HENRIK OLESEN
Alan Turing
Haruhiko Kawagushi
Flesh love all
I want to express love through my work. Because everything in the world is based on love[…] Based on such an idea, I started a project to vacuum pack a couple and everything around with a landscape. Not only a couple who loves each other but also everything around them is vacuum-packed, and eventually the whole landscape is vacuum-packed, creating an image where everything in the world is one existence. The shooting location is the most important place for them. The things you love will be one, and the world will be one. I think that is an ideal form of love. In order to participate in this project, you need to be ready for death and love next to you, and I need to be prepared for it too.
daniel von sturmer
electric-light
Electric Light presents a scenography of forms borrowed from the world-behind-the-scenes of lens based image production. Backdrops, stands, flats, flags and bounces populate the gallery space, illuminated by a changing array of coloured lights. A moving light animates the space with changing forms, shapes and colours, adding another layer of dynamic activity. This new work brings light to the foreground and renders the gallery as an unfolding set.
HISAJI HARA
久路
ХИСАДЖИ ХАРА
Lars Englund
2013
Bryant SUH
Kinetic Tower SCI-Arc
Carsten Nicolai
reflektor distortion
The installation reflektor distortion – conceived as a rotating, water-filled basin – is inspired by the shape of a parabolic mirror that ‚rotates‘ water via centrifugal force. The work consists of the three main components mirror, reflection and distortion. Both curve and distortion of the water surface is affected by speed and integrated resistors that generate a permanently new and re-organizing mirror reflection. The water surface will be supplementary distorted via speaker by resonating low sound frequencies. The function of the mirror is hereby eminent: The mirror surface is the medium that reveals reality as distorted reflection. Rising the question of the observed and the real image the installation plays with the artist’s thesis that we all have a permanent distorted perception of reality.
Pfadfinderei Studio
Monolith
Monolith is a noncommissioned experimental work, playing with irregular pixel patterns. What happens when a screen has a nonuniform arrangement of pixels? How does this influence our perception of images and how much visual information do we even need to cross the border from abstract to figurative? Dealing with these questions, we have created a video sculpture, that aesthetically melts screen and content. In a play between natural beauty and technical disruption, images of classical busts transform cyclically into abstract gradients and turn again into perceptible images.
胡帅
Synesthesia Machine
“Synesthesia Machine” is an artificial intelligence with synesthesia, it will emitting corresponding unique scents while perceiving human facial expressions. Through the facial expression recognition algorithm, it can analyze the facial expressions of the audience and output the values of different emotions. At the same time, based on these emotional values, the installation is driven to extract different proportions of scent liquid and atomized and mixed to convert the audience’s facial expression into a unique smell.
MICHAEL SALTER
giant styrobot
DANIEL LEE
manimals
Der alte chinesische Tierkreis besteht aus einem Zyklus von zwölf Tierzeichen, die mit Geburtsjahren verbunden sind. Sie sind: Ratte, Ochse, Tiger, Kaninchen, Drache, Schlange, Pferd, Schaf, Affe, Hahn, Hund und Eber. Es wird angenommen, dass eine Person Verhaltens- und Persönlichkeitsmerkmale, manchmal sogar körperliche Merkmale, in Bezug auf das Tierjahr aufweist, in dem sie geboren wurde. In den zwölf Porträts der Serie „Manimals“ interpretiert der Künstler Daniel Lee den chinesischen Tierkreis in der Gegenwart Begriffe durch Computermanipulation von fotografischen Bildern. Jedes Porträt repräsentiert das Tierzeichen dieser Person. Die “Manimals” -Serie besteht aus zwölf 24 “x 30” -Farbfotos. Die Originalbilder wurden mit Ektachrome in einer Mittelformatkamera fotografiert, dann digital konvertiert und mit der Adobe Photoshop-Software auf einem Macintosh Quadra 950 neu angeordnet.
lizzie fitch and ryan trecartin
whether line
Commissioned by Fondazione Prada for its Milan venue, “Whether Line”, the large-scale multimedia installation, conceived by Lizzie Fitch (USA, 1981) and Ryan Trecartin (USA, 1981), represents the first output of a creative process begun in late 2016, investigating the perpetual promise of “new” terrain and the inherent instability of territorial appropriation.
MEGAN GECKLER
МЕГАН ГЕКЛЕР
ALWIN NIKOLAIS
Noumenon
A truly universal artist, the American Alwin Nikolais (1910-1993) devoted his life to a radical form of staged art he called “dance theater.” Inspired (perhaps unconsciously) by the experiments of Bauhaus members such as Oskar Schlemmer and László Moholy-Nagy in the 1920s, Nikolais devised a style of abstract dance that encompassed costumes, stage sets, choreography, lighting, and music, all under his control. Also in 1963, Nikolais met analog synthesizer pioneer Robert Moog, who was at the time just starting his business in New York. He was fascinated by the sounds of Moog’s machines, and with the money provided by a a Guggenheim Fellowship, Nikolais bought the first ever commercially produced Moog synthesizer. It was the primary sound-source for all of Nikolais’ scores from 1963 to 1975. The instrument is now housed at the Stearns Collection of Musical Instruments at the University of Michigan in Ann Arbor.
NATHA KHUNPRASERT
Fingertips
FILE SÃO PAULO 2025: SYNTHETIKA – Hiatu
Ennui
Hiatu
FILE SÃO PAULO 2025: SYNTHETIKA – Art and Technology – Installations
Electronic Language International Festival
Ennui – Poland
Videos made with an AI tool called Kaiber.ai. The artist uses it as a form of a fractal generator — as abstract as possible.
