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MINSUK CHO

조민석
Guggenheim Art Trap

Art Trap (trampa del arte) es el titulo de esta mirada del arquitecto Minsuk Cho donde el público es absorbido y entra a formar parte del edificio gracias a unas sillas especiales que permite a los muchos visitantes del Museo experimentar su vacío central.

MARC FORNES

WORLD EXPO 2017 ASTANA
This surface is ultra-thin: just 6 mm of aluminum. If an egg were scaled up to the same height Minima | Maxima, it would be much thicker. Towards the base of the structure, the rolling surface begins to softly corrugate, its zig-zag angles gently rising into a full pleat as they meet the ground platform. The visual threshold of this transition — from pleated base to smooth and doubly-curved, continuous surface — is subtle, yet its structural effect is significant in achieving the height of 43′.

Michael Craig-Martin

مايكل كريغ مارتن
迈克尔·克雷格·马丁
מיכאל קרייג מרטין
マイケル·クレイグ·マーティン
마이클 크레이그 마틴
High Heel

Koto Bolofo

Arjowiggins skin paper
After living as political refugees for nearly 25 years, Bolofo and his father returned to South Africa, an experience documented in his short film The Land Is White, the Seed Is Black. His keen eye for lively, dynamic images has won him accolades for his fashion photography[…]

JOEL SHAPIRO

جويل شابيرو
乔尔··夏皮罗
ג’ואל שפירו
ジョエル·シャピロ
Джоэл Шапиро
4 elements

Clement Valla

pointcloud.garden 2
Cada uno de los “jardines de nubes de puntos” consiste en un gran conjunto de puntos de datos medidos en un jardín en un proceso de escaneo 3D. Cada punto de datos consta de información espacial [XYZ] e información de color [RGB]. El conjunto de datos resultante se transforma discretamente en puntos de datos discretos cuyas superficies están llenas de huecos e información faltante. Esta traducción comprimida destaca la forma específica en que los humanos experimentan el jardín. Una colección de hojas, pétalos, tallos y tallos, una serie de puntos discretos que forman la textura general.
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ROMAN SIGNER

Романа Зигнера
Signer’s work has grown out of, and has affinities with both land art and performance art, but they are not typically representative of either category. It is often being described as following the tradition of the Swiss engineer-artist.

ANDRE KERTESZ

أندريه كيرتيز
安德烈·凯尔泰斯
אנדרה קרטס
アンドレ·ケルテス
Painting his shadow

Siendo su trabajo intuitivo, logró capturar la poesía de la vida urbana, desde sus silenciosos, peculiares y ocasionalmente graciosos incidentes hasta sus bizarras yuxtaposiciones. El intentó dar sentido a todo lo que fotografiaba, para hacer imágenes como reflejos de un espejo, no manipulados y tan directos como la vida misma.
Combinando su espontaneidad con un sofisticado entendimiento de composición, Kertész creó un idioma fotográfico puro que celebraba la observación directa del día a día.

THOMAS HIRSCHHORN

توماس هيرشهورن
托马斯·赫塞豪恩
תומס הירשהורן
トーマス·ヒルシュホルン

Vjsuave

Suaveciclo
File Festival
Vjsuave is Ygor Marotta and Cecilia Soloaga, a new media art duo, based in São Paulo, Brazil. As specialists in animation, moving projection and digital graffiti, they have realesed 4 short films, “Run”, “Homeless”, “La Cena” and “Trip” Their main performances are: “suaveciclo” – a tricycle adapted to project in the streets, live painting and animation with ipad, live audiovisual performance, video mapping and site-specific a/v installations. They want to comunicate love through light. Their performances are poignant, warm, and personal, crafted from hand-drawn and hand-painted media, transformed into digital animation, then projection-mapped in a way that seems to bring São Paulo’s streets alive. Characters dance and run across the urban landscape, with a convincing blend of simulated movement and real moving projection.

LEE YONG BAEK

Soldat Ange
Lee est surtout connu pour ses œuvres d’installation à une seule chaîne vidéo, mais présente en fait un plus large éventail d’œuvres, notamment des sculptures, des arts cinetiques,des peintures et des performances. Ses pièces couvrent des thèmes tels que la religion, la style=”color: #333399;”>politique et la philosophie.

JULIA FULLERTON-BATTEN

Julia Fullerton-Batten is a worldwide acclaimed and exhibited fine-art photographer. Her body of work now encompasses twelve major projects spanning a decade of engagement in the field[…]Julia’s use of unusual locations, highly creative settings, street-cast models, accented with cinematic lighting are hallmarks of her very distinctive style of photography. She insinuates visual tensions in her images, and imbues them with a hint of mystery, which combine to tease the viewer to re-examine the picture, each time seeing more content and finding a deeper meaning. These distinctive qualities have established enthusiasts for her work worldwide and at all ends of the cultural spectrum, from casual viewers to connoisseurs of fine-art photography.

Davide Balula

Mimed Sculptures,(Henry Moore, Moon Head)

“Artistas vestidos com uniformes brancos e luvas de manuseio de arte rosa se movem em torno de pedestais de vários tamanhos. Eles gesticulam, imitando os contornos de esculturas – Le-nez de Giacometti (1947), Hang up de Eva Hesse (1966) e Paisagem inconsciente de Louise Bourgeois (1967 -8), entre outros.
Como se fosse um jogo de charadas da história da arte, você se pega adivinhando com o que eles estão manipulando, qual é a superfície e a textura dos objetos. Através dessa performance, a nova relação sensual com essas obras é formada. No entanto, você não pode deixar de fazer a conexão com o comentário sobre a arte de manipular em si – pode o mundo da manipulação de arte, instalação de exposições e, de fato, venda de obras de arte estar se tornando tanto uma arte quanto a própria obra de arte? ” Maisie Skidmore

SU BLACKWELL

سو بلاكويل
苏布莱克韦尔
סו בלקוול
スー·ブラックウェル

Myriam Bleau

SOFT REVOLVERS
Soft Revolvers is a music performance for 4 spinning tops built with clear acrylic by the artist. Each spinning top, 10’ in diameter, is associated with an ‘instrument’ or part in an electronic music composition. The tops are equipped with gyroscopes and accelerometers that communicate wirelessly with a computer where the motion data collected (speed,unsteadiness at the end of a spin, acceleration spikes in case of collisions) informs musical algorithms designed in Pure Data. LEDs placed inside the tops illuminate the body of the objects in a precise counterpoint to the music.

daniel von sturmer

electric-light
Electric Light presents a scenography of forms borrowed from the world-behind-the-scenes of lens based image production. Backdrops, stands, flats, flags and bounces populate the gallery space, illuminated by a changing array of coloured lights. A moving light animates the space with changing forms, shapes and colours, adding another layer of dynamic activity. This new work brings light to the foreground and renders the gallery as an unfolding set.

Phillip K Smith

Open Sky
Using giant sheets of mirror-polish stainless steel, Smith’s structure reflects the ever-changing sky. He describes that ‘Open Sky’ is “inspired by the constant shifts in light, color, and form that are presented in the natural and built environment.” The piece is designed to get visitors at the design week to interact with the natural environment and to spark a sense of adventure.