Michael Najjar
史上第一位進入太空的藝術家
laokoon, from the work series “bionic angel”
„Bionischer Engel“ Die Arbeitsreihe „Bionischer Engel“ geht von der zukünftigen Transformation und technologischen Kontrolle der menschlichen Evolution aus. Die rasante Entwicklung auf dem Gebiet der sogenannten „g-r-i-n-Technologien“ (Genetik, Robotik, Information und Nanotechnologie) verändert unseren Körper, Geist, Erinnerungen und Identitäten, wirkt sich aber auch auf unsere Nachkommen aus. Diese Technologien laufen alle zusammen, um die menschliche Leistung zu verbessern. Durch die pränatale genetische Bestimmung können Kinder nach Plan gebaut werden. Klonkörper werden zu Aufbewahrungsorten für Ersatzorgane, während durch Manipulation der Atomstruktur neue Körper entstehen, die die alten in Bezug auf Robustheit, Elastizität und Haltbarkeit weit übertreffen. Die neuen Karosserien sind an die Bedürfnisse der Hochgeschwindigkeitsdatenautobahn angepasst. Diese Entwicklungen, die auf genetischen Algorithmen und neuronalen Netzwerken basieren, ermöglichen es nun, die biologische Evolution zu steuern. Sie eröffnen dem Menschen den Weg zu einer neuen und überlegenen Existenzform.
Anna Dumitriu
Bacteria Dress
Using one of the most unusual materials you could imagine, artist Anna Dumitriu transforms superbugs into unique items of clothing. The artist sterilizes strains of deadly bugs that kill tens of thousands of people across the US each year. She then uses the strains to embroider into dresses and quilts. Her work has a fascinating concept behind it, exploring the complex relationship between humans and bacteria.
SANDY SMITH
green blue
DORIAN GAUDIN
обряды и последствия
Дориан Годен обычно предпочитает игру соответствий между органическим, психическим и материальным мирами. Как продолжение его предыдущих проектов, машины и социальные ритуалы, визуальная иллюзия и физическое присутствие, здесь запускается механизм чувств, циклическая темпоральность которых делает его драматургический пик непостижимым. Основываясь на сущности машины – инструмента, сообщающего движение – и чтобы показать, как объекты могут создавать повествование, Дориан Годен напоминает нам о том, как фетишизм объектов и технологий управляет нашими отношениями с миром.
ISSEY MIYAKE
ايسي مياكي
איסי מיקים
イッセイミヤケ
이세이 미야케
ISSEY MIYAKE
homage
R.I.P
ISSEY MIYAKE valued free and unconventional thinking – thinking that took into account the spirit of creation, curiosity and love as a universal expression.
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ISSEY MIYAKE schätzte freies und unkonventionelles Denken – Denken, das den Geist der Schöpfung, Neugier und Liebe als universellen Ausdruck berücksichtigte.
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ISSEY MIYAKEは、自由で型破りな思考、つまり創造の精神、好奇心、愛を普遍的な表現として考慮した思考を大切にしました。
DIEGO STOCCO
Диего Стокко
custom built orchestra
I always been fascinated by the raw musical power that an orchestra can express, so, after creating a series of videos where I’m performing a multi-track piece with an instrument I designed, I decided to take the concept a step farther and create my own orchestra made of unusually unique instruments. The project started by handcrafting a diverse selection of instruments, then I wrote a composition where I could fit them all in and finally performed each part.
ALEXIS THEMISTOCLEOUS
Αλέξης Θεμιστοκλέους
Virginia Overton
Untitled
Olafur Eliasson
Orizzonti Tremanti
Olafur Eliasson transformeert de Manica Lunga met een nieuwe serie van zes meeslepende kunstwerken die lijken op wigvormige optische apparaten. Binnen elke installatie worden complexe vloeiende vormen in beweging gezien die een panoramische ruimte van 360 graden doorkruisen die breder lijkt dan fysiek mogelijk is. Dit zijn optische illusies die worden geproduceerd dankzij spiegels en lichtprojecties.
WILHELM STAEHLE
Вильгельма Штеле
DAVID WILSON
ديفيد ويلسون
דיוויד וילסון
THE JAPANESE POPSTARS LET GO
Let Go est le nom du dernier clip du groupe The Japanese Popstars, réalisé par David Wilson et produit par Serena Noorani et Tamsin Glasson, du studio londonien Colonel Blimp. La vidéo s’est achevée en septembre, après 20 jours de travail intense. La répétition présente dans la musique a ouvert l’espace pour une animation psychédélique, et le thème (lâcher prise) semble avoir guidé le processus de création du clip, qui se développe comme une association libre de pensées. Les illustrations sont de Keaton Henson.
FILE SÃO PAULO 2025: SYNTHETIKA – Anabela Costa
sliding stripes
Anabela Costa
FILE SÃO PAULO 2025: SYNTHETIKA – Arte e Tecnologia
Festival Internacional de Linguagem Eletrônica
sliding stripes – França
Deslizando o olhar sobre uma tela lisa e brilhante.
BIO
Anabela Costa é artista visual, com diversas exposições individuais no seu percurso. A partir dos anos 80, passou a se interessar e a se direcionar progressivamente para a imagem digital. Desde 2000, desenvolve pesquisas no campo do cinema experimental, com foco em dois eixos: a imagem em movimento — a estética da representação do movimento — e a formalização de conceitos temáticos e científicos.
STEVE WILHITE
STEVE WILHITE
R.I.P
dancing baby
GIF (JIF)
graphics interchange format
The inventor of the Gif file has revealed that the world has been mispronouncing his creation.
Steve Wilhite, who invented the Gif file in 1987, told the New York Times that the word is pronounced “jif” not “giff”.
“The Oxford English Dictionary accepts both pronunciations. They are wrong. It is a soft ‘G,’ pronounced ‘jif.’ End of story,” he said.
The internet has reacted strongly to Wilhite’s claim, pointing to a range of evidence from the White House announcing their allegiance via a note on their Tumblr: “Animated GIFs (Hard ‘G’)”, to simple common consensus.
Others have suggested that the hard ‘G’ relates to the acronym that the word springs from, which stands for Graphical Interface Format.
The Gif has enjoyed a surge of success in the last five years thanks to Buzzfeed-style listings of puppies and kittens and ‘live-giffing’, a form of on-the-spot reporting that had its first major outing during the 2012 presidential debates.
Wilhite may be the parent of the Gif, but most agree that the creation has outgrown its creator.
When even the White House is on the other side of the debate, it seems it might be best if Wilhite concedes defeat with grace.
CLAIRE MORGAN
Клер Морган
كلير مورجان
克莱尔·摩根
クレア·モーガン
클레어 모건
Lo
My work is about our relationship with the rest of nature, explored through notions of change, the passing of time, and the transience of everything around us. For me, creating seemingly solid structures or forms from thousands of individually suspended elements has a direct relation with my experience of these forces. There is a sense of fragility and a lack of solidity that carries through all the sculptures.
RACHEL DENNY
Рэйчел Денни
RICHARD WOODS
drystone wall
Jessica Harrison
جيسيكا هاريسون
杰西卡·哈里森
제시카 해리슨
ג’סיקה האריסון
ジェシカ·ハリソン
ДЖЕССИКА ХАРРИСОН
stone
roseli vaz
Cidade gráfica
