VINCENT LEROY
文森特·勒罗伊
北极光环
respiration
adi meyer
Aposema:Responsive Facial Prosthesis
In an age of emotion recognition algorithms and augmented realities, our overuse of personal devices and social media, has led to a society where people increasingly choose technological alternatives to meaningful in-person interaction. Our ability to read facial expressions is severely reduced, limiting our capacity to develop relationships and leaving us struggling to empathize.
Yoonji Kim
Drawers
서랍에서 물건이 사라지고 잊혀집니다. 서랍에서 물건 꺼내기- 실현되지 않은 수많은 예술적 아이디어, 수행되지 않은 의도 또는 작곡가의 미연곡 작품은 서랍에 가두어 둡니다.수십 년 동안, 때로는 영원히.공연은 잊혀진 것들을 되살려 새로운 가치를 부여합니다.서랍을 열면 어둠 속으로 빛이 쏟아지고 내면의 숨은 소리가 나옵니다.각 서랍은 자연의 소리, 소음, 가장 다양한 악기가 연주하는 서양 및 아시아 음악의 멜로디와 같은 고유한 소리를 숨깁니다.소리의 우주가 열립니다.볼륨, 강도 및 길이, 소리의 밀물과 흐름은 오프닝에 의해 조절됩니다. 다양한 조합은 무한한 다양한 구성 가능성을 만듭니다.연주자가 작곡가의 역할을 하고 공연이 콘서트가 됩니다. 한국의 전통 현악기인 가야금과 같은 악기와의 라이브 인터랙션도 가능합니다.한국의 전통 찬장과 마찬가지로 서랍에 새겨진 문구는 내용물에 대한 정보를 제공합니다.
David KATZ
every which way
SANTIAGO SIERRA
VETERANS OF THE WARS OF YOUGOSLAVIA, BOSNIA, KOSOVO, SERBIA & SOMALIA FACING THE CORNER
Santiago Sierra’s third solo exhibition at Team Gallery, Veterans, displays nine photographs of war veterans standing in corners. All that is visible are the backs of their bodies; their hands are clasped either behind or in front of them. Some are in uniform, and some are not. Some are accessorized, wearing for example, a watch or cowboy hat. One veteran in particular stands in plain clothes holding a cane, signifying a possible combat wound.
Robertina Sebjanic
Aurelia 1+Hz / proto viva sonification
via highlike submit
Project ‘Aurelia 1+Hz / proto viva generator’ addresses the possibilities of coexistence of animals and machines. In contrast to robots, which are driven by digital artificial intelligence, the project uses a live organism to process the “aliveness” of a simple machine.
Erik Demaine and Martin Demaine
Waves in Glass
“Waves in Glass” is about the communication between two media rarely combined—folded paper and blown glass. The glass was initially made while blindfold, as shown in the video above, so that the communication with the 2000° material is purely through touch, matching the dominant mode of communication with paper.
SCANLAB
FRAMERATE
Created from thousands of daily 3D time-lapse scans of British landscapes, the work observes change on a scale impossible to see with the lens of traditional cameras. This is not just an artwork. The data collected and presented by FRAMERATE is ground-breaking scientific research, containing empirical, measurable facts. We glimpse a future perpetually documented by the eyes of a billion autonomous vehicles and personal devices, creating high fidelity spatial records of the earth.
Hanne lippard
Flesh
Lippard’s practice explores the voice as a medium. Her education in graphic design informs how language can be visually powerful; her texts are visual, rhythmic, and performative rather than purely informative, and her work is conveyed through a variety of disciplines, which include short films, sound pieces, installations and performance.more…
Jonathan Marshall
The Incomplete History of Walking
ARCANGELO SASSOLINO
Dannazione della memoria
Dal latino, damnatio memoriae descrive un atto di cancellazione dal record storico riservato a quelli che hanno recato disonore allo Stato romano. Impiegato come la punizione più severa per tradimento, damnatio memoriae rade fisicamente tutte le tracce di un individuo dalla società, tipicamente attraverso la distruzione della fisionomia di una statua o l’abrasione dei monumenti inscritti. In tutto il passato due decenni, Sassolino ha sviluppato un corpo di lavoro che esamina il rapporto tra industriale macchine e impulsi umanistici in cui gli spettatori sono destinati a mettere in discussione la cinetica di una scultura la funzione, esteticamente e concettualmente, allegora le esperienze umane e le condizioni culturali.
DENNIS SHIELDS
Folding Door
QUBIT AI: AESTHETIC SYNTHETIC FILE – São Paulo 2024 – Art and Technology
FILE 2024
QUBIT AI | quantum & synthetic ai
Electronic Language International Festival
July 3rd to August 25th
Tuesday to Sunday, 10am – 8pm
FIESP Cultural Center
Design: André Lenz
Image: Iskarioto Dystopian AI Films – Athena
QUBIT AI
In its 25 years of existence, the International Electronic Language Festival (FILE) is an internationally renowned Brazilian project that since 2000 has explored the intersection between art and technology. With more than two decades of history, the festival stands out for fostering exhibition spaces and debate about artistic innovations driven by disruptive and innovative technologies, inviting the public to get involved with experimental forms of art that challenge the boundaries of conventionality. Currently, two of these technologies stand out in the contemporary scenario: the accelerated development of quantum computing and artificial intelligence corroborated by synthetic data.
Quantum computing, an emerging revolution in the technological field, offers a new range of creative possibilities for contemporary artists. This new era allows the exploration of unprecedented frontiers through a new computational format that consists mainly of quantum superposition and entanglement, a new field of exploration for synthetic computer science, as well as for the arts in general; on the other hand, artificial intelligence, fueled by synthetic data, offers artists a new way of making and understanding art, opening up space for new forms, concepts and artistic expressions.
Entitled QUBIT AI, the exhibition delves into this unexplored territory presenting a selection of works of art resulting from the connection between artistic creation and technology, proposing a theoretical reflection on what the interrelationship between quantum computers and synthetic artificial intelligence will be.
Visitors will be invited to experience immersive installations, experimental videos, digital sculptures and other forms of interactive art, which intertwine reality and imagination. The exhibition encourages reflections on the influence of technology on art and contemporary society, while at the same time providing an environment to compare already established technological arts (analog and digital) with the possible futures of art in the synthetic era, enhanced by quantum computing. The QUBIT AI exhibition at FILE SP 2024 transcends the mere presentation of works of art; it is a journey to the limits of human creativity, driven by the convergence of art, science and technology.
Ricardo Barreto and Paula Perissinotto
co-organizers and curators of FILE
International Electronic Language Festival
FLORA&FAUNAVISION
Giardino Della Luna Magenta
Progettata per stimolare la conversazione sulla sostenibilità, le competenze tecnologiche e multimediali in modo giocoso e intuitivo, questa installazione video interattiva comprende tre distinti ambienti visivi (Sunrise Garden, Moon Garden, Magenta Moon) arricchiti con elementi intuitivi e interattivi in tempo reale. L’ambiente e l’esperienza straordinari sono affiancati da contenuti ed eventi online che affrontano argomenti che vanno dall’incitamento all’odio ai cambiamenti climatici, affiancati da un ampio spettro di contenuti online, conferenze e workshop in loco.
TIAGO & GABRIEL PRIMO
wall living
STACEE KALMANOVSKY
rain
akatre
Akatre is a French graphic design studio formed by Valentin Abad, Julien Dhivert and Sebastien Riveron. The trio works in a variety of fields including typography, graphic design, photography and video. Their photography work is absolutely brilliant and unique, exploring powerful color combinations and bizarre concepts.
