highlike

FEDERICO DIAZ

geometric death frequency 141

“The title of the piece is a pun that, with irony, alludes to the exceeding of tradition, irreconcilable dichotomy between life and death in a sculpture made, provocatively, by lifeless forms“, adds Diaz. “The line between life and none-life is more fleeing than we usually think: think about a virus that attacks a complex organism and reproduces in the same way as a micro-organism, even though it’s only an agglomerated of lifeless molecules: a natural crystal that, even though is a stone, can be born and undergo a fascinated process of growth that mimes perfectly the ways of an organic life“.

+
●

holger lippmann

iso box 01

Хольгер Липпманн описывает часть своей работы как цифровую живопись. Что отличает цифровую живопись от традиционной живописи на холсте или бумаге? Нам нужно различать две категории цифровой живописи. Первый включает в себя работы, созданные на компьютере с помощью готовых графических инструментов, таких как виртуальные кисти или ручки, примерно так, как нецифровые изображения создаются на бумаге или холсте. Пример этого – рисунок Дэвида Хокни, изображающий подсолнух на i-Pad. Вторая категория включает работы с использованием компьютерной генерации, в которых программы, написанные художником, постоянно создают новые эстетические концепции в виде изображений или анимации. Каждое выполнение программного обеспечения создает новые работы в заранее определенных границах системы. Этот процесс можно назвать генеративной росписью.

+
■

Dragan Ilic

Re)Evolution

With the machine programed to draw, the robot becomes a medium for interaction and for “symbiosis” with the artist, creating a kind of “hybrid body” of man and machine, whose nervous system and brain waves administer “software commands” to the robot during the drawing performance. A key actor in the exhibition will be the new model of the KUKA KR 210 robot, that has a multi-functioning performative role: from drawing, experimental dance, music – through the production of industrial sound, and a six channel video projection that documents Ilić’s projects.

+
●

Roman Signer

РОМАНА ЗИГНЕРА
Fahrrad mit Farbe (Bicycle with Paint)
Né en 1938 en Suisse, Roman Signer est mondialement connu pour ses performances « explosives ». Depuis 1973, il conçoit une œuvre combinant sculpture, performance, photographie et documentation filmique. Fasciné par la puissance de la nature, il n’a de cesse de l’expérimenter à l’aide d’actions d’une grande force poétique, souvent à la limite du danger.

+
■
▲

Doug Rosman

Self-contained II
A neural network, trained to see the world as variations of the artist’s body, enacts a process of algorithmic interpretation that contends with a body as a subject of multiplicity. After training on over 30,000 images of the artist, this neural network synthesizes surreal humanoid figures unconstrained by physics, biology and time; figures that are simultaneously one and many. The choice of costumes and the movements performed by the artist to generate the training images were specifically formulated to optimize the legibility of the artist within this computational system. self-contained explores the algorithmic shaping of our bodies, attempting to answer the question: how does one represent themselves in a data set? Building on the first iteration of the series, the synthetic figures in self-contained II proliferate to the point of literally exploding. Through the arc of self-contained II, this body that grows, multiples, and dissolves never ceases to be more than a single body.

+
●

SHOHEI FUJIMOTO

Compression de densité
Avec Density Compression [2020], Fujimoto tourne son attention vers les comportements fondamentaux de la lumière visible, en se concentrant sur les lignes droites et la réflexion. En représentant la lumière comme un réseau dense de lignes voyageant dans un espace limité, l’artiste rend la lumière comme un objet physique, lui permettant d’explorer et finalement de changer son comportement de base. La pièce est accompagnée d’une partition atmosphérique du compositeur expérimental et affilié de Raster-Noton Kyoka.

+
●

Sterling Ruby

Резиний рубль
スターリングルビー
Стерлинг Руби
Στερλίνα Ρουμπίνι
Specter
El monolito naranja fluorescente de Sterling Ruby, SPECTRE, aparece como una aparición en el desierto. La brillante escultura geométrica crea una ilusión óptica discordante, que se asemeja a un compuesto o collage con Photoshop, como si algo se hubiera eliminado o borrado del paisaje. El bloque actúa como un cifrado o sustituto, imitando la forma que podría ser: un contenedor de envío, un búnker militar, un objeto no identificado, un hogar abandonado. La naranja fluorescente se usa tradicionalmente por seguridad, como advertencia. Aquí esa lógica se invierte: un objeto fantasmal, apartado del entorno natural, escondido a plena vista.

+
●

Aram Bartholl

Pan, Tilt and Zoom
Three motorized CCTV dome cameras are installed on the gallery floor. The built-in auto-tracking function makes the cameras follow any motion in the room. While moving its lens the center of the weight of the device shifts and the whole camera starts to roll on the floor. As a result the software is confronted with even more motion which needs to be tracked. From time to time the cameras bump into each other or start to follow and trigger each other movements.

+
●

james turrell

جيمس توريل
詹姆斯·特瑞尔
ג’יימס טורל
ジェームズ·タレル
설치작품 제임스 터렐
ДЖЕЙМСА ТАРРЕЛЛА
Skyspace
Manipulating light as a sculptor would mold clay, James Turrell creates works that amplify perception. Unlike pictorial art that replicates visual experience through mimetic illusion, Turrell’s light works—one cannot call these shimmering events ”objects“ or ”images“—give form to perception more…

+
●
■
▲

Jon McCormack

Colourfield
Colourfield is an evolutionary ecosystem of colour. Colour agents try to exist in a simple universe by producing colours that are suited to their environment. This environment is determined by the other agents and the colours they produce. Entering into complex feedback cycles, Colourfield presents an evolving palette of shifting colours. Different configurations emerge based on the strategies the ecosystem discovers for co-existance and co-dependency. Harmonious configurations often remain stable for a short while, before eventually being replaced by new relations, better able to survive in the ever shifting environment.

+
●

PHILLIP TOLEDANO

فيليب توليدانو
菲利普托莱达诺
פיליפ טולדנו
フィリップ·トレダノ
Филипп Толедано

+
■

Ernesto Neto and SHEN WEI DANCE ARTS

Anthropodino
Ernesto Neto’s interactive installation anthropodino, currently on display at the Park Avenue Armory, is a massive sensual playground that invites viewers to touch the various fabrics, lie down on a large purple beanbag, walk through the womb-like structure, and smell the aromatic fabric tubes dangling from above.

+
●
■

WILLIAM FORSYTHE

факт
Хореограф Уильям Форсайт построил эту инсталляцию, чтобы побудить участников раскачиваться и растягиваться в определенном пространстве. На практике это невероятно трудное занятие, особенно для взрослых, поскольку вы понимаете, насколько на самом деле тяжело и «неуклюже» ваше тело.

+
●
https://highlike.org