Belicosas creaciones
Kellerman considers his work to be distant, abstract, melancholic, ‘unerotic’, despite its subject matter. He emphasises line, geometrical form, texture, implicit movement, and above all, chiaroscuro. He likes to create ambiguity in his photos, so that the viewer is sometimes unsure what part of the body is being looked at. In this way, he attempts to free the female body of its conventional associations.
جورج هارت
Laura Kampman
Daniel Sannwald creates fashion optimism. His work? A bit of minimalism, a bit of sci-fi surrealist. It’s a swatch of really interesting ideas. What really turns my crank about Daniel Sannwald, is that his ideas don’t just stop at the end of a shoot. He’s as mysterious as the photos he takes (which are quite the mystery).
entropy
“Entropy” installation is a thermo cam image of a horse’s body cooling down after its death. The corpse’s hottest areas are indicated with red colour and the coldest areas with blue and black. Visual evidence of life’s presence slowly vanishes as heat flees from the horse’s body. The original documentation, lasting for several hours, is edited down to a half an hour. Presented as a life-size projection.
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TADAO CERN IS A PHOTOGRAPHER AND ARTIST BASED IN VILNIUS, LITHUANIA. HE GRADUATED IN ARCHITECTURE, BUT IN SPRING OF 2010 HE DECIDED TO TRY SOMETHING NEW AND HE FOUND HIMSELF IN THE WORLD OF PHOTOGRAPHY. THESE IMAGES ARE DIGITAL RECREATIONS ICONIC PAINTINGS USING PHOTOGRAPHY AND DIGITAL RETOUCHING.
via highlike submit
aeronef
“Um die Arbeit von Clément Bagot vollständig zu erfassen, muss man von seiner Zeichenpraxis ausgehen. Eine Praxis, bei der das Streben nach epidermaler Beschreibung konvergiert, indem sie die Bemühungen um die Konstitution eines” Textur “-Begriffs verbirgt, der auch den Titel von ausmacht eine der Serien des Künstlers – und eine demiurgische Versuchung durch die Konstruktion von Universen, deren Darstellung durch eine imaginäre Kartographie verläuft. Indem die Zeichnungen “die Haut des Ortes” in der Art eines mentalen Ausmaßes zeigen, das man untersuchen möchte von Clément Bagot ermöglichen es, seine Werke in Form von Bänden in Bezug auf Porosität besser zu denken. Während er an eine Science-Fiction-Architektur erinnert, erscheinen seine Assemblagen, die aus Materialien wie Holz, Linealen, Pappe, Harz oder Neon bestehen, als das Objekt singulärer Wahrnehmungserfahrungen. An ihren Grenzen, wo der Blick über seine Strukturen kreuzt oder stolpert, können wir von außen wie von innen sehen oder auf der Ma stehen bleiben Illusion durch die Kombination der beiden offenbart. Die Ausstellung in Thonon-les-Bains vereint den grafischen Teil seiner Arbeit und seine „Modelle“ sowie eine vor Ort produzierte Arbeit im selben Raum und ermöglicht es dem Besucher, seine atopischen Räume mental zu bewohnen. “ Tom Laurent
“Science,Fiction”
Through a combination of the temporal qualities of video and the architectural dimension of its physical installation, Thater’s work explores the artifice of its own production and its capacity to construct perception and shape the way we think about the world through its image. Natural diversity, wildlife, and conservation have been persistent themes in the artist’s work, and she has dedicated herself to an examination of the varied kinds of relationships humans have constructed with animals. While her in-depth studies of ecosystems and animal behavior propose observation as a kind of understanding in itself, her ethical position is implicit in the work, which, while subtly political, provides views of the sublime in all its incarnations—stunning, beautiful, and simultaneously terrifying.
In Voluptas Mors
“In Voluptas Mors” (“Voluptuous Death”), is probably one of the most complex portraits I have ever seen alongside Halsman’s “Dali Atomicus” which took 28 attempts! “In Voluptas Mors” is again a carefully considered and planned out portrait of the surrealistic Spanish artist Salvador Dalí, made in collaboration with photographer Philippe Halsman (1951). The image depicts Dalí posing beside a giant ‘skull’, a tableau vivant (or “living picture”) comprising of seven nude female models in beautiful mind blogging poses. As you can imagine it took a considerable amount of time to create this wonderful photograph. It took all in all Halsman and Dali three hours to arrange the models according to Dalí’s precise sketch.
Ecoire Chair
Daniel Widrig and Guan Lee at University College’s London Material Architecture Lab was made from coconut fibre and starch. Its twisting, symmetrical form gives the impression of coconuts being ensconced inside.
Du corps et du cœur
Born in South Africa, Koto Bolofo and his family fled to Britain when he was still a child after his father, a history teacher, was discovered to have writings by Karl Marx among his classroom materials. After living as political refugees for nearly 25 years, Bolofo and his father returned to South Africa, an experience documented in his short film The Land Is White, the Seed Is Black. His keen eye for lively, dynamic images has won him accolades for his fashion photography—Bolofo editorials have appeared in Vogue, GQ and Interview, to name a few; his advertising clients include Burberry,
לי פרידלנדר
リー・フリードランダー
لي فريدلاندر
李·弗里德兰德
리 프리들 랜더
Ли Фридлендер
The Little Screens
LAILA
El nuevo trabajo interactivo creado por Esa-Pekka Salonen, Paula Vesala, Tuomas Norvio y el Colectivo Ekho para la Ópera Nacional de Finlandia rechaza los roles tradicionales de las artes escénicas, ya que su música y visualidad evolucionan y cambian en la interacción con el público. En Laila, no eres la audiencia, sino uno de los muchos actores que dan forma a la realidad. Laila es una experiencia única, que es diferente cada vez.
The Story of the Earth
The Story of the Earth concerns the development of planet Earth from its formation to the present day. Nearly all branches of natural science have contributed to understanding of the main events of Earth’s past, characterized by constant geological change and biological evolution.
Aerobics
Labrooy αποφοίτησε από το RCA με ένα μεταπτυχιακό στο σχεδιασμό των προϊόντων και έκτοτε με τη χρήση διαφόρων εργαλείων 3D άρχισε να ανακαλύπτει τη διασταύρωση της τυπογραφίας, της αρχιτεκτονικής, το σχεδιασμό του προϊόντος και τις εικαστικές τέχνες. Το έργο του το έχει εκθέσει στο μουσείο design.
ЖАН-ПОЛЬ ГОТЬЕ
ジャンポールゴルチェ
ז’אן פול גוטייה
جان بول غوتييه