Voices In Your Head

There is no better way to measure the influence we exert upon humans than through making them change their behaviour in real time. This is what Iregular’s digital interactive artworks are all about: they attempt to create a language so clear and so universal that it allows the communication between the interactive art piece and the human to flow intuitively every time, without any instruction in sight, as if guided by a voice running through the head.

Autoreconocimiento

Tampoco el mar duerme

Destructive observation field
The installation behaves like a living organism, it creates expanding and contracting forms that have a semi-organic appearance. During the course of the exhibition the deformations of the plate add up resulting in a more and more complex surface structure. The visible shapes will get more detailed and fragmented. The density of the stored information on the black plate increases. The characteristic visual appearance of the installation is the result of interference patterns, waves amplifying and canceling each other out in space, leaving complex traces of light and darkness.

진영 유
جين يونغ يو
Wounded
Yu Jinyoung portrays truth and illusions of a family with a house, the hideaway of these people, as a background. The artist’s previous work expresses a portrait of humans trapped in a society, and she has moved the meeting of her work into a fence called as home. Through everyday lives of family in very limited space called home, the inner world of family is closely examined.

سيباستياو سالغادو
塞巴斯蒂昂萨尔加多
סבסטיאו סלגאדו
セバスチャン·サルガド
세바스티앙 살가도
Себастьяно Сальгадо
Churchgate Station

מונה חאטום
МОНА ХАТУМ
蒙娜丽莎哈透姆
منى حاطوم
bed

The creative atmosphere unleashes a multitude of possibilities for fresh and exciting product. Surprise is our greatest inspiration. The playful character of hand processes lead us to innovative and unexpected results. Prototypes and models born from the activities serve as a beginning for new ceramic objects.more…

Special projects
Tuuli Shipster nude

Anerkennung
Recognition, Gewinner des IK-Preises 2016 für digitale Innovation, ist ein Programm für künstliche Intelligenz, das aktuellen Fotojournalismus mit britischer Kunst aus der Tate-Sammlung vergleicht. In drei Monaten vom 2. September bis 27. November wird Recognition eine ständig wachsende virtuelle Galerie schaffen: eine Zeitkapsel der Welt, die in verschiedenen Arten von Bildern aus Vergangenheit und Gegenwart dargestellt wird. Eine Ausstellung in der Tate Britain begleitet das Online-Projekt und bietet Besuchern die Möglichkeit um den Auswahlprozess der Maschine zu unterbrechen. Die Ergebnisse dieses Experiments – um zu sehen, ob eine künstliche Intelligenz aus den vielen persönlichen Reaktionen lernen kann, die Menschen beim Betrachten von Bildern haben – werden am Ende des Projekts auf dieser Website vorgestellt. Recognition ist ein Projekt von Fabrica für Tate; in Partnerschaft mit Microsoft, Inhaltsanbieter Reuters, Algorithmus für künstliche Intelligenz von Jolibrain.

卡斯滕·尼古拉
קרסטן ניקולאי
カールステン·ニコライ
Rota

Box Works performance

문훈발전소
lollipop house

Video Painting

Comme des Garçons

fall 2014

particles at ycam

フランク・コジック
Фрэнк Козик
Mao
Frank Kozik was born in 1962 in Madrid, Spain. His father was an American serviceman and his mother a young Spanish woman. He spent his childhood in Spain. This experience of growing up under the fascist dictator Franco would later serve as a major influence throughout his work.

توماس هيرشهورن
托马斯·赫塞豪恩
תומס הירשהורן
トーマス·ヒルシュホルン

Parasitic / Symbiotic
In the project “Parasitic / Symbiotic” this area of tension between nature and technology is addressed. A scenario is created in which the human being makes use of a technical device, that is sitting like a parasite on a tree. It contains a milling machine, which moves along a tree to carve encoded text into it. For the content of the carving a poem from romanticism („Abschied.“ von Joseph von Eichendorff) is used, which expresses the natural thoughts of unity and oneness and depicts the relation of nature and culture.

Efecto Mariposa
File Games

ペドロ カブリタ レイス

посмертная маска
Лазарус – это посмертная маска, созданная в цифровом виде, предназначенная для защиты от последнего вздоха владельца. Посмертная маска, традиционно сделанная из одного материала, такого как воск или гипс, возникла как средство запечатлевать лицо человека, сохраняя умершего «живым» в памяти. Lazarus служит сувениром в виде «воздушной урны», который представляет собой новую форму трехмерной печати портретов, сочетающую черты лица владельца и одновременно служащую пространственной оболочкой для его последнего вздоха. Поверхность маски моделируется на лице умирающего, а ее материальный состав определяется физическим потоком воздуха и его распределением по поверхности. В результате получился уникальный артефакт, идеально подходящий для владельца и его последнего вздоха.

Nine Bats

The abstract and colorful patterns of Kølbæk Iversen suck our bodies and envelop us in total installations that deal with the body, corporeality and phenomena such as phantom pain. The works store poetic and existential narratives of what it means to be human.

Scribble

Captura de pantalla
With ​an autobiographical nature, Chuls focuses on the study of gender, with femininity being the protagonist. In its beginnings it reveals to us a special interest by the history of our feminine ancestry and its revalidation. To gradually be motivated by themes related to their daily lives that are currently taboo or are in continuous debate. more…

OSSAU

M3LL155X
Le titre de l’EP se prononce « Melissa », ce qui signifie « abeille » et, par extension, « miel ». C’est dire tout le bien que nous veut l’époustouflante anglaise : au cœur d’une production mi-organique, mi-métallique (« in time »), les mélodies, construites selon un schéma plus classique, se font chantées et moins scandées (le subtil « mothercreep »).

dark new york

埃琳娜卡利斯
エレーナカリス
Елена Калис

FALA
File Festival
It is an autonomous and interactive talking machine, designed to establish automatic communication and synchronization between humans and machines, and between machines and machines. At installation, a microphone interfaces with a “chorus” of forty cell phones. All devices are in a listening state to capture voices and other sounds The autonomous talking machine analyzes the information and establishes equivalence with its memory. If so, the machine generates an audiovisual result with a semantic meaning similar to the sound captured, that is, it speaks and displays on the screens a word identical or similar to the word heard. Speakers and visualization of words on the screens of cell phones allow a “dialogue”, and for humans, to listen and see the machine conversation.

Picture for Women

Dans Picture for Women, nous voyons trois entités principales distinctes, mais entrelacées – une femme, un appareil photo et un homme. On suppose que la femme est le modèle et que l’homme est le photographe qui prend la photo, suggéré par sa main serrant le câble de déclenchement de l’appareil photo. Le premier est positionné à gauche de l’image, le second à droite, tandis que l’appareil photo est au centre.

Elemental

Minimaforms & DRL Elemental Research Group

FILE SÃO PAULO 2025: SYNTHETIKA – Art and Technology – Video Art
Electronic Language International Festival

Elemental – United Kingdom

Within the contemporary condition, new conceptual terrains emerge that raise questions of agency and intelligence within a deep ecology of our environment. The work explored examines environmental phenomena in the service of sustaining life. The following video is an extract from a work-in-progress film produces exploring the technology phenomenon in attempt to expand the conversation on climate matters.. 

BIO

Dr. Theodore Spyropoulos is an architect and educator. He is the Director of the Architectural Association’s world-renowned Design Research Lab (AADRL) in London and a resident artist at Somerset House. He previously chaired the AA Graduate School and was a Professor of Architecture at the Staedelschule in Frankfurt and a visiting Research Fellow at MIT’s Center for Advanced Visual Studies. 

Јунг-Јеон Мин
郑妍敏

埃米尔·阿尔萨莫拉
Эмиль Альзамора

AEA.movi
Imitation is a part of being human. Eelco Brand uses both paint and digital techniques to create images that reflect his conception of nature. In this sense his works are not so much the depiction of an actual place or event, but the way he imagined it and modelled it in the calculated space of digital art. Viewing his work can be both an alienating and deeply human experience. His subjects are modelled to the utmost detail to create a kind of hyperreal cosmos, a simulacrum of nature. Still, we experience these models of forests, cars and mountains as pure conveyers of meaning. These static images speak the language of scale, light, repetition, infinite detail and the deeper meaning of a simple gesture.

gif

So Blue