AMY KARLE
regenerative reliquary
Leveraging the intelligence of human stem cells, she created “Regenerative Reliquary”, a bioprinted scaffold in the shape of a human hand design 3D printed in a biodegradable pegda hydrogel that disintegrates over time. The sculpture is installed in a bioreactor, with the intention that human Mesenchymal stem cells (hMSCs from an adult donor) seeded onto that design will eventually grow into tissue and mineralize into bone along that scaffold.
Soichiro Mihara
三原 聡一郎
The Blank to Overcome
file festival
Part of the ”blank” project that the artist has been creating since 2011, “The Blank to Overcome” utilizes air pumps, power supply control circuitry, water, solution, glycerin, ethanol and electricity to produce bubbles in the air. The theme of ”blanks” denotes a space for an unsolved ”inquiry” through the perspectives for thinking about the post-3.11 present: how the bubbles are always shifting as a giant cluster, almost without mass or structure, and the facing up to this; and the framework since modernity that has prescribed society, and the ”involved” or the ”other”. From this work debate will surely emerge.
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克服するための空白
アーティストが2011年から作成している「ブランク」プロジェクトの一部である「TheBlankto Overcome」は、エアポンプ、電源制御回路、水、溶液、グリセリン、エタノール、電気を利用して空気中に気泡を生成します。 「空白」のテーマは、3.11以降の現在について考えるための視点を通して、未解決の「問い合わせ」のためのスペースを示しています。泡は、ほとんど質量や構造がなく、巨大なクラスターとして常にシフトしており、これに直面しています。 ; そして、社会を規定してきた近代以来の枠組み、そして「関与する」または「その他」。 この仕事から議論が確実に浮かび上がるでしょう。
ポンプ
Tromarama
Madakaripura
Digital image projection, software, real-time internet-based data, and sound
Installation shot at St. Saviour Church, London
Tromarama is an art collective founded in 2006 by Febie Babyrose, Herbert Hans and Ruddy Hatumena. Engaging with the notion of hyperreality in the digital age, their projects explore the interrelationship between the virtual and the physical world. Their works often combine video, installations, computer programming and public participation depicting the influence of digital media on the society perception towards their surroundings. They live and work between Jakarta and Bandung.
ROSIE LEVENTON
STAIRCASE
Robert Wilson
بوب ويلسون
鲍伯·威尔逊
בוב וילסון
ロバート·ウィルソン
밥 윌슨
БОБ УИЛСОН
Arvo Pärt
Adam’s Passion
Estonian Arvo Pärt is one of the three most performed contemporary composers worldwide. His music has been described as contemplative, sacred, and timeless. “Time for us is the time of our own lives. It is temporary. What is timeless is the time of eternal life. Like the sun, we cannot look at these two directly, but my intuition tells me that the human soul is connected to both of them—time and eternity,” says Pärt. Much like Robert Wilson’s own universe, where time and space are the basic architecture of everything, it is as if these two artists have been waiting to collaborate with one another! ADAM’S PASSION will be a journey into the worlds of sound, light, visual art and performance. It will celebrate Arvo Pärt’s 80th birthday—all in a spectacular venue, the Noblessner Foundry, a vast, old industrial building by Tallinn’s harbo
Ziv Schneider
Watertight
Over the past 50 years, the number of people in the average household has fallen drastically. For the first time in Western world history, the one-person household has become a dominant mode of living. In Manhattan, more than half of all homes have one occupant. For Watertight, we documented 12 New Yorkers and their home interiors with a 3D scanner. We used the Skanect software’s “watertight” function and a 3D printer to create a series of miniature portraits—egg-shaped sculptures the size of a hand. The series of portraits offers a cross-section of a contemporary demographic phenomenon, a form of present-day archaeology.
JAKE STOLLERY
Oracle
Oracle is an amalgam of concepts tied together by the common thread of the user interface.To that end, it is a reflection of AI and UI as they exist in society’s consciousness: On first glance masculine, cold and austere; yet muted in its austerity and restrained by a warmth that is undeniably feminine.
Compagnie marie chouinard
МАРИ ШУИНАР
24 preludes by chopin
Playing with the very structure of these preludes written for the piano, Marie Chouinard has created a pure, lavish piece. Guided by intuition and the melodic force of these free form musical pieces, she has fashioned a composite dance consisting of solos, duos, trios and group movements that marry gentleness with strength, and subtlety with rawness. more…
Mycelium Network Society
Franz XAVER + Taro + Martin HOWSE + Shu Lea CHEANG + global network nodes
Mycelium Network Society (MNS) investigates the unique abilities of mycelium, the collective name given to thread-like networks of fungal cells, to share and process information. Launched at the Ecologies excursion of transmediale 2017 in Berlin, in 2018 MNS takes on a franchise mode—inviting alternative art spaces and bio-hack labs to become nodes within a mycelium network, and to host workshops, residencies and exhibitions investigating mycelium, fungus and spores. Mycelium is henceforth used as a structure through which to connect co-habitants across borders, to develop channels for constant communication, to construct political tactics and contest economic collapse. The network currently comprises six nodes across France, the UK and USA, and most recently four sites in Taiwan.
ANGELIN PRELJOCAJ
フレスコ画
“アンジュランプレルジョカイのラフレスコ画のインスピレーションは、古代と現代の両方です。表面的には、修道院に到着した2人の巡礼者が、5人の女性を描いた壁画（フレスコ画）に出くわした、700年前の中国のおとぎ話に基づいています。男性の一人（チューという名前）は、絵の中の女性のイメージに夢中になり、彼女の世界に夢中になります。彼らは、男がフレスコ画の内側の聖域から嫉妬深いクランスタイルの黒人の騎士に襲われて絵から投げ出される前に結婚します。チューはその後、死すべき世界でほんの数秒しか経過していない間に、彼がこの別の人生を生きてきたことを発見します。プレルジョカイの現代的なひねりは、ポケモンゴーの流行が絶頂に達した2016年にこの作品を作成したことから生まれました（若者は携帯電話で漫画の生き物の画像を探していました）。彼は、仮想現実のこれらの遠い類似点をつかみ、古代でも現代でもなく、物語と抽象の両方であるこのフルレングスの作品を作成しました。” Graham Watts
maurizio cattelan
blind
It’s an image that evokes a moment in history seared into our collective consciousness. This is “Blind” by Italian artist Maurizio Cattelan. The sculpture of an aircraft spearing a towering monolith recalls the 9/11 attack on New York’s Twin Towers. The simple black pillar carries a heavy meaning. It’s the final artwork in a new Milan exhibit called “Breath Ghosts Blind”.
Julien Mier, Magical Mistakes & Keita Onishi
Divide, Multiply
The King Deluxe label teamed up with animator Keita Onishi to create an innovative music video for ‘Divide, Multiply’[…] The final result is a seriously aesthetically pleasing work of videographic art, living up exactly to King Deluxe’s ‘audio-visual laboratory’ manifesto. With its geometric simplicity, and cog-like machinery driven by symmetrical beats, the video instills the utmost satisfaction deep within every viewer.
FILE SÃO PAULO 2025: SYNTHETIKA – Craca
OUVIR
Craca
FILE SÃO PAULO 2025: SYNTHETIKA – Art and Technology – Installations
Electronic Language International Festival
OUVIR – Brazil
Interactive sound installation simulating the learning process of a community and the creation of a lexicon through memetic exchanges between virtual creatures and visitors. These melody-emitting beings form a physical network that spreads through the architectural space, learning to communicate throughout the exhibition. A rudimentary AI system was built from scratch for the work.
BIO
As a visual artist, he has exhibited at the 13th Mercosur Biennial, II Bienalsur (Argentina), Architecture Biennial, Casa França Brasil, Bispo do Rosário Museum, Santander Cultural, and EAC (Uruguay). He has also performed audiovisual works at festivals like ON_OFF (Itaú Cultural), Brasília Mapping, Abstrata (Fortaleza), Sonora Visual (Recife), among others.
This work belongs to the collection of the I.A. Institute of Contemporary Art of Ouro Preto.
MATT MOLLOY
smeared skies
Gary Hill
Cutting Corners Creates More Sides
A spoken text …rummages through piles of surplus; boxed accouterments and that unaccounted for miscellanea… and the uneasiness of language itself as it grapples with the whereabouts of the necessary words. The narrative debris morphs through manifolds of optical glass with each utterance marking points along the way. On a long, black tableaux two cameras with little or no depth of field, sentence by sentence cut through a mysterious world of a seemingly inconsequential lineup of objects, tools, parts, bits and the unidentifiable forgotten –whatever might have been close at hand becomes enfolded in a richly colored crystalline doppelgänger image. For each sentence and “drilling” through the objects, the cameras’ parallaxes have been adjusted for a different cross section—the point where momentarily a continuous horizontal view is possible only to then quickly deconstruct as quickly as it formed. The object/installation itself is a self-contained self-reflexive mobile surface complete with positional projectors and screens and a narrow black “runway” of sorts reflecting the initial process of recording.
Daft Punk
Electroma
DAFT PUNK’S ELECTROMA IS THE EAGERLY ANTICIPATED DIRECTORIAL FEATURE FILM DEBUT FROM GUY-MANUEL DE HOMEM-CHRISTO AND THOMAS BANGALTER, BETTER KNOWN TOGETHER AS DAFT PUNK. A PSYCHEDELIC VISUAL AND MUSICAL ODYSSEY, ELECTROMA FOLLOWS THE JOURNEY OF TWO ROBOTS ON THEIR QUEST TO BECOME HUMAN. FEATURING A STUNNING SOUNDTRACK WITH MUSIC FROM TODD RUNDGREN, BRIAN ENO, CURTIS MAYFAIR, SEBASTIEN TELLIER AND CHOPIN, ELECTROMA PLAYS OUT BEAUTIFULLY ‘LIKE MUSIC FOR THE EYES’.
