The Value of Art
¿Y si un lienzo pudiera generar su propio precio? ¿Y si hubiera una forma más pragmática para establecer el valor de una obra de arte? Christa Sommerer y Laurent Mignonneau han intentado contestar a estas preguntas con The Value of Art (Unruhige See), una irónica instalación interactiva, formada por una serie de pinturas clásicas, cuyo valor cambia en relación al interés que generan en el público.

GIANT INFLATED PILLOWS
The monolithic red cushions have been shown as part of various events throughout brazil, peru, argentina and spain – peppering landscapes with the massive artworks as if squeezed within the crevices of each city. The interventions interrogate architecture and landscape – providing a new perspective on a space that depicts tension and uneasiness.

Glow In The Dark Skate Park

다니엘 아샴
Даниэля Аршама

سيباستيان ارازوريز
塞巴斯蒂安·埃拉苏里斯
cry baby shoe2

gambit in situ

The Lord of the Rings Symphony

FILE ANIMA+ GAMES RIO 2015

キャラハンは、従来の風景の限界を無視して、広い視野と個々の詳細の両方に等しく焦点を当てました。 彼の作品は、1975年に「自然、建物、人々」と表現した3つのテーマに分類されています。

刘北立
БЕЙЛИ ЛЮ
THIRST

A Church Out of History

Self-Portrait with Foreign Fruits and Vegetables

Conversation Bubble
At any given moment of time five people are needed to inflate the structure. While the bodies of participants are squeezed and immobilized between two layers of clear vinyl, their heads can move and talk inside the inflated bubble. The duration of the piece depends on the five people’s agreement to end it, as no one can leave on his/her own accord.

The Ceiling Element

Harry Holland is widely regarded as one of Britain’s best craftsmen, producing technically brilliant and very beautiful paintings. His style is distinctive and immediately recognisable, something which every artist seeks. The paintings are suggestive in the sense that they imply situations, events, or relationships that are not directly expressed; this imbues them with an engaging sense of mystery.

Solo
File Festival

Lauren Kalman is a visual artist whose practice is invested in contemporary craft, video, photography and performance. Through her work she investigates beauty, adornment, body image, value, and consumer culture. Raised in the Midwest, Kalman completed her MFA in Art and Technology from the Ohio State University and earned a BFA with a focus in metals from the Massachusetts College of Art. She has been awarded residencies at the Corporation of Yaddo, Virginia Center for Creative Arts, and Santa Fe Art Institute. In addition she has received Ludwig Vogelstein Foundation, Puffin Foundation West and ISE Cultural Foundation grants.

Вацлав Вантуш

Impossible Cityscapes
Samsara
Often creating based on what he calls a “fear of blank spaces,” Sack tells Colossal that his starting point for each drawing is different. Finding inspiration in history, cartography, and his own travels, the artist starts with a general concept and builds his intricate worlds intuitively as he goes.

HYDROCORDION

SUPERCREATIVITY

FILE SAO PAULO 2022- SUPERCREATIVITY

FILE Electronic Language International Festival

July – August 

Wednesday to Sunday, 10 A. M. – 8 P.M.

Centro Cultural FIESP

.
Creativity is not limited to the arts. It also takes place in all disciplines of Culture. Thus, in the aesthetic sense, it ceases to be creativity and becomes Supercreativity: the sum of all creative engines that permeate and connect to our culture.
.
A criatividade não se limita às artes. Também ocorre em todas as disciplinas da Cultura. Assim, no sentido estético, deixa de ser criatividade e passa a ser Supercriatividade: a soma de todos os motores criativos que permeiam e se conectam à nossa cultura.
.
Kreativität ist nicht auf die Kunst beschränkt. Sie findet auch in allen Disziplinen der Kultur statt. Somit hört es im ästhetischen Sinne auf, Kreativität zu sein, und wird zur Superkreativität: die Summe aller kreativen Motoren, die unsere Kultur durchdringen und mit ihr verbinden.
.
創意不僅限於藝術。 它也發生在所有文化學科中。 因此，在美學意義上，它不再是創造力，而是成為超級創造力：滲透並連接到我們文化的所有創造性引擎的總和。
.
創造性は芸術に限定されません。 また、文化のすべての分野で行われます。 したがって、美的意味では、それは創造性ではなくなり、超創造性になります。これは、私たちの文化に浸透し、つながるすべての創造的なエンジンの合計です。

Scalable City
FILE FESTIVAL

PROJECT PLAIN
Kirsten Becken lässt im Projekt »Plain« ihre Fotografien von Designern und Illustratoren weiter gestalten. Jetzt ging es in die zweite Runde.
Die Fotografin und Art Directorin Kirsten Becken kreiert auch ohne Hilfe wunderschöne Bilder. Für ihr freies Projekt »Plain« hat sie sich dennoch mit anderen Kreativen zusammengetan und ihre Fotografien in fremde

penalty

the undercroft

Inflorescence #01

GLASSED A LA MUFFATHALLE

Auch in seiner aktuellen Performance „Glassed“ gibt sich Yann Marussich wieder nahezu bewegungslos und setzt seinen Körper Extremen aus. Ein riesiger, grünleuchtender Kubus beherrscht die Bühne. Begleitet durch die Live-Musik von Franz Treichel, dem Kopf der bekannten, Schweizer Post-Industrial-Band „The Young Gods“, erhebt sich dieser und gibt langsam den Blick auf den Künstler selbst frei. Marussich kommt, in einen feinen Maßanzug gekleidet, aber das Gesicht bis zur Gänze unter einer riesigen Halskrause verborgen, darunter zum Vorschein. Die Halskrause, die man eigentlich Hunden nach Operationen anlegt, ist bis obenhin mit 25 Kilo Glas angefüllt. Während der Performance versucht sich Marussich immer wieder unter großen körperlichen Anstrengungen dem Glas zu entledigen.

2000 Cliparts

Oliver Laric’s work seeks to parse the productive potential of the copy, the bootleg, and the remix, and examine their role in the formation of both historic and contemporary image cultures. This process is intimately tied to his intuitive, idiosyncratic brand of scholarship, which he presents through an ongoing series of fugue-like expository videos (Versions, 2009—present), and further elaborates through his appropriated object works, videos, and sculptures, all of which are densely conceptually layered and often make use of recondite, technologically sophisticated methods of fabrication. Straddling the liminal spaces between the past and the present, the authentic and the inauthentic, the original and its subsequent reflections and reconfigurations, Laric’s work collapses categories and blurs boundaries in a manner that calls into question their very existence.

INFINITUM
INFINITUM is an immersive art – architectural installation presented at the Sharjah Art Museum on the occasion of the Islamic Arts Festival 2019/20, 22nd Edition. Arches are typical in Mosques’ design. […] Islamic Arches buildings are typically constructed of stone, wood being rarer in the original Middle Eastern homelands of the Umayyads. The rows of Columns and Arches give a visual impression of limitless space, as a metaphor of the progress for human civilization, maximizing spiritual symbolism and visual appeal – progressing towards an ideal civilization. It refers to centuries of human civilization and the creation of prospective in social spaces and the openness to open possibilities of human life.

阿尔瓦伯娜丁
АЛЬВА БЕРНАДИН
È stato nominato per ben due volte Erotic Photographer of the Year dall’Erotic Awards UK; spesso ha idee folli, molto più spesso ha idee fortemente e profondamente folli, basta fare un giro nella sua pagina web: è un delirio. Lui è Alva Bernadine e anche se ha un nome che suona a purezza e candore, questi due termini non c’entrano assolutamente niente né con lui né con ciò che fa.

茜森山
森山茜
cubic prism
Gently responding to wind movements and rain drops, ‘cubic prism’ by stockholm-based designer akane moriyama is a large cube-based structure made out of three different colors of textiles. suspended between two buildings at the goldsmith hall in the university of texas, austin, the piece reacts to environmental factors, as the geometry of a rigid cube is replaced with soft semi-transparent fabrics.

كلوديا روج
克劳迪娅·罗格
クラウディア·ロゲ
클라우디아 로게
КЛАУДИА РОГГЕ
lost in paradise paradise lost III

ドイツの芸術家で写真家のクローディア・ロッジは、群衆の肖像画、魅了され、邪魔をする真の均質な人間の集団に感銘を与えます。 彼の名前は、モザイクやパターンと非常によく似た、繰り返しを探求するシナリオでパフォーマンスと写真を組み込むことにより、現代アートシーンで最大の指数の1つとして浮上しています。 彼の最近の作品、ロスト・イン・パラダイスでは、ロッジは彼の以前の作品と同様に、ルネサンスとバロックの構成を参照する古典的なシーンを通して表される、不死、死、美と衰退、欲望と罪などのテーマを求めています。ミケランジェロによるフレスコ画。 また、ワックス、液体ガラス、ゼラチンなどのさまざまな素材を使用し、新しい光の中での静物を強調し、風景の形や質感が恒久的に変化しているような感覚を与えます。

典的な

フセイン·チャラヤン
Чалаян
후세인 샬 라얀
Animatronic Fashion mashup
Furthering his technological trend, Chalayan unveiled the collection entitlledReadings, on screen, eshewing the conventional runway. The dresses themselves are highly structured, creating bold silhouettes from which the laser beams radiate. They are embellished with Swarovski crystals that either deflect the lasers, or take in their light, depending on the angle of the laser. The effect is hauntingly beautiful; where lasers shine directly into Swarovski crystals, they resemble glowing embers, yet where they are deflected the laser beams project into the surrounding space, evoking phantasmagorical new-age sun gods.

In Search Of Art
File Festival – Machinima

Уильям Фаргес
Chimères