highlike

JOHN BUTLER

Le Paradoxe de Xerox
La mode interrogative à l’ère des devoirs super intelligents. Le « paradoxe de Xerox » est l’effet inverse de la technologie. Craignant un avenir sans papier, une enquête de Xerox Parc a conduit, entre autres, à l’IUG (Graphical User Interface) qui, à son tour, a entraîné une augmentation substantielle de la production de matériel imprimé.

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Laurent Grasso

OttO (solo exhibition)
OttO (the film)
ether
Structured around a set of brand-new works and around the eponymous film, the exhibition interconnects sacred spaces, animistic beliefs and scientific theories. Each of these works concerns imperceptible and yet active phenomena that have in common the real or supposed effects of electromagnetic waves, vibrations and frequencies. Perrotin Paris

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éther

Structurée autour d’un ensemble d’œuvres inédites et autour du film éponyme, l’exposition interconnecte espaces sacrés, croyances animistes et théories scientifiques. Chacun de ces travaux concerne des phénomènes imperceptibles et pourtant actifs qui ont en commun les effets réels ou supposés des ondes électromagnétiques, des vibrations et des fréquences. Perrotin Paris

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Studio Drift

Concrete Storm
On first impression, visitors experience solid forms, which draw on minimalist motifs and underscore the stable properties of concrete. While wearing the HoloLens, viewers enter a mixed reality, enlivened by responsive holograms that augment the physical environment of the installation. With Concrete Storm, DRIFT explores the layer between the parallel worlds, whereby the real and the virtual worlds co-exist. People’s attention is now constantly divided between these two worlds in which they coexist. The artists believe that combining these two seemingly separate worlds they can study the unlimited possibilities of the unstoppable evolution. Concrete Storm expands the boundaries of the digital world, freed from screens, and integrated into the fabric of physical existence.

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LIDA ABDUL

ليدا عبدول
What We Saw Upon Awakening

In my work, I try to juxtapose the space of politics with the space of reverie, almost absurdity, the space of shelter with that of the desert; in all of this I try to perform the ‘blank spaces’ that are formed when everything is taken away from people. How do we come face to face with ‘nothing’ with ‘emptiness’ where there was something earlier? I was a refugee myself for a few years, moving from one country to another, knowing full well that at every juncture I was a guest who at any moment might to asked to leave. The refugee’s world is a portable one, allowing for easy movement between borders. It is one that can be taken away as easily as it was given: provisionally and with a little anxiety on the part of the host.

Sometimes people say, I am post-identity, post-nation, etc.. I don’t know what this means. For me the most difficult thing is precisely to go past the memory of an event; my works are the forms of my failed attempts to, what others call, transcend. But what? For me art is always a petition for another world , a momentary shattering of what is comfortable so that we become more sophisticated in reclaiming the present. The new wandering souls of the globe, the new global refuseniks —stubborn, weak, persecuted, strong—will continue to make art as long as people believe in easy solutions and closures of the most banal kinds.

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BOHYUN YOON

БОХЬЮН ЮН
윤보현
Transparent Business Suit

“There is much to support the view that it is clothes that wear us and not we them; they mold our hearts, our brains, our tongues to their liking.” -Virginia Woolf. Uniforms group people in simplified versions of our social strata and take away our identity and individuality. In my transparent suit, I wanted to break the rigid impositions of the formal suit. Therefore, I juxtaposed the suit of a businessman and the naked body.

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Behnaz Farahi

19Returning the Gaze
‘Returning the Gaze’ is an cyber-physical robotic installation by Behnaz Farahi supported by Universal Robots for ANNAKIKI’s Milan Fashion Week. ‘Returning the Gaze’ is an exploration of this scenario. In the center, a female model wears a spacesuit-like outfit and a headpiece fitted with two tiny cameras. The cameras track and capture the movements of the model’s eyes, and enlarging and displaying them on four monitors mounted moving around on robotic arms glaring back at the observers. The gaze of the model is thereby directed back at the viewer, extended and enhanced through cyborgian technologies.

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PIERRE HUYGHE

皮埃爾·於熱
ピエール·ユイグ
A Forest of Lines
realities based on invented narratives or contrast given parallel narratives to indicate the existence of multiple realities produced by the subjective perception and interpretation of different narrators and receivers.

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REZA ALI

EMERGENT
According to wikipedia, “emergence is the way complex systems and patterns arise out of a multiplicity of relatively simple interactions.” Thus “EMERGENT” was created using a particle system that was given basic rules of behavior, this is very similar to swarm algorithms using in architecture to create 3D forms. The application/particle system was created/simulated using Processing and OpenGL. The particle trails (locations over time) were imported to Maya using a MEL script and then animated to show their growth over time. I developed a (pretty complex) Processing application that helped me simulate the particle system (300 particles, with per particle interaction) in real-time.

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Olafur Eliasson

オラファー·エリアソン
اولافور الياسون
奥拉维尔·埃利亚松
אולאפור אליאסון
ОЛАФУР ЭЛИАССОН
Fjordenhus
Das Fjordenhus – wie eine Burg von Wasser umgeben – wird durch eine Fußgängerbrücke mit der künstlich angelegten Hafeninsel verbunden. Von der doppelgeschossigen öffentlichen Eingangsebene eröffnet sich der Blick auf den gegenüberliegenden Ufer und das Hafengelände.more…

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Karsten Schuhl

Superpose
L’installazione di sovrapposizione media fenomeni d’onda in continua evoluzione all’interno di uno spazio che sono visibili, udibili e reagiscono alla presenza di una persona nello spazio. Connettere lo spazio e il suono tra loro per creare un ambiente multisensoriale dinamico con l’aiuto degli elementi visivi delle onde nell’acqua. Il suono, stimolo invisibile che si muove nello spazio, presenta al pubblico un filo conduttore tra lo spazio visibile e le vibrazioni fisiche invisibili. superpose esplora il potenziale dell’interazione e del design esperienziale per creare esperienze olistiche che offrono una nuova comprensione di come il suono opera come fenomeno fisico all’interno dello spazio: il pubblico capisce come le onde sonore si propagano nello spazio? Devono?

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ALMA HASER

Cosmic Surgery
Originally from Germany, Alma Haser is currently based in London, UK. She received her photographic degree from Nottingham Trent University in 2010[…] Her most recent series titled, Cosmic Surgery, combines the tangible photograph and the subject with the photograph itself. This facet of the images creates distinctive stages. Alma as the viewer of the subject, the origami construction, and then the reconstruction is then photographed thus creating a new aspect of the subject’s identity.

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Ling Li Tseng

Mist Encounter
Mist Encounter is a summer pavilion stands in the large outdoor plaza in front of the Taipei Fine Art Museum. The summer sun and breeze will drift in and animate the scaffold and mesh structure. An indistinct mist will arise from the outer square and draw visitors to come closer. As visitors walk from the outer to inner square, they will be gradually enveloped by the mist, and things will appear and disappear as the mist alternately gets heavier and lighter. The effect will be similar to an experience of passing through a heavy fog in a magical forest.

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Kate Gilmore

كيت غيلمور
קייט גילמור
케이트 길모어
КЕЙТ ГИЛМОР
Leak from the Top
この写真は、メイン州スカウヒーガンで2012年夏に行われたパフォーマンス/ビデオで撮影されました。 この作品では、4人の女性がバケツの穴からこぼれ出る濡れた絵の具を保持しようとしています。
ケイト・ギルモアは、ポストフェミニストの性とジェンダーに対する批判において、彼女自身の身体性を押し付けています。 ギルモアは、ダダイスムの不条理、風刺漫画の誇張、政治的正しさの厳格さを思い起こさせる、自主規制と挑戦的な目的を持って、パフォーマンス、ビデオ、彫刻、写真の集合体を形作っています。 したがって、ギルモアは、自分の構造の文字通りの壁を乗り越えようとする謙虚な努力の中で、かかとの高い靴に邪魔されていることに気付くかもしれません。 ギルモアは、自我と自我の本質と仮定を活気づけるだけでなく、個人の誠実さのためにそれらを決闘に配置します。

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