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STUDIO DRIFT

Futuro Fragile
Con Fragile Future III, DRIFT fonde natura e tecnologia in una scultura di luce multidisciplinare. Il progetto è una visione critica ma utopica sul futuro del nostro pianeta, in cui due evoluzioni apparentemente opposte hanno stretto un patto per sopravvivere.

YMA SUMAC

chuncho
The Forest Creatures

In one live recording of “Chuncho”, she sings a range of over four and a half octaves, from B2 to G♯7. She was able to sing notes in the low baritone register as well as notes above the range of an ordinary soprano. Both low and high extremes can be heard in the song “Chuncho (The Forest Creatures)” (1953). She was also apparently able to sing in a remarkable “double voice“. “Chuncho” is a song of nature through the multiple voices that live in the rainforest

IAIN CRAWFORD

伊恩·克劳福德
איאן קרופורד
이안 크로포드

Iain loves to capture images that have a strong graphic and textural quality, often searching out the graphical symmetry in chaos, while still maintaining the personality and emotion of the subject. His career has lead him to shoot campaigns for many of the world’s top brands and receive commissions from a host of top international magazines.

Mella Jaarsma

The Coming World
The twelve costumes created by Yogyakarta-based artist Mella Jaarsma operate both as an installation and as a set of separate, wearable items. The set comes alive once a week as a part of a performance in which actors wearing the “uniforms” transform into half humanhalf animals strolling through the Museum and holding each other on leashes.

JESSE HOULDING

Loop Drawing Machine
The Loop Drawing Machine is a kinetic sculpture that uses magnets and iron filings to draw on paper. The friction of the iron on the paper both makes marks on the paper and pulls the paper through the machine; drawing a loop on a loop of paper. A chamber and auto-feed replenishes the iron as the magnets revolve past the feeder. Eventually the paper becomes a completely darkened by the overlapping marks.

Oliveira & Mateus Knelsen

Monomito
FILE LED SHOW
FILE FESTIVAL
Inspirado no “Herói de mil faces”, de Joseph Campbell, “Monomito” é uma performance multimídia em que um performer cruza o espaço público vestindo um aparato que reconhece padrões visuais de rostos humanos, “sequestrando-os” e projetando-os na máscara do performer, assim como em outros lugares do espaço por onde cruza.

Yugo Minomo

《time in space, space in time》は、エッジ(辺)とジョイント(頂点)を組み合わせることでリアルタイムに変形する構造体を作る体験型作品である。

エッジは、自動で伸び縮みを繰り返す「自動伸縮エッジ」、体験者が好きな長さに調節できる「固定エッジ」、および2つのジョイント間を受動的に繋ぐ「自由エッジ」の3種類から構成される。エッジとジョイントが磁力で接合することで、体験者は直感的に形状を組み立てることができる。そして、自動伸縮エッジが構造の中に組み入れられることで、作成した形状に変化が加わる

YINKA SHONIBARE

תנקה שוניברי
インカ・ショニバレ
ЙИНКА ШОНИБАРЕ

Yinka Shonibare MBE là một trong những gương mặt quan trọng nhất của nghệ thuật đương đại hậu thuộc địa. Anh sinh ở London nhưng lên ba đã sang Nigeria sống, sau này quay lại Anh để học mỹ thuật. Những tác phẩm điêu khắc quan trọng của anh là những đàn ông, đàn bà, trẻ con không đầu, gợi lên sự dịch chuyển về mặt thể lý này, cũng như gợi lên thứ ngôn ngữ phổ quát của toàn cầu hóa.

DAVID SLIJPER

Jourdan Dunn
Originally from Yorkshire, England David graduated with a First in Economics and wrote an academic book before committing full time to photography at the age of 25.

CHANG YEN TZU

Self Luminous 2 – Unbalance
Self-luminous 2 is an experimental handmade instrument shown as performance. It is a series-project which I have been working on since 2013 and finally developed into shape in 2014. I am looking for intimate and personal instrument that reflects on the relation of digital sound and light message. In computer language, light on is 1 and light off is 0. If more than 2 lamps, it could be code or readable possibility by the meanings. When I press the button or turn the knob, the message will be sent to Pure Data, and the sound will be triggered in live by Pure Data.
The Data of sound such as frequency and volume, are analysed and sent out to the second Arduino to control the light. The light, in thus case, is an intuitive element for human beings. From this point, it is really close to sound which disturbs our biological body directly. The lights are visualised and they can be transferred the into messages. The message might be readable by coincidence with the link to the code. The light is bright enough to let audience to have persistence of vision in mind. During the performance, the sound will be reproduced by code and part of it is impromptu.
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Doug Wheeler

Luz, volume, escala, desorientação, infinitude, ilusão e realidade: estes os vetores da arte da luz como praticada por Doug Wheeler no contexto de um movimento ao mesmo tempo minimalista nos materiais físicos da obra e maximalista quanto à amplitude de sensações provocadas. “Luz e espaço” é o título de uma tendência reunindo artistas em torno interessados na luz surgida na Califórnia nos anos 1960. Piloto de aviões, Doug Wheeler anotou as sensações estimulantes e desnorteantes do vôo; de modo análogo, suas obras “desestabilizam nosso sentido de equilíbrio e nos levam a mover-nos em compasso com a Terra na direção de um horizonte inalcançável”. Outro modo de dizer a mesma coisa é destacar que Doug Wheeler busca a experiência do sublime.

ROXY PAINE

روكسي باين
רוקסי פיין
ロキシー·パイネ
록시 페인
Maelstrom

PROXY DESIGN STUDIO

mechaneu v1

我們知道 3D 列印可以模擬人體器官、食物、建築物等各種繁複的物體,但這些大多為靜態物件,來自紐約的設計工作室 proxy design studio 則進一步挑戰精密的齒輪機械,印出一顆完整的球體齒輪群組,只要轉動其中一個,其他齒輪也會跟著被牽動,看起來超歡樂的!
《mechaneu v1》由 64 個齒輪組成,由球體內部的框架來支撐,設計師先用電腦軟體想辦法排入大小各異的花形齒輪,再透過 3D 列印印出來,《mechaneu v1》上的每個齒輪都能互相牽引作用,達到牽一髮動全身的效果,看著齒輪各自轉動的模樣頗有點療癒放空的效果,proxy design studio 則希望能藉此研發出更多機械動能相關的設計。

TARA DONOVAN

En el proceso, transforma los productos comcerciales en espectaculares formas orgánicas que desmienten su composición material.
Inspirada en el sistema que utilizaban artistas en la década de 1960 como Donald Judd, Sol LeWitt y Chuck Close, Donovan se adhiere a un proceso de reutilización de un material fabricado ó producto final, con una solución única para el conjunto, ya sea apilado, encolado, pegado o plegado.

JOHN GRADE

Джон Грейд
ジョングレード
حصل John Grade على BFA من معهد Pratt ، نيويورك في عام 1992 ، وسافر كثيرًا بعد تخرجه ، واكتسب تعرضًا نقديًا للثقافات والبيئات التي أصبحت تشكل رؤيته الفنية. على مدار العقد الماضي ، حصل Grade على العديد من المنح والجوائز ، بما في ذلك منحتان من 4Culture Special Projects ، وثلاث منح GAP من مؤسسة Artists Trust ، وزمالة مؤسسة Artist Trust من لجنة الفنون بولاية واشنطن ، وجائزة مؤسسة Andy Warhol Foundation ، وجائزة مؤسسة Tiffany والإقامات. في جميع أنحاء الولايات المتحدة وخارجها. عرض أعماله على نطاق واسع في صالات العرض والمتاحف في جميع أنحاء البلاد وتم عرض أعماله في “الفن في أمريكا” و “النحت” و “بوسطن غلوب” و “كل الأشياء التي تم التفكير فيها” و “استوديو 360” في NPR.