TERREFORM ONE
blimp bumper bus
blimp bumper bus
GoatMan
J’ai essayé de devenir une chèvre pour échapper à l’angoisse inhérente au fait d’être un humain. Le projet est devenu une exploration de la façon dont la technologie moderne peut nous amener à réaliser un ancien rêve humain: prendre les caractéristiques d’autres animaux. Mais au lieu de la férocité d’un ours, ou de la perspective d’un oiseau, la caractéristique la plus utile dans la vie moderne est autre chose; être présent dans le moment peut-être.
Quoi qu’il en soit, je me suis retrouvé dans les Alpes, sur quatre pattes, dans une ferme caprine, avec un rumen prothétique attaché à ma poitrine, mangeant de l’herbe et devenant une chèvre.
The Circle
Джимми Роберт
On Shame
FILE BELO HORIZONTE 2018-DISRUPTIVA
foto: Luiza Ananias
On Shame is part of the series Psychosomatics which was initiated in 2010. In these works Franco makes it possible to tangibly experience such emotions as joy, fear, confusion, happiness or shame by means of digital technologies. Cameras and motion and tactile sensors serve as tools to facilitate the dialogue between humans and machines. more…
KuBe
Designed by dutch studio MVRDV and danish firm ADEPT, the 3,200 square meter ‘house of culture in movement’ was completed for the municipality of frederiksberg as a focal point for both the immediate community, and also the wider area of copenhagen. The architects claim that the project is a new typology, blending theater, sport, and learning programs within a space that promotes an active lifestyle, regardless of age, ability or interest.
Off On A Tangent: Exploring Implications Of Tangential Space
bras de fer
Schizophrenia
FILE 2024 | Aesthetic Synthetics
International Electronic Language Festival
Gabi Szita (aka Sieve) – Schizophrenia – Hungary and Iceland
This work delves into the artist’s deep interest in mental illness, especially schizophrenia, through images and sound.
Bio
Gabi Szita, aka Sieve, began generating images with Midjourney in December 2022. She has generated over 400,000 images to date using her private bot on Discord, specializing in wall-sized images available on demand. She can create complete exhibitions with her vast collection. In 2023, she started creating videos from some of her images, with Schizophrenia being one of her favorite videos.
THE RUINS OF DETROIT
„Detroit, die Industriehauptstadt des 20. Jahrhunderts, hat die moderne Welt grundlegend geprägt. Die Logik, die die Stadt geschaffen hat, hat sie auch zerstört. Heutzutage sind die Ruinen der Stadt, anders als anderswo, keine isolierten Details in der städtischen Umgebung. Sie sind zu einem natürlichen Bestandteil der Landschaft geworden. Detroit präsentiert alle archetypischen Gebäude einer amerikanischen Stadt in einem Zustand der Mumifizierung. Seine prächtigen verfallenden Denkmäler sind nicht weniger als die Pyramiden von Ägypten, das Kolosseum von Rom oder die Akropolis in Athen Überreste des Untergangs eines großen Reiches. “ Yves Marchand & Romain Meffre
托尼·克拉格
טוני קראג
トニー·クラッグ
Тони Крэгг
Open Sky
Using giant sheets of mirror-polish stainless steel, Smith’s structure reflects the ever-changing sky. He describes that ‘Open Sky’ is “inspired by the constant shifts in light, color, and form that are presented in the natural and built environment.” The piece is designed to get visitors at the design week to interact with the natural environment and to spark a sense of adventure.
Perigos
Longe do espetáculo da disciplina, Chloé Moglia transformou o trapézio em uma experiência espacial de suspensão. Uma revolução que envolve a reinvenção perpétua dos aparelhos, mas não apaga a dificuldade técnica e física. Chloé Moglia parece ter uma relação ambígua com seu aparato original: o trapézio. Uma relação de amor e ódio transcendida pela questão da suspensão. Para Aléas, o aparelho tem a forma de uma longa corda de aço com trinta metros de comprimento. As três fases do Aleas foram criadas entre junho de 2013 e fevereiro de 2015: Aléa # 1 La Ligne com Chloé Moglia, Aléa # 2 Suspensives com cinco trapezistas e Aléa # 3 Tracé com Chloé Moglia novamente. Em jogo: a intensidade, a violência, a experiência física, os códigos e outros limites da arte da suspensão para um espectáculo tripartido que fala da nossa fragilidade, da nossa condição humana.