Venha passar do limite

No cruzamento da escultura surrealista e sua experiência da passarela, nasceu, como resultado, os ‘capacetes’ de alta costura artesanal feitos ​​pelo artista japonês Katsuya Kamo. Kamo distinguiu-se por sua criatividade, sua androginia na criação de suas peças e também pelo método inovador como transformou simples ‘cabeças’ em obras de arte, fazendo uma incursão de artesanato moderno e arte avant-garde.

休克雷奇默尔
ХЬЮ КРЕЧМЕР
guggenheim

Décrivant son travail comme « une fusion de différentes influences absorbées depuis des années », l’artiste tire principalement ses inspirations des peintures et sculptures du XXIe siècle. Travaillées et colorées, ses œuvres humoristiques, cyniques et ironiques sont une véritable mise en scène du quotidien. Amateur de la juxtaposition et de ses manipulations virtuelles, l’artiste-sculpteur d’images, fait entrer le spectateur dans un tourbillon imaginaire façonné par sa main.

Vertical Migration
Desestabilizando nuestras percepciones de escala y alteridad, la migración vertical es un encuentro íntimo con una forma de vida que no se parece a los seres humanos, aunque compartimos un planeta, un ecosistema y un futuro. Debido al aumento del nivel del mar, los humanos también migrarán verticalmente en los próximos siglos, a elevaciones más altas y edificios elevados. La historia del sifonóforo es nuestra historia. Aunque nunca podremos experimentar su viaje a través de las profundidades del océano negro como boca de lobo, podemos cambiar nuestra perspectiva para reconocer que estamos conectados, que nuestras acciones se afectan entre sí y que compartimos un destino común.

随机国际
towering shower
Random create artworks and installations that explore behaviour and interaction, often using light and movement. Founded in 2005 by Stuart Wood, Florian Ortkrass and Hannes Koch, the studio utilises raw fragments of artificial intelligence to encourage relationships between the converging worlds of animate and inanimate.

neutopia

Mise en scène

阿尼什•卡普尔
アニッシュ·カプーア
АНИШ КАПУР
paints fleshy resin silicone series

최수앙
Listener
Choi Xoo Ang is an emerging mixed media artist based out of Seoul, South Korea who creates figurative sculptures out of clay and resin that examines human rights, society’s pathological state, and sex and gender politics among other themes.

SOUND of LIGHT

SOUND of LIGHT is a synesthetic sculpture which interprets and dynamically transforms sunlight into audio frequencies. It is a site specific installation designed for the former music pavilion in Hamm, Germany, which was built in 1912.

Fiber Optic Dress

We shall see Him as He is
”Beloved, now are we the sons of God, and it doth not yet appear what we shall be: but we know that, when He shall appear, we shall be like Him; for we shall see Him as He is”. the First Epistle of St John, Chapter 3 verse 2
Tavener converted to the Russian Orthodox Church in 1977.[13] Orthodox theology and liturgical traditions became a major influence on his work. He was particularly drawn to its mysticism, studying and setting to music the writings of Church Fathers and completing a setting of the Divine Liturgy of St. John Chrysostom, the principal eucharistic liturgy of the Orthodox Church: this was Tavener’s first directly Orthodox-inspired music

무한 식물 표본관
Infinite Herbarium은 광대하고 다양한 식물 세계에 대한 우리의 경험을 확장하는 것을 목표로 하며, 식물 및 멸종 위기에 처한 생태계와의 연결성을 창출합니다. 양방향 학습 및 예술 작품 제작 과정을 통해 참가자와 실제 식물의 만남은 머신 러닝(ML) 기술의 조합을 사용하여 데이터 세트 및 이력 기록을 통해 필터링됩니다. 식물학, 데이터 및 예술 간의 연결은 호기심 많은 잡종 종과의 상상적 만남으로 이어지며 생물 시스템의 끊임없는 흐름을 디지털로 반영합니다.

Orchisoid

“Mobility, technological invention, and artistic invention “It’s not just about putting new media into art, or even making new media art. It is about making new media as an artist, about being an artist in new media. Therefore, if it is not only a question of renewing art by injecting it with new means, new tools, new subjects, it may be a matter of shifting its borders to the point of considering experiments, technological inventions, such as art-related events, as part of the artistic project ”. In my opinion, here is how to re-found art and breathe new life into it for years to come! Fujihata’s work leads us to think of Art as “technical conduct”. In this conduct, technique is not instrumentalised, it is therefore freed from having to serve FOR something, it does not have to be effaced in front of what it serves. But this notion is very “fragile” as Pierre-Damien Huyghe points out to us. Indeed, if the technique “is no longer used for” it is no longer “necessary”. We must therefore consider that what is not necessary is precisely what is useful. Highlighting the usefulness in a technique without going through a notion of service is precisely what is at stake in Masaki Fujiata’s artistic position. In his work, it is about exploring the possibilities of a group of techniques so that they do not end up in the use where they are usually agreed. At the heart of Fujihata’s work we are dealing with techniques rich in possibilities. The artist has an artistic conduct which does not seek the means to do something with these techniques but which seeks to discover them. The artist positions himself as a discoverer making both learned and humorous attempts … “Jorane Rest

Patterned by Nature
Patterned by Nature was commissioned by the North Carolina Museum of Natural Sciences for the newly built Nature Research Center in Raleigh, North Carolina. The exhibit celebrates our abstraction of nature’s infinite complexity into patterns through the scientific process, and through our perceptions. It brings to light the similarity of patterns in our universe, across all scales of space and time.

whole
Датчанки Кармен Фредентал (Carmen Freudenthal), фотограф, и Эль Верхаген (Elle Verhagen), стилист, сотрудничают с 1989 года. Вместе они создают новые образы для фэшн-съёмок крупных домов мод и глянцевых журналов, делают серии независимых инсталляций и разрабатывают рекламные кампании для различных клиентов. Их стиль узнаваем благодаря чувству юмора, с которым эта пара подходит к решению творческих задач, и умелому обыгрыванию реалий повседневной жизни, а также классических техник фотографии и дизайна.

Fulgurations
Fulgurations is een generatieve installatie samengesteld uit een reeks LED-schermen die een inhoud in constante mutatie toont. Het reageert op een algoritme ontworpen door Studio Daniel Canogar, geïnspireerd door de cellulaire activiteit en ander soort collectief gedrag en natuurpatronen. De code die deze beelden regeert, maakt gebruik van het computationele principe van cellulaire automaten, ontwikkeld door de wiskundige John von Neumann. De logica van dit systeem werkt door de invloed van naburige eenheden, wat collectief gedrag in de keten uitlokt met een hoge esthetische waarde.

ПЕТРОС КРИСОСТОМО
Duplicate

ΠTON/2
πTon / 2 – это звуковая инсталляция, которая вмешивается в непрерывность исследований Cod.Act на механическую и звуковую органичность. Он является результатом опыта деформации упругой формы и ее влияния на эволюцию музыкального произведения. Объект представляет собой замкнутое на себе гибкое кольцо. Он приводится в движение торсионными двигателями, расположенными внутри его корпуса. πTon, поворачиваясь и размахивая собой, движется очень естественным и непредсказуемым образом.

The other side
This installation automatically creates a three-dimensional relief carving of the current cloud formations and ocean surface conditions on the opposite side of the earth from the location of the gallery space. Using satellite data from the Nasa Earth Observing Information System and the GPS coordinates of the gallery, the installation obtains a current image of an approximately six hundred square mile area on the opposite side of the earth from its location. Using custom software, the system converts this image into a relief model that is sent to an onsite CNC machine hanging upside down in the gallery space. The CNC machine carves the relief in pink foam with its upside-down orientation directly echoing the cloud and ocean topography on the opposite side of earth.

杰普·海因
ЙЕППЕ ХАЙН
ЈЕПЕ ХЕИН

Das Tanztheater der Pina Bausch
Cuando Pina Bausch entra en tu vida, se queda para siempre. Cada espectáculo suyo es un estremecimiento, un revulsivo -también un festín- para la inteligencia y los sentidos del que rara vez se sale indemne. De la alegría desbordada a la tristeza más insondable, el territorio de la genial creadora alemana son las zonas más intranquilas y escarpadas del alma humana […]

Liquid Landscape
LIQUID LANDSCAPE is the permanent public artwork commissioned by the contemporary open air museum Arte Sella in Italy. Roosegaarde was asked to create something with a challenging framework: no use of electricity, no use of artificial light, low maintenance, robust for decades, yet interactive to people.

BONE
anrealage spring
I think that there is both a science technology and a human technology in technology. I am interested in making clothes by crossing over these two different technologies. I think that in any age, it is important to maintain a close relationship with the technology of that specific age. Combining the technology made by man’s hands and the high technology made by the latest machines may be our future task.”

Lichtbanen

아말리아 피카
АМАЛИИ ПИКИ
ILLUMInations
В своем творчестве эта художница использует широкий диапазон средств коммуникации со зрителем. Ее работы интерпретируют будущее определенного места. Ее скульптуры, видеоарт и перформансы, и даже ее инсталляции – исследуют коммуникацию не как возможность дискуссии, а как попытку выработать свой собственный эстетический язык.

(rouleau)

Bildverarbeitungsmaschine
Björn Schülke ist von den kinetischen Skulpturen des deutschen Klangkünstlers Peter Vogel und Jean Tinguely beeinflusst und schafft komplexe vom Betrachter aktivierte Maschinen, die Bewegung, Überwachung und Klang kombinieren.

.

Björn Schülke é influenciado pelas esculturas cinéticas dos artistas sonoros alemães Peter Vogel e Jean Tinguely e cria máquinas complexas ativadas pelo espectador que combinam movimento, vigilância e som.

.

Björn Schülke is influenced by the kinetic sculptures of the German sound artists Peter Vogel and Jean Tinguely and creates complex machines activated by the viewer that combine movement, surveillance and sound.

I miss my thread

ЛИ МАТЕРАЦЦИ
李马特拉齐

1:1
via highlike submit

Asuna (android)
A- Lab, Tokyo
Luisa Whitton is a multidisciplinary artist working in photography, text, and video. Guided by an interest in portraiture and technology, her practice involves extensive research into the power and implications of anthropomorphising technology and its precarious relationship to the uncanny.

GLASSED A LA MUFFATHALLE

Auch in seiner aktuellen Performance „Glassed“ gibt sich Yann Marussich wieder nahezu bewegungslos und setzt seinen Körper Extremen aus. Ein riesiger, grünleuchtender Kubus beherrscht die Bühne. Begleitet durch die Live-Musik von Franz Treichel, dem Kopf der bekannten, Schweizer Post-Industrial-Band „The Young Gods“, erhebt sich dieser und gibt langsam den Blick auf den Künstler selbst frei. Marussich kommt, in einen feinen Maßanzug gekleidet, aber das Gesicht bis zur Gänze unter einer riesigen Halskrause verborgen, darunter zum Vorschein. Die Halskrause, die man eigentlich Hunden nach Operationen anlegt, ist bis obenhin mit 25 Kilo Glas angefüllt. Während der Performance versucht sich Marussich immer wieder unter großen körperlichen Anstrengungen dem Glas zu entledigen.

foam chair

lo res chair

Cubo

Dancer pole

FLORA 2

The animation in FLORA is generated by overlapping sine waves that travel through a string of lines. This wave principle often appears in nature when energy is transmitted through a medium like water, air or simply a rope. It can also be observed in the locomotion of animals and human-beings, in which kinetic energy is transmitted successively through joints.
The FLORA algorithm of is based on the discovery that a simple system of rotating lines can create endless variations of abstract shapes – ranging from curved harmonious lines to edgy and chaotic patterns. The resulting aesthetics combine computational accuracy with an organic playfulness, and tend to trigger diverse associations in the mind of the viewer.

FILE FESTIVAL
gif

In Evolutionaura

لى هونغبو
李洪波
Ли Хунбо