JULIEN SALAUD
Grotte Stellaire
Grotte Stellaire
Stranger Visions
SANTIAGO CALATRAVA
САНТЬЯГО КАЛАТРАВА
سانتياغو كالاترافا
圣地亚哥·卡拉特拉瓦
산티아고 칼라 트라 바
サンティアゴカラトラバ
סנטיאגו קלטראווה
Infinite Spirit
Flesh love all
I want to express love through my work. Because everything in the world is based on love[…] Based on such an idea, I started a project to vacuum pack a couple and everything around with a landscape. Not only a couple who loves each other but also everything around them is vacuum-packed, and eventually the whole landscape is vacuum-packed, creating an image where everything in the world is one existence. The shooting location is the most important place for them. The things you love will be one, and the world will be one. I think that is an ideal form of love. In order to participate in this project, you need to be ready for death and love next to you, and I need to be prepared for it too.
McNicholas and Barney Steel
Laser Forest
The public can explore the space, physically hitting, shaking, pulling and vibrating like trees for trigger sounds and lasers, provoking a very interactive collective experience. Resulting from the natural elasticity of the material, an interaction with the trees created with which they oscillate, creating patterns of vibration of light and sound. Each tree was tuned to a specific tone, creating harmonious children spatialized and played through a powerful surround sound system, and the more people, the cooler the experiment. The facility was designed to bring out in adults the feelings of curiosity and awe that are so vivid and evidence in children.
آلان راث
Watcher VIII
Alan Rath erkundet die Schnittstelle von Kunst und Technologie und macht Elektronik mit seinen elektrischen, kinetischen und Roboterskulpturen zu einer Kunstform. Wall Throbber (1998) zum Beispiel ist ein Gerät aus Aluminium, Elektronik, einem Lautsprecher und Leuchten, bei dem eine rote Kugel sanft abprallt. Neuere Arbeiten enthalten digitale Medien wie bewegte Bilder auf eine Weise, die die Technologie humanisiert. In Watcher VII (2011) zeigen zwei Bildschirme Nahaufnahmen ausdrucksstarker menschlicher Augen, die aus beiden Seiten einer anthropomorphen Weißmetallstruktur herausragen. Er verleiht diesen Skulpturen lebensechte Qualitäten und geht davon aus, dass Menschen menschliche Qualitäten auf Aufforderung auf Maschinen projizieren und sie sogar als Persönlichkeiten wahrnehmen. Die Arbeit zelebriert das Potenzial der Technologie für das Gute und spielt gleichzeitig auf die Gefahren an, die unter der Oberfläche lauern.
DEPART
The Entropy Gardens
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The Entropy Gardens is an artistic VR experience that explores one of humanity’s most archetypical artforms – garden making. It challenges its myths, aesthetics and modes of perception. Like a garden, The Entropy Gardens attempts to become a spatiotemporal poem — a poetic organism. In the form of a sprawling journey it constructs a hermetic, virtual garden as a poetic ecosystem — a psychic landscape that is foremost a complex audiovisual experience. It admits the visitor into a place that is equally challenging and contemplative (and of course profoundly weird).
Aging Hipster
Born in Doylestown, Pennsylvania, in 1969, Joshua Callaghan earned an MFA from the University of California, Los Angeles in 2005 and a BA in Cultural Anthropology from the University of North Carolina at Asheville. His work has been exhibited at Haas & Fischer Gallery, Zurich; Bank Gallery, Los Angeles; Galleria Fortes Vilaça, São Paulo; the Sweeney Gallery at University of California, Riverside and LA Louver in Venice, CA.
Días en que todo es verdad
РОМАНА ЗИГНЕРА
Kajak
NÉ EN 1938 EN SUISSE, ROMAN SIGNER EST MONDIALEMENT CONNU POUR SES PERFORMANCES « EXPLOSIVES ». DEPUIS 1973, IL CONÇOIT UNE ŒUVRE COMBINANT SCULPTURE, PERFORMANCE, PHOTOGRAPHIE ET DOCUMENTATION FILMIQUE. FASCINÉ PAR LA PUISSANCE DE LA NATURE, IL N’A DE CESSE DE L’EXPÉRIMENTER À L’AIDE D’ACTIONS D’UNE GRANDE FORCE POÉTIQUE, SOUVENT À LA LIMITE DU DANGER.
Pan
FILE SÃO PAULO 2025: SYNTHETIKA – Art and Technology – CGI VIDEOS
Electronic Language International Festival
Towards a New Nature – China
Residents of the Metaverse might have hairstyles where the boundary between the person and the hair blurs, making the hair almost like an “organ.” These hairstyles could “grow” branches or flowers, have a dynamic motion similar to plants swaying in the wind, and feature geometric shapes, colors, and effects that surpass the physical world’s limitations.
BIO
Pan Qianqian is currently studying Digital Media and Mixed Reality at the China Academy of Art. She is good at 3D design and production, and new media art. She is involved in 3D imaging, interactive installations, virtual clothing and other fields. Her works have been exhibited at the First Digital Art Exhibition and Tianwen 2023: Mutual Learning among Civilizations.
“Körper ohne Organe”
“Körper ohne Organe” ist eine Installation, die die materialbasierten Gemälde von Sean Robert Fitzgerald neben der spielerischen unkonventionellen Skulptur von Alex Da Corte zeigt. Zusammen ist die Arbeit spielerisch, aber die kombinierten Farben und Materialien schaffen eine unheimliche traumhafte Umgebung. Wir konnten mit Sean sprechen und einen Einblick in die Zusammenarbeit bei der Show bekommen, während wir gleichzeitig einen Galerieraum betrieben und Shows kuratierten. Nach unserem Interview wunderten wir uns oben in den Atelierräumen, in denen sich Seans eigenes Studio befindet.
parasite
Seine Arbeiten sind wie Parasiten, die sich einen Raum erschließen, massiv in ihn eingreifen und ihn unter Umständen seiner eigentlichen Funktion entheben, indem sie ihn z.B. unbetretbar machen oder Sichtachsen versperren. Zugleich gehen diese Parasiten eine Symbiose mit dem Raum bzw. Mit einzelnen Architekturelementen ein, auf die sie reagieren: Die ‘Skulptur’ braucht die Architektur, um überhaupt existieren zu können, und die Architektur profitiert insofern von diesem Eingriff, als ihr ganz neue visuelle und räumliche Qualitäten hinzugefügt werden.
waterlicht
Dubbed “the northern light of the Netherlands” by Studio Roosegaarde, the Waterlicht installation is designed to create the impression of a “virtual flood”.The waving lines of light spread across 1.6 hectares bear a resemblance to the northern lights – the natural phenomenon created when charged particles enter the Earth’s atmosphere – when viewed from underneath.
AZ west wagon station encampment
Pangaea
Named after the prehistoric supercontinent of Pangaea, the artist explains, “this large-scale artwork is a collection of autonomous ‘islands’ that assemble into a singular, 3-story composition.”The art installation is made from a series of layered aluminum ribbons that interact with a field of points located throughout this exterior wall, creating a collection of interconnected nodes, hubs, and conduits.
Eleanor
Colourfield
Colourfield is an evolutionary ecosystem of colour. Colour agents try to exist in a simple universe by producing colours that are suited to their environment. This environment is determined by the other agents and the colours they produce. Entering into complex feedback cycles, Colourfield presents an evolving palette of shifting colours. Different configurations emerge based on the strategies the ecosystem discovers for co-existance and co-dependency. Harmonious configurations often remain stable for a short while, before eventually being replaced by new relations, better able to survive in the ever shifting environment.
Дэвид Линч
ديفيد لينش
大卫·林奇
デビッドリンチ
데이비드 린치
Dune: The Alternative Edition Redux (Alternate Ending)
En l’année 10191, l’empereur qui règne sur l’univers, connu sous le nom de Shaddam IV, établit une alliance avec les Harkonnen de la planète Geidi Prime pour éliminer de la galaxie la dynastie des Atréides, et plus particulièrement leur chef, le duc Leto, de la planète Caladan. Pour réussir ce projet funeste, l’empereur envoie les Atréides sur la planète Arrakis, appelée également “Dune”, où ils sont attendus par les terribles Harkonnens. Deux survivants échapperont au massacre : Paul Muad’Dib, l’héritier du trône Atréides et sa mère Lady Jessica. Après avoir été attaqués par les vers géants et sauvés des griffes du baron volant Vladimir, ils sont secourus par les mystérieux Fremen. Ces habitants de Dune consomment l’Epice qui assure pouvoir et longévité. Ils vivent dans l’attente de la venue du messie qui doit leur rendre leur liberté, et ils voient en Paul l’homme attendu de la prophétie…
cinema full
Chozumaki
CHOZUMAKI by Nelo Akamatsu consists of a glass vessel filled with water. A small winged magnet rotating at the bottom of the vessel produces a vortex. The tiny bubbles cause curious sounds when they are swallowed into the vortex. Viewers will hear these sounds through a spiral pipe shaped like a cochlear duct. Countless vortices exist in the universe, including the enormous revolution of the galaxy and also the minimal spin of electrons. They all have a fractal structure that seems to be one of the fundamental elements of the universe. Water has another important role in this work. In numerous cultures is associated with purification. The sight and sound of the water vortex that is constantly changing shape will remind viewers of crossing the boundary between the physical world and the psychological world, and will extend their perception of vital organs.
tape sao paulo
file sao paulo 2016
Constant wrapping of pillars with a transparent adhesive tape results in a complex, amorphous surface through the process reminiscent of growing of organic forms. One line evolves into surface that forms an organic shape of extraordinary strength. The entrance of the audience inside the volume transforms the sculpture into architecture. It was practically “found” through the act of chaotic wrapping, where a one-dimensional line (“tape”) slowly turned into two-dimensional plane, which then finally curved into volume.
Handmade-Type
Monument to the Bourgeois Working Class