هوانغ يونغ بينغ
黄永砯
הואנג יונג פינג
황 용 핑
Leviathanation
Installationskunst mit dem Titel “Leviathanation” des 56-jährigen Künstlers Huang Yong Ping in Peking. Huang Yong Ping wurde in China geboren und ist heute französischer Staatsbürger. Der Name Leviathan stammt von einem monströsen Meerestier aus der alten Mythologie. Dies geschieht mit einer U-Bahn mit dem Kopf eines riesigen Fisches aus Glasfaser. Es gibt viele Stofftierköpfe auf dem Fisch. Ein Großteil seiner Arbeit beschäftigt sich mit der Dynamik der Macht.
سيندي شيرمان
辛迪·舍曼
סינדי שרמן
シンディ·シャーマン
신디 셔먼
СИНДИ ШЕРМАН
history portraits
Working as her own model for more than 30 years, Sherman has captured herself in a range of guises and personas which are at turns amusing and disturbing, distasteful and affecting. To create her photographs, she assumes multiple roles of photographer, model, makeup artist, hairdresser, stylist, and wardrobe mistress. With an arsenal of wigs, costumes, makeup, prosthetics, and props, Sherman has deftly altered her physique and surroundings to create a myriad of intriguing tableaus and characters, from screen siren to clown to aging socialite.
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Do Not Disturb My Circles
The Sultan’s Elephant was a show created by the Royal de Luxe theatre company, involving a huge moving mechanical elephant, a giant marionette of a girl and other associated public art installations. In French it was called La visite du sultan des Indes sur son éléphant à voyager dans le temps (literally, “Visit from the Sultan of the Indies on His Time-Travelling Elephant”). The show was commissioned to commemorate the centenary of Jules Verne’s death, by the two French cities of Nantes and Amiens, funded by a special grant from the French Ministry of Culture and Communication.The show was performed at various locations around the world between 2005 and 2006.
electronic language international festival
Since year 2000, FILE is a non-profit cultural organization that has been promoting exhibitions, workshops and gatherings that seek to investigate the appropriations of the technologic media in artistic accomplishments. With annual exhibitions in Sao Paulo, in addition to participations in national and international events, FILE is the biggest electronic art event in Latin America.more…
Levitating Woman
The way American artist Matt Johnson (born 1978) experiments with shapes and materials is apt to take the spectator by surprise. His creations are endowed with whimsical as well as subtle aspects. Drawn towards the mysterious and spiritual, Johnson remains deeply rooted in art history as he comments on life’s complexities. He often chooses materials that seem to conflict with his subjects.
Virtual Depictions
Parametric data sculptures
The main idea of ‘Virtual Depictions:San Francisco’ is to bring 21st century approach to public art to define new poetics of space through media arts and architecture and to create a unique parametric data sculptures that has an intelligence, memory and culture. Through architectural transformations of media wall located in 350 Mission’ lobby, home of Salesforce, main motivation with this seminal media architecture approach is to frame this experience with a meticulously abstract and cinematic site-specific data-driven narration. As a result, this media wall turns into a spectacular public event making direct and phantasmagorical connections to its surroundings through simultaneous juxtapositions. The project also intends to contribute to contemporary discourse of public art by proposing a hybrid blend of media arts and architecture in 21st century.
Recession Chair
Sky Art Event
1958年,奥托·皮内(Otto Piene)与海因茨·马克(Heinz Mack)一起在杜塞尔多夫成立了零公司(ZERO)集团,后来昆特·乌克(GüntherUecker)也加入了。艺术家将重新开始与对自然元素的迷恋,主要是对光线的迷恋。
然后,彩色让位于单色绘画,尤其是白色绘画,以及结构化的自我提升。奥托·皮内(Otto Piene)受过绘画和绘画方面的训练,还使用空气和火的元素作为创作手段。在他的烟和火的照片中,还有火焰的影响。
奥托·皮涅(Otto Piene)从未放弃过色彩。相反,他以彩虹的颜色为主题。自1964年以来,他在波士顿著名的麻省理工学院(MIT)的高级视觉研究中心工作-最初是一名研究员,四年后担任其主任。
在当时科学家,工程师和艺术家之间创新的跨学科合作中(德国尚不存在),他找到了实现他的理想的理想条件:将临时的,短暂的光和空气雕塑提升到无限的天空。
The Last Supper Alive
File Festival
A six minute video installation that brings to life the famous late 16th century work by Leonardo Da Vinci. The slight movements of the figures enhance the choral nature of the Last Supper, with a very measured and meticulous direction that overcomes the fixity of the painting adorning the wall of the refectory of the Convent of Santa Maria delle Grazie in Milan, bringing it back to life and providing it with a new spatial context.
2013
Untitled
Untitled is the most complex of Lee Bul’s series of monsters. It comprises a white central body composed of multiple parts that simultaneously evoke the physical and the technological or cybernetic. Exploding outwards into space from its core are other parts of the form, including an octopus-like head, that appear frozen in space as fragments of the one entity.more…
阿尔瓦伯娜丁
Альва Бернадин
[…] NORMALLY, I GET AN IDEA FOR A PICTURE AND IF I CAN’T THINK OF A GOOD REASON NOT, I TAKE IT. I CAN’T CENSOR MY OWN STUFF. THAT DOESN’T BOTHER ME MUCH, … YOU BRING YOUR OWN EXPERIENCES TO A PICTURE. SOMETIMES I AM SURPRISED AT THE WAY THEY’RE INTERPRETED, BUT EVERY OPINION IS AS VALID AS MINE BECAUSE I HAVEN’T USUALLY FORMED AN OPINION BEFORE I’VE TAKEN THE SHOT.[…]