ART+COM
IN MEMORIAM
Joachim Sauter
1959-2021
R.I.P
ART+COM Studios
MOBILITY
THE INSTALLATION SPANS A CORRIDOR OF 7-METRES WIDTH. ON THE LEFT WALL ONE HUNDRED PROSTHETIC HANDS ARRANGED IN A MATRIX REVOLVE AROUND THEIR OWN VERTICAL AXIS, THE MOVEMENTS BEING CONTROLLED BY MOTORS. THE MIRRORS THEY HOLD REFLECT THE BEAM OF A STRONG LIGHT ACROSS THE SPACE AND ONTO THE OPPOSITE WALL. WHAT INITIALLY SEEMS LIKE AN ASYNCHRONOUS, CHAOTIC PATTERN OF MOVEMENT SOON REVEALS ITSELF AS A COMPLEX, COMPUTATIONAL
.
流动性
该安装跨越了7米宽的走廊。在左墙上，排列成矩阵的一百个假肢手绕其自身的垂直轴旋转，其运动由电动机控制。他们持有的镜子将强光光束反射穿过整个空间并射向对面的墙壁。最初看起来像是一个异步的，混乱的运动模式，很快就显示出一种复杂的计算编排：首先，一百个光点围绕一个中心点移动，类似于行星的天体动力学或昆虫群的飞行模式。并创造出三维空间的印象。然后突然之间，这种有机振动会聚成一个表示运动和动作的汉字。
NORIYUKI SUZUKI
*(Sternchen)
„*(Sternchen) ist eine Installation, die aus einem Armillarsphärenapparat besteht, der einen Apfel um 360 Grad dreht, und vier Kameras, die die Oberfläche des Apfels in Echtzeit omnidirektional scannen. Computer berechnen die Ähnlichkeit zwischen fragmentarischen Bildern des gegenwärtigen Apfels und Äpfeln, die ich zuvor gegessen habe, als wären sie meine Erinnerung an Äpfel. Die Berechnungen und verglichenen Bilder von Apfelfragmenten werden jeweils auf vier Displays angezeigt.“ Noriyuki Suzuki
MARINA HOERMANSEDER
[…]Her first collection reflects her inspirational playground of sculpturing leather by moulding it to the body, twisting buckles, leather straps creating volume, a fabric made out of medical bandages and all over ruffled silk. This fashion statement comes along with a high level of quality and handcraft. A lot of the pieces are fully studded by hand and profoundly processed. The vegetably tanned leather is hand painted and one dress consists out of more than 100 meters auf silk strips. By adding accessories such as leather headpieces and armcuffs, she balances a striking inspiration to a high level of contemporary fashion.
ZA BOR ARCHITECTS
parasite office
В конце мая в российской столице традиционно проходит архитектурная биеннале «АРХ Москва». za bor Architects в этом году представили принципиально новую идею эффективного использования жилых площадей с целью создания практичных бизнес-пространств. Эта концепция особенно примечательна тем, что Москва – крупнейший город Европы с быстрорастущей экономикой и постоянной нехваткой «креативного» офиса площади, востребованные многочисленными дизайн-студиями, галереями современного искусства и другими организациями, деятельность которых связана с искусством. Особенностью многих районов Москвы является наличие многоэтажных домов с глухими торцевыми стенами и широким проходом между ними. Этот проект предусматривает использование свободных пространств между зданиями для создания оригинальных и хозяйственных офисов, не загораживающих доступ во двор. архитекторы В конце мая в российской столице традиционно проходит архитектурная биеннале «АРХ Москва». za bor Architects в этом году представили принципиально новую идею эффективного использования жилых площадей с целью создания практичных бизнес-пространств. Концепция особенно примечательна тем, что Москва – крупнейший город Европы с быстрорастущей экономикой и постоянной нехваткой «креативных» офисных площадей, в которых нуждаются многочисленные дизайн-студии, галереи современного искусства и другие организации, деятельность которых связана с искусством.
LEON THEREMIN
ליאון טרמין
레온 테레민
Лев Термен
théremin
he invented an electronic device known as the theremin, which was a unique musical instrument that could be played without physical contact. Rather than plucking strings or pressing keys, the musician need only move their hands around antennas located on the device.The device became a popular curiosity and he proceeded to tour Europe in order to demonstrate it. In 1928, he moved to New York City in the United States, where he played a theremin in the New York Philharmonic Orchestra in 1928. In 1929, he was granted a patent for the device by the United States. He decided to give RCA the rights to manufacture and sell the theremin for a lump sum payment and a percentage of the sales.In the early 1930s, Theremin purchased a laboratory in New York that he used for experimenting with electronic musical instruments. One of the products of his lab was the Rhythmicon, which was purchased by Henry Cowell, a composer. In 1930, a group of ten “thereminists” performed at Carnegie Hall.Theremin also began researching a method to cause lights and sound to respond to the movement of dancers. His system became popular with ballet and dance clubs throughout the country.
Miguel Chevalier
Digital Abysses
Cod.Act
πTon/2
πTon/2 is a sound installation that intervenes in the continuity of the researches of Cod.Act on mechanical and sound organicity. It results from an experience on the deformation of an elastic form and its incidence on the evolution of a musical work. The object is a flexible ring closed on itself. It is set in motion by torsional engines located inside its body. πTon, by twisting and waving on itself, moves in a very natural and unpredictable way.
Koto Bolofo
Arjowiggins skin paper
After living as political refugees for nearly 25 years, Bolofo and his father returned to South Africa, an experience documented in his short film The Land Is White, the Seed Is Black. His keen eye for lively, dynamic images has won him accolades for his fashion photography[…]
ADAM PARKER
亚当派克
PixelJunk Eden
Q-Games
FILE FESTIVAL GAMES
In “PixelJunk Eden”, players, swing from abstract plant shapes to move about the garden, attacking the six-sided pollen carriers in order to gather the small pollen particles that can turn dormant seeds into activated seeds. The new seeds can be used to create new plants and gain further mobility in the garden.swing from abstract plant shapes to move about the garden, attacking the six-sided pollen carriers in order to gather the small pollen particles that can turn dormant seeds into activated seeds. The new seeds can be used to create new plants and gain further mobility in the garden.
Ralf Baecker
INTERFACE I
Interface I investigates the boundary between two interacting systems rendered into the physical. Each system is a compound of motors, strings and elastic bands arranged horizontally. The two units face each other vertically (one on the top, one on the bottom). Each motor of one level (top, bottom) is connected to its opponent with a string, meeting in the center. Both motors pull their string in the opposite direction (like in a tug of war). At the junction of the strings, a mesh of elastic bands connects the string to its neighbours. The mesh couples each element to its surrounding elements in order to achieve a local emergent behaviour.
gillian wearing
masks
Los autorretratos de Wearing exploran la fotografía como farsa, además de examinar concepto de identidad y representación. Con una meticulosa atención al detalle y sofisticadas prótesis de silicona, Wearing crea extraordinarios autorretratos que imitan fotos de su álbum de familia. Estas imágenes triunfan porque formulan preguntas sobre la familia, las relaciones y el yo, aspectos todos ellos importantes en la fotografía contemporánea. Otros retratos de la serie, incluyen a su hermano, su abuela y su abuelo.
HOWARD SCHATZ
Говард Шатц
הווארד שץ
霍华德沙茨
هوارد كاتس
Stillness
THINK AND SENSE
Under the theme of Zen, this artwork represents a part of the philosophy of Zen with three-dimensional data created with photogrammetry technology composed of the most minimalistic landscape of “dots” and the soundscape of “undulations,” with the cooperation of Toryo Ito, vice priest of Ryosokuin, Kennin-ji Tacchu temple, Kyoto. The generated image reflecting the environmental information of the exhibition space creates “interaction between the environment and the image,” just like the trees and leaves swinging in the silence in the garden of a Zen temple.
.
Credit Concept / Technical Direction: Shuhei Matsuyama Point Cloud System Design:Takamitsu Masumi Sound Design: Intercity-Express (Tetsuji Ohno) Photogrammetry Shooting: Naoya Takebe Photogrammetry Engineering: Katsuya Sakuma
Sahej Rahal
Antraal
Wat als de hoeksteen van Sahej Rahal’s werk Antraal 2019 moet worden beschouwd, is dat we ons rationeel kunnen voorstellen wat het zou betekenen om te leven als de laatste mensen, machines die hun tijd van idee en geschiedenis hebben doorlopen sinds de komst van de eerste mensen of wij . Ze hebben de totaliteit van hun toevallige verschijning en betekenis van hun historische manifestaties afgewezen en ondermijnd als louter misvattingen over wat het betekent om in de tijd te dwalen, als een idee en niet alleen als een soort.
Mike Bouchet
Top Cruise
SIMON SCHUBERT
Симон Шуберт
سيمون شوبرت
西蒙·舒伯特
시몬 슈베르트
Samuel Burgess-Johnson
unnamed
Samuel Burgess-Johnson est un artiste peintre et directeur de création, basé à Londres. Inspiré par des visuels impressionnants, son travail est consacré à la représentation de nombreuses sorties de disques, des superbes albums et illustrations. Burgess-Johnson a conçu une multitude de supports qui enrichissent la communication visuelle des artistes comme Usher, Diplo, Ta-ku et beaucoup d’autres.
