Daft Punk
Interstella 5555
Daft Punk’s Interstella 5555: The 5tory of the 5ecret 5tar 5ystem is a 2003 Japanese-French animated science fiction film and the visual realization of Discovery, the second studio album by Daft Punk. Interstella 5555 tells the story of the abduction of an interstellar pop band. The film was produced by Daft Punk, Cédric Hervet and Emmanuel de Buretel with Toei Animation under the supervision of Leiji Matsumoto. The film has no dialogue and uses minimal sound effects.
cinema full
KATARZYNA KONIECZKA
КАТАЖИНА КОНЕЦКА
Ich bin Kostümbildner und Avantgarde-Modedesigner. Meine Kreationen sind hauptsächlich auf einer Bühne oder einem Laufsteg zu sehen. Das Hauptziel meiner Entwürfe ist es, einen Einfluss auf den Betrachter zu haben und Gefühle hervorzurufen. Die Kostüme sind nicht für den täglichen Gebrauch. Jedes Kostüm wurde als Unikat kreiert. Die Techniken, mit denen es kreiert wurde, wurden von mir selbst entwickelt, indem ich mit Textilien, Stoffen und Farben experimentierte. Ich besitze alle Designrechte. Jedes Kostüm erfordert besondere Pflege und wird laut Etikett getrennt von allem anderen gereinigt. In den meisten Fällen verwende ich den gekauften Stoff wieder, indem ich ihn verarbeite oder färbe. Ich verwende niemals Stoff direkt aus dem Geschäft. Die Hauptmotive in meinen Entwürfen sind Asymmetrie, Zerstörung, Dramatismus, Makaber. Alle Kostüme wurden von Hand selbst gemacht.
QUBIT AI: Hassan Ragab
Audio Responsive Treehouse
FILE 2024 | Architectural Synthetics
International Electronic Language Festival
Hassan Ragab – Audio Responsive Treehouse – United States
This work, created using generative artificial intelligence tools, is part of a broader exploration into discovering architectural forms through the intersection of different media. Potential shapes are generated based on the rhythms and timbres of the Shockone vs. Shockone song Run. The Bloody Beetroots. Factors such as camera movement and dynamics between the interior and exterior of the treehouse contribute to the creative process.
Bio
Hassan Ragab is an interdisciplinary media artist, architect and designer whose work focuses on the synergy between art, architecture, technology and humanity. He uses generative artificial intelligence to create a new visual language, and his work is exhibited globally. Additionally, Hassan writes about the integration of new media into art and design and has been recognized in numerous publications and news outlets.
Thierry Mugler
Anatomique Computer
Thierry Mugler, geboren in 1948 in Straatsburg, is een Franse modeontwerper. In zijn jonge jaren was hij balletdanser, maar daarnaast studeerde hij design en maakte hij kleding voor vrienden. Als 20’er verhuist Thierry Mugler naar Parijs waar hij ervaring opdoet als etaleur en stylist in diverse modehuizen. Mugler presenteert zijn eerste collectie in 1973 en 2 jaar later begint hij zijn eigen label.
ULLA VON BRADENBURG
УЛЛА ПО БРАНДЕНБУРГ
ブランデンウラ
אולה ידי רנדנבורג
브란덴부르크에 의해 울라
乌拉由勃兰登堡
Robert Mathy
wind
In the live improvisation “wind” Robert Mathy approaches the sonic vocabulary of natural forces, by examining the acoustic properties of air currents with purpose build instruments.
MARIKO MORI
ماریکو موری
森万里子
Мори, Марико
Tom Na H-Iu
Tom Na H-iu is a three-dimensional glass work almost 3 meters in height. It is networked to the Super Kamiokande neutrino observatory operated by the Institute for Cosmic Ray Research, University of Tokyo, enabling it to interact and respond when the observatory captures a neutrino. On detecting a neutrino, such as those emitted by stars in our galaxy as they die in supernova explosions[…] Tom Na H-iu represents a modern standing stone that conveys the death of a star, meanwhile hinting at the birth that follows – as if to suggest to the viewer that our existence is in resonance with the universe. When we view this work that emits peaceful light amidst darkness, we can project ourselves into the darkness and gain a sense that we are standing quietly in the flow of eternal time.
RAYMOND PETTIBON
even toothless
MELISSA GAMWELL
Well bronze age
Melissa Gamwell is an artist and writer based in New York. A recent graduate from the Royal College of Art, she currently works with a focus on abstraction of functional industrial objects, creating one-off pieces primarily in ceramic and metal. In addition to making objects, she researches and writes on her interest in both historical and modern object mythologies, contributing to publications such as Ceramic Review, PIN-UP magazine and Arc magazine.
jeremy shaw
nodither (gif)
“We can’t predict, nor very precisely describe, what a psychedelic experience brings, and this is probably the most confounding aspect of it all,” Jeremy Shaw
Ki-Bong Rhee
Bachelor – The Dual Body
Ian Cheng
“Entropy Wrangler,” Ian Cheng’s 2013 exhibition at Off Vendome in Dusseldorf, was an excellent introduction to the logic behind this artist’s practice. The centerpiece was a large projection in the gallery’s basement described as “a live computer simulation that changes and evolves, forever.” Like all of Cheng’s simulations, it was programmed with motion capture techniques that register the physical movements of performers that are then translated onto digital bodies. These bodies coexist as individual entities subject to the laws and dynamics of a causal, virtual world: avatars of people and common objects, like hammers and basketball players, rendered in basic three-dimensional form and caught in the zero gravity of the digital screen
MARIA BLAISSE
Spheres
Dutch designer Maria Blaisse is one of those legends. She began in the early 80s’ by creating spherical foam forms that moulded and folded in ways that were revolutionary at the time and she worked primarily in dance wear where she is still breaking new ground today. Blaisse then went on to collaborate with Issey Miyake for whom she made mitre-like rubber hats.
JENNY HOLZER
珍妮•霍尔泽
ג’ני הולצר
ジェニー·ホルツァー
제니 홀저
Дженни Хольцер
all fall
Jジェニー・ホルツァーは1950年米国・オハイオ州生まれ。現在NY州在住。 70年代後半より自作のテキストを使用した、様々なメディアの作品を発表しています。その中でもLEDを使用した表現が代表的です。 使用されるテキストは、格言的で、として暴力的で過激にも感じられ、多様な現代社会の状況を反映しているといえます。本展ではホルツァーの代表的な表現方法であるLEDを使用したインスタレーションと、モノクロームの写真作品を展示します。 インスタレーションは、84個もの小型のLEDサインがミニマルに配置され、それぞれ同じ内容のテキストが反復していきます。文字が空間に反響するかのように、暗闇の中を増幅していくイメージを醸しだし、言葉の表現だけでなく視覚的にも非常に迫力のあるプレゼンテーションとなります。
JEANINE JANNETJE
Despertar
Reawaken é uma escultura cinética com 55 braços robóticos, movidos por 55 servo motores. O abaixamento dos braços provoca uma impressão abstrata no papel. A tecnologia reflete a humanidade e vice-versa. Além de criar beleza, a tecnologia existe para atender às nossas necessidades. Nós, e nossas necessidades, evoluímos a um ponto em que estamos tão integrados que consumimos tecnologia no piloto automático. Vivemos em uma época de produção em massa em que nossos dispositivos diários cada vez mais se imitam. Um smartphone é um pequeno tablet, um tablet é um pequeno computador e um computador é uma pequena televisão. A questão do que isso faz com nossa imaginação, junto com o progresso tecnológico cada vez mais invisível, como algoritmos e inteligência artificial, foram meu ponto de partida para o Reawaken.
