קארן ראיין
卡伦瑞安
카렌 라이언
カレン·ライアン
Карен Райан
“Necessity, fate, autobiography and subversion are the key influences upon my practice. I use materials that are provided as a product of continuous waste driven by mass consumption and fashion. There are enough mass produced chairs in this world: I collect discarded and unwanted ones from the street, car boot sales, jumble sales, second hand shops and charity shops[…]”
وكامبانا الاخوة
坎帕纳兄弟
האחים קמפנה
カンパーナ兄弟
братьев Кампана
The Uncomfortable
‘SnP’, 2018, recycled plastic, injection moulded
“Widrig’s art breaks down the boundaries between disciplines; borrowing tools traditionally associated with one industry and using them in other fields, in often unanticipated and exciting ways. Widrig uses computer simulation processes and advanced technologies adopted from the special effects business to create sculptural 3D-printed craftwork—digital designs materialize into intricate sculptures in glass or recycled plastic and furniture pieces with impeccable undulated thin surfaces,” Devid Gualandris
Destierro
Destierro – which translates from Spanish into ‘exile’[…] features three installations that see Kapoor veering back towards his signature style of work with pigmented powder. However, unlike his previous work, the three pieces on display in Argentina shine a spotlight on the global migration crisis marking a change in direction for Kapoor who has, up until recently, shied away from making political work.
Nest
Levitating Woman
The way American artist Matt Johnson (born 1978) experiments with shapes and materials is apt to take the spectator by surprise. His creations are endowed with whimsical as well as subtle aspects. Drawn towards the mysterious and spiritual, Johnson remains deeply rooted in art history as he comments on life’s complexities. He often chooses materials that seem to conflict with his subjects.
La Religieuse
Christian Vanderborght
في نص ديدرو ، تم إرسال سوزان سيمونين ، وهي نذل ، إلى الدير للتكفير عن خطيئة والدتها. إنها تأمل في أن تجبر ابنتها على قيادة الحياة المنعزلة لراهبة ، ستحصل على الراحة الأبدية التي فقدتها في ارتكاب خطأ مع عشيقها.
في الحقيقة ، تُعاقب سوزان بشرط ليست مسؤولة عنه: نذلها. إنها ليست محبوسة في دير فحسب ، بل هي قبل كل شيء محبوسة في هويتها ومصيرها. ربما يكون أسوأ جزء: أن تكون محبوسًا في داخلك.
photo sculpture
Дэйв Коул
the music box
‘the music box’, a monumental sculptural piece commissioned by the cleveland institute of art and developed in partnership with ohio CAT, sees the american artist dismantling a 22, 000 lb steamroller in which he refabricates more than 80% of the machine–though still maintaining its identifiable physical qualities–transforming it into a fully functioning musical box, and at a fraction of its original weight.
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6885 Miles
via highlike submit
бен Сэндлер
بن ساندلر
벤 샌들러
Analogic
מדברים על מעורר השראה, שיתוף פעולה בין בן סנדלר (צילום) ובונסואר פריז (התקנה ואמנות) בשם “אנלוגי”, נוצר תחת הנושא “אפקט נטו” עבור מגזין השעשועים.
לדבריהם, “פרויקט זה מתייחס למושג הזהות הדיגיטלית, כדיאלוג פילוסופי בין הצורה האנושית לייצוג הבלתי-חומרי של האני הדיגיטלי שלנו. מיצבים מתכתיים משמשים כמטאפורות של ייצוגים בתחום הדיגיטלי: עוטפים ומשנים את זהותנו, הנובעת כהילה חומרית”.
Le Cocon
When Platitude Becomes a Form
When Platitudes Become Form claims to ‘manipulate the processes through which art is distributed in order to set in motion the mechanisms of social change’ and under such explanation would tend to be perceived by the viewer as honest discourse considering the supposed transparency of it’s exposé and the implied integrity in its claim for social change. This apparent honesty begins to fall apart, however, through incoherencies between Christopher’s personal action towards individuals and his fabricated public-facing persona.
Layered House
String Lights
Minimalista y poética como una línea dibujada por un lápiz en el aire, así es esta lámpara de suspensión que Michael Anastassiades ha diseñado para la firma de iluminación Flos. String Lights es un reflejo de la filosofía de trabajo del diseñador chipriota afincado en Londres que siempre busca la esencia tanto de la forma como de los materiales.
sculpture pink insulation fabric armor float shell
Our Colour
Does colour change the way you feel? What does it feel like to be inside a rainbow? For the 2016 edition of the Bristol Biennial British artist Liz West invited visitors to drench themselves in the spectrum. West transformed architectural space and turned colour into an immersive and embodied experience by refracting light through carefully arranged coloured theatre gels. A vivid world was created, exploring human visual perception and how colour affects our emotions and our bodies.
