TEAMLAB
Dans van koi en mensen
Koi zwemmen op het wateroppervlak, dat zich uitstrekt tot in het oneindige. Mensen kunnen het water in. De beweging van de koi wordt beïnvloed door de aanwezigheid van mensen in het water en ook andere koi. Wanneer de vissen met mensen botsen, veranderen ze in bloemen en verspreiden ze zich. De baan van de Koi wordt bepaald door de aanwezigheid van mensen, en deze banen trekken lijnen op het wateroppervlak. Het werk wordt in realtime weergegeven door een computerprogramma. Het is geen vooraf opgenomen animatie en ook geen on-loop. De interactie tussen de kijker en de installatie leidt tot een continue verandering in het beeldmateriaal. Eerdere visuele toestanden kunnen nooit worden gerepliceerd en zullen nooit meer voorkomen.
Richard Maloy
Yellow Structure
site-specific installation Yellow Structure (2016) by Richard Maloy. Seen from a distance, Yellow Structure will appear to be a solid, golden, rock-like structure that is minimal in nature. Closer inspection by visitors, however, will reveal its degradable and humble construction from common industrial materials such as cardboard, paint and tape.
Anders Lind and Ulla Karlsson
Skogen/The forest
Skogen/The forest is an interactive sound art exhibition created by Swedish composer Anders Lind in collaboration with Swedish scenographer Ulla Karlsson. THE FOREST is created as a multiplayer orchestra platform for novices (or experts). Within THE FOREST the visitors becomes orchestra performers ready to explore preprocessed sounds from the Swedish forest in combination with sounds from a traditional symphony orchestra. THE FOREST was first exhibited at Norrlandsoperan, Umeå, Sweden in 2019.
KITE & LASLETT
CANDESCENCE
Candescence is a performative light sculpture. Acoustically responsive spheres are activated by sound and touch, designed to inhabit and alter perceptions of architectural space. The installation consists of one or multiple spheres, acting in a spatial dialogue with the audience. Human interaction triggers an ascendance of vision, light and sound in a cyclic loop of which the individual is integral.
STEVE TOBIN
Стива Тобина
ستيف توبين
史蒂夫·托宾
スティーブ・トービン
Честно говоря, когда встречаешь работы Стива Тобина (Steve Tobin) на фотографиях, то очень легко поверить, будто это настоящие водопады или горные реки. Да что там фотографии: те, кому посчастливилось видеть эти произведения своими собственными глазами, рассказывают, что в первые мгновения их занимал лишь один вопрос – как воде удается течь без звука? Очень просто, ведь все эти работы – скульптуры, выполненные из стекла.
ZAHA HADID ARCHITECTS
زها حديد
扎哈·哈迪德
זאהה חדיד
ザハ·ハディド
ЗАХА ХАДИД
KAPSARC
King abdullah petroleum studies and research center
with a campus that spans over 70,000 square meters, the king abdullah petroleum studies and research center (KAPSARC) is a modular structure that grows and multiplies like a living, organic cell. Comprised of five hexagonal prismatic honeycomb-shaped structures, the center is a non-profit institution for independent research into policies that contribute to the most effective use of global energy.
QUBIT AI: Iskarioto Dystopian AI Films
Eldritch
FILE 2024 | Interator – Sound Synthetics
International Electronic Language Festival
Iskarioto Dystopian AI Films – Eldritch – Spain
Eldritch immerses you in a disturbing hallucination through the darkest recesses of the human mind; a psychedelic and demonic audiovisual experiment.
Bio
Iskarioto Dystopian AI Films is an emerging Spanish artist, empowered with cutting-edge AI tools, a fusion of human creativity with machine potential. He is known as a visual alchemist, pixel manipulator, and graphic, dark, dystopian storyteller. Since its premiere in 2022, it has been shown in art galleries around the world, having won the Artistic Award at the AI Film Festival Montpellier 2023.
Credits
AI-generated music made with Suno.ai
Myriam Bleau
SOFT REVOLVERS
Soft Revolvers is a music performance for 4 spinning tops built with clear acrylic by the artist. Each spinning top, 10’ in diameter, is associated with an ‘instrument’ or part in an electronic music composition. The tops are equipped with gyroscopes and accelerometers that communicate wirelessly with a computer where the motion data collected (speed,unsteadiness at the end of a spin, acceleration spikes in case of collisions) informs musical algorithms designed in Pure Data. LEDs placed inside the tops illuminate the body of the objects in a precise counterpoint to the music.
FILE SÃO PAULO 2025: SYNTHETIKA – CNDSD & Iván Abreu
Pre(N)atura | Fonocene
CNDSD & Iván Abreu
FILE SÃO PAULO 2025: SYNTHETIKA – Art and Technology – Shorts Films AI
Electronic Language International Festival
Pre(N)atura | Fonocene – Mexico
Speculative audiovisual project inspired by postnatural studies, designed to explore the era of the Fonocene—a period where both human and non-human sounds define sensory experiences and interspecies interactions. In this narrative, Chthulucene beings, hybrid creatures, emerge to challenge traditional forms of communication, using listening as a tool to activate our awareness of interdependence.
BIO
Iván Abreu is a Mexican-Cuban interdisciplinary artist who uses science, design and technology to create works that question human interaction and social systems. Malitzin Cortés, (CNDSD), is a Mexican artist who explores the intersection of sound, technology and speculative architecture. Her work combines live coding, audiovisuals and critical narratives.
THOMAS HEATHERWICK
Puente rodante
El puente rodante tiene la particularidad de enrollarse sobre sí mismo para conciliar tanto la navegación fluvial en la cuenca de Paddington como la salida de la tienda Marks & Spencer. El objetivo era hacer movimiento, el aspecto extraordinario del puente. Un puente grúa que se abre lenta y suavemente hasta que se transforma de un clásico puente recto, en una escultura circular que se asienta en la orilla del canal.
Ricardo Barreto
IRONIC
YANG Minha
Accumulation The LED light tunnel expresses the accumulation of time. The composition of the frames concretes continuity and shows the locational context. “Accumulation” has six sequences and each movie has the original theme like “Rise”, “Flow”, Accumulation”, “Dimension”, “Light” and “Overlap”.
ALEXANDRA DEMENTIEVA
Breathless
FILE SAO PAULO 2015
安装包括三个轻型物体。 其中两个通过计算机连接到RSS [web]提要，第三个在aemomenter的帮助下提供风，温度和街道（环境）噪声。 计算机在RSS中搜索与“恐惧”（用于第一个雕塑）和“欲望”（用于第二个雕塑）概念相关的所有单词。 这些单词出现的次数越多，从对象的底部到顶部的对象的LED越亮。 第三个目标基于相同的原理。 旁观者可以走进实际的建筑，那里有附加的空速传感器。 当她/他对其进行吹打时，照明方式会发生变化-简单的呼吸动作变得可见且重要。
