Oliver Laric
Hunter and Dog
Oliver Laric is an internet-based artist, born in 1981, in Innsbruck, Austria. Laric’s web-based artistic practice or net art is characterised by the manipulation and reinterpretation of existing cultural images. His work blurs boundaries between the authentic and the inauthentic, the original and its subsequent reflections and reconfigurations.He has participated in many group exhibitions as well as in numerous solo exhibition worldwide. He currently lives and works in Berlin.
FRANCK SORBIER
On stage, the ample white strapless dress of a still model serves as a screen for all kinds of projections that echo those of a big screen in the background. “Mixing 3D video with certified fairy tale stories and tailoring tradition” is the idea of the atypical Mountain Ash. Intel technology brings to life on the fabric all kinds of patterns simulating embroidery or painting on silk: stripes of neon lights, butterflies flapping their wings, “mapping” of crystal tassels or the northern lights …
Xavier Veilhan
легкая машина
Крупная фигура французской арт-сцены Ксавье Вейлан (родился в 1963 году, живет и работает в Париже) называет себя визуальным художником. Его работа, отказавшись от скульптуры, живописи, видео, фотографии и инсталляции, состоит в воссоздании реальности, особенно в ее биологических и технических аспектах, в архетипических, общих или прототипных формах, которые ставят под сомнение исторические и современные способы репрезентации.
Формальный универсализм, который, кажется, относится к идеалу классического искусства, уравновешивается своеобразием средств постановки произведений, ситуаций и построенной среды, современностью сюжетов и высокими технологиями. или персонажи, смоделированные с помощью техники 3D-захвата, световые приборы от Light Machines и т. д.), которые вызывают в воображении образы общества промышленного производства и потребления в странных и двусмысленных вселенных.
Iris van Herpen
Earthrise
Поскольку наша планета находится на переднем крае глобальной повестки дня более чем когда-либо прежде, «Восход Земли» исследует великолепие этого голубого тела, которое мы называем своим домом, кружась к объединенному сознанию, чтобы сохранить величие вращающейся сферы, по которой мы движемся. Параллельно со стремлением Ван Херпена к взаимосвязанному подходу к моде, коллекция 19 look рассказывает о круговых процессах, которые приводят к изменениям в нашем разумном мире, переплетая симбиотическую нить между кустарным пошивом и органическим мастерством, происходящим из восприятия нашего мира как одного живого и дышащий организм.
TINA TSANG
تينا تسانغ
טינה צאנג
ティナ·ツァン
Тина Цанг
Martin Creed
МАРТИНА КРИДА
信条是最负盛名的国际艺术家之一。他的作品围绕日常生活中的文字，物体和事物展开，他脱离了上下文，将其转变为艺术品，改变了我们对周围事物的感知，无论它们看起来多么荒谬。这引起了争议，最近几周围绕他的作品展开了一定的辩论，因为其中一些元素是简单而荒谬的，例如一张蓝色的tac，一张破的纸片，一幅用眼睛画的水彩画。闭合的或最著名的是弄皱的纸球。 我们习惯于面对我们寻求了解的作品，或者因其创作的复杂性而珍视作品。以克里德的作品为例，我认为有必要度过一段美好的时光，摆脱这一想法，并欣赏所有这些事物的缺失，并为能够在最简单的事物中找到使之变得重要的事实表示赞赏。 。我喜欢在马德里看到具有这些特征的展览，因为它们不是很常见，但每个珍视它的人都可以。
POSTCOMMODITY
Do You Remember When?
The hole and exposed earth of Do You Remember When? becomes a spiritual, cultural and physical portal – a point of transformation between worlds – from which emerges an Indigenous worldview engaging a discourse on sustainability. The block of concrete on the pedestal – the foundation of the institution constructed on top of tribal lands – functions as a trophy celebrating Indigenous intervention in opposition to a Western scientific worldview. The closed-circuit audio broadcast of a Pee Posh social dance song performed by the collective provides the psychosocial soundtrack of the transformation process. The work shifts the sustainability from a focus dominated by Western science to a balanced approach inclusive of Indigenous knowledge systems.
JEEYOUNG LEE
Джи Янг Ли
resurrection
Lotus flowers grow from the impure mud to reach for the light and bloom to the rise and fall of the sun; in Asia, it bears various cultural symbolisms such as prospects and rebirth. It is also known for its purifying function. The presence of the artist in the heart of such flower is meant to convey her personal experience. “I was born again by overcoming negative elements that had dragged me down and cleansed myself emotionally. The figure within a lotus blooming implies a stronger self who was just born again and is facing a new world”. It is this is very moment when one reaches maturity and full-potential that Lee illustrates in “Resurrection”, and, more generally speaking, throughout the entirety of her corpus.
PLATONOV PAVEL
بافيل بلاتونوف
帕维尔·普拉东诺夫
Павел Платонов
Platonov Pavel é um fotógrafo e designer russo conhecido por suas esculturas. Seus trabalhos são principalmente compostos por objetos tridimensionais utilizando materiais como madeira, metal e espelhos. Também possui séries fotográficas de modelos sendo adornados com mascaras tridimensionais feitas de papel.
MARIN SAWA
Марин Савва
مارين سوا
Algaerium
Algaerium is an in-vitro aesthetic photosynthesis system of microalgae for spatial installation of algal biotechnology in the urban environment. As a collective family, each member of Algaerium represents an urban bio-repository, floating biota, in which to preserve the microorganisms for their future biotechnological use such as bio-energy. Through displacement into the urban environment, Algaerium re-contextualises the sterile environment of the algae culture laboratory. I have incorporated and manipulated the endogenous yet ‘re-programmable’ biological processes of photosynthesis and bioluminescence.
Balazs Kicsiny
Winterreise
Captured moments are central in Kicsiny’s installations. His characters are simultaneously frozen still and in motion. In some works this paradox becomes literal, as in the installation Winterreise that depicts two priests skiing in different directions using the same skis, which makes forward motion impossible. The figures seem lost, isolated and their journey endless. In their hands they hold Jacob’s staffs, navigational instruments used in the 17th century. The work alludes to the continuous search for one’s place in life.
LA LA LA HUMAN STEPS
Amelia
Edouard Locke
“Directed and choreographed by Locke in 2002, Amelia, is a beautiful piece of dance on film that won awards and critical acclaim at numerous festivals when it came out. Amelia features a hypnotic, original, minimalist score written by David Lang for violin, cello, piano and voice, and lyrics from five of Lou Reed’s most famous works that he created in the 60s for the Velvet Underground. It is beautifully shot from multiple angles, some dizzying and swooping, in a space that was tailor-made for the film itself. The shadows and lighting in tandem with the shots and the movement add layers of beauty to the stark visuals.” Sarah Elgart
HOSSEIN VALAMANESH
untitled
Thomas Bayrle
Telefon Portrait
Thomas Bayrle (*1937) has been invited to Museum Ludwig’s main gallery to install an overview of his works from the last 40 years that all explore a particular artistic strategy: the loop or looping. While a loop is a kind of ring, the activity of looping refers to the continual repetition of the one and the same motif, whether in Rap music or by constantly running through the same sequence when writing a computer programme. Just such a game between difference and repetition has developed in Thomas Bayrle’s graphic oeuvre
JR
Omelia Contadina
Omelia Contadina est née de l’intérêt de JR pour les difficultés rencontrées par un grand nombre de petits agriculteurs et d’habitants des campagnes italiennes. Alice Rohrwacher explique les origines du projet: “l’automne dernier, lors d’une promenade à la frontière entre l’Ombrie, le Latium et la Toscane, j’ai fait part à mon ami et artiste JR de mes inquiétudes quant à la destruction du paysage agricole, violé par les monocultures intensives avec quelles grandes entreprises façonnent des territoires entiers. Je lui ai raconté, en fille d’apiculteur, la mort massive d’insectes que provoquent de tels changements… À un moment donné, nous nous sommes arrêtés à un carrefour: de tous côtés, des rangées ininterrompues de noisetiers remplissaient le paysage jusqu’à l’horizon. En regardant cela, nous nous sommes dit que cela ressemblait à un cimetière de guerre. Sur le chemin du retour, nous avons décidé – si cela ressemble à un cimetière, nous devons organiser des funérailles. Mais ce doit être un enterrement plein de vie!”
Collectif Scale
Hula Hoop
Depuis nos débuts, nous avons toujours conçu et imaginé des installation émettrices de lumière, que cela soit en utilisant la vidéo ou les leds. Avec Hula hoop, qui est une installation issue de la même technologie que Flux, nous voulons proposer notre premier objet non lumineux en utilisant un seul médium : le mouvement. C’est en multipliant un objet simple, un anneau, tournant sur lui même que nous proposons une oeuvre dynamique.
olivia locher
I Fought The Law
In her “I Fought The Law” series, Olivia Locher has come up with a series of images that creatively poke fun at some of the more absurd laws in effect in the United States. Each photo is a tongue-in-cheek rebellion that intentionally violates some absurd U.S. State law, most of which are outdated or bizarrely specific.
Julien Prévieux
Patterns of life
Patterns of life” is a short movie by French artist Julien Prévieux dealing with the history of the technological capture of human movements. Starting with the use of chronophotography to model abnormal gait in the late 19th century, the film offers a choreographic reenactment of a long series of experiments that have been designed to extract objectified patterns of activities from the motions of living bodies, whether with the view to discipline, to control, or to target them.
COMPAGNIE MARIE CHOUINARD
Мари Шуинар
BODY REMIX GOLDBERG VARIATIONS
Durante los primeros pasos de esta creación, los bailarines y yo trabajamos sobre las Goldberg Variations de Bach, tal y como las interpretó Glenn Gould en 1981, así como la voz del pianista, con sus cadencias orales durante una entrevista de radio dedicada a esta particular interpretación.
Emprendí el trabajo con una mezcla de los cuerpos de los bailarines, a través del uso de varios elementos de apoyo: muletas, picos, arneses, etc. Una barra de ballet fue trasformada en un material musical. Pedí también al compositor Louis Dufort que usara un “apoyo”, concretamente una interpretación de Gould y su voz, y a proponer variaciones sobre las Variations. Diez de las treinta variaciones, así como las dos Arias, fueron remezcladas o incluso recompuestas (1, 2, 4, 11, 15, 16, 21, 23, 25 and 29). Otras tres variaciones (5, 6 y 8) se ofrecerán en su versión original.
GARY FARLOW
medical glass
