highlike

Leonardo Drew

Но то, что поначалу казалось безопасным и немного анахроничным, теперь кажется пророческим: наши скульпторы «постмодернизма» все больше и больше углубляются в язык, характерный для других десятилетий. Эрик Фишль продолжает драму Огюста Родена со своей скульптурной группой «Десять дыханий», например, а Чарльз Рэй расширяет картину Жана-Антуана Гудона своим дебютным в Венеции «Мальчик с лягушкой». Точечное искусство, которое было постминималистическим в 70-х, теперь снова появляется под новым брендом как искусство инсталляции. Это новое отношение кардинально изменило намерения постмодернистской иронии, когда прошлые традиции были взяты на образцы и вырваны из контекста, как правило, для насмешек. В отличие от постмодерна, он восхищается эстетикой, которая была до него, и поэтому чувствительность Леонардо Дрю, кажется, догнала настоящее.

HILARY FAYE

Хилари Фэй
Faye has a magical eye for composition and colour, which especially shines through in her photography. Her collages meld objects, people, animals and landscapes together with haphazard cropping and appropriation, and the outcomes are compelling and enigmatic. She dabbles in layering and geometry; her chosen textures and tones are evocative of another era, with use of nostalgic film grains, which is at the forefront of her mixed media mantra. She has a knack of combining a myriad of elements and arranging them into a rich formation of imagery.

Roman Ermakov

РОМАН ЕРМАКОВ

现场雕塑

我们的看法-唯一真实的现实。 创造作为一种产生图像的感觉,以形式表达。 美容宣言呼吁超越这一极限想象力。 不能将艺术的美学还原为一组清晰的构建基块,通过这些构建基块,您可以增强或减弱对比度的感知。 美不应接受分析,即交流和参与将情感转化为可见的呼吁。

vincent leroy

文森特·勒罗伊
北极光环
stone age
Paris-based artist vincent leroy takes movement as the motivation for his work. he prefers this over form, material, or color. instead, he focuses on adding rhythm, pauses, and creating different patterns to set and differentiate every piece. ‘stone age’ is his latest sculpture and is made of fourteen triangular mirrors that move subtly, breaking its surroundings into thin reflections of space. these mirror images deconstruct the environment allowing for different visions of it.
This sculpture situates itself between poetry and technology, generating the opportunity to test visual and physical experiences that relate to space. ‘stone age’ looks like a heavy and rigid structure, but it will surprise the user when it twists and deforms with flexibility and fluidity, creating a delicate contrast. all the movement is created using very low technology.

Thomas Heatherwick

Seed Cathedral
shanghai world expo uk pavilion
The cathedral‘s architecture was an elaboration of Heatherwick’s 2003 work of the Sitooterie II in Essex, United Kingdom. The initial design strategy for the UK Pavilion established three aims to meet the Foreign Commonwealth Office’s key expectation that the pavilion should become one of the five most popular attractions at the Expo, but built using half the budget of other Western nations. The first aim was to design a pavilion whose architecture was a direct manifestation of what it was exhibiting. The second idea was to ensure a significant area of open public space around it so visitors could relax and choose either to enter the pavilion building, or see it clearly from a calm, non-queuing vantage point. And thirdly, it would be unique among the hundreds of other competing pavilions, events and programmes.

Joe Diebes

Oyster
oyster is a new opera (in progress) about a surprising precursor to last.fm and Pandora. In the 1960’s, renowned American folklorist Alan Lomax developed a wildly ambitious system called cantometrics for coding and analyzing folk songs from every corner of the world. The opera is structured as a public lecture of Alan Lomax’s folk song analysis as demonstrated by four singers, who embody the IBM360 mainframe computer used to correlate his vast amounts of data. Working with the BOTCH vocal ensemble, I am reconstructing the folksong styles from regions as disparate as Bali, West Africa, and Central America using only the data from Lomax’s study. Things like melodic complexity, vocal blend, and nasality, are adjusted by the singers as they circumnavigate the globe. This data vocalization is further mediated by the ensemble’s distinctive extended vocal techniques, and is accompanied by a film narrative that unravels connections between cybernetics, surrealism and ethnography. The film also features a wide range of material drawn from the Alan Lomax archive at The Library of Congress.
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oyster will be performed by BOTCH ensemble: Christina Campanella, Michael Chinworth, John Rose, and Saori Tsukada

Clement Valla

pointcloud.garden
“Point Cloud Gardens”은 각각 3D 스캐닝 프로세스에서 정원에서 측정된 대규모 데이터 포인트 세트로 구성됩니다. 각 데이터 포인트는 공간 정보[XYZ]와 색상[RGB] 정보로 구성됩니다. 결과 데이터 세트는 표면이 빈틈과 누락된 정보로 채워진 신중한 데이터 포인트로 불연속적으로 변환됩니다. 이 압축 번역은 인간이 정원을 경험하는 특정한 방식을 강조합니다. 잎, 꽃잎, 줄기 및 줄기의 집합체로서 전체 질감을 형성하는 일련의 불연속적인 점입니다
site

Yves Netzhammer

The exterior view of the figure and “point of view shot” are synchronised onto two projection surfaces. If a protagonist leans his head it shifts the observer’s view correspondingly. Observer, figure and object all interact. Netzhammer is not only a master of the erotic of touch, his images awaken unease: they show decay and perishability as well as regularity in the flow of life, which the subject cannot escape, much as expansion and transcendence are desired.

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A visão externa da figura e o “ponto de vista” são sincronizados em duas superfícies de projeção. Se um protagonista inclina a cabeça, ele muda a visão do observador de forma correspondente. Observador, figura e objeto interagem. Netzhammer não é apenas um mestre do erótico do tato, suas imagens despertam desconforto: mostram decadência e perecibilidade, assim como regularidade no fluxo da vida, da qual o sujeito não pode escapar, por mais que se deseje expansão e transcendência.

Jennifer Steinkamp

EON
“I considered the first life forms on Earth and how we came to be as a way to refer to the Natural Sciences. I looked at fossil records of the first multi cellular organisms of the Ediacaran Period, 555 million years ago for inspiration. I was struck by the theory of symbiosis in evolution; our DNA ancestors are the resultant fusion of single cellular organisms and bacteria. The millions of bacteria in our bodies are our foremothers. EON is a speculative fiction, a depiction of early life forms underwater. The Universe was formed 13.7 billion years ago. The Earth is 4.543 billion years old. Cyanobacteria or blue-green algae were the first microbes to create oxygen on Earth via photosynthesis 3.5 billion years ago. First humans 200,000-300,000 years ago.” Jennifer Steinkamp

JIM DENEVAN

Джим Деневан
모래 예술가 짐 데네반
外国人沙艺术家吉姆
ジム・デネバン

Jiun-Shian Lin

the Reversed Eye

‘The Reversed Eye’ is a cheek-controlled wearable device made by Jiun-Shian Lin in 2013. It provides participants upside-down left-right reversal sight and rear vision in their everyday life, attempting to turn the ordinary life experience into an aesthetic one.

Alexander McQueen

الكسندر ماكوين
亚历山大·麦昆
알렉산더 맥퀸
אלכסנדר מקווין
アレキサンダーマックイーン
АЛЕКСАНДРА МАККУИНА
mandible

CHRISTO AND JEANNE-CLAUDE

كريستو وجين كلود
克里斯托和珍妮 – 克劳德
크리스토와 쟌느 끌로드
כריסטו וז’אן קלוד
クリストとジャンヌ=クロード
КРИСТО И ЖАННА-КЛОД
Fondation Beyeler and Berower Park

olafur eliasson

オラファー·エリアソン
اولافور الياسون
奥拉维尔·埃利亚松
אולאפור אליאסון
ОЛАФУР ЭЛИАССОН
cirkelbroen bridge
The bridge is made of five circular platforms, and it contributes to a larger circle that will form a pedestrian route around Copenhagen Harbour, where people – cycling, running, walking – can see the city from a very different perspective. As many as 5,000 people will cross this bridge each day. I hope that these people will use Cirkelbroen as a meeting place, and that the zigzag design of the bridge will make them reduce their speed and take a break. To hesitate on our way is to engage in bodily thought. I see such introspection as an essential part of a vibrant city