Teresa Arte Actual (CDMX), and Centro Atlántico de Arte Moderno (Canary Islands). She is the founding director of Open Air Media Festival which received an NEA in 2024.
Tassio Caetano
FILE SÃO PAULO 2026: Inter-creativity – Art and Technology – VIDEO ART SHORT
Electronic Language International Festival
Linha Tênue – Brazil
Linha Tênue is an audiovisual work that transforms the line into the protagonist, revealing its ambiguity and ability to unfold between form, gesture, and autonomy. Each stroke moves, connects, dissolves contours, creates figures, and establishes temporal relationships flowing between image and sound. The work invites viewers to experience the tension between structure and freedom, perceive details multiplying through continuous movement, and immerse themselves in a sensory universe.
BIO
Born in Brasília, the artist graduated in Composition from the University of Brasília and is currently pursuing postgraduate studies at UNESPAR. His recent research focuses on electroacoustic, visual, and multimedia composition, with works presented at festivals in Brazil, Latin America, Europe, and the United States.
Dudu Okun
FILE SÃO PAULO 2026: Inter-creativity – Art and Technology – VIDEO ART SHORT
Electronic Language International Festival
Todo Caos se Transforma – Brazil
With an aesthetic inspired by surrealist cinema and fashion films, the music video Todo Caos se Transforma embodies the art and technology research developed by the duo Dudu Okun. The music combines analog and digital elements, while the visual universe (sets, costumes, and characters) was entirely conceived using AI. The project explores diverse production methods, seeking to humanize technologies in a poetic intersection between electronic music, digital languages, and visual arts.
BIO
Dudu Okun is an independent band from São Paulo that fuses music and visuals in an experimental aesthetic. The duo, formed by Rodrigo Martins and Thiago Alves, moves between Afro-diasporic electronica, alternative rock, and synthpop. Focusing on autonomy, the project uses digital languages to create dreamlike atmospheres where sound, image, and performance merge in search of new ways of existing through art.
Zheyan Li
FILE SÃO PAULO 2026: Inter-creativity – Art and Technology – CINEFILE | Short
Electronic Language International Festival
A Bedtime Story for the End – China
In the near future, a global plague of “perpetual wakefulness” has taken away everyone’s ability to dream. People then discover that our collective, unconscious dreams were the very energy that kept the laws of the universe stable. As the dreams vanish, reality itself begins to fray and unravel. The rules of physics come loose in ways both poetic and strange. Countless sleepless people toss and turn in their rooms, the border between their inner minds and the outer world blurring.
BIO
Zheyan is a visual artist and poet from Chenzhou, China, and a graduate of Metfilm School, in London. His work spans experimental film, documentary, photography, and AI-generated art. He uses a calm, restrained visual language to create cold, philosophical spaces, prompting audiences to reflect on human existence.
Vanessa Rosa
FILE SÃO PAULO 2026: Inter-creativity – Art and Technology – Animation
Electronic Language International Festival
Little Martians: Dear Human, My Muse – Brazil
Little Martians are future beings who claim to be the creators of our reality. One of them wants to apologize.
This film is created with handmade ceramic pieces that are transformed into AI-powered avatars in a sci-fi universe. Using a variety of AI techniques the sculptures become generative characters that can tell their own stories. The film is a character introduction for Verdelis, a plant humanoid Little Martian who lives in an abandoned biodome on Mars and has a deep empathy for humanity.
BIO
Vanessa Rosa is a Brazilian-born, US-based visual artist whose work seamlessly blends physical and digital media to create immersive storytelling experiences. With roots in street art, her practice has evolved to encompass murals, ceramics, projection mapping, and AI-assisted art, often exploring themes of world history, cultural exchange, and speculative futures.
Ricardo Druskic & Saša Peševski
FILE SÃO PAULO 2026: Inter-creativity – Art and Technology – Animation
Electronic Language International Festival
BLU – Long Night Of The Soul – Bosnia and Herzegovina
Inspired by Jungian psychology, the animated film follows BLU as he enters Xanthea 2502, a realm inhabited by ghosts, archetypes, and mythological beings. In this symbolic universe, BLU confronts his inner demons and undergoes a psychological transformation. The narrative is introspective rather than linear, emphasizing atmosphere, movement, and silence, with sound design still in development.
BIO
Rikardo Druskic is a multidisciplinary experimental artist working across painting, digital animation, and virtual reality. He is the creator of the sci-fi art cycle Xanthea 2502, exploring mythology, AI, and subconscious realms.
Saša Peševski is a director and professor at the Academy of Arts in Sarajevo, specializing in acting, theater, and film direction while mentoring emerging artists.
Project Aurora
FILE SÃO PAULO 2026: Inter-creativity – Art and Technology – Installations
Electronic Language International Festival
El Macroscopio – Colombia
Using the movement of your hands, manipulate a real-time universe simulation and blur the boundaries between scales, from the astronomically large galaxies to the tiniest particles of life. Become the composer of your own visual and auditory experience, as you create a unique and unforgettable journey for yourself and those around you under the dome.
BIO
Daniel Shambo is an award-winning art director and immersive media artist blending animation, creative coding, and new media design to craft visually poetic, sensorial experiences.
Amir Admoni & Fabito Rychter
FILE SÃO PAULO 2026: Inter-creativity – Art and Technology – Installations
Electronic Language International Festival
Gravidade VR – Brazil
Gravidade VR takes place in a surreal world where everything, including the public, is constantly falling. In this universe, with no walls, horizon, or sense of up and down, there is no room for vertigo or fear. Within this setting, we meet Osório and Benedito, two brothers who have spent their entire lives in this endless fall. But, as with all things in life, this journey is about to come to an end.
BIO
Amir Admoni and Fabito Rychter have collaborated for over 10 years, creating films, TV shows, and theatrical works marked by a distinctive visual style and singular storytelling. The duo has gained international recognition, earning 71 awards and presenting their work at more than 120 festivals. Gravity VR is their first joint venture into virtual reality, followed in 2021 by Lavrynthos, their second VR project.
Augmented and Virtual Reality Festival: brings together immersive practices in simulated three-dimensional environments and expands the perception of reality through the superimposition of digital layers onto physical space. The works use mobile devices, glasses, and spatial interfaces to insert virtual objects, narratives, and data into the real world or transport the public to sensory and interactive digital universes. These languages challenge the boundaries between the material and the informational, exploring subtle or monumental interventions, creating multidimensionality in the environment. Issues of presence, body, narrative, memory, surveillance, and technological mediation are central, configuring a fertile field of aesthetic and critical investigation into contemporary ways of inhabiting and perceiving space.
Applications were open until February 19, 2026. Access the application form.
سيدي العربي الشرقاوي
西迪·拉比·切考维
Сиди Ларби Шеркауи
TeZukA
Het is een eer, een genoegen en een zegen om zijn wereld met die van mij te laten samenvloeien.” Dat zegt choreograaf Sidi Larbi Cherkaoui over Osamu Tezuka. Het universum van deze visionaire Japanse striptekenaar – een fascinerende mix van traditie, sciencefiction en hedendaagse werkelijkheid – vormt het materiaal voor Cherkaoui’s nieuwe dansvoorstelling. Met ‘TeZukA’ keert de choreograaf terug naar zijn eerste liefde, de tekenkunst. Maar de meester van de manga (Japanse striptekening) beïnvloedde de choreograaf op meer dan louter vormelijk vlak. Opgegroeid in het naoorlogse Japan behandelde Osamu Tezuka universele thema’s zonder enig taboe. Hij droeg mensenrechten, ethiek en tolerantie hoog in het vaandel. In ‘TeZukA’ maakt Sidi Larbi Cherkaoui het artistieke proces fysiek zichtbaar: hij zet zowel zijn dansers als kalligrafen in om het tekenproces op de scène te beschrijven. Van een leeg blad over één enkele Japanse kanji (letter) tot een volledig uitgewerkt mangapersonage. ‘TeZukA’ brengt hulde aan de tekeningen en de humaniteit in het werk van de ‘god van de manga’.
Fredo Agudelo
FILE SÃO PAULO 2025: SYNTHETIKA – Art and Technology – LED SHOW
Electronic Language International Festival
mutanttales — Posterra – Colombia
In the end, the organic will eat technological waste like fungi. What remains of humanity in this finale? What remains of Earth over human vanity? We are beings in an unconscious mix, sitting behind screens as if traveling in a spaceship in the void of the universe. The layers fall away, and our corporeal reality remains. Scan your consciousness and step out of your spaceship; in Posterna, there’s still a world to live in.
BIO
Colombian audiovisual artist based in São Paulo. He has experience with video mapping, working in Colombia on various projects and participating in several video mapping festivals in Brazil. He is currently working increasingly with sound to bring a live audiovisual exhibition to the audiovisual art scene, blending experimental sound with video projections.
Jiatong Yao
FILE SÃO PAULO 2025: SYNTHETIKA – Art and Technology – CGI VIDEOS
Electronic Language International Festival
ChromaPause – China
ChromaPause is an experimental film that explores the relationship between urban life, posthuman identity, and the yearning for nature in a digitalized world. Futuristic flowers bloom in a surreal mesh, symbolizing the balance between the organic and the synthetic. Posthuman figures merge with the technological landscape, embodying the convergence of humanity and technology. The work invites pause and reflection in this pulsating universe.
BIO
Jiatong Yao connects art, technology, and culture, exploring XR, 3D, AI, and interactive computing. He reflects on the transformation of the modern self through technology, creating immersive experiences that intertwine humanity and the digital age. With a background in computer science and technical art, he develops innovative projects on the impacts of information on society.
Cornelis Clement
FILE SÃO PAULO 2025: SYNTHETIKA – Art and Technology – Shorts Films AI
Electronic Language International Festival
AI Created a Sci-Fi World You Won’t Believe! – Germany
AI Created a Sci-Fi World You Won’t Believe! is a science fiction universe generated by artificial intelligence. Custom-created images for this world were brought to life with motion and an original soundtrack, resulting in an immersive experience. The work invites the audi ence to explore breathtaking alien landscapes, futuristic cities, and cosmic phenomena reminiscent of Dune and No Man’s Sky. This AI-generated video transports viewers into a realm of visual marvels and hypnotic atmospheres.
BIO
Cornelis is a Berlin-based artist specializing in AI-generated art. He views technology as the dawn of a new era in artistic creation and seeks to be an active part of this movement. His work aims to push creative boundaries, offering audiences new ways to experience imagined worlds.
An-Ting e Ian Gallagher
FILE SÃO PAULO 2025: SYNTHETIKA – Art and Technology – Shorts Films AI
Electronic Language International Festival
Black-collared Starling 烏領椋鳥 (Hong Kong) – Taiwan | United Kingdom
An-Ting blends bird song recordings, experimental electronic music, soundscapes, and driving beats. Ian Gallagher employs cutting-edge artificial intelligence technologies to document the duo’s experiences, with live visuals that react in real time to An-Ting’s music.
BIO
An-Ting 安婷 is a versatile artist who moves between piano, electronic compositions, and various other forms of artistic expression. She transforms her life experiences into musical creations, exploring the relationship between humanity, nature, and the spiritual universe.
Ian Gallagher studied Theoretical Physics in Edinburgh before completing a PhD in Complex Systems at the University of Manchester. He has been deeply involved in Manchester’s music scene, working as a sound engineer, show producer, and performer on stage, collaborating with artists such as Daniel Johnston and Neva Dinova.
This work was supported by the British Council and the organization Cryptic Glasgow.
The Legend of Ogie
FILE 2024 | Aesthetic Synthetics
International Electronic Language Festival
SurrealismToday.com – The Legend of Ogie – United States
What worlds exist beyond Einstein’s speed limit? Inspired by Eric Weinstein’s theory of Geometric Unity, the work explores the idea that space-time is like a melody playing over an eight-dimensional universe. Abstract and metamorphic forms transition from organic forms to parastatic patterns, creating a dance of visuals and sounds that merge into an immersive experience of fractal unfolding.
Bio
SurrealismToday.com is an artist collective and educational platform dedicated to the proliferation of surreal and visionary ontologies in contemporary art. The group began as an esoteric cargo cult dedicated to discovering the beautiful, the fantastic, and the transcendent in the pseudo-philosophical landscape of the art world. His methods include searching for gems in the digital world and infusing mystical enchantments into generative diffusion models.
Distortions of The Past
FILE 2024 | Aesthetic Synthetics
International Electronic Language Festival
Michael Sadowski (aka derealizer) – Distortions of The Past – Austria
Fractal elements that resemble cosmic structures evoke the illusion of traveling through a fractal universe. Rules, in the form of prompts, and chance interact with each other to create a visual fantasy.
Bio
Using Stable Diffusion, a visual synthesizer, the artist turns fantasies into videos using just a PC, similar to the invention of printing 600 years ago. Exploring the interplay between software algorithms that create visual worlds and the artist’s mind guiding this process is incredibly exciting. Unlike traditional cinema, there is no ‘reality’ or humans involved, making it a satisfying medium for creating visual art.
Credits
Visuals: Michael Sadowski
Music: Distortions of the Past by Dreamstate Logic
Turandot
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Robert Wilson and Puccini
This new encounter between his powerful visual universe and Puccini’s evocative music was bound to be an outstanding event. Carried out by a brilliant cast of singers, dominated by Irene Theorin as Turandot, Gregory Kunde as Calaf and Yolanda Auyanet as Liù, this magnificent production is conducted by the Teatro Real’s associate musical director Nicola Luisotti – and has been met with universal acclaim.
Elements
Elements is an experimental art film by Maxim Zhestkov about nature, physics, art and love. More than 2 billion elements / particles governed by tensions and forces of nature were used to tell stories and show emotions through the motion of collective behavior.
The film is a trial to explore the idea that everything around us and inside us is made from simple elements / blocks which can be arranged in complex relationships and become compound structures. We could project this idea into emotions, behaviours, thought processes, relationships, life, planets and the 23.
micro | macro
micro | macro transforms Hall E in the MuseumsQuartier into an oversized world of moving images and sounds. In his immersive installation, multimedia artist Ryoji Ikeda creates a field of imagination between quantum physics, empirical experimentation and human perception. In collaboration with nuclear scientists at CERN, Ikeda has translated complex physical theories into a sensory experience. The Planck scale is used by scientists to denote extremely small lengths or time intervals. Concepts like space and time lose their meaning beyond this scale, and contemporary physics has to rely on speculative theories. And on art. Visitors to micro | macro enter a world of data, particles, light and sound that makes the extremes of the universe perceptible to the eye and ear. In the micro world we penetrate the smallest dimensions of the unrepresentable, while in the macro world we take off into cosmic expanses that allow us to experience the infinite space beyond the observable universe. In this maelstrom of data, an acoustic and visual firework bridges the gap between theoretical understanding and sensual perception.
REUSABLE UNIVERSES
Shih Chieh Huang combineert zijn jarenlange fascinatie voor technologie en de materialen van het moderne leven om alledaagse gefabriceerde objecten om te zetten in nieuwe en opmerkelijk complexe sculpturale vormen. Huang verheft het bouwen van circuits, het opnieuw bedraden van transistors en andere hardwarebewerkingen tot een kunst die niet alleen onze zintuigen verbindt, maar ook ons gevoel van menselijkheid tussen het virtuele en analoge bestaan van vandaag.
ECHO CHANT
In a universe from which no particle escapes, every voice eventually fades away. No matter how loud or often a call shouts or how urgent the message is. At least… in theory. But what about real life? As a roaring voice in full force rises from a protest over a square, it sets billions of atoms in motion above a crowd. “No justice, No Peace!” The message of vibrating particles charged with kinetic energy empowers the mass and shakes the established order on a verge of collapse. All according to the laws of nature. Dutch artist Lotte Geeven listened to these hotspots of change around the world after the streets and squares had been swept clean and silence had returned. Looking for an echo.
The Great Adventure of Material World
FILE FESTIVAL
The Great Adventure in Material World/Material World Knight is the most adventurous video game artwork that Lu Yang has created. The Great Adventure in Material World/Material World Knight has combined all the protagonists in Lu Yang’s artworks from the past and created an alliance of these heroes. In this video game, the world can be indefinitely explored by players. It has also incorporated several other elements created in various works from the artist before”. Once players enter the video game, they will transform into knights in this Material World. As protagonists of the alliance of heroes in the Material World, they will explore the Universe, absorb energy, be destroyed and achieve rebirth. They will fight all sorts of emotions, desires and eventually with themselves.
بوب ويلسون
鲍伯·威尔逊
בוב וילסון
ロバート·ウィルソン
밥 윌슨
БОБ УИЛСОН
Arvo Pärt
Adam’s Passion
Estonian Arvo Pärt is one of the three most performed contemporary composers worldwide. His music has been described as contemplative, sacred, and timeless. “Time for us is the time of our own lives. It is temporary. What is timeless is the time of eternal life. Like the sun, we cannot look at these two directly, but my intuition tells me that the human soul is connected to both of them—time and eternity,” says Pärt. Much like Robert Wilson’s own universe, where time and space are the basic architecture of everything, it is as if these two artists have been waiting to collaborate with one another! ADAM’S PASSION will be a journey into the worlds of sound, light, visual art and performance. It will celebrate Arvo Pärt’s 80th birthday—all in a spectacular venue, the Noblessner Foundry, a vast, old industrial building by Tallinn’s harbo
50Myconnect
Myconnect “offers the experience of a symbiosis of connection between humans, nature and technology. The spectator becomes an actor by lying in a capsule, equipped with a helmet and body sensors measuring the variations in his rhythm This data is modulated and transmitted to a closed universe of mycelium culture (white mushroom) to produce alterations using electrical resistance. These variations in turn generate signals, sent back to the person in the form of vibration, sound and light. Each cycle can be different depending on whether the experience is stimulating or calming. This type of perceptual exchange enabled by technology reveals how much the human being is an integral part of the complex network that links him to his environment.
ベルナール・パルメジャーニ
La Creation du Monde
This is a sprawling, ambitious painting in sound modeled on the birth of the universe. Moving from roiling, gaseous clouds of hiss and static through sharp peels of detailed, unrestrained texture, this is acousmatic music at its very finest, literally creating a universe of sound out of thin air.
The Man from the 9 Dimensions
Based on the latest scientific data and hypotheses, Takashi Shimizu, the pioneer of horror movies, visualizes the world as theoretical physicists see it in order to create a new kind of science movie. The world’s first 3D full-dome movie on the “Theory of Everything”; the ultimate goal of physics to describe all natural phenomena by a single, consistent theory. Physics is in crisis. Our understandings of the microscopic world of elementary particles and of the macroscopic world of the universe are in contradiction. Scientists are striving to resolve the contradictions and construct the Theory of Everything. Be ready to be surprised by the new world of vibrating strings and hidden dimensions predicted by the most promising hypothesis, the Superstring Theory.
Scientific Advisor: Hirosi Ooguri
Director: Takashi Shimizu
Torus
Directed by British fashion photographer Nick Knight of SHOWStudio, Torus is a film on human connection and loneliness featuring choreography by Wayne McGregor and styling by Norwegian designer Fredik Tjærandsen. Performed by Company Wayne McGregor, Torus shows dancers wearing inflatable balloons designed by Tjærandsen, orbiting in darkness as isolated entities, occasionally lit as they transition through a temporal universe, a mirror to the life that many are only passing through, barely connecting.
TOKYO METACLOUD
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Vincent Leroy onthult ‘Tokyo Metacloud’, een gigantische zwevende wolk die door de straten van de japanse metropool trekt. De installatie, bestaande uit dunne gebogen bladen, speelt met de balans tussen materiaal, lucht en transparantie om een indruk van extreme lichtheid te creëren. Nogmaals, het poëtische en contemplatieve universum van Leroy maakt kijkers los van de echte wereld en nodigt hen uit om te genieten van een meeslepende, dromerige ervaring.
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Vincent Leroy unveils ‘Tokyo Metacloud’, a gigantic floating cloud that sweeps through the streets of the Japanese metropolis. The installation, consisting of thin curved blades, plays with the balance between material, air and transparency to create an impression of extreme lightness. Again, Leroy’s poetic and contemplative universe detaches viewers from the real world and invites them to enjoy an immersive, dreamlike experience.
ايسي مياكي
איסי מיקים
イッセイミヤケ
이세이 미야케
ISSEY MIYAKE
homage
R.I.P
ISSEY MIYAKE valued free and unconventional thinking – thinking that took into account the spirit of creation, curiosity and love as a universal expression.
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ISSEY MIYAKE schätzte freies und unkonventionelles Denken – Denken, das den Geist der Schöpfung, Neugier und Liebe als universellen Ausdruck berücksichtigte.
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ISSEY MIYAKEは、自由で型破りな思考、つまり創造の精神、好奇心、愛を普遍的な表現として考慮した思考を大切にしました。
TIMELAPSE OF THE FUTURE: A Journey to the End of Time
We start in 2019 and travel exponentially through time, witnessing the future of Earth, the death of the sun, the end of all stars, proton decay, zombie galaxies, possible future civilizations, exploding black holes, the effects of dark energy, alternate universes, the final fate of the cosmos.
Colourfield
Colourfield is an evolutionary ecosystem of colour. Colour agents try to exist in a simple universe by producing colours that are suited to their environment. This environment is determined by the other agents and the colours they produce. Entering into complex feedback cycles, Colourfield presents an evolving palette of shifting colours. Different configurations emerge based on the strategies the ecosystem discovers for co-existance and co-dependency. Harmonious configurations often remain stable for a short while, before eventually being replaced by new relations, better able to survive in the ever shifting environment.
Heliocentric
“Heliocentric” is a lighting sculpture represents the movement of universe. It dialogues to its history (from temple to school to creative hub) and its functionality (welcoming people connect and learn the universe)
With the lighting arrangement, kinetic movement of the light, and the performer , it shows the relationship between universe, knowledge and human.
Slow room
To bring a life form to a singular lack of motion is to kill it. Museums are repositories of the past. Ideas that lived outside are rendered dead in the careful buildings. Just as dead as the grizzly in the diorama at the Met is the Lichtenstein at the MoMA. The ideas reach a peak and trade their vitality, their life, for an expanded lifespan. The SLOW ROOM was envisioned as an answer to this dilemma… to be in motion to live and die in the museum… to be a part of the system while denying and rejecting the stasis… to embrace the chaos to make the entropy an ally is to understand a fundamental nature of the Universe. SLOW ROOM will live and it will die.
Universe
WHITEvoid는 WHITEvoid의 하우스 브랜드인 Kinetic Lights의 최신 혁신 기술로 동적 LED 설치를 설계하고 구현했습니다. HD 실시간 스트리밍이 가능한 비디오 삼각형입니다. 전체 프로젝트의 제작은 베이징에 있는 현지 L!VE Kingway 팀의 지원을 받았습니다. 다양한 형태와 형태의 정확한 동역학적 움직임은 (보통 비디오 월이나 프로젝션의 경우와 같이) ‘단지 배경’이 아니라 ‘배우’ 또는 ‘연주자’의 역할을 했습니다. 민속 합창단의 공연과 결합된 이 다차원 비디오 설치는 공연자들이 무대에서 실시간으로 ‘우주’와 상호 작용할 수 있도록 했습니다.
Peter Eötvös
Multiversum
Multiversum is written for two solo instruments and orchestra, for two instruments of the same family: the traditional organ with its rich but static colours and the modern Hammond, which can continuously change colours. It was very important for me that the sound of the two organs could completely wrap around the audience, like we imagine the cosmos envelops us. The traditional organ sounds from the front, the Hammond from the back. If we visualise the two organs as our galaxy, then the different groups of the orchestra can represent different galaxies. That’s how the “Universe” becomes the “Multiversum”.
Universe
WHITEvoid ontwierp en realiseerde de dynamische LED-installatie met de nieuwste innovatie van WHITEvoid’s huismerk Kinetic Lights: de videodriehoeken met HD realtime streaming. De productie van het hele project werd ondersteund door het lokale L!VE Kingway-team in Beijing. De precieze kinetische bewegingen van verschillende vormen en vormen speelden de rol van een ‘acteur’ of ‘performer’ in plaats van ‘slechts een achtergrond’ te zijn (zoals meestal het geval is bij videowalls of projecties). Gecombineerd met de uitvoering van een volkskoor, stelde deze multidimensionale video-installatie artiesten in staat om in realtime op het podium te communiceren met het ‘universum‘.
Machine Memoirs
Es una exploración de estructuras celestes a través de la mente de una máquina. Esta instalación inmersiva tiene como objetivo combinar exploraciones pasadas y soñar con lo que puede existir más allá de nuestro alcance. Usando inteligencia artificial para narrar lo “desconocido” y una red neuronal generativa entrenada en imágenes de la Tierra, la Luna, Marte y la Galaxia, tomadas de observaciones de la ISS, Chandra, Kepler, Voyager y Hubble, esta instalación imagina un universo alternativo, quizás aportando más textura a nuestra propia tela.
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Is an exploration of celestial structures through the mind of a machine. This immersive installation aims to combine past explorations and dream of what may exist just beyond our reach. Using machine intelligence to narrate the “unknown,” and a generative neural network trained on images of the Earth, Moon, Mars and the Galaxy, taken from ISS, Chandra, Kepler, Voyager, and Hubble observations, this installation imagines an alternate universe, perhaps providing further texture to the fabric of our own.
PIVOT POINT – ICHIHARA
‘Pivot Point – Ichihara’ is an interactive site-specific installation. Standing on a controller pod you navigate over and through a 3D terrain where gravity seems to have disappeared, you gradually become tele-present in a parallel projected space by exploring a mediated version of the venue, it’s direct surroundings and the Ichihara region. A cinematic journey to a fascinating point cloud realm, precise in details but simultaneously abstract and dreamlike.The kidney shaped interface is covered with capacitive sensors and mounted on a pole, touching this interface right, left, up or down aims the virtual camera accordingly. When you release the navigation pole the virtual camera automatically starts spiralling back to the initial starting point your journey and temporary centre of the universe, the Asohbara Art House.
Спенсер Finch
سبنسر فينش
斯宾塞·芬奇
스펜서 핀치
ספנסר פינץ’
Спенсер Финч
In Finch’s universe if you wait a few hours, the sun may very well change a leaden hue into gold. Like the ancient practitioners of the hermetic arts, who saw changes as the most fundamental truth of the universe, the artist doesn’t always provide an answer in his investigations. For Finch art can do more; it can “ignite our capacity for wonder.”
DARK DISTORTIONS
‘Dark Distortions’ – was inspired by Euclid, a forthcoming ESA mission to study the mysterious nature of dark matter and dark energy, which is due to launch in mid-2022. Dark matter is thought to account for 85% of the matter in the universe. Visible stuff within galaxies – such as stars and planets and dust – has insufficient gravitational pull to prevent galaxies from disintegrating as they rotate. But galaxies don’t fly apart in this way, so astrophysicists proposed that they must contain “dark” matter that has sufficient mass to keep galaxies intact – but which has never been seen directly.
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ТЕМНЫЕ ИСКАЖЕНИЯ
«Dark Distortions» – был вдохновлен Евклидом, предстоящей миссией ЕКА по изучению загадочной природы темной материи и темной энергии, запуск которой запланирован на середину 2022 года. Считается, что темная материя составляет 85% материи во Вселенной. Видимое вещество внутри галактик – например, звезды, планеты и пыль – обладает недостаточным гравитационным притяжением, чтобы предотвратить распад галактик при их вращении. Но галактики не разлетаются таким образом, поэтому астрофизики предположили, что они должны содержать «темную» материю, обладающую достаточной массой, чтобы сохранить галактики в целости, но которую никогда не видели напрямую.
Art of the Cell
Beneath our everyday world there is a miniature universe of cells, trillions of tiny worlds, unseen and beautiful. Here is our latest 3D medical demo reel, including clips from many of the projects we’ve worked on, such as “Biology:How Life Works”, and “The Inner Life of the Cell”. We hope that you enjoy this two and a half minute tour of the Art of the Cell.
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Art de la cellule
Sous notre monde quotidien, il y a un univers miniature de cellules, des trillions de mondes minuscules, invisibles et beaux. Voici notre dernière démo médicale en 3D, comprenant des extraits de nombreux projets sur lesquels nous avons travaillé, tels que «Biologie: comment fonctionne la vie» et «La vie intérieure de la cellule». Nous espérons que vous apprécierez cette visite de deux minutes et demie de l’Art de la cellule.
Universo di particelle d’acqua
Universe of Water Particles è una cascata creata in un ambiente simulato al computer. Una roccia virtuale viene prima scolpita e l’acqua generata dal computer composta da centinaia di migliaia di particelle d’acqua viene poi versata su di essa. Il computer calcola il movimento di queste particelle per produrre un’accurata simulazione di cascata che scorre secondo le leggi fisiche. Successivamente, viene selezionato lo 0,1 percento delle particelle e vengono tracciate delle linee in relazione ad esse. La sinuosità delle linee dipende dall’interazione complessiva tra le particelle d’acqua e forma la magnifica cascata vista sullo schermo.
Parallaxis
In einer neuen Bewegtbildarbeit des in Melbourne lebenden Künstlers und Architekten Matthew Bird bewegen sich zwei Körper mit großen zylindrischen Instrumenten über das Land. Wir sehen, wie sie ein Terrain kartieren und vermessen, das den universellen physischen und psychischen Orten entspricht. Jede Revolution markiert einen paradoxen Versuch, eine irdische Position durch ständige Bewegung zu bestimmen. Parallaxis spielt mit dem menschlichen Bedürfnis, unsere Beziehung zu den Menschen und Orten um uns herum zu verstehen, und betrachtet das Potenzial architektonischer Prozesse und Messungen als Grundlage für Strukturen des Verstehens.
Argos
The work Argos is a 41-channel muon particle detector. It reacts with a flash each time a muon particle emitted by the universe is detected in the air – a mechanism that is carried over to another work titled Impulse. Taking the form of a chandelier, Impulse is a work consisting of numerous cylindrical tubes that extend out like the hanging branches of a tree as clear fluid flows through them. Every time Argos detects a particle, it transmits a signal to Impulse, with the result that we can see with our own eyes the air bubbles and motion of the fluid running through the artwork.
Ghost City
The installation Ghost City is built around a reinterpretation of the set of the famous game GTA V. The spectator is plunged into an environment without any population that disappears as we move closer. It is a meditative and captivating experience. The focus is put on architectural and graphic elements. This virtual universe solicits both the present (the experience of the artwork) and the memory. The disappearance, before our eyes, of this virtual universe feeds the terror that one day all our digital life – ephemeral cloud.
Pasionaria
Pasionaria represents the consequences of our current way of life, as conceived by choreographer Marcos Morau. A future where human beings would have lost their vitality through individualism and transhumanism. The gloomy universe of the spectacle thus seems sanitized of all affect, all passion, and consequently, humanity. All that remains is the labor force that is tirelessly busy vacuuming or handling packages of products. Ringing phones, doors or other objects constantly capture the attention of the protagonists who have become puppets. Manipulated by outside forces, instead of being driven by their deep desires, the humans of this dystopia merge into simple working robots.
Credo
A radio telescope scans the skys in search of signs of extraterrestrial life.
The received raw signals serve as input data for a neural network, which was trained on human theories and ideas of aliens. Now it tries desperately to apply this knowledge and to discover possible messages of other civilizations in the noise of the universe. Mysterious noises resound as the artificial intelligence penetrates deeper and deeper into the alien data, where it finally finds the ultimate proof.The sound installation revolves around one of the oldest questions of mankind – one that can never be disproved: Are we alone in the universe?
