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STEVEN MEISEL

Стивен Майзель
ستيفن ميزل
史蒂芬迈泽尔
스티븐 마이젤
סטיבן מייזל
スティーヴン・マイゼル
a tribute to Alexander McQueen

Meisel is now one of the pre-eminent photographers working in fashion. His commercial clients include Versace, Valentino, Louis Vuitton , Calvin Klein and many more. Editorially, Meisel’s fierce defense of his aesthetics’ independence has led to him creating some of fashion’s best and most controversial fashion stories[…]

ELMGREEN & DRAGSET

マイケル·エルムグリーンとドラッグセットのエントリ
Майкл Элмгрин и Ингар Драгсет
Catch me should I fall

Jessica Eaton

but does it float
The Montreal-based artist has been working in the arcane reaches of analog photography for over 14 years. Through obsessive experimentation, she has developed a method entirely her own, combining additive colour theory and what she calls “a really bastardized version of Ansel Adam’s zone system.” Eaton’s relentless inventiveness and exacting practice have made her one of the most successful Canadian artist-photographers working today. She’s represented by galleries in Montreal, LA, and New York, where she exhibits her work by turns on a bi-annual basis. Viewers and collectors are drawn to the unique tensions in Eaton’s work: the austere minimalism coupled with her daring colors; the hyper-abstraction undercut by a current of playfulness; the defiant impenetrability softened by an aura of warmth.

ATELIER OLSCHINSKY,PETER OLSCHINSKY AND VERENA WEISS

China in a Mirror
“Atelier Olschinsky, a creative studio in Vienna featuring the collaborative work of Peter Olschinsky and Verena Weiss, presents a unique look at the bustling urban streets of China in its series titled China in a Mirror. The collection of digitally manipulated photos showcase a symmetrical view of populated cityscapes. The illusion of perfect symmetry adds an uncommon yet interesting perspective of an urban environment crammed full of architecture and brimming with people.”

DO HO SUH

ДУ ХУ СА
ドーホー・スー。
서도호

Do Ho Suh is a Korean artist who creates spectacular installations using various materials including polyester fabric. In order to explore the links between individuality and community, he often uses thread and fabric to invest the space. By distorting perspectives and playing on the very properties of the materials used, the artist tests our perception of space and our place in it.
Breathtaking !

POUL GERNES

Drømmeskib / Dream Ship
n the early 1960s, Poul Gernes started to concentrate on simple, reduced forms making strong visual effects like circles, stripes or dots in his painting, similar to pop motivs. Most of the approx. 40 Targets painted then were designs for architecture-related works. At first he drew the rings for his Targets in pencil, but later he went over to scratching them into the ground with a pair of compasses. This gave the paintings a relief-like character and created clearly defined color fields. The contrasting color intensities in the circles make each color seem like a distinct, three-dimensional volume. The vivid color combinations of the Targets (shown at the Venice Biennale in 1988) come from sketches or ready-mades like the stripes on a t-shirt. Sometimes Gernes used random systems as well, for example by putting paint pots behind him and dipping the paintbrush into one pot blind. Although it may not seem to be the case, Gernes’ work makes no passing references to contemporary works by other artists.

Guda Koster

All above
Guda Koster is a Dutch artist who creates living sculptures and performances, which the photographs are the results of. Koster’s works are created in parallels of time, space and textile. In her works Koster uses fabrics, colours and patterns that underline the codes and meanings our clothing conveys.

Marte Marte Architekten

State Gallery

Like a dancing cube shimmering in titanium, the new State Gallery of Lower Austria is placed between the picturesque inner cities of Krems and Stein, and links these with the surrounding natural and river landscape. The spherical curvature and the strongly outward-projecting external walls presented a challenge: titanium shingles and glass panes were individually produced, having been calculated in 3D. Inside, light-flooded areas alternate with daylight-free levels that can be used as required. The project is a strong illustration of the capabilities of the Vorarlberg architectural practice of Marte.Marte.

FILE SÃO PAULO 2025: SYNTHETIKA – Ø STUDIO

Ørigin

Ø STUDIO

FILE SÃO PAULO 2025: SYNTHETIKA – Art and Technology – Shorts Films AI
Electronic Language International Festival

Ørigin – United States | Taiwan

Ørigin, an AI-generated experimental short film, invites viewers to engage with its open-ended narrative through the innovative use of AI tools. By challenging conventional perceptions of art and storytelling, the film fosters a dynamic, non-linear, and visually captivating exploration of the evolving relationship between humanity, nature, and technology. Directed by Davis Chang (Chin-Hsiang Chang), Ørigin veers away from photorealism and close-ended storytelling, opting instead for symbolism and ambiguity within AI-generated visuals.

BIO

Ø Studio is an award-winning AI creative studio specializing in AI-driven short films and new media art. With a unique blend of experimental visuals and humor, their works, like The HØST, Black Høle, and Ørigin have received international recognition and awards. Based in LA, Ø Studio col laborates globally with artists, exploring the intersection of humanity, nature, and technology.

PROTOROOM Metamedia Collective

Metapixels
PROTOROOM es un colectivo de metamedia que trabaja con kits basados ​​en medios tecnológicos (KITs). Aquí, el kit es un meta-medio que conduce al sentido y al pensamiento, y se convierte en un mediador que hace posible conectar el pensamiento y el discurso sobre la tecnología que es parte del ecosistema, junto con la oportunidad de sentir directamente los elementos fundamentales de la informática. medios de comunicación. Bajo la temática de este, continúa su serie de trabajos para desentrañar a través de exposiciones y talleres. Hunida Kim y Kim Seung-beom han estado activos desde 2014. Recientemente, en el formato de Exposición X Taller, participé en exposiciones especiales en el Centro de Intercomunicación NTT [ICC] Media Art as an Awareness Filer y Nam June Paik Art Center “Our Bright Future – Cybernetics Illusion” en Japón en 2016.

federico babina

Федерико Бабина
animates archidirectors

E se Hitchcock, Kubrick e Fellini trocassem fotogramas por fachadas? Essa é a pergunta que o ilustrador italiano Federico Babina se fez, imaginando como seriam as casas dos cineastas mais míticos da história do cinema. Nesta que abre a fotogaleria, o ‘arquidiretor’ Kubrick integra o olho de Hal 9000, o robô assassino de ‘2001. Uma odisseia no espaço’, à fachada imaginária de sua casa.

Erika Marthins

In het werk Déguster l’augmenté integreert Erika Martins gegevens rechtstreeks in de oppervlakken van voedsel. Drie desserts worden aangevuld met animatie, beleving en geluidsbeleving. Een gecomprimeerde hap eetbare cultuur met de smaak van je eigen passie, zoals muziek het vertellen van verhalen en de klantervaring verandert. Om een ​​andere gepersonaliseerde ervaring te creëren, verandert het idee van hoe voedsel te eten en te consumeren. Met Déguster l’augmenté probeert de kunstenaar onze relatie met voedsel en technologie te heroverwegen om de grenzen van de mogelijkheden in de wereld van morgen te verleggen. Dit werk werd voor het eerst gerealiseerd als een bachelorproject bij ECAL.

BIG ARCHITECTS

المهندسين المعماريين كبيرة
큰 건축가/
אדריכלים גדולים

Robert Henke

lumiére
a complete new version, the result of performing Lumière for more than one year, condensed into a more sophisticated, more complex, more fragile, more massive synaesthetic experience! photos and more info online in early February.Based on self written software, this work on the edge of concert and site specific installation finds previously unseen beauty and minimalistic elegance in a commonly underrated medium. High power lasers draw complex morphing shapes and connect points in space. Lumière combines precise geometric figures with floating organic structures, presenting the archaic sign language of an alien culture communicating via emerging and disappearing traces of extremely bright light.Percussive and textural sonic events provide a counterpoint to the visual rhythm, resulting in a multi sensorial experience which at times is fragile and quiet, at others massive and overwhelming. Each Lumière performance is a unique and site specific real time exploration of synchronicity and divergence, of light and darkness at the limits of perception.

THOMAS HEATHERWICK

Puente rodante
El puente rodante tiene la particularidad de enrollarse sobre sí mismo para conciliar tanto la navegación fluvial en la cuenca de Paddington como la salida de la tienda Marks & Spencer. El objetivo era hacer movimiento, el aspecto extraordinario del puente. Un puente grúa que se abre lenta y suavemente hasta que se transforma de un clásico puente recto, en una escultura circular que se asienta en la orilla del canal.

Markus Kayser

Solar Sinter
In this experiment sunlight and sand are used as raw energy and material to produce glass objects using a 3D printing process, that combines natural energy and material with high-tech production technology. Solar-sintering aims to raise questions about the future of manufacturing and triggers dreams of the full utilization of the production potential of the world’s most efficient energy resource – the sun. Whilst not providing definitive answers, this experiment aims to provide a point of departure for fresh thinking.

William Greiner

Green Wall with Hole, Bogalusa, LA
Greiner began his career as a sports photographer, first working in the National Football League (NFL), at the age of 19, from 1977-1979 […]Greiner abandoned sports journalism to return to college, earning an A.A. from Bradford College, a B.F.A. from Tufts University/School of the Museum of Fine Art and an M.B.A. from Suffolk University. During this period, Greiner was introduced to the work of artist/color photographer, William Eggleston.

TESLA ORCHESTRA

Ian Charnas

In the performance Tesla coils generate a massive voltage, creating lightning directed by a pre-composed musical score. Charnas stands between the coils, protected by his chain-mail suit, which conducts the electricity to the ground without electrocuting him. “Each lightning bolt could kill me,” he told me, “but thanks to the Faraday effect I’m shielded in a full body metal suit and my little body stays at zero volts potential.”