highlike

YING GAO

Possibili Domani
I due capi robotizzati sono collegati a un sistema di riconoscimento delle impronte digitali. Tuttavia, aggirando il concetto di sicurezza, si animano solo in presenza di estranei le cui impronte digitali non vengono riconosciute dallo scanner. L’estetica e il movimento di questi capi evocano ipotrocoidi, forme prese in prestito dal gioco vintage Spirograph: le loro curve appiattite sono disegnate da un unico punto legato a un cerchio mobile che rotola senza scivolare, sopra e all’interno di un cerchio iniziale. Questo progetto è stato sviluppato da una serie di algoritmi legati al regno del riconoscimento di pattern, o grafico a dispersione.

Squarepusher

Nervelevers
if “Nervelevers” is anything to go by, Squarepusher’s upcoming album, Be Up A Hello, will be the closest thing we’ve had to vintage Squarepusher in years. This will be welcome news for many fans. Much like the best of Squarepusher’s catalogue, there’s a brilliant live quality to “Nervelevers.” His music often doesn’t sound like a single producer staring into a computer, but more like an incredibly tight jazz band, totally in sync. The track might not feature his virtuosic bass playing, but you can picture him slapping his bass guitar during its frantic acid line. You’re pulled through a chaotic wormhole, with only a brief respite when the glitched jungle drums break down to an almost hip-hop stagger. It’s fast, unpredictable, and most importantly, fun. Only a handful of artists can make music this complex feel like such a good time.

Matt Kenyon

Мэтт Кеньон
مات كينيون
매트 케년
マット・ケニヨン
Supermajor

In Supermajor, a rack of vintage oil cans sits innocuously on the gallery floor. A punctured can, located somewhere mid-stack, has sprung a leak. The oil flows out in a steady trickle, cascading onto the pedestal below; a golden-brown pool forms at its base. Upon closer inspection, however, the oil is not originating from the can. Instead, its stream is reversed. Drop-by-drop the oil flows upwards, defying gravity. At times, droplets even appear to hover in mid-air. Returning to its source, the upward ascent of oil continues uninterrupted as if neither the can’s reserves of the nor the puddle’s can ever be depleted.
FILE FESTIVAL

Ffo

Esta hermosa serie de collages, de temática floral y anatómica, han sido diseñados por el artista residente en Moscú conocido como “FFO”. FFO realiza ilustraciones clásicas, vintage, que se mezclan y moldean juntas, orgánicamente.

PHILIPPE JUSFORGUES

Philippe Jusforgues, nació en Mónaco en 1967, pero en la actualidad vive y trabaja en París; gusta de explorar el retrato a través de distintos medios de comunicación (fotografía, collage, dibujo…) su obra tiene la particularidad de envolvernos en un mundo surreal, donde lo fotografía vintage se entremezcla con la fotografía contemporánea, dando como resultado bizarras imágenes y dibujos donde nada es lo que aparenta ser.

JULIEN PACAUD

朱利安帕考德
Жюльен Pacaud

Julien Pacaud est un illustrateur français vivant au Mans. Son travail, inhabituel, combine de manière élégante et sophistiqué ; surréalisme, cubisme et rendu vintage. On peut supposer que l’artiste s’est inspiré de Salavador Dali pour son travail.