TOBY ZIEGLER
Encompassing painting and sculpture, Zeigler’s practice takes its starting point from the digital. His works often begin as computer-constructed images, which are then painstakingly transformed by hand onto canvas or into three-dimensional forms. The geometric aesthetic contrasts with the organic subject matter of landscapes, skies and animals; the use of computer programming speaks to a contemporary condition of understanding and interacting with the world through technology.
MIGUEL CHEVALIER
Leistungspixel
Die Power Pixels-Ausstellung besteht aus zwei generativen und interaktiven Virtual-Reality-Installationen: Complex Meshes 2020 und Oscillations 2020, eine Arbeit, die erstmals der Öffentlichkeit präsentiert wird. Oscillations 2020 ermöglicht eine grafische 3D-Visualisierung der Musik von Michel Redolfi. Eine Wellenform wird in Echtzeit entsprechend den Frequenzen und Amplituden der Musik erzeugt. Diese Klangspektren der verschiedenen Musikklänge erzeugen endlose imaginäre Landschaften. Bild und Musik reagieren in einer Verschmelzung emotionaler Natur aufeinander, die zu einer echten Synästhesie beiträgt.
Darin Johnstone
Drawn Out / Light Mass
Adam Kremer
Kramer doesn’t seem to be that interested in the aesthetic tradition of photography so much as creating the right image. His pictures are exciting, even the most simple still life has an energy; the textures, form and playfulness palpable. This is an artist with a style that embraces the absurdity of life and has a humour that is utterly disarming.
KIM JOON
韩国艺术家
김 준 예술가
КИМ ДЖУН
fragile mermaid
“Kim Joon uses the technique of “skinning” against perfected illusion and toward an erotic but uncanny dislocation. In doing so the artist undermines the value of conformity in both embodiment and consumption. These bodies are not sealed packages, they are uneven surfaces reflecting our conflicted self-creation—in the artist’s words, “multi-layered composites of desire and will, emotion and action, pain and pleasure of self and other… a complex system of complicit activities”
Heather Dewey-Hagborg & Phillip Andrew Lewis
Spirit Molecule
Spirit Molecule II, engages local community members as DNA donors to be memorialized in a site-specific commission for the Broad Museum at Michigan State University, created in collaboration with University scientist Dr. Bjoern Hamberger. The work consists of a large mound of moss growing in the gallery, with four embedded cylinders containing genetic memorial plants. In this iteration we embed both human DNA and a gene for the scent of patchouli into lab-strain moss Physcomitrella patens.
Mariana Castillo Deball
Vista de Ojos
Hyperchoreography
An interactive installation between dance
L’ipercoreografia è un’installazione video interattiva a sei schermi. Puoi attivare e controllare il video dei sei ballerini nel lavoro con i tuoi movimenti del corpo. Puoi diventare un ballerino o anche un coreografo del lavoro, sperimentando la gioia illimitata della danza e della danza. L’ipercoreografia è un’esperienza emozionante e stimolante che ti offre una panoramica dell’arte della coreografia e dello screendance. L’ipercoreografia è una nuova installazione concepita dagli artisti dello screendance Simon Fildes e Katrina McPherson della pluripremiata compagnia di produzione indipendente scozzese Goat. L’opera d’arte è stata creata in collaborazione con il coreografo tibetano di fama internazionale Sang Jijia, il produttore musicale veterano Dickson Dee, sei ballerini eccezionali e il creativo locale, LazyAnt.
Genco Gülan
Hermes Walker
mylène boisvert
Mylène Boisvert was born in Drummondville, Quebec in 1971. She lives and works in Montreal where she completed training in Visual Arts at Concordia University and in Textile Design at the Centre design et impression textile (CDIT). She has several years of experience as a textile designer for the knitting industry and as a teacher at the CDIT. Her works were shown in several solo and group exhibitions in Quebec, Ontario, Buenos Aires, Paris and Tournai. A two-time bursary recipient from the Conseil des arts et des lettres du Québec, she was also awarded numerous prizes and she earned an honourable mention at Fibreworks 2014, a biennial Canadian fibre work juried exhibition.
TEAMLAB
Massless Clouds Between Sculpture and Life
Жизнь – это порядок энергии. В пространстве произведений искусства создается порядок энергии, как и в жизни. Образуется огромная белая масса, которая плывет вверх. Это можно рассматривать как визуализацию порядка или энергии. Скульптура, гигантская белая масса, парит между полом и потолком в пределах пространства, неопределенная форма меняется, как бы выходя за рамки концепции массы. Граница между этой парящей скульптурой, пространством и телом зрителя неоднозначна, и люди могут погружать свое тело в эту скульптуру. Даже когда люди проталкивают скульптуру и ломают ее, она естественным образом восстанавливается, как живое существо. Но, как и в случае с живыми существами, когда скульптура разрушается сверх того, что она может восстановить, она не может восстановить себя и разрушается. Даже если люди попытаются сдвинуть или толкнуть эту парящую скульптуру в воздухе, они не смогут этого сделать. Если они поднимут ветер, облако разорвется. Мы понимаем, что простое действие человека не может сдвинуть эту скульптуру.
Militsioner
Militsioner Game (Милиционер Игра)
“Para os não iniciados, o militante (mилиционер, “Militsioner”) era um análogo da polícia nos tempos soviéticos. O cenário visual nos irradia diretamente para uma época stalinesca (ou pós-Stalin). A referência óbvia aqui é ao Big Brother e fala muito.
Isso justificado a paranóia kafkiana – ser inocente, mas perseguido e fugitivo – encontra um lar em cada época: repressão na época de Stalin, perseguição pelos nazistas e sua Gestapo, e até mesmo contextos atuais (estamos vendo vários exemplos nos EUA, Rússia , China, Turquia e todos os outros domínios distópicos com vários graus de medidas autoritárias e mecanismos de vigilância avançados). Nesse contexto, a paranóia não é uma condição mental, mas um estado da sociedade , causada pela forma como o poder é exercido.” Vlad Alex
HYUNWOO BANG & YUNSIL HEO
공중에 뜨다
File Festival
Levitate는 인류의 마지막 과학적 족쇄인 중력에 대한 유머러스한 뉴미디어 해석입니다. 수십 개의 고요하게 공중에 떠 있는 공이 갑자기 떠오른 후 마음이 공명하면서 춤을 춥니다.
