TESLA ORCHESTRA
Ian Charnas
In the performance Tesla coils generate a massive voltage, creating lightning directed by a pre-composed musical score. Charnas stands between the coils, protected by his chain-mail suit, which conducts the electricity to the ground without electrocuting him. “Each lightning bolt could kill me,” he told me, “but thanks to the Faraday effect I’m shielded in a full body metal suit and my little body stays at zero volts potential.”
MOEBIUS
メビウス
Мебиус
Moebius
Jean Giraud (nascido em 8 de maio de 1938) é um artista francês de história em quadrinhos que também colaborou na produção de diversos filmes. Giraud é também conhecido pelos pseudônimos de Moebius e Gir. Ele começou a publicar suas primeiras tiras aos 18 anos, logo tornando-se um dos ilustradores mais consagrados da Europa.
THOMPSON HARRELL
The Color Project
MPC New York und ich wurden eingeladen, ein generatives Kunstwerk für den hochkarätigen Start des Media Centers beizusteuern. ‘The Color Project’ ist Teil eines fortlaufenden F & E-Konzepts, das von mir und MPC Digital entwickelt wurde. Das Startstück bleibt als eine von fünf permanenten Installationen im Zentrum zu sehen. Das Made in NY Media Center von IFP bringt Innovatoren aus verschiedenen Kreativbranchen und aus allen Regionen zusammen widmet sich der Definition und Förderung der Zukunft des digitalen Geschichtenerzählens. Der Raum befähigt Künstler, indem er sie mit Ressourcen und Publikum verbindet, um ihre Kunst weiterzuentwickeln. Das Farbprojekt konzentriert sich auf die Erforschung von Erzählungen anhand von Farben, Linien und Formen, die in geografischen Satellitenbildern zu finden sind. Diese Implementierung des Projekts hebt die Schauplätze vieler Filme hervor, die von IFP verfochten wurden. Die formalen Motive jedes Filmortes werden in Form eines Rasters von 162 Globen untersucht. In wunderschöner Synchronizität taucht jede Ansicht zuerst aus dem Weltraum auf und bleibt bei einer einzelnen Farbe in der Landschaft stehen, wodurch ein ortsspezifisches Mosaik entsteht. Das Stück springt von einem Ort zum nächsten und zeigt den Charakter von Bogotá, Kolumbien (Maria voller Anmut), Cleveland, New York City, Florida (Fremder als das Paradies), Vietnam und Virginia (Der gefährlichste Mann in Amerika: Daniel Ellsberg) und die Pentagon Papers), während sie gleichzeitig auf den Kontrast zwischen den Standorten aufmerksam machen. Das Stück verwendet Google Earth und eine benutzerdefinierte Software zeichnet programmgesteuert die geografischen Merkmale jedes Standorts auf, die auf einer beeindruckenden Wand aus 27 HD-Bildschirmen dargestellt werden.
MAKOTO SEI WATANABE
K-Museum Tokion
渡辺誠が設計した共同溝展示館です。 これは、このような美しい建物を設計するための驚くべき作業の複雑さの完璧な例です。 多くの家はシンプルでミニマルなデザインに関連していますが、多くの美術館、大学、アートギャラリーなどは、K-Museumと同じくらい複雑です。 日本の建築家は、このような畏敬の念を起こさせるが安全なデザインを作るために無限の時間を費やしています。 このような建物は、現代の日本建築の実行に注入された進歩と技術的卓越性のレベルへの賛辞であり、未来の方向にうなずくことができます-イノベーションがこの指数関数的な改善の道をたどり続けるならば、 創意工夫と機能のレベルは時間とともにエスカレートします。
Izima Kaoru
伊岛薫
LANDSCAPE WITH A CORPSE
Izima Kaoru pregunto a un grupo de actrices ¿Con ropa de qué diseñador te gustaría estar vestida al morir? y así realizo una serie de fotografías llamadas “Landscapes with a Corpse” paisajes hermoso con cadáveres que resaltan ante los colores contrastantes de los vestidos. Las fotografías constan de series de tres, donde juega con los planos comenzando con un fullshot, depues un médium shot y termina con un close up muy sutil, el punto de comienzo donde coloca la cámara para la primera toma es tan cuidada como el cadáver que se muestra pacifico y vestido de la mejor manera.
CHRIS CUNNINGHAM
Björk: All Is Full of Love
The video reaches its harmonious climax as the robots join in embrace, still being detailed by the robotic machines beside them.
Each robot was designed by Cunningham, faces reminiscent of Björk’s own delicate visage. The sterility of the room and lighting and the rendered movements of the machines contrasts with the fluid motions of the robots as they connect in a purely human method.
Nina Pappa
INTERMEDIATE TIMES 13
jamall osterholm
PINK
I explored the concept of a wearable that is either on or around the body and revisited a look that I had designed in a previous collection based on the concept of a 1920’s underwater invention.
Julia Peirone
Blackberry Bloom
Quayola
Transient
Transient – Impermanent paintings is an audiovisual concert for two motorized pianos and two conductors in collaboration with generative algorithms. Hyper-realistic digital brushstrokes articulate endlessly on a large-scale projection as if on a real canvas. Each brushstroke is sonified with a piano note, creating polyphonic synesthetic landscapes. The project continues Quayola’s research on traditional artistic techniques in the context of human-machine relationship, this time gradually withdrawing from formal subjects and giving way to the computational substance: the algorithm.
paul cocksedge
Please Be Seated
Please Be Seated is a giant outdoor seating installation made of three concentric rings of wave-like forms made from scaffolding planks. Created by British designer Paul Cocksedge, the communal bench has been built in Broadgate for the London Design Festival. Built in Finsbury Avenue Square alongside Make’s Number One Broadgate office block in the City of London, Please Be Seated is made of three rings of benches that rise and fall in a wave-like pattern.
RICHARD DUPONT
理查德·杜邦
리처드 듀퐁
Manipulating 3-D scans of his own body on the computer, Mr. Dupont then marries digital fabrication methods like rapid prototyping and computer numerically controlled milling with traditional plaster casting and other laborious hand work to make figures that can appear both archaic and futuristic. One of his standing nudes, similar in posture to the Kouros statues from ancient Greece, appears to melt into ripples when viewed on one axis, suggesting the psychic experience of man in the modern world.
QUBIT AI: Hassan Ragab
Audio Responsive Treehouse
FILE 2024 | Architectural Synthetics
International Electronic Language Festival
Hassan Ragab – Audio Responsive Treehouse – United States
This work, created using generative artificial intelligence tools, is part of a broader exploration into discovering architectural forms through the intersection of different media. Potential shapes are generated based on the rhythms and timbres of the Shockone vs. Shockone song Run. The Bloody Beetroots. Factors such as camera movement and dynamics between the interior and exterior of the treehouse contribute to the creative process.
Bio
Hassan Ragab is an interdisciplinary media artist, architect and designer whose work focuses on the synergy between art, architecture, technology and humanity. He uses generative artificial intelligence to create a new visual language, and his work is exhibited globally. Additionally, Hassan writes about the integration of new media into art and design and has been recognized in numerous publications and news outlets.
NINA CANELL
Temporary Encampment (Five Blue Solids)
The precarious installations of Nina Canell (born 1979 in Växjö, Sweden, lives and works in Berlin, Germany) could be read as essays on changeability and uncertainty. Hinged upon a fabric of electromagnetics, her communities of objects quietly interact with each other through modest arrangements, balancing careful ambitions to sustain certain frequencies, movements or altitudes. Electrical debris, wires and neon gas establish temporary, almost performative sculptural unions with natural findings such as water, wood or stones, yielding open-ended moments of synchronicity. An improvisational methodology and a flexibility of form highlight Canell’s quest for sculpture, which exists somewhere in between the material and the immaterial, forming and questioning the conductive relations between solid objects and mental events.
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Mike Pelletier
FILE FESTIVAL
Performance: Capture Part 2
In “Performance Capture: Part 2”, open source motion capture sequences are mapped onto stock low-polygonal unsmoothed 3D characters. Bodies inflate, deflate and oscillate between states, while movements shift and repeat in offset patterns as information transfers from one body to the next. In the animation, what should be used to record, simulate and create perfect virtual realities instead collapses into the uncanny, the abstract and the unreal.
HSIEHYUCHENG
via highlike submit
Martin Messier
ECHO CHAMBER
Performance audiovisiva in più tableau, Echo Chamber si ispira a tecnologie che ci permettono di sondare all’interno del corpo, come gli ultrasuoni e l’agopuntura, generando una composizione sonora in cui predomina l’idea di risonanza. Nel creare un’interfaccia modulare di tre pannelli che consente molteplici manipolazioni, Messier ha determinato i confini delle possibilità per l’esecuzione di una coreografia di suoni e luci. Impugna lunghi aghi come se fossero note di uno strumento, perforando una piastra audio-reattiva che innesca sequenze sonore.
