Ewa Nowak
Incognito
La giovane designer polacca Ewa Nowak, tra le altre cose, ha creato una linea di gioielli in metallo. Sono dei ninnoli eleganti dalle linee pulite che non rinunciano a una certa morbidezza e artigianalità. Più simili a delle piccole sculture che a degli ornamenti fatti in serie. Tra loro c’è anche ‘Incognito,’ nato per sviare i software di riconoscimento facciale con stile e originalità.
Intermedia Chef
The Half
New media artist group, Intermedia Chef is trying to explore dynamic artwork generated by computer-controlled sound in the aspect of data visualization. The sound installation artwork transits sound wave into physical movement. Overmore, they are aiming that the sound wave energy turns out a kinetic type of visual art.
YURI SUZUKI
جوقة الترحيب
The Welcome Chorus هو تركيب تفاعلي يجمع بين الصوت والنحت والذكاء الاصطناعي (AI). بتكليف من Turner Contemporary لمهرجان Margate NOW ، يتكون التمثال من اثني عشر قرنًا ، يمثل كل منها منطقة مختلفة من Kent. يغني كل قرن باستمرار كلمات الأغاني التي يتم إنشاؤها مباشرة بواسطة برنامج ذكاء اصطناعي مدرب بشكل فريد ومخصص للموقع. من الناحية الرمزية والجمالية ، تشير هذه الأشكال النحتية إلى أصل كلمة “كينت” ؛ يُعتقد أنه مشتق من كلمة “كانتو” ، والتي تعني القرن أو الخطاف.
JALOO
Ah! Pain!
Always the fear of losing
Feel the fear of not being you
But now, I know and it hurts
And I will wander until you know too
I’ve always been a bad hero
Always being saved by you
But now that it’s gone
I know my best is gone too
Ah! Pain! Ah! Pain!
Don’t leave me, I beg you, stay
Surrounds me, comforts me, fixes me
Ah! Pain! Ah! Pain!
You were all that was left in me
It’s what makes me alive without you here
I always feel like it will be
Always time erasing you
And now it’s so late
And the longing comes, invades, burns
I always think about you
I always think to myself “What about you?”
And I don’t want to forget you
And the wound doesn’t close, doesn’t close
Ah! Pain! Ah! Pain!
Don’t leave me, I beg you, stay
Surrounds me, comforts me, fixes me
Ah! Pain! Ah! Pain!
You were all that was left in me
It’s what makes me alive without you here, here
Ah! Pain! Ah! Pain!
Ah! Pain! Ah! Pain!
Don’t leave me, I beg you, stay
Surrounds me, comforts me, fixes me
Ah! Pain! Ah! Pain!
You were all that was left in me
It’s what makes me alive without you here
MICHAEL CLARK COMPANY
マイケル·クラーク·カンパニー
Tate Project Part I ]
The choreography rehearsed and performed in 2010 paired the rigour of classical steps with contemporary movement, a juxtaposition that paralleled Clark’s training as a ballet dancer at the Royal Ballet, and his later anti-hierarchical, anti-authoritarian choreographic experiments. Balletic poses, jumps and steps were isolated from traditional narrative sequences and made strange through repetition. The graceful leaps and turns of the trained dancers seemed awkward and uneven, just as they were often out of sync and oriented in different directions. This choreography paralleled the performance space, which was demarcated by geometric and striped floor mats designed by Charles Atlas, which resembled the large windows at the back of the hall and the black beams that extend vertically from floor to ceiling.
QUBIT AI – International Electronic Language Festival – Art and Technology
QUBIT AI | quantum & synthetic ai
Electronic Language International Festival
July 3rd to August 25th
Tuesday to Sunday, 10am – 8pm
FIESP Cultural Center
Design: André Lenz
Image: Iskarioto Dystopian AI Films – Athena
QUBIT AI
In its 25 years of existence, the International Electronic Language Festival (FILE) is an internationally renowned Brazilian project that since 2000 has explored the intersection between art and technology. With more than two decades of history, the festival stands out for fostering exhibition spaces and debate about artistic innovations driven by disruptive and innovative technologies, inviting the public to get involved with experimental forms of art that challenge the boundaries of conventionality. Currently, two of these technologies stand out in the contemporary scenario: the accelerated development of quantum computing and artificial intelligence corroborated by synthetic data.
Quantum computing, an emerging revolution in the technological field, offers a new range of creative possibilities for contemporary artists. This new era allows the exploration of unprecedented frontiers through a new computational format that consists mainly of quantum superposition and entanglement, a new field of exploration for synthetic computer science, as well as for the arts in general; on the other hand, artificial intelligence, fueled by synthetic data, offers artists a new way of making and understanding art, opening up space for new forms, concepts and artistic expressions.
Entitled QUBIT AI, the exhibition delves into this unexplored territory presenting a selection of works of art resulting from the connection between artistic creation and technology, proposing a theoretical reflection on what the interrelationship between quantum computers and synthetic artificial intelligence will be.
Visitors will be invited to experience immersive installations, experimental videos, digital sculptures and other forms of interactive art, which intertwine reality and imagination. The exhibition encourages reflections on the influence of technology on art and contemporary society, while at the same time providing an environment to compare already established technological arts (analog and digital) with the possible futures of art in the synthetic era, enhanced by quantum computing. The QUBIT AI exhibition at FILE SP 2024 transcends the mere presentation of works of art; it is a journey to the limits of human creativity, driven by the convergence of art, science and technology.
Ricardo Barreto and Paula Perissinotto
co-organizers and curators of FILE
International Electronic Language Festival
DARIUSZ KLIMCZAK
Дариуш Климчак
YANG MINHA
Meditation
file festival
The sound transforms and shapes the image of waves sinking inside. The reproduced media, when compressed and suppressed, provide more possibilities of thinking and choices than the values contained in its own form. Through these processes, “Meditation” can be the right tool for meditation.
Isaac Julien
Ten Thousand Waves
Os trabalhos de Isaac Julien são considerações críticas da globalização e representação. Ele nasceu em 1960 em Londres, onde ainda tem sua base, e se formou em São Petersburgo. Escola de Arte Martins, depois de estudar pintura e cinema. Ele foi reconhecido na década de 1980 por seus documentários poéticos e instalações de vídeo e hoje é um artista e cineasta de renome internacional.
NILS KARSTEN
Suburbia Hamburg
HDA PARIS
Lock
„Diese Einheiten wurden dann auf dem Gelände angeordnet und in Wohnräume sowie Verkehrs- und öffentliche Räume im Erdgeschoss unterteilt. Die Art und Weise, wie die ursprünglichen räumlichen Einheiten ineinander greifen, schafft Außenräume, die sich in die Masse des Gebäudes einwickeln und die Zirkulation von Licht und Luft tief in Innenräume ermöglichen. Kleinere, wirtschaftlichere Apartments und Luxusapartments existieren gleichzeitig im Gebäude und teilen sich viele öffentliche Annehmlichkeiten wie die Balkonbereiche. Aufgrund seiner Lage neben der High Line und der oben genannten öffentlichen Balkonbereiche befasst sich das Projekt auch mit Aspekten des Exhibitionismus und Methoden zur Schaffung von Privatsphäre. “
LANCIA TRENDVISIONS
black gold
Leonhard Lass & Gregor Ladenhauf
The Eidolon Splits
The Eidolon Splits explores the construction of human form and identity within a narrative realm. It reflects and embodies the screen as a portal and contact surface both as a physical and a virtual device.
ETIENNE-JULES MAREY
אטיין-ז’יל מארי
エティエンヌ=ジュール·マレー
Этьен-Жюль Марей
MOMU3 X BULO
Frederik Heyman and Wout Bosschaert
For MOMU3, Frederik Heyman creates, in collaboration with graphic artist Wout Bosschaert, 3 fashion films in which he infuses the rich collection of the ModeMuseum with digital life by using 3D scans and manipulations.
.
MOMU3 では、フレデリック ヘイマンがグラフィック アーティストの Wout Bosschaert と協力して、3D デジタル化と操作を使用して ModeMuseum の膨大なコレクションにデジタル ライフをもたらす 3 つのファッション映画を制作しました。
Matthieu Bourel
目前在柏林生活和工作的法国艺术家Matthieu Bourel的手工，数字和动画拼贴，基于图像的力量和各种视觉组合带来的转移。他将自己的作品定义为“数据主义”，并且在融合元素时，经常试图唤起一个故事，尽管这个故事不存在于已知的现实中，但却在观众面前有力地展现出来，并激发了“一段时间的怀旧之情”。存在’。 艺术家介入迷住的观众的思想和记忆，歪曲现实，丰富或不可逆转地消除我们觉得自己生活在其中的世界。因此，当复制普通女人肖像时，可以很容易地重现其含义。某些元素的似乎无限重复有时是对社会制度和结构的评论，涉及人类的行为和信仰，揭示了隐藏的意图并一面揭开面纱，直到除了可能的真理或至少一种更真诚的现实方法之外，再没有其他东西了，通常充满讽刺和紧张。 Matthieu Bourel似乎感兴趣的另一个主题是身份，其特征在于身份的缺乏（例如，没有头部）或多样性。 “人们常常会寻求并渴望结合那些似乎带有一种熟悉而遥远的情感的新兴叙事符号”。确实，我们倾向于根据自己的人际关系来解码图像，仿佛这个故事突然讲述了我们所害怕的事物，以及时不时面对和理解自己，自我，他人，时间和空间的回避。
Marnix de Nijs
15 Minutes of Biometric Fame
The design of the installation 15 Minutes of Biometric Fame is inspired by the camera dollies employed in the television and cinema industries. A camera crane moves autonomously over a large circular track. In a rather intimidating manner, it points the camera at visitors in the exhibition space and scans each visitor’s facial features, comparing them to those of a vast array of preselected persons in a database.
Golan Levin, Chris Sugrue and Kyle McDonald
The Augmented Hand Series
The “Augmented Hand Series” (by Golan Levin, Chris Sugrue, and Kyle McDonald) is a real-time interactive software system that presents playful, dreamlike, and uncanny transformations of its visitors’ hands. It consists of a box into which the visitor inserts their hand, and a screen which displays their ‘reimagined’ hand—for example, with an extra finger, or with fingers that move autonomously. Critically, the project’s transformations operate within the logical space of the hand itself, which is to say: the artwork performs “hand-aware” visualizations that alter the deep structure of how the hand appears.
LUDWIG ZELLER
CubeBrowser
CubeBrowser is a six display cube with digital screens that connects to online databases like Flickr.com. The owner is able to move through thousands of image-sets by turning and shaking the small cube in space. The pictures, which are streamed onto the cube from the internet, are grouped by tags. Horizontal turns change images, while vertical turns change to other tags and therefore associations. This creates a situationism-like “derive” in a collaboratively created archival architecture in your hands. What lies next to the mountains, what is next to the sky? CubeBrowser unfolds an awe-inspiring trip through the hidden realms of online databases. Originally, this project has been started with the help of Andreas Muxel and Charlotte Krauß.
Eve Bailey
Rising Awareness
Could one succeed in rising the level of awareness by sharpening one’s perception rather than repeating the vapid catchphrase, “raising awareness,” which has been coopted by an ever-growing money-raising industry that fails to improve our circumstances in a substantive way? Wearing a cocktail dress, I assembled a large kinetic structure made of wooden beams and ladders in front of the audience. I then walked and balanced on the twenty-foot wide structure at eight feet off the floor. Rising Awareness addresses my ongoing preoccupations about the physicality of experience, inhabiting the body, proprioception as the possible strongest sense of self, how spatial awareness correlates with overall awareness and self-awareness, how physicality enhances creativity, finding balance between gravity and groundlessness, a concept of happiness as the fullest expression of one’s particular cognitive potential, pushing boundaries, and the current irreverent politics of liability.
