Quasi-Objects

ll works are printed using pigment-based inks on Hahnemühle archival paper, variable dimensions, edition of 3+1 ap.
“Quasi-Objects” is an art project consisting of 3d generated videos and prints, a practice of “organic re-design” – started in 2003 and still in progress – that aims to stimulate thought and dialogue on the progressive relativisation of natural forms of life as a result of techno-biological evolution.“Quasi-Objects” regards data actualization, the production of biologically non-functional organisms and ecosystems as transient output of an operative practice: aesthetics of process.
“Life is a real and autonomous process independent from any specific material manifestation.”

스털링 루비
スターリング·ルビー
СТЕРЛИНГА РУБИ
Sterling Ruby propose un contrepoint à l’héritage moderniste à travers un corpus d’oeuvres multiformes, qui opèrent par transformation, imitation et assimilation, ce que les « soft sculptures » révèlent tout particulièrement. Dans ces oeuvres, l’utilisation qui est faite de larges pièces de tissus renvoie à l’univers domestique. L’artiste transforme les oreillers, couvertures et autres kilts qu’il utilise en objets sculpturaux, révélant que les sentiments de sûreté et de sécurité qui leurs sont associés ne sont finalement qu’une illusion.

OBSERVING USER ACHIEVEMENT

Blooming Zoetrope Sculptures
“Mientras el arte es a menudo un vehículo para la fantasía, mi trabajo es una invitación a profundizar más en nuestro mundo y descubrir cómo de asombroso puede ser”. El diseñador, artista e inventor estadounidense, conocedor de que “el cambio es la única constante en la naturaleza”, adora los patrones, las rotaciones y los giros de precisión matemática.”

Тайо Онорато и Нико Кребса
Blockbuster

克劳斯奥伯迈尔
the concept of … (here and now)

In front of a giant screen, two dancers interact with a cohort of cameras… Their movements are captured by infra-red sensors and projected onto the screen, whereby their bodies become the canvas on which new images take shape. The result is a shifting kaleidoscope of strange, living, quasi-mathematical visual worlds which sometimes seem to be emanating or even escaping from the dancers’ bodies. “Who decides which movement to make: the man or the machine?” Blurring the line between the real and the virtual, Klaus Obermaier loves to subsume his performers’ bodies and physicality in a disconcerting digital universe. With his latest creation, the choreographer/artist has taken a bold new step. He has constructed a system of projectors and infra-red sensor-cameras, trained upon the movements of two dancers. The performers thus find themselves thrown headlong into a living, moving graphical universe: their movements are projected onto the screen, but at the same time their bodies are illuminated by more projected images. This is a true artistic performance, pushing well beyond the frontiers of a standard dance recital, or even a contemporary dance show. A corporeal, temporal performance. A choreography which makes subtle use of its raw materials, deftly combining lights, video, perspectives and the real-time power of bodily movement.

Cubo torcido
Gonzalo Lebrija’s twisted cube sits on a neat and clean base. It is itself a neat and clean structure. The smooth worked steel makes for blade-like lines. I run my numb thumb down it’s frozen edges. The proportions and feel are pleasing.more…

다니엘 아샴
ДАНИЭЛЯ АРШАМА
B r o k e n F i g u r e

Game

道格拉斯·库普兰
דאגלס קופלנד
دوغلاس كوبلاند
ダグラスクープランド
дуглас Коупленд
The Gorgon

欧文奥拉夫
ארווין אולף
アーウィンオラフ
어윈 올라프
Эрвин Олаф

ARPT Headquarters

Поток
«Вместе с Flux мы предлагаем новое устройство, разработанное для Cloître des Récollets в Hôtel de Région Grand Est в Меце и в рамках фестиваля Constellations. Поток состоит из 48 динамических световых линий длиной 1,5 м, расположенных на расстоянии 40 см друг от друга, моторизованных и управляемых в реальном времени. Формальное умножение этих линий в сочетании с микровариациями фаз, временных задержек, скоростей и амплитуд позволяет нам лепить объект длиной 20 метров, живой и развивающийся с циклическим возвратно-поступательным движением “. Масштабный коллектив

Laocoon Loudspeaker

ты в моих мыслях
ВЫ В МОИХ РАЗУМАХ светится белыми неоновыми буквами за двусторонним зеркалом, на котором много отражений посетителей и окружающего пространства. В сочетании с двусторонним зеркалом перед ним апеллятивное послание, кажется, пробуждает зрителей к настоящему моменту и ставит под сомнение их положение в пространстве и времени.

Knotty Bubbles Chandelier

Курта Сталлерт

A linguagem irrestrita das máquinas
O hipercubo tem 3 metros de comprimento e consiste em uma faixa de LED personalizada de 168 metros, incluindo 22.848 LEDs. Uma vez que o contato dos participantes. O batimento cardíaco será capturado pelo dispositivo de iluminação, que mudará a animação da luz. O ritmo do batimento cardíaco humano é visualizado pela máquina. A máquina engolfa os traços físicos dos seres humanos que se dissipam. Na verdade, essa experiência ocorre a cada momento da vida cotidiana. As animações de luz e som também estão vinculadas aos dados meteorológicos locais, formando a sociedade do espetáculo pós-humano. A máquina respira e a natureza reage.

Уильям Пай
威廉·保华建业
Charybdis

сторм торгерсон
סטורם ת’ורג’רסון
ストーム・ソーガソン

Taumel

primitive

「この新しい作品は、原始的な生物、微生物、ウイルスを象徴しており、彼らにとっては意味がないように見える彼らの生活のダイナミクスを表現しています。」 「エンラのパフォーマーは非常に才能のある武道家、ジャグラー、ダンサーであり、それぞれが私たちの作品で独自の専門性を示しています。」 「最終的なビデオは、プロジェクターを介してスクリーンにビデオを投影することで簡単に実現できます。 グループは、グラフィックと同期して体の位置を維持し、繰り返し練習することでこれを完成させます。」 花房信行

آنا تيريزا باربوزا
АНА ТЕРЕЗА ​​БАРБОСА

ジャウメ·プレンサ
Жауме Пленса

Campo / Laberinto para desandar
via highlike submit

ЛОРАНА ШЕЙЕ
FLYING HOUSES

让 – 保罗·布迪厄
Жан-Поль Бурдье
Bodyscapes

Conversations with Bina 48
Artist Stephanie Dinkins and Bina48, one of the worlds most advanced social robots, test this question through a series of ongoing videotaped conversations. This art project explores the possibility of a longterm relationship between a person and an autonomous robot that is based on emotional interaction and potentially reveals important aspects of human-robot interaction and the human condition. The relationship is being built with Bina48 (Breakthrough Intelligence via Neural Architecture, 48 exaflops per second) an intelligent computer built by Terasem Movement Foundation that is said to be capable of independent thought and emotion.

Verticity

Jenifer Haider Chowdhury

FILE SÃO PAULO 2025: SYNTHETIKA – Art and Technology – Shorts Films AI
Electronic Language International Festival

Verticity – Bangladesh

What will happen in the AEC industry after one thousand years from today? In this cutting-edge technology-based world, we have already started to take steps in Artificial Intelligence and some other advanced sectors such as biotechnology which is inspired by mimicking mechanisms found in nature. By observing all of these, we can say that in the future there will be so much dynamism and diversities in the skyscraper design development process.

BIO

Architectural designer who graduated with a B.Arch degree from the University of Asia Pacific, Bangladesh. For the past two and a half years, she has been exploring AI-based architecture and fashion experiments. She has a deep interest in parametric and dynamic computational style designs and ideas in both architecture and fashion design. She is also passionate about surrealism and non-traditional concepts. These factors are the major inspirations behind all of her works.

Render Ghost
Render Ghost 是由新媒體藝術團隊NAXS Corp.所創作的虛擬實境結合沉浸式劇場作品。參與的六名觀者將換上白色無塵衣，由服務人員協助配戴虛擬實境裝備，緩步進入白色充氣帳篷之中；藉由虛擬場景的誘導，徒步繞行於螺旋構造的高塔，開啟一場肉身的科幻儀式。當步入高塔的頂端，觀者將卸除虛擬實境裝備，沉浸於燈光、雷射、煙霧、聲響、漂浮粒子與風共同構成的超現實景觀之中，並在聲響漸次驅動的高頻閃光與濃霧中漸漸進入出神狀態。

Light Cube

NEW GROWTH’STRATUM MODEL

احمد بسيونى
Thirty days of running in place

كيت غيلمور
קייט גילמור
케이트 길모어
Кейт Гилмор
star bright, star might

汉斯·哈克
הנס האקה
ハンス·ハーケ
Ханс Хааке
Flight

gesellschaft

antifly sphere