highlike

FERRUCCIO LAVIANI

伝統がインスピレーションの源として再び確認され、(W)ホールドレッサーのラインで、ルイ15世スタイルの繊細さと調和を認識することができます。 しかし、自然の形に触発された曲がりくねった曲線、豊かなカール、金色の装飾の構成は、夢のようなものにアクセスするための扉となる可能性のある、穴の開いた円錐形のフクシア漆塗りの木材によって再生されます。世界と先見の明。 詩的な物語、楽しいゲーム、幻想で構成されたユニークでいつものようにオリジナルのコレクションを期待するインパクトのある家具は、細部が偶然に残されることのない洗練された魂を隠します。

NAO TAMURA

lexus межсоединение
В природе есть силы, неподвластные человечеству. Мы узнали, насколько мы уязвимы перед лицом таких сил. Однако мы также узнали, как важно принимать природу и учиться жить в гармонии с ней. Взаимосвязанные и взаимозависимые, в природе существует постоянный компромисс. Жизнь не отдыхает. Наше коллективное движение, реакция природы на наши движения важны для хрупкого равновесия нашей планеты. Когда мы едины с природой, мы максимально сильны. Наше совместное движение дает нам жизнь. Наше движение вперед создает новое поколение идей. Жизнь всегда удивительнее в движении.

YING GAO

Playtime

受到导演雅克·塔蒂(Jacques Tati)同名电影的启发,游戏时间(Playtime)邀请观众反思城市空间中物体的外观和感知。 与法国作家弗朗索瓦·埃德(FrançoisEde)的高级时装相比,电影《娱乐时光》(Playtime)展示了一个世界,其中使用了错层涂油和镜像游戏等设备,无处不在的超现代建筑和城市监控。 这种批判性和趣味性的倒影已融入时尚界,可以探索变态,例如《步行之城》和《活豆荚》。 在有声音和灯光的游行的背景下,作品的摄影或视频捕捉发生了变化:第一件衣服变得模糊起来,好像物理上隐藏在静止或运动的图像中。 第二件连衣裙会发出间歇性光线,对照相机的闪光灯做出反应,从而会欺骗照相机并改变镜头。

ERWIN OLAF

欧文奥拉夫
ארווין אולף
アーウィンオラフ
어윈 올라프
Эрвин Олаф
deconstruction
オランダの写真家アーウィン オラフさんは商業および個人的な写真で有名です。彼はリーバイス、マイクロソフト、ノキアなどの国際的な大企業のための広告キャンペーンの写真を撮ります。

FRANCESCA WOODMAN

فرانشيسكا وودمان
弗朗西斯樵夫
פרנצ’סקה וודמן
フランチェスカウッドマン
프란체스카 우드맨
Франческа Вудман

MAKOTO AIDA

מקוטו אאידה
会田誠
마코토 아이다
Аида Макото
The Giant Member Fuji versus King GTiadors

DIANA ENG

INFLATABLE DRESS
Diana Eng, in collaboration with Emily Albinski, created this gorgeous dress way back in 2003, which ended up making its way on the cover of ID Magazine. The designers used this project to explore how they could use electronics to change the shape and color of a gown. The dress inflates to allow you to change it’s shape. Pump up the back or the sides to change its silhouette.
The designers made no attempt to hide the electronics, rather, they exposed the spaghetti-ball of wires and components as the main aesthetic.

QUBIT AI: Robert Seidel

HYSTERESIS

FILE 2024 | Aesthetic Synthetics
International Electronic Language Festival
Robert Seidel – HYSTERESIS – Germany

HYSTERESIS intimately weaves a transformative fabric between Robert Seidel’s projections of abstract drawings and queer performer Tsuki’s vigorous choreography. Using machine learning to mediate these delayed re-presentations, the film intentionally corrupts AI strategies to reveal a frenetic, delicate and extravagant visual language that portrays hysteria and hysteresis in this historical moment.

Bio

Robert Seidel is interested in exploring abstract beauty through cinematic techniques and insights from science and technology. His projections, installations and award-winning experimental films have been presented at numerous international festivals, art venues and museums, highlighting his innovative approach to visual art.

Credits

Film: Robert Seidel
Music: Oval
Performer: Tsuki
Graphics: Bureau Now
5.1 Mixing: David Kamp
Support: Miriam Eichner, Carolin Israel, Falk Müller, Paul Seidel
Financing: German Federal Film Board

pakui hardware

Shapeshifter, Heartbreaker

Shapeshifter, Heartbreaker, is an installation on two levels composed of sculptural work and 3D computer animations that are both abstract and figurative. On the first level Pakui Hardware has designed an office desk using the typical components of a trading floor. However, this is not a work station for individuals; it is for computer aided trading, non-human activities which are approximated in the three channel videos atop desks noticeably lacking keyboards and mice. These activities often occur at an exceedingly fast pace, in the blink of an eye, an expression that lends its name to a video installed on the second floor. There, the blinks of a humanoid form have been accelerated to illustrate how fast the body would have to consciously react if it were operating at the speed of decision making that resulted in the stock market’s ‘flash crash’ of 2010.
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FILE 2024 – Call for Entries

The Call for Entries to participate in FILE – Electronic Language International Festival’s projects in 2024 is now open. The festival seeks original artworks in Art and Technology, by Brazilian and international artists. Registration remains open until February 10th. Access the registration form.

FILE is a non-profit cultural organization that has propagated creation and experimentation in Art and Technology through exhibitions, events and publications over 23 years. This call opens up the opportunity to participate in the 23rd. Edition of the Electronic Language International Festival, which is scheduled to take place at the FIESP Cultural Center, in São Paulo. The selected projects will also be able to collaborate in parallel events in different states in Brazil.

Using the registration form, it is possible to send interactive installations, sound art, video art, robotics, animations, CGI videos, virtual realities, augmented realities, mobile art, games, gifs, internet art, lectures and workshops, among others. To participate in the LED SHOW programm, exhibited annually at the FIESP Digital Art Gallery, register using the form. Sign up!

 

 

 

FEEL SEATING SYSTEM

Animi Causa
Feel Seating Deluxe can shift into many different shapes and sizes, making it incredibly diverse and cosy. You can fold it and mold it any way you like. This seating system is made of 120 plush soft balls which you can lay, sit or lounge on. Feel Seating comes in bright red and blue colour which will lighten any room. The balls are made of 100% foam, while the upholstery is made of special stretch fabric. Although this sectional sofa might be too risqué for some, its comfort is undeniable.

Hella Jongerius

Breathing Colour
“Hella Jongerius’ work puts colour center stage. Never one to folllow commercial trends, she has developed a use of colour that is uniquely her own. Jongerius has been researching colour pigments and the connection between colour, fabric and light for years.

MARK JENKINS

МАРКА ДЖЕНКИНСА
Hangers

Mark Jenkins adalah seorang seniman instalasi jalanan dari Amerika Serikat, tinggal di Washington DC. Dalam beberapa karyanya ia menggunakan alat perekat selotip dan plastik kemasan yang dipasangkan pada tubuh. Sebagai pengabdian terhadap seni rupa, ia juga mengajarkan seni mematung dalam setiap workshop di setiap kota yang disinggahinya. Ia menggunakan jalanan umum sebagai panggun pertunjukkannya, ketika itu pula mereka yang melewatinya menjadi seorang aktor dalam lakonnya. Banyak penampilan karyanya di jalanan yang mendapat tentangan dan intervensi dari pihak penguasa setempat, terutama pihak keamanan. Namun demikian hal tersebut merupakan salah satu bagian dari pertunjukannya.

BANKSY

班克斯
バンクシー
Бэнкси
queen monkey
“The highest position in British society is not a reward for talent or hard work, but is simply handed out with the accident of birth… God Save The Queen.” – Banksy