Jacob Taekker
Apophenia Cloud Travel Apparatus
“…a visitor must first gear up in a simple uniform of gray booties, lab coat and adjust a safety-helmet-type harness to their head. This harness supports a grey rectangle of plastic positioned directly in front of one’s face, leaving only the periphery vision for navigation. My first assumption was that this blockage was somehow supposed to simulate an unusual visual disability. However, upon entering the designated darkened room, my ‘screen,’ caught the projection of a giant eye, which filled my vision like some early surrealist film.” Sarrita Hunn
DMITRI OBERGFELL
Дмитри Обергфейла
infinite ladder
在他的实践中，Dmitri Obergfell有兴趣探索材料和思想之间的关系以评论人类的经验。 由于观看者对制成品的熟悉程度以及与日常体验的关系，他将商业性制成品用作白话。
人们与对象之间的关系既是作品的访问点，又是在“个人”层面上进行联系的方式。 他希望观众有一种将他们暂时摆脱自我的体验，并让他们考虑更广泛的存在感，更多的社交或集体体验。 德米特里（Dmitri）被当代人对我们所生活的世界以及与历史的关系的看法和/或方法所启发。 他说：“我花了大量时间吸收信息并被动地观察周围的事物。 我认为我的灵感就像渗透。 我更喜欢保持不确定性，以免我的灵感变得陈腐而过时。’
ALEXANDRU NIMURAD
The birth of the night
Heavily influenced by mythology, biology and astronomy he creates characters which tell stories about life. All of his projects have the same simple core that is something, a small part, of the daily routine, of the emotion. And when emotion is created they, the characters, have the opportunity to venture inside themselves and to feel‚ without anything stopping them, led only by the simplicity and purity of the dream, of the new story.
TIRIL HASSELKNIPPE
solo couch
charles pétillon
Il fotografo francese Charles Pétillon ha creato una serie dal titolo Invasion, un progetto che ricorda in parte l’idea di The RedBall Project dell’artista Kurt Perschke o le Balloon Sculptures di Hans Hemmert. Centinai di palloncini bianchi straripano da spazi architettonici, quartieri e paesaggi naturali. Ogni foto diventa una metafora, una sensazione, o un’evoluzione dell’universo urbano. Gli scatti mirano a cambiare la nostra percezione del paesaggio che incontriamo tutti i giorni, trasformano un luogo comune in uno spazio inconsueto e straniante che ci spinge a osservare il quotidiano con occhi diversi.
ANDREA ZITTEL
AZ west wagon station encampment
Matthias Zwicker, Wojciech Matusik, Fredo Durand, and Hanspeter Pfister
Automultiscopic 3D displays
Automultiscopic 3D displays allow a large number of viewers to experience 3D content simultaneously without the hassle of special glasses or head gear. This display uses a dense array of 216 video projectors to generate images with high angular density over a wide field of view. As users move around the display, their eyes smoothly transition from one view to the next. The display is ideal for displaying life-size human subjects, as it allows for natural personal interactions with 3D cues such as eye-gaze and spatial hand gestures.
Jasmine Bowden
Jewellery Art
“I like to think of the collection as an important reminder that everything is interconnected; humans and nature are part of the same unit. Essentially I hope my work will act as a reminder of the beauty and magnificence of nature as well as being something really special to wear.”
EHAB ALHARIRI
Pod de montaña sostenible futurista
Una cápsula de montaña sostenible inteligente futurista diseñada para utilizar energía solar mediante un mecanismo de pétalos que le permite abrirse y cerrarse para cargar la cápsula utilizando células fotovoltaicas montadas en los pétalos. Inspirado por el movimiento de una flor, los pétalos cuando están abiertos permiten una vista de 360 ° del entorno, el mecanismo también podría permitir que la vaina recolecte el agua de lluvia para ser autosuficiente y que la rejilla se esconda.
Ran Ortner
Invert
Shinseungback Kimyonghun
Aposematic Jacket
‘Aposematic Jacket’ is a wearable computer for self-defense. The lenses on the jacket give off the warning signal, “I can record you”, to prevent possible attack. When the wearer pushes a button under threat, the jacket records the scene in 360 degrees and sends the images to the Web.
BRIAN ENO
Брайан Ино
브라이언 이노
ブライアン·イーノ
בריאן אינו
براين إينو
Брайан Ино
Music for Airports
Initially, he referred to these quiet soundscapes as “discreet” music, and on Discreet Music (a wry deconstruction of “Pachelbel’s Canon in D”) demonstrates his basic tools: minimal melodies, subtle textures, and variable repetition. Around this time, he had also been collaborating with the German synth duo Cluster on a pair of moody, coloristic electronic albums, selections from which may be found on the Begegnungen and Begegnungen II compilations. But it was Music for Airports that finally codified these experiments into an aesthetic, and even provided a label for the sound: ambient music.
COLLECTIF SCALE
Поток
«Вместе с Flux мы предлагаем новое устройство, разработанное для Cloître des Récollets в Hôtel de Région Grand Est в Меце и в рамках фестиваля Constellations. Поток состоит из 48 динамических световых линий длиной 1,5 м, расположенных на расстоянии 40 см друг от друга, моторизованных и управляемых в реальном времени. Формальное умножение этих линий в сочетании с микровариациями фаз, временных задержек, скоростей и амплитуд позволяет нам лепить объект длиной 20 метров, живой и развивающийся с циклическим возвратно-поступательным движением “. Масштабный коллектив
