Taipei Performing Arts Center
he morphology and shape of the building was designed using sound-waves that were analyzed and transformed into three dimensional vectors. These vectors became the formal and structural framework for the design of the exterior envelope. The building materializes with a metal and glass enclosure that reveals its activities in a variety of scales and angles to the city.
فيليب ستيرنز
glitch textiles
Электрическая кожа
Электрическая кожа исследует возможность создания носимого устройства, которое расширяет функциональные возможности кожи для восприятия электромагнитных полей (в основном в пределах радиочастотного спектра) и преобразования этой информации в ощущение прикосновения. Носимое устройство состоит из двух основных функциональных частей: 1) матрицы всенаправленных антенн, которые действуют как датчики и зонды, и 2) соответствующих электродов, которые стимулируют кожу пользователя. Через эту искусственную «кожу» или «экзоскелет» носимое устройство меняет наш опыт, восприятие и понимание пространства и движения, а тем самым и наши взаимодействия. Проект размышляет о возможной совместной эволюции человека и технологий и обращает внимание на роль влияния окружающей среды на наше собственное телесное развитие и поведение.
カロリナ・ソアベッカ
Каролина Собечка
Wildlife
FILE FESTIVAL
At night a projection from a moving car is shone on the buildings. The car projects a video of a tiger whose movements are programmed to correspond to the speed of the car: as the car moves, the tiger runs along it speeding up and slowing down with the car, as the car stops, the tiger stops also. The framerate of the movie corresponds to the speed of the wheel rotation, picked up by a sensor. The viewers are elevated from the everyday reality through this element of fantasy into a world with more dimensions, possibilities and perhaps beauty.
Light painted trail dresses slide
Tsunami
A Reality Artist Taking Inspiration From The Everyday
Signe Pierce gained notoriety in 2015 within queer and feminist art circles for her incredibly shocking and poignant performance video, American Reflexxx[…] Currently, Signe is elaborating on the themes she began to explore in that video, such as cyber surveillance, constructs of femininity, and the male gaze.
La Charme
Саша Курмаз
Em suas fotografias, a artista da ênfase na combinação de sequências de alinhamento de imagens em um único stream conceitual em que cada foto é auto-suficiente, mas ao mesmo tempo, a continuação da anterior, e é parte de um todo. A ideia do projeto é criar um processo no qual, imbolicamente, formando identidades, relações sociais e as relaçoes entre a geração jovem na cultura corporal.
Dromos
Dromos is a metaphoric AV Performance that takes its concept from the philosophical work of P. Virilo who is mostly known for founding the idea of Dromology (science of speed). Dromos invites audience to a criticism experience of the ’peed’ role that impacts all aspects of our daily lives. During 40mns, it focuses people attention on this essential factor that shapes our world. With its message, Dromos invites you to wonder about your relationship with progress. It’s an unconventional work with an original sensorial approach, placing the audience inside an immersive environment.
Anabela Costa
FILE SÃO PAULO 2025: SYNTHETIKA – Arte e Tecnologia
Festival Internacional de Linguagem Eletrônica
sliding stripes – França
Deslizando o olhar sobre uma tela lisa e brilhante.
BIO
Anabela Costa é artista visual, com diversas exposições individuais no seu percurso. A partir dos anos 80, passou a se interessar e a se direcionar progressivamente para a imagem digital. Desde 2000, desenvolve pesquisas no campo do cinema experimental, com foco em dois eixos: a imagem em movimento — a estética da representação do movimento — e a formalização de conceitos temáticos e científicos.
Anarchitecture
splitting house
“Of the many shows at the fabled 112 Greene Street gallery—an artistic epicenter of New York’s downtown scene in the 1970s—the Anarchitecture group show of March 1974 has been the subject of the most enduring discussion, despite a complete lack of documentation about it. Anarchitecture has become a foundational myth, but one that remains to be properly understood. Stemming from a series of meetings organized by Gordon Matta-Clark and reflecting his long-standing interest in architecture, the Anarchitecture exhibition was conceived as an anonymous group statement in photographs about the intersection of art and building. But did it actually happen? It exists only through oblique archival traces and the memories of the participants. Cutting Matta-Clark investigates the Anarchitecture group as a kind of collective research seminar, through extensive interviews with the protagonists and a dossier of all the available evidence. The dossier includes a collection of Matta-Clark’s aphoristic “art cards,” the 96 photographs that were produced by the various participants for possible inclusion in the exhibition, and images from a recently unearthed video of Matta-Clark’s now famous bus trip to see Splitting in Englewood, New Jersey.” Mark Wigley
