SYLVAIN DUMAIS
Mandala
JOHANNES VOGL
ЙОХАННЕС ФОГЛ
Column of steam
「ヨハネス・ヴォーグルにとって、芸術は、感覚が研ぎ澄まされ、知覚が活性化される、高められた強度の絶え間ない例外的な状態で周囲の現実に対処するための奇跡的な手段であるようです。日常の注意深い観察者として、Voglは、火山の（創造的な）エネルギーと警戒を伴う永続的な警戒状態にあり、各ステップと反応で爆発します。ここで、芸術分野は、無限の解決策が適用され、新しい予期しない構造が刺激的な現実と魅惑的なフィクションの交差点で上演されている、真の可能性と可能性のオープンで無制限の領域です。 Voglは、そのようなコンストラクターであり、全能の想像力の領域内で、理由を超えて、機能性と超現実的なアプリケーションのようなおとぎ話の端にあるオブジェクトの情熱的な発明者です。 「波を見る」、2005年は、特定の自然現象を体験するために必要なすべての条件を備えた、すべて満足のいく快適な微小環境を作成しようとするVoglの試みの典型です。アーティストは自給自足の構造の作者であり、物事の通常の目的と機能を混乱させるほとんど寄生的なメカニズムとして現れ、»Kleiner Mond«、2006年の場合のように、特定の競争力ももたらします。模倣と模倣のほとんど叙情的な例。 Vogl’sは、日常のジェスチャーの非常に敏感な詩学であり、気取らない、本物の現実の補足であり、適度な量の皮肉とユーモアのセンスが今日の（不完全な）世界の不安定さと不十分さのバランスをとる遊び場に一瞬変わりました。」
アダムブダク
CELINE CONDORELI
Two Days Work
Я работаю, в широком смысле, с искусством и архитектурой, комбинируя ряд подходов от развития возможностей для «поддержки» (работы других, форм политической воображаемой, существующей и вымышленной реальности) до более широких исследований форм общности и дискурсивных сайтов. в результате проекты объединяют выставку, политику, художественную литературу, общественное пространство и все остальное, что кажется актуальным в то время.
Меня интересовали роль и природа того, что я называю «опорой», по трем конкретным, но параллельным и одновременным направлениям.
DANO MARELLO
via highlike submit
Martin Soto Climent
La Alcoba Doble
YVONNE FEHLING & JENNIE PEIZ
Stuhlhockerbank
Imaginée par les designers allemands Yvonne Fehling et Jennie Peiz, la série de mobilier “Stuhlhockerbank” mêle à la fois les caractéristiques des chaises avec celles d’un banc, formant ainsi un ensemble irrégulier d’assises, d’un seul bloc. Comme si plusieurs chaises, tabourets et bancs avaient été “fondus” ensemble, les utilisateurs peuvent alors varier les positions d’assise pour se côtoyer d’une manière différente, créant ainsi une œuvre éphémère à dimension humaine. Un projet de design arty plutôt poétique.more…
CLAUDE CAHUN
کلود کائون
Каон, Клод
Anouk Wipprecht
Faraday dress
While the odds of you getting hit by lightning is approximately one to one octillion, Dutch designer Anouk Wipprecht and music performance group Arcattack have created a wearable a metal dress that discharges one million volts of electricity. Part futuristic, part anime-meets-high fashion, the dress comprises metal plates, 600 rings of chain mail, 3D ‘plasma ball’ mounts on the shoulders and a spiked helmet with a grille on the front.
FLYNN TALBOT
X and Y
Mischer Traxler
Nesspresso Battery
CLÉMENCE LAMIAUX
she wolf
ROBERT MORRIS
Untitled’ 1965
“Morris’ work concerns the relation of what we see to what we know. He sometimes described his practice of this period as a series of ‘investigations,’ a term that implies an almost scientific purpose. Yet the work possesses other implications. For example, Morris spoke of his progress as having been framed by philosophical doubt. In this sense, he saw his work as propositional in nature, each object representing an experiment, a ‘what-if’ proposition”.Bernard Ceysson
Santiago Calatrava
SANTIAGO CALATRAVA
САНТЬЯГО КАЛАТРАВА
سانتياغو كالاترافا
圣地亚哥·卡拉特拉瓦
산티아고 칼라 트라 바
サンティアゴカラトラバ
סנטיאגו קלטראווה
Sculpture
Joe Diebes
Oyster
oyster is a new opera (in progress) about a surprising precursor to last.fm and Pandora. In the 1960’s, renowned American folklorist Alan Lomax developed a wildly ambitious system called cantometrics for coding and analyzing folk songs from every corner of the world. The opera is structured as a public lecture of Alan Lomax’s folk song analysis as demonstrated by four singers, who embody the IBM360 mainframe computer used to correlate his vast amounts of data. Working with the BOTCH vocal ensemble, I am reconstructing the folksong styles from regions as disparate as Bali, West Africa, and Central America using only the data from Lomax’s study. Things like melodic complexity, vocal blend, and nasality, are adjusted by the singers as they circumnavigate the globe. This data vocalization is further mediated by the ensemble’s distinctive extended vocal techniques, and is accompanied by a film narrative that unravels connections between cybernetics, surrealism and ethnography. The film also features a wide range of material drawn from the Alan Lomax archive at The Library of Congress.
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oyster will be performed by BOTCH ensemble: Christina Campanella, Michael Chinworth, John Rose, and Saori Tsukada
ARIANA PAGE RUSSELL
Ариана Пейдж Расселл
阿丽亚娜页罗素
ראסל עמוד אריאנה
アリアナページラッセル
아리아나 페이지 러셀
A body is an index of passing time. Skin protects us as it shows shifting bones, bruising, muscles loosening and tightening, and freckles and wrinkles forming. I think of this as a transient fashion of skin, including the revealing way a blush decorates one’s cheek, freckles form constellations on an arm, or hair creates sheen on skin’s matte surface
ANDREA MILLER
Gallim Dance
Founded by choreographer Andrea Miller, Gallim Dance burst onto the New York dance scene in 2007 and immediately caught the attention of the New York dance community. The company includes an ensemble of dancers hailed for their quick wit and technical virtuosity. The mission of Gallim Dance is to play inside the imagination, to find juxtapositions of the mind and body that resonate in the soul, to investigate our limitations and pleasures, and to realize the endless human capacity for inspiration.
JULIEN VALLÉE
朱利安谷地
ジュリアン·ヴァレ
Жюльен Валле
