Betweenness
“Installed in the main gallery is Betweenness (all works 2018), a video montage that sorts the natural world, including a few humans, into simple, line-drawn motion graphics. There’s a frolicsome quality to the animations: when the animals move, grow, shift, and, quite literally, evolve, the scenes appear to follow a playful intuition, rather than exhibiting any scientific fact.”more…

Antistructures
Amusing head-scratchers: a fitting description for the surreal, towering collection of architecture by photographer Alex Lysakowski in the series, Antistructures. Standing out against perfectly banal backdrops, Lysakowski creates structures of magnanimous and exaggerated proportions with a mix of photography and digital manipulation.

乔治·梅里爱
ג’ורג’ מליות
ジョージ·メリエス
Джордж Мельес
Le papillon

راشيل هاريسون
雷切尔·哈里森
レイチェル·ハリソン
רחל הריסון
Рэйчел Харрисон
Schmatte with President
Rachel Harrison’s work draws from a wide range of influence, wittily combining art historical and pop cultural references through a diverse play of materials. In Nose, Harrison’s figure towers on a cardboard box plinth as an abject gargoyle, adorned with a plastic joke shop nose. Grotesque and funny, Harrison’s humour derives from its carefully structured, yet open-ended suggestion, each element building up to a plausible punch line. Using visual language as a subversive tool, Harrison parodies expected comparison to artists such as Franz West and Paul McCarthy,
appropriating styles and motifs with subtle knowingness, wielding artistic process as

Fluoroscape
Long considered to be one of the pioneers of the use of computers in architectural design and visualization, NMDA has produced a body of work that has fused the physical and the graphic worlds in unprecedented ways. From our groundbreaking installation in Tokyo’s Gallery MA in 1996 to our current explorations, we have relentlessly pursued the development of “cultural ergonomics”, i.e. those forms that “fit” our contemporary life. Although NMDA operates on a global level, Los Angeles and it’s landscapes and cultural institutions play an important role in the development of our work.

INposition

رشاد الأكبروف
Рашад Алекперов

Legless

Ду Ху Са
ドーホー・スー。
서도호
Staircase
Cầu thang này không phải để đi, vì nó được làm hoàn toàn bằng vải. Một trong những tác phẩm nghệ thuật sắp đặt của nghệ sĩ Do Ho Suh tại triễn lãm Tate Modern (London). Thiết kế mô phỏng đúng tỉ lệ thật với kiểu dáng cầu thang tại căn hộ của ông ta.

Gå.ia
robot botanique

string

Pastoe Cupboards

flying lotus

蒂姆·霍金森
ティム·ホーキンソン
تيم هاوكينسون
Cartwheel
Tim Hawkinson (1960-) Nasceu em São Francisco. Graduou-se pela San Jose State University, San Jose. Mestrado pela University of California, Los Angeles. Mais conhecidos por suas complicadas esculturas/instalações misturando engrenagens e sons. Em muito trabalhos usa seu próprio corpo como modelo. Discute música e a passagem do tempo. Participou das Bienais do Whitney Museum e de Veneza. Vive e trabalha em Los Angeles. É representado pela Pace Gallery.

white whale

Лита Альбукерке
stellar axis aligns 99 blue spheres to stars in the antarctic sky
The Stellar Axis land art project is currently being deployed in Antarctica, to be completed for the Southern hemisphere Summer Solstice on 22 December 2006.
Perhaps the largest and most ambitious arts project to take place in Antarctica, Stellar Axis is the work of the internationally known, Los Angeles based artist, Lita Albuquerque, and is sponsored by the US National Science Foundation and US Antarctic Programme.
The concept is to mirror the southern constellations through the placement of 99 blue spheres on the Ross Ice Shelf in Antarctica.

Canto Ostinato – dervish dance and organ
video

Schlacht
Schlacht ist eine Konfrontation zweier physischer Akteure: einerseits Hassan Razak, Spezialist für Bodypercussion und andererseits Pierre Cartonnet, Spezialist für Akrobatik. Diese Konfrontation ist ein komplexer, paradoxer und mehrdeutiger Kampf. Ist es ein realistischer Tanz oder ein choreografischer Kampf? Ist es ein von beiden Teilen akzeptierter Vertrag oder eine einseitige Gewalt? Ist es ein Narrenspiel? Wird die Gewalt erfahren oder gewährt? Masochist oder Sadist?

The Rite of Spring

Living together is easy

Motion Graphics Designs
He is working on abstract art, motion graphics, and computer based arts using Cinema 4D and Houdini.

골란 레빈
Голан Левин
Opto-Isolator

Зе, Сара
サラ・セー
Second Means of Egress

Merry-go- round Coat Rack

Windvogel
WINDVOGEL are energy generating kites which create up to 100 kW and can supply about 200 households with green energy. Floating in the air, the smart kites move around and are connected with a cable to a ground station. This push and pull of the cable transforms into electricity, like the dynamo of a bicycle.

Зе, Сара
サラ・セー

IN MEMORIAM
Joachim Sauter

1959-2021

R.I.P

ART+COM Studios

MOBILITY
THE INSTALLATION SPANS A CORRIDOR OF 7-METRES WIDTH. ON THE LEFT WALL ONE HUNDRED PROSTHETIC HANDS ARRANGED IN A MATRIX REVOLVE AROUND THEIR OWN VERTICAL AXIS, THE MOVEMENTS BEING CONTROLLED BY MOTORS. THE MIRRORS THEY HOLD REFLECT THE BEAM OF A STRONG LIGHT ACROSS THE SPACE AND ONTO THE OPPOSITE WALL. WHAT INITIALLY SEEMS LIKE AN ASYNCHRONOUS, CHAOTIC PATTERN OF MOVEMENT SOON REVEALS ITSELF AS A COMPLEX, COMPUTATIONAL
.
流动性
该安装跨越了7米宽的走廊。在左墙上，排列成矩阵的一百个假肢手绕其自身的垂直轴旋转，其运动由电动机控制。他们持有的镜子将强光光束反射穿过整个空间并射向对面的墙壁。最初看起来像是一个异步的，混乱的运动模式，很快就显示出一种复杂的计算编排：首先，一百个光点围绕一个中心点移动，类似于行星的天体动力学或昆虫群的飞行模式。并创造出三维空间的印象。然后突然之间，这种有机振动会聚成一个表示运动和动作的汉字。

ТИММ УЛЬРИХС
The first sitting chair

Audrey Large is a French designer based in the Netherlands. By bridging animation techniques with digital-to-material manufacturing processes, her work explores the potential of digital image manipulation as applied to the design of our material surroundings.

crash Kiss (Guthrie & Ellis)

WiFi Radiation

inside of the instrument

einsames Überlebensfloß
Solitary Survival Raft ist eine Maschine, die einen einzelnen Körper beim Abdriften ins Unbekannte tröstet. Dieses Kunstwerk untersucht, wie wir den menschlichen Drang, neue Grenzen zu erkunden, mit der Tendenz zur Angst in Einklang bringen können. Das Floß ist eher eine Erkundung unseres Standorts als eine Demonstration des Überlebens – fallen Sie vom Rand ab, wenn Sie den Horizont erreichen, oder verschmelzen Sie näher mit der Wahrheit, wenn Sie der Angst die kalte Schulter zeigen?

エヴァン·ホロウェイ
埃文·霍洛威

Thorsten Brinkmann moves individuals enjoying his works in a way that is hard to describe. It’s not like his creations offend somebody or give birth to strong feelings, but there certainly is something strange and disturbing about them. His piece of resistence is photographing people in a classical manner while substituting parts of their body with objects of common use, ranging for boxes, materials, lamps or even furniture.

Houston