busch woman
IN THE WORLD OF HANAFUDA
IN THE WORLD OF HANAFUDA CARDS is a photographic, video and set design installation exhibition created by Eliška Sky Kyselková. The exhibition project intends to be a gate and homage to Japanese aesthetics and the beauty of nature. The visuals are inspired by Japanese card game Hanafuda, where each set of cards graphically portrays one month of the year with fauna & flora of that season.
impossible objects
TMRRW
TMRRW(dot)net combines predictable and unpredictable change in order to form a cubic time capsule of tomorrow’s relics. Predictions arise by mapping the course of natural disasters and desiccated resources, and non-predictions are postulated from science fiction and myth. The resulting guided tour of The Last Gallery presents attributes of artifactual design and nostalgia: we will remember impact events and Y2K12 hysteria; thirst, wetness, and all things glossy; sitting, leisurely commodities, and decoration. This piece intends to simulate future documentation of the past, while simultaneously proposing precursory relics.
Рё Ямады
Ninos Arbeit lädt uns ein, Objekte, die uns umgeben, zu überdenken und sie aus einer anderen Perspektive zu betrachten. Es ist jedoch unwahrscheinlich, dass viele zeitgenössische Künstler gefundene Objekte untergraben, um einen Kommentar zur Kunst selbst abzugeben, in Frage zu stellen, was Kunst ist oder was nicht, und auch nicht beabsichtigt, die Konsumgesellschaft zu kritisieren.
pieta
walking light
REAKTOR
Relaxation
FILE 2024 | Interator – Sound Synthetics
International Electronic Language Festival
Iskarioto Dystopian AI Films – Relaxation – Spain
Relaxation is an animated painting that transports you to a surreal natural landscape, hypnotically inviting mental relaxation.
Bio
Iskarioto Dystopian AI Films is an emerging Spanish artist, empowered with cutting-edge AI tools, a fusion of human creativity with machine potential. He is known as a visual alchemist, pixel manipulator, and graphic, dark, dystopian storyteller. Since its premiere in 2022, it has been shown in art galleries around the world, having won the Artistic Award at the AI Film Festival Montpellier 2023.
Credits
Music: Relaxation by NPM
Piscina
[…] Erlich cria espaços com limites fluidos e instáveis. Antes de tentar dar sentido às suas esculturas e instalações, sente-se o estranho. Uma única mudança (para cima é para baixo, para dentro é para fora) pode ser suficiente para perturbar a situação aparentemente normal, desmoronando e expondo nossa realidade como uma falsificação. Por meio dessa transgressão de […] Erlich cria espaços com limites fluidos e instáveis. Antes de tentar dar sentido às suas esculturas e instalações, sente-se o estranho. Uma única mudança (para cima é para baixo, para dentro é para fora) pode ser suficiente para perturbar a situação aparentemente normal, desmoronando e expondo nossa realidade como uma falsificação. Por meio dessa transgressão de limites, o artista enfraquece certos absolutos e as instituições que os reforçam, o artista enfraquece certos absolutos e as instituições que os reforçam.
The Olympics
Peter Jansen (1956) studied Physics and Philosophy at the university.For a number of years he worked as a guide, accompanying groups on survival and canoe trips, after which he dedicated his live entirely to the arts. Based on his ideas on transposition and movement the artist Peter Jansen uses shapes of the human body to create energetic spaces.
483 linhas
A obra de arte 483 linhas amplia esta imagem de vídeo analógico até que ela tenha 16 metros de largura e, em seguida, dobra essa imagem várias vezes para que ela se encaixe verticalmente no espaço da galeria, adicionando aí oscilações de profundidade na imagem que podem ser ativadas por ‘ajuste’ do vídeo projetado para corresponder a essas ondas. As linhas estritamente organizadas podem ser ilusórias, criando uma arquitetura confusa de horizontes, enquanto o vídeo reproduzido mostra um passado, presente e futuro paralelos.
Casa Tree Ness
Diseñado por Akihisa Hirata, Tree-ness House es un complejo edificio de casas y galerías construido en Tokio, Toshimaku. Un árbol está integrado orgánicamente con una combinación de partes que tienen diferentes características, como un tronco, una rama y una hoja. Al igual que con el árbol, intentamos crear una arquitectura orgánica que pudiera estar formada por una combinación jerárquica de diferentes partes como plantas / pliegues (como aberturas) / cajas de hormigón.
Museum Motus Mori
German choreographer Katja Heitmann and ten dancers will create a museum for physical movements that face the threat of extinction. Museums are meant to preserve human culture and history. It nearly goes without saying that they do so through objects, installations, and occasionally, stories. But humanity itself is missing in this solidified version of our lives. For six weeks, five hours a day, the dancers and the choreographer will take on the remarkable challenge of creating a new museum precisely for that purpose. Museum Motus Mori will sensitize visitors to the deep humanness hidden within the body.
Two Hundred and Seventy
Through the combination of an everyday material with precise technology the mixed media installation fills the whole columned hall from the 19th century with its fluid movement and peculiar sound. Concavely arranged and floating above the spectators heads the form of the artwork seems to pass the skylight like the sun’s rays. Subdivided into nine columns, the nearly 70 square metres large piece of art follows a site-specific choreography determined by a program. Its moving surface is made from 270 white garbage bags, being inflated and deflated. In this way shapes and the boundaries of the installation itself start to dissolve. “Two Hundred and Seventy“ is the first installation with an undisguised view behind the scenes and onto the origin of the wavelike and organic movement: 1080 fans, lots of cables and 45 circuit boards
キャサリンウェールズ
Project Dna
El trabajo de esta diseñadora es un modo de expresión que oscila entre el arte objeto, el diseño y la moda. Con el afán de ampliar los límites de producción digital, la diseñadora londinense conjuga ciencia y tecnología para crear piezas que reflejan los cambios tecnológicos que se viven a diario.
masks
Los autorretratos de Wearing exploran la fotografía como farsa, además de examinar concepto de identidad y representación. Con una meticulosa atención al detalle y sofisticadas prótesis de silicona, Wearing crea extraordinarios autorretratos que imitan fotos de su álbum de familia. Estas imágenes triunfan porque formulan preguntas sobre la familia, las relaciones y el yo, aspectos todos ellos importantes en la fotografía contemporánea. Otros retratos de la serie, incluyen a su hermano, su abuela y su abuelo.
Wie ein ziel