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JESSICA EATON

ジェシカ·イートン
杰西卡·伊顿
杰西卡·伊顿(Jessica Eaton)的照片剖析了化学和光学现象,胶卷的重要性以及光本身的语言。 伊顿的《阿尔伯斯和莱维特的方块》(通常缩写为cfaal)获得了国际赞誉,这一系列生动的照片颠覆了她的工作室创作。 与伊顿的大部分作品一样,这些带有光学电荷的图像是通过在摄影棚内对常见的摄影棚耗材进行多次曝光而制成的。 通过大量使用传统的模拟摄影实践(例如分色滤镜和相机内遮罩),伊顿为她的大幅面图像注入了比传统照片更能让人联想到硬边几何抽象的绘画和绘画的美感。 工作室工作。

The Chinese Room

Dan Pinchbeck, Robert Briscoe, Jessica Curry, Jacky Morgan, Nigel Carrington, Ben Andrews & Samuel Justice
Dear Esther

“A deserted island… a lost man… memories of a fatal crash… a book written by a dying explorer.”

“Dear Esther” is a ghost story, told using first-person gaming technologies. Rather than traditional game-play the focus here is on exploration, uncovering the mystery of the island, of who you are and why you are here. Fragments of story are randomly uncovered when exploring the various locations of the island, making each journey a unique experience.

file festival

YOICHI YAMAMOTO

Japanese firm yoichi yamamoto architects has completed ‘2D/3D chairs’ for tokyo fashion labels issey miyake store. featuring a series of traditional dining chairs, the installation transforms from a two dimensional graphic into a tangible piece. The perspective is manipulated creating a unique appearance from different vantage points for onlookers. graphics of legs in varying perspectives are printed onto a horizontal plane while the chair backs rest upon the surface. The seat backs maintain a seamless transition from the graphics by utilizing assorted sizes, heights and placed at diverse angles.

LISSY ELLE

리시 엘
Lissy Elle是擅长“造梦”的摄影师。没有华丽服饰也没有夸张效果,Lissy Elle的作品大多简简单单却梦幻美丽,像青橄榄一般回味无穷。

Kian-Peng Ong

Ong Kian-Peng
Coronado
FILE FESTIVAL

“Coronado” foi inspirada em uma visita à praia de Coronado, na Califórnia, a qual foi um momento inspirador jamais sentido em outras praias. A paisagem sonora presente em Coronado parecia vir de todas as direções, com múltiplas camadas de ondas sonoras. Decidi então que iria fazer um trabalho sonoro que traduzisse esta experiência. Esta instalação sonora é caracterizada pela interação entre as fontes sonoras analógicas e digitais que se sobrepõem, explorando a ideia de uma paisagem marítima. O cerne da instalação é um tambor oceânico controlado por braços mecânicos, que cria e simula o som das ondas do mar. Isso é captado pelo microfone, reprocessado através do computador e enviado para as caixas acústicas de 6 canais em tempos diferentes. A interação e a sensação de infinitude na sobreposição do analógico e do digital são minha interpretação e resposta ao maravilhamento que senti em Coronado.

GRAHAM BILLINGS

NORMATIVE FLUIDITY

Graham BILLINGS: “Normative Fluidity” is a museum extension that explores the process of transposition between a series of light studies, diagrammatic implications of the “affect,” and their resultant three-dimensional forms and spaces. Diffraction of light through water is known as caustics; a process that was coupled with a camera obscura during my initial research.These light studies can be diagrammed with involute lines that generate governing geometries amplifying spatial expression and also compartmentalize space for programmatic elements. Through these spatial transpositions, the proposal mitigates the orthogonal forms found in the existing museum and its context, while respecting the initial light studies.

Yonakani: Young ah Seong, Takuji Narumi & Tomohiro Akagawa

Thermotaxis
file festival
The term “Thermotaxis” signifies a movement of a living organism in response to heat stimulation. A thermal spot has power to encourage people to gather together like open fires in winter or water places in summer. The work “Thermotaxis” characterizes the open space as invisible thermal spots by providing people with thermal information. Our work aims to create a new spatial structure for communication not by architectural approach but by using information technology.

Guido Palau

Regularly credited for sparking hair trends that are studiously followed by industry insiders, Palau was signed by Redken as a creative consultant in 2005 and in 2009 was included in the British Fashion Council ’s list of ‘25 Most Powerful People in the Fashion Industry’.

David Cronenberg

ديفيد كروننبرغ
大卫·柯南伯格
데이비드 크로넨버그
דיוויד קרוננברג
デビッド·クローネンバーグ
ДЭВИД КРОНЕНБЕРГ

The Fly

O enredo do filme desenvolve-se em torno do físico Seth Brundle (Jeff Goldblum), que está a desenvolver uma máquina de teletransporte. Após fazer alguns testes com objetos e com um macaco, Seth, acompanhado de Veronica Quaife (Geena Davis), uma jornalista investigativa, sente-se encorajado a testar sua máquina em si próprio. Ao entrar na cabine de teletransporte, ele acaba se fundindo geneticamente a uma mosca-doméstica, tendo diversas modificações fisiológicas aproximando-o da aparência de um inseto.
cinema full

Florian Hafele

弗洛里安·海福樂
フロリアンハーフェレ
Флориан Хафель

The central theme of artist Florian Hafele, born 1979, is the observation of the body, which reflects many questions about our social environment and its related phenomena. Hafele’s work translates into sculptures of deformed creatures, human as well as object, which develop a multi-interpretable essence through various contortions. Embracing this aspect a variety of his works deal with performance in our social environment like the “Champion” which is a synonym for the over-strained human, in an achievement oriented society, or the exhausted tools which treat themselves to a break.

MAIKO TAKEDA

ATMOSPHERIC REENTRY
“While hats are commonly made with substantial and durable materials such as fabric, felt, plastic, leather so on, instead I wanted to create ethereal experiences for the wearer through the pieces. Through the experiment process, I developed the technique to create a visual effect of intangible aura by layering printed clear film, sandwiched with acrylic discs and linked together with silver jump rings.”

SHARON EYAL & GAI BEHAR

CARTE BLANCHE – CORPS DE WALK
Corps de Walk combines shapes and emotions in a unique, almost extraterrestrial “walk” by androgynous creatures. It makes a number of references to Killer Pig, Sharon Eyal’s first choreography for Carte Blanche, created in 2009. In Killer Pig, a piece for female dancers, Sharon Eyal plays with multiple incarnations of sensuality with a minimalist style and intense physical expression. She pursues that approach in Corps de Walk, but this time will all the company dancers involved. As with the previous piece, the costumes suggest androgynous nudity. She has collaborated with the Israeli musician DJ Ori Lichtik for many years, and once again here his music underpins her potent choreographic language, whose rhythm constantly evokes a beating heart.

Vangelis

COSMOS
Cosmos is a collection of Vangelis’ early-’70s space music. It is pure and graceful with no frills. Vangelis has an aggressive style on the synth, and these compositions are pure Berlin-school electronica, with cosmic and dynamic atmospheres. This will appeal to fans of Ron Boots, Klaus Schulze, Edgar Froese, and Ian Boddy.