wayne and joseph

mechaneu v1

我們知道 3D 列印可以模擬人體器官、食物、建築物等各種繁複的物體，但這些大多為靜態物件，來自紐約的設計工作室 proxy design studio 則進一步挑戰精密的齒輪機械，印出一顆完整的球體齒輪群組，只要轉動其中一個，其他齒輪也會跟著被牽動，看起來超歡樂的！
《mechaneu v1》由 64 個齒輪組成，由球體內部的框架來支撐，設計師先用電腦軟體想辦法排入大小各異的花形齒輪，再透過 3D 列印印出來，《mechaneu v1》上的每個齒輪都能互相牽引作用，達到牽一髮動全身的效果，看著齒輪各自轉動的模樣頗有點療癒放空的效果，proxy design studio 則希望能藉此研發出更多機械動能相關的設計。

Chaude nuit d’été

Predator

АЛЕКСЕ МИД
Worldartday Bags

bee’s
detect your health through breath

ديفيد كروننبرغ
大卫·柯南伯格
데이비드 크로넨버그
דיוויד קרוננברג
デビッド·クローネンバーグ
ДЭВИД КРОНЕНБЕРГ

The Fly

O enredo do filme desenvolve-se em torno do físico Seth Brundle (Jeff Goldblum), que está a desenvolver uma máquina de teletransporte. Após fazer alguns testes com objetos e com um macaco, Seth, acompanhado de Veronica Quaife (Geena Davis), uma jornalista investigativa, sente-se encorajado a testar sua máquina em si próprio. Ao entrar na cabine de teletransporte, ele acaba se fundindo geneticamente a uma mosca-doméstica, tendo diversas modificações fisiológicas aproximando-o da aparência de um inseto.
cinema full

Tripod sculpture

Bubentraum

He is much better than you think

CHROMA III
Kim ist bekannt für seine mechanischen Skulpturen, die wissenschaftliche und mathematische Theorien einbeziehen, und auch als Komponist elektroakustischer Musik. Für diese Triennale präsentiert Kim Chroma III, das die Knotentheorie in der Mathematik anwendet, um Hunderte von Polymerzellen […]
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Kim is known for his mechanical sculptures that incorporate scientific and mathematical theories and also as a composer of electroacoustic music. For this Triennale, Kim presents Chroma III, which applies knot theory in mathematics to structure hundreds of polymer cells […]

安德烈·哈斯勒
Андреа Хаслер

Simulacra

Rocio Delaloye

FILE SÃO PAULO 2025: SYNTHETIKA – Arte e Tecnologia
Festival Internacional de Linguagem Eletrônica

Simulacra – Argentina

Simulacra é uma animação em CGI que explora a identidade fragmentada de um ser digital enquanto navega por ambientes virtuais em constante mudança. Através de paisagens corrompidas (glitching) e memórias que se dissolvem, a obra examina a tensão entre conexão e desconexão em um mundo hiper-digital, convidando o público a refletir sobre a fluidez da identidade e os limites entre o real e o artificial.

BIO

Rocío Delaloye, artista de novas mídias nascida na Argentina e radicada em Nova York, explora temas como identidade, desconexão e as fronteiras difusas entre realidade e simulação. Seu trabalho já foi exibido no Museu RISD, no Boston CyberArts e na Fundação Ford. Recebeu os prêmios NYFA IAP e Digital Media Fellowship. É bacharel em Belas Artes pela Universidad Nacional de La Plata e mestre em Belas Artes pelo RISD.

airmorphologies

Whispering Table
Four unique festivities celebrated by people of distinct cultures are assembled in an archetypical scene of congregation. Visitors approaching a round table filled with empty dishes discover that these are actually telling personal stories about the symbolic meaning of food and rituals. Written by a story writer, these stories are are based on interviews and research carried out for this piece. The content changes according to the dishes‘ positions and their distance to the others. Similarities and peculiarities of different food ceremonies explored in a playful and entertaining way. By changing table constellations, the visitors reveal more and more stories and become part of a participatory spectacle.

el directorio

Бьерн Далем
Galaxie

卡斯滕·奥莱
Карстен Хеллер

hybrid figures

colormirror dornbirn
Regine Schumann is a minimalist artist who works with Light Art, initially inspired by Color Field Painting and artists as Mark Rothko, Donald Judd and Dan Flavin. Schumann’s boxes and installations are made of acrylic colour plates especially produced for her. Her work is more than just Concrete Art. Conceptualized as emotive spaces, Schumann’s colour– lled light rooms provoke intense feelings of something otherworldly. Her minimalistic approach affects everything from her choice of materials to the way she plays with form and colour.

هيرو ياماغاتا
ヒロ·ヤマガタ
Хиро Ямагата
Quantum Field X3
Hiro Yamagata focuses on the technique as well as on physics. By using lasers as a mean of expression, he searches for the possibilities of creation , constantly looking for a new technique to experiment. Consequently, his aim is science itself and his creations have the goal to present a new technique which is often futuristic.

Hang it all

崔 岫 闻

One wall to store it all
VIA HIGHLIKE SUBMIT

Waiting…
via highlike submit

伊万·普格
이반 푸이그
L’ego

Selbst
While the focus of Soltau’s work never ventures far from the female body and its bodily processes, often incorporating images of herself, at the heart of her practice is an inexhaustible search for identity and meaning.

ارنستو نيتو
埃内斯托·内图
ארנסטו נטו
エルネスト·ネト
어 네스 토 네토
Эрнесто Нето
madness

GÉNÉRATION

Dead Reckoning

pane pane pane vino canale di scolo
Working with materials often sourced from the artist’s immediate environment such as stones, shells, vegetables, flowers but also dried fishes or reptiles, LUCA FRANCESCONI holds an intense fascination with the natural world and the countless manifestations of human culture within it. Uniting organic, artistic, and technological forms, FRANCESCONI makes the relationships between natural, found and modified forms imprecise while liberating marginalized materials and narratives.

La jeune photographe étudiante polonaise Laura Makabresku aime les atmosphères des contes romantiques et elle se plait à se mettre en scène dans des situations melo-dramatiques. “I like to take photos of my own. I imagine fairy tales themes where there are lots of animals, and naked, long haired girls. I like to take portraits but they need to express sadness, contemplation, anxiety.”

ウスマン·ハック
Open Burble

L’Horloge d’une vie de travail

L’horloge d’une vie de travail (2008) est un simple horloge, quoique très précis et de taille imposante, révèle sa nature de dispositif logique lorsqu’on découvre qu’il s’agit du décompte quotidien de toute un vie de travail. La vie et le travail de qui ? Quel est le rapport entre la vie et le travail ? Les heures, les minutes, les secondes sont-elles des unités nécessaires et suffisantes pour résumer l’activité d’un homme ? Cette mesure indifférente, distante, ne serait-elle pas le portrait le plus lucide des conséquences possibles d’un idéal où vie et production se confondent ?

reawaken
Reawaken is a kinetic sculpture with 55 robotic arms, powered by 55 servo motors. The lowering of the arms causes an abstract print on paper. Technology mirrors humanity, and vice versa. In addition to creating beauty, technology is there to meet our needs. We, and our needs, have evolved to a point where we are so integrated that we consume technology on autopilot. We live in a time of mass production in which our daily devices increasingly mimick each other. A smartphone is a small tablet, a tablet a small computer and a computer a small television. The question of what this does with our imagination, together with the increasingly invisible technological progress such as algorithms and artificial intelligence, have been my starting point for Reawaken.

Parallaxis
In einer neuen Bewegtbildarbeit des in Melbourne lebenden Künstlers und Architekten Matthew Bird bewegen sich zwei Körper mit großen zylindrischen Instrumenten über das Land. Wir sehen, wie sie ein Terrain kartieren und vermessen, das den universellen physischen und psychischen Orten entspricht. Jede Revolution markiert einen paradoxen Versuch, eine irdische Position durch ständige Bewegung zu bestimmen. Parallaxis spielt mit dem menschlichen Bedürfnis, unsere Beziehung zu den Menschen und Orten um uns herum zu verstehen, und betrachtet das Potenzial architektonischer Prozesse und Messungen als Grundlage für Strukturen des Verstehens.

Aquarela de Íons

Arthur Boeira e Gustavo Milward

FILE SÃO PAULO 2025: SYNTHETIKA – Arte e Tecnologia
Festival Internacional de Linguagem Eletrônica

Aquarela de Íons – Brazil

Aquarela de Íons is an artwork-device that translates solar flares and magnetic activity cycles into forces within the exhibition space. Inspired by satellites, the sculpture captures real-time data of solar activity, creating a data-driven artwork that reacts to the presence of viewers in an immersive and generative environment. The system translates spatial information into sound, light, and image, establishing an interface between the cosmos and human territory. The piece invites reflection on the impact of space weather—an aurora borealis brought to life, transforming astronomical data into an aesthetic experience.

BIO

Arthur Boeira has been conducting transdisciplinary research since 2015, exploring the philosophy of science and technology as applied to artistic practices. Gustavo Milward (Drawlim) specializes in interactive art and algorithmic narratives, investigating the relationship between body, space, and code.

assemblage chain

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