highlike

frank verkade

Paradise

serpent mouthpiece

Paradise is the term used to describe a place or state of timeless harmony and beauty. Whether connected to religion or not, the term Paradise echoes Utopian realms of humanity living at one with nature, sharing their tope with every exotic and fantastical creature imaginable.

SHERRIE LEVINE

莱文雪莉。
シェリー·レヴァイン
שרי לוין
Шерри Левин
False God

STUDIO THEGREENEYL

Apfel
»Apfel« ist ein Spiel ohne Regeln. Es beginnt mit einer Wand, die überall mit einer signalroten Klebefolie bedeckt ist. Die Folie besteht aus Tausenden von kreisförmigen Aufklebern, die in einem schmalen Raster vorgeschnitten sind und darauf warten, von den Besuchern abgezogen und in eine neue Reihenfolge gebracht zu werden. Die Aufkleber und ihr weißes Negativ an der Wand bilden sich ähnlich wie binär codierte Pixel, Ornamente, Nachrichten und Bilder – an der ursprünglichen Wand und weit darüber hinaus: Sie bewegen sich in angrenzende Räume, auf Gesichter und verlassen sogar die Stadt.

DAIRAKUDAKAN

大駱駝艦
THE GOLDENS

Fundada en 1972 como una de las primeras compañías de danza Butoh, Dairakudakan es formado por Akaji Maro, basado en los principios “Tempu-Tenshiki” (‘nacer en el mundo es ya de por si tener un gran talento’), creado por Maro, y “Miburi-Teburi” (‘uso de las manos y el cuerpo’). Esta agrupación aparece en la escena internacional en 1982 con el estreno mundial de “Kaiin no Uma ” (El Caballo del Marinero) en Avignon, Francia. Desde entonces la palabra “butoh” ha tenido un gran impacto en otras formas de danza contemporánea.

FILE SÃO PAULO 2025: SYNTHETIKA – Rocio Delaloye

Simulacra

Rocio Delaloye

FILE SÃO PAULO 2025: SYNTHETIKA – Arte e Tecnologia
Festival Internacional de Linguagem Eletrônica

 

Simulacra – Argentina

Simulacra é uma animação em CGI que explora a identidade fragmentada de um ser digital enquanto navega por ambientes virtuais em constante mudança. Através de paisagens corrompidas (glitching) e memórias que se dissolvem, a obra examina a tensão entre conexão e desconexão em um mundo hiper-digital, convidando o público a refletir sobre a fluidez da identidade e os limites entre o real e o artificial.

BIO

Rocío Delaloye, artista de novas mídias nascida na Argentina e radicada em Nova York, explora temas como identidade, desconexão e as fronteiras difusas entre realidade e simulação. Seu trabalho já foi exibido no Museu RISD, no Boston CyberArts e na Fundação Ford. Recebeu os prêmios NYFA IAP e Digital Media Fellowship. É bacharel em Belas Artes pela Universidad Nacional de La Plata e mestre em Belas Artes pelo RISD.

Universal Everything

Transfiguration (2020)
Transfiguration (2020) is a reworking of the Universal Everything studio classic from 2011, The Transfiguration. The Transfiguration was first shown at the studio’s first major solo exhibition Super-Computer Romantics at La Gaite Lyrique, Paris. Now completely remade using the latest procedural visual effects software, the updated CGI artwork brings new life to the ever-evolving walking figure, with a new foley-based soundtrack by Simon Pyke.

Philip Glass

with Allen Ginsberg
Hydrogen Jukebox

The creation of the chamber opera Hydrogen Jukebox can be traced to a chance meeting in 1988 between composer Philip Glass and poet Allen Ginsberg at the now defunct St. Mark’s Bookshop in New York City’s East Village. When Ginsberg plucked a book with a copy of his 1966 antiwar poem “Wichita Vortex Sutra” off the shelf and said he’d be reading it at a Broadway theater, Glass decided to compose a piano piece to accompany the reading. The collaboration was a success, so the two decided to expand the performance into a longer music-theater work. The result, Hydrogen Jukebox, a rarely performed piece for six voices and a chamber ensemble[…]

THOMAS HIRSCHHORN

توماس هيرشهورن
托马斯·赫塞豪恩
תומס הירשהורן
トーマス·ヒルシュホルン

ASHER LEVINE

From design to fabrication, creating modern style is the essence of Asher Levine. In the studio, Asher invents new fabrication techniques that enhance the industry’s understanding of fashion, which has gained a cult following amongst musicians, celebrities, and innovators.more

SIDI LARBI CHERKAOUI

Noético
Noético é o princípio que conecta um cósmico com cada consciência individual. A beleza desse conceito de ordem se reflete nos movimentos de dança expressivos de Cherkaoui, bem como nas estruturas geométricas de aço do artista visual Antony Gormley. A densidade atmosférica é intensificada por um percussionista e vocais japoneses tradicionais ao vivo. Espaço, ordem e espírito não são mostrados aqui como estruturas rígidas, mas como correntes poéticas fluindo.

ROLF SACHS

Рольфа Сакса
롤프 삭스
ロルフ・ザックス
רולף סאקס
罗尔夫·萨克斯
رولف ساكس
neon immersion

QIU HAO AND MATTHIEU BELIN

邱昊
When two talented people meet, an edgy fashion designer and an unconventional photographer, an astonishing project, intriguing in many levels, originates. The Serpens collection lookbook is the product of the collaboration between the Chinese fashion designer Qui Hao and the Shanghai based, French photographer Matthieu Belin. Named after the constellation of the northern hemisphere – the reptile, the mythological symbol that represents both good and evil – Serpens is as mysterious, futuristic and compelling as its name implies. An extravagant collection in which the size is the absolute dominant. Oversized clothes touched by the magic wand of minimalism.

Quasar

Violescence
“Los espectadores se sumergen en una galaxia gráfica llena de sonido y música, que controlan con gestos de su brazo y dirección de la mirada: un proceso continuo de creación, modificación y destrucción de una composición visual y sonora”

LORENZO OGGIANO

Quasi-Objects

ll works are printed using pigment-based inks on Hahnemühle archival paper, variable dimensions, edition of 3+1 ap.
“Quasi-Objects” is an art project consisting of 3d generated videos and prints, a practice of “organic re-design” – started in 2003 and still in progress – that aims to stimulate thought and dialogue on the progressive relativisation of natural forms of life as a result of techno-biological evolution.“Quasi-Objects” regards data actualization, the production of biologically non-functional organisms and ecosystems as transient output of an operative practice: aesthetics of process.
“Life is a real and autonomous process independent from any specific material manifestation.”

DORIS SALCEDO

دوريس سالسيدو
多丽丝·萨尔塞
도리스 살 세도
דוריס סלסדו
ドリスサルセド