IN MEMORIAM
Joachim Sauter

1959-2021

R.I.P

ART+COM Studios

MOBILITY
THE INSTALLATION SPANS A CORRIDOR OF 7-METRES WIDTH. ON THE LEFT WALL ONE HUNDRED PROSTHETIC HANDS ARRANGED IN A MATRIX REVOLVE AROUND THEIR OWN VERTICAL AXIS, THE MOVEMENTS BEING CONTROLLED BY MOTORS. THE MIRRORS THEY HOLD REFLECT THE BEAM OF A STRONG LIGHT ACROSS THE SPACE AND ONTO THE OPPOSITE WALL. WHAT INITIALLY SEEMS LIKE AN ASYNCHRONOUS, CHAOTIC PATTERN OF MOVEMENT SOON REVEALS ITSELF AS A COMPLEX, COMPUTATIONAL
.
流动性
该安装跨越了7米宽的走廊。在左墙上，排列成矩阵的一百个假肢手绕其自身的垂直轴旋转，其运动由电动机控制。他们持有的镜子将强光光束反射穿过整个空间并射向对面的墙壁。最初看起来像是一个异步的，混乱的运动模式，很快就显示出一种复杂的计算编排：首先，一百个光点围绕一个中心点移动，类似于行星的天体动力学或昆虫群的飞行模式。并创造出三维空间的印象。然后突然之间，这种有机振动会聚成一个表示运动和动作的汉字。

gif

山海塾
Hibiki

克劳斯奥伯迈尔
the concept of … (here and now)

In front of a giant screen, two dancers interact with a cohort of cameras… Their movements are captured by infra-red sensors and projected onto the screen, whereby their bodies become the canvas on which new images take shape. The result is a shifting kaleidoscope of strange, living, quasi-mathematical visual worlds which sometimes seem to be emanating or even escaping from the dancers’ bodies. “Who decides which movement to make: the man or the machine?” Blurring the line between the real and the virtual, Klaus Obermaier loves to subsume his performers’ bodies and physicality in a disconcerting digital universe. With his latest creation, the choreographer/artist has taken a bold new step. He has constructed a system of projectors and infra-red sensor-cameras, trained upon the movements of two dancers. The performers thus find themselves thrown headlong into a living, moving graphical universe: their movements are projected onto the screen, but at the same time their bodies are illuminated by more projected images. This is a true artistic performance, pushing well beyond the frontiers of a standard dance recital, or even a contemporary dance show. A corporeal, temporal performance. A choreography which makes subtle use of its raw materials, deftly combining lights, video, perspectives and the real-time power of bodily movement.

“Movrin’s main inspiration has always been his childhood, where tradition, God and meat were the subject of everyday life. As an only son of a butcher in a small Slovenian town, surrounded by woods and bears, his growing up marked him with a roughness that he transcends in his designs with a special kind of romanticism. In this hard provincial life meat became his medium of expression, as a child he would carve steaks in a way that would appeal to his bewildered eye. There were, however, also fresh issues of Vogue magazines in the house, brought from trips to Trieste, that stirred up his imagination.” Black Sheep

mode:Niko Riam

欧文奥拉夫
ארווין אולף
アーウィンオラフ
어윈 올라프
Эрвин Олаф

Мириам Ленк
Cumulus

Animation
Mahler – Das Lied von der Erde – Der Abschied – O Adeus

Das Lied von der Erde is a large-scale work composed in 1908-1909 by the Austrian composer Gustav Mahler. The work was described as a symphony when published, and it comprises six separate songs for two singers who take turns to sing the songs. Mahler specified the two singers should be a Tenor and an Alto, or else a Tenor and a Baritone. The work was composed following the most painful period in Mahler’s life, and the songs address themes such as those of living, parting and salvation. On the centenary of Mahler’s birth, the composer, conductor and Mahler champion Leonard Bernstein described Das Lied von der Erde as Mahler’s “Greatest symphony”.

Mobile Mirrors

zones of flow (ii)
“zones of flow” is a work-in-progress project which investigates the fluid connections between people, sea and land. The piece zones of flow (ii) is an audiovisual artwork created to for the MAN display, which is located in a public area in NTU-Singapore; an open corridor where there is a regular flow of people moving across the space. The piece has come out of a sailing experience across the Atlantic in a 15m sailing boat. The ongoing project explores the instantaneous but sometimes asynchronous connectivity between things and people as they move in and across digito-tangible environments.

Джи Янг Ли
resurrection

Lotus flowers grow from the impure mud to reach for the light and bloom to the rise and fall of the sun; in Asia, it bears various cultural symbolisms such as prospects and rebirth. It is also known for its purifying function. The presence of the artist in the heart of such flower is meant to convey her personal experience. “I was born again by overcoming negative elements that had dragged me down and cleansed myself emotionally. The figure within a lotus blooming implies a stronger self who was just born again and is facing a new world”. It is this is very moment when one reaches maturity and full-potential that Lee illustrates in “Resurrection”, and, more generally speaking, throughout the entirety of her corpus.

329 prepared dc-motors, cotton balls, toluene tank

Though his early work was often monochromatic, Knoebel became interested in the teachings of renowned colorist Johannes Itten, and much of his later work is characterized by its bright palette and strong color relationships.

Veruschka Transfigurations

God Bless Amerika

Futuristic Sustainable Mountain Pod
A Futuristic Smart Sustainable Mountain pod designed to utilize solar power using a petals mechanism that allows it to open up and close down to charge up the pod using photovoltaic cells mounted on the petals. Inspired by a flower motion, the petals when open allows for a 360° view of the surrounding, the mechanism could also potentially allow the pod to collect rainwater to be self-sufficient and of the grid hide out.

منير فاطمي
Save Manhattan

Parallaxis
In einer neuen Bewegtbildarbeit des in Melbourne lebenden Künstlers und Architekten Matthew Bird bewegen sich zwei Körper mit großen zylindrischen Instrumenten über das Land. Wir sehen, wie sie ein Terrain kartieren und vermessen, das den universellen physischen und psychischen Orten entspricht. Jede Revolution markiert einen paradoxen Versuch, eine irdische Position durch ständige Bewegung zu bestimmen. Parallaxis spielt mit dem menschlichen Bedürfnis, unsere Beziehung zu den Menschen und Orten um uns herum zu verstehen, und betrachtet das Potenzial architektonischer Prozesse und Messungen als Grundlage für Strukturen des Verstehens.

Posenenske applied primary coloured sticky strips to paper, creasing them and then applying them in layers until shapes were built up – as in CMP 65 (1965) for example. She progressed to using sheet metal sprayed with monochrome paint which she then folded into sculptural shapes, and combined this with corrugated cardboard to produce the series ‘Vierkantrohre’ (Square Tubes, 1967) which look like ventilation shafts. She conceived these early sculptures as modules that could be adapted according to available space, each one assembled into a shape ultimately appropriate to the context it found itself in.

endless stair

System Aesthetics
The works in this series are part of an extensive research project by FIELD, exploring the most relevant machine learning algorithms in code-based illustrations […] We have started a deeper exploration of the less accessible information that is out there, such as scientific papers and open source code publications, to develop an understanding of these algorithms’ inner workings, and translate it into visual metaphors that can contribute to a public debate.

conjoined chairs

다니엘 아샴
Даниэля Аршама

Compression de densité
Avec Density Compression [2020], Fujimoto tourne son attention vers les comportements fondamentaux de la lumière visible, en se concentrant sur les lignes droites et la réflexion. En représentant la lumière comme un réseau dense de lignes voyageant dans un espace limité, l’artiste rend la lumière comme un objet physique, lui permettant d’explorer et finalement de changer son comportement de base. La pièce est accompagnée d’une partition atmosphérique du compositeur expérimental et affilié de Raster-Noton Kyoka.

Ма Цзюн
porcelain art

PARADISE – A contemporary interpretation of The Garden of Earthly Delights

Lo Studio Smack, meglio conosciuto per il video musicale Witch Doctor di De Staat, ha rilasciato una nuova animazione: un’interpretazione contemporanea di uno dei dipinti più famosi del primo maestro olandese Hieronymus Bosch, The Garden of Earthly Delights. Nel loro ultimo lavoro, il gruppo ha ripulito il paesaggio originale del pannello centrale del dipinto di Bosch e lo ha ricostruito in un’allucinante animazione 4K. Le creature che popolano questo parco giochi al coperto incarnano gli eccessi e i desideri della civiltà occidentale del XXI secolo. Consumismo, egoismo, evasione, richiamo dell’erotismo, vanità e decadenza. Tutti i personaggi sono metafore per la nostra società in cui i solitari sciamano nel loro mondo dei sogni digitale. Sono riflessi simbolici dell’ego e dell’immaginazione delle persone come si vedono, a differenza della versione di Bosch, in cui tutti gli individui sembrano più o meno uguali. Da un Hello Kitty arrapato a un serpente del pene che caccia alla coca Da uno spybot incarnato a polli fritti senza testa. Questi personaggi, una volta figure di sogno dipinte con precisione, sono ora modelli 3D creati digitalmente. A tutti loro è stato dato il proprio ciclo di animazione per vagare nel paesaggio. Inserendoli tutti insieme in questo affresco sintetico, il quadro non è mai lo stesso. Ciò che l’animazione e il trittico di Bosch hanno in comune è che difficilmente riuscirai a sopportare tutto, puoi guardarlo per ore. “Paradise” è stato commissionato dal Museo MOTI nei Paesi Bassi per la mostra New Delights, che fa parte del 500 ° anniversario di Hieronymus Bosch. Una gigantesca installazione video di quest’opera è esposta nel Museo fino al 31 dicembre 2016.

Джимми Роберт

精美雕塑艺术 非常设计师网
Your breath that passes through

Guilty
via highlike submit

理查德•迪肯
ריצ’רד דיקון
リチャード·ディーコン
РИЧАРД ДИКОН

Дэвид Лашапель
ديفيد لاشابيل
大卫·拉切贝尔
デビッドラシャペル
The Lovers

マウリツィオ·カテラン
Маурицио Каттелана
Ci sono artisti che creano spunti per le riviste, e ce ne sono altri che si inventano riviste per darsi degli spunti. È il caso di Maurizio Cattelan, controverso esponente del panorama creativo contemporaneo, padovano di nascita ma “americano” per scelta, autodidatta e poi manager di sé stesso, autore, tra le altre cose, di happenings tra i più chiacchierati della storia dell’arte, quali forma di provocazione visiva estrema. Non bastassero le sue stesse produzioni a muovere gli animi, ci si mette pure una collezione, firmata a suo nome, di immagini raccolte qui e lì per poi essere impaginate insieme in un unico giornale, Toilet Paper, ideato dall’artista stesso in coppia con il fotografo Pierpaolo Ferrari e pubblicato dalla Deste Foundation for Contemporary Art di Atene.

简宁汉
מרס קנינגהם
マース·カニングハム
머시 디스 커닝햄
dance
Мерс Каннингем
Paul Kaiser
Shelley Eshkar

Dancer Matthieu Chayrigues

Compagnie Centre National de Danse Contemporaine-Angers.

Photo: Charlotte Audureau.
BIPED

“Ever the experimentalist, Cunningham collaborated with digital artists Paul Kaiser and Shelley Eshkar using motion capture technology to create BIPED. As the name suggests it’s in its most basic sense an exploration of the biped, the ambulatory two-legged body.
Eshkar and Kaiser place a scrim in front of the dancers on which they project a moving décor of lines and patterns.” Lisa Traiger

Venha passar do limite

Уго Рондиноне
Human Nature

OUTPUT
dance

マイケル·エルムグリーンとドラッグセットのエントリ
МАЙКЛ ЭЛМГРИН И ИНГАР ДРАГСЕТ
Descending Gallery

チームラボ
Peace can be Realized Even without Order

刘勃麟
Folded to Shut

Un artista della realtà che prende ispirazione dal quotidiano
Signe Pierce ha acquisito notorietà nel 2015 all’interno dei circoli artistici queer e femministi per il suo video di performance incredibilmente scioccante e toccante, American Reflexxx […] Attualmente, Signe sta elaborando i temi che ha iniziato a esplorare in quel video, come la sorveglianza informatica, i costrutti della femminilità e lo sguardo maschile.