Marga Weimans
Groninger Museum
LOUISA FAIRCLOUGH
Bore Song
bjarke ingels
big maze
XAVA PHOTOGRAPHY
via highlike submit
Isaac Chong Wai
WORKS ON PAPER III: The Shape of Missing Violence
Each of the participants is required to hold a knife and stay still. They stand in front of a wall within a “frame” which is made of black adhesive tape in rectangle shape. When the performance starts, the artist adjusts their postures and, later, uses the same black adhesive tape to “fill” everything within the frame. Afterwards, the wall and the bodies of the participants are covered with black tapes, while their heads and the knives are still visible; then, their heads are covered with black tape and, finally, the knives are covered as well. Once participants realize that their body is completely covered, they can move slightly, expanding the tapes from “inside” (not destroying them) and come out from the tapes. They leave the knife, which is stuck on the wall, behind the tapes. In the end, the shapes of the leaving traces of their bodies are shown while the knives are invisible.
Katie Thompson
Recycled Suitcase Chair
BARRY X BALL
БАРРИ Х БОЛЛ
ИСПОЛЬЗУЯ ИСТОРИЧЕСКИЕ ТРАДИЦИИ СКУЛЬПТУРНОГО ПОРТРЕТА, BARRY X BALL , КОТОРЫЙ РАБОТАЕТ В ИНОМ ТОЛКОВАНИИ КЛАССИЧЕСКОЙ СКУЛЬПТУРЫ БОЛЬШЕ 30 ЛЕТ, СОЗДАЛ СОВЕРШЕННО НОВОЕ НАПРАВЛЕНИЕ В ИСКУССТВЕ СКУЛЬПТУРЫ. В СВОИХ РАБОТАХ ОН СЛЕДУЕТ СТАРОЙ ТРАДИЦИИ ФИГУРАТИВНОЙ КАМЕННОЙ СКУЛЬПТУРЫ С ПОМОЩЬЮ НЕТРАДИЦИОННЫХ КАМНЕЙ И МЕТОДОВ ЦИФРОВОЙ ТЕХНОЛОГИИ.
JONPASANG
hyper-matrix
vertical kinetic landscapes
jonpasangによる「ハイパーマトリックス」垂直運動風景 ソウルを拠点とするメディアアート集団のジョンパサンは、韓国の現代自動車グループの展示パビリオンのために、クリエーター「ハイパーマトリックス」の動的な垂直景観インスタレーションを持っています。 展示会は、建物の内部ファサードを構成する何千もの30x30cmの立方体で構成されています。 個々のボリュームを制御する統合ステッピングモーターをサポートするために、鋼製の基礎が開発されました。 軽量ブロックのコレクションが構造物の表面から突き出て、事実上無限の一連の構成を作成します。 ピクセルが部屋を一掃するとき、音は聴衆と周囲の空間との間の壮大な相互作用の感覚を呼び起こします。 波のパターンが内部環境全体に波打つと、追加のデジタルマッピング効果が表面を覆い、パフォーマンスの次元を視覚的に強化します。
SASHA KURMAZ
Саша Курмаз
Sasha Kurmaz é uma jovem artista multidisciplinar de Kiev, na Ucrânia. A artista mostra interesse principalmente no corpo humano e da vida privada, que ela retrata com absolutamente nenhum medo. O objetivo de Sasha é explorar a linha de estado do nu, entre o amor e sentimentos fortes. Nessa série fotográfica, a artista seleciona vários episódios de sua vida, objetos e eventos que lhe são importantes, transferindo sentimentos e senso de realidade. Em suas fotografias, a artista da ênfase na combinação de sequências de alinhamento de imagens em um único stream conceitual em que cada foto é auto-suficiente, mas ao mesmo tempo, a continuação da anterior, e é parte de um todo.
JIACONG YAN
We only come out at night
FILE FESTIVAL 2007
We Only Come Out at Night is an urban graffiti project involving interactive public projections. A site is selected at dawn and a sticker is stuck or a stencil image is sprayed at the location. When the sun sets, jellies are projected over the heads of pedestrians on the street. As the pedestrian walks underneath the projection, the monsters grab the shadows of the people and eat them. The sticker is then removed and the project visits another place at dawn. A website is created to track the history of the monster appearance in order to promote and create a mythology. There are seven monsters in total, each monster’s design and behavior is unique. Gula, the monster that always eat, Avaritia, the monster that stuffs you into his pants, Invidia, the monster that takes your image and pretends to be you, and so on. Each monster is unique but always sad.
Agrawal
Shri Hanuman Chalisa 3D
FILE SAO PAULO 2015
ANIMA+ AWARD 2nd PLACE
JUSTINE KHAMARA
Жюстин Khamara
You could think that the work of Melbourne-based artist Justine Khamara was digitally manipulated. Though Justine actually hand-cuts the photographs to rearrange and collage them afterwards. Some of the collages were even cut into thin strips then woven. Seeking to disrupt photography’s smooth, two-dimensional surfaces, Justine collages and builds sculptures entirely out of portrait photographs.
Stillness
THINK AND SENSE
Under the theme of Zen, this artwork represents a part of the philosophy of Zen with three-dimensional data created with photogrammetry technology composed of the most minimalistic landscape of “dots” and the soundscape of “undulations,” with the cooperation of Toryo Ito, vice priest of Ryosokuin, Kennin-ji Tacchu temple, Kyoto. The generated image reflecting the environmental information of the exhibition space creates “interaction between the environment and the image,” just like the trees and leaves swinging in the silence in the garden of a Zen temple.
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Credit Concept / Technical Direction: Shuhei Matsuyama Point Cloud System Design:Takamitsu Masumi Sound Design: Intercity-Express (Tetsuji Ohno) Photogrammetry Shooting: Naoya Takebe Photogrammetry Engineering: Katsuya Sakuma
Anicka Yi
In Love with the World
“I wanted to expand on the ideas from Venice, to explore the poetic and philosophical potential of machines. How can humans and machines be companions and kin of one another, not fulfill this master-slave binary of machines or humans as overlords to the other.”Anicka Yi
SETUP
COIL
The COIL installation is a space for reflection and a feeling of connection between people. COIL resembles a teleport and with this meaning it carries the phenomenon of teleportation. It is something impossible, but the consequences of escaping into it are instantaneous movement and farewell to eternal time. Any venue with art or raves is already an attempt to escape. So COIL pulls the viewer out of chronos and opens access to the eternal.
