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AURÉLIEN BORY

“Con Sans Objet, volevo introdurre sul palco un robot industriale con la forza di muovere elementi dello scenario oltre che attori. La macchina diventa protagonista a tutti gli effetti. È un braccio articolato e meccanico. È usato come un “burattino” – un essere tecnologico al 100% – nel suo dialogo con un normale uomo contemporaneo “.

PHILIP BEESLEY

菲力浦 畢斯雷

Hylozoic Ground

The project’s title refers to ‘hylozoism’, the ancient belief that all matter has life. Hylozoic Ground offers a vision for a new generation of responsive architecture. The Hylozoic Ground environment can be described as a suspended geotextile that gradually accumulates hybrid soil from ingredients drawn from its surroundings. Akin to the functions of a living system, embedded machine intelligence allows human interaction to trigger breathing, caressing, and swallowing motions and hybrid metabolic exchanges. These empathic motions ripple out from hives of kinetic valves and pores in peristaltic waves, creating a diffuse pumping that pulls air, moisture and stray organic matter through the filtering Hylozoic membranes.

WANG ZHIYUAN

Ван Чжиюань
王智远
Thrown to the Wind

Feita pelo artista Wang Zhiyuan, essa torre de lixo de quase 11 metros de altura se chama Thrown to the Wind (jogado ao vento). O artista diz que queria retratar os montes de resíduos que se acumulam em sua cidade e chamar a atenção para o problema. “Eu quero que a minha arte seja algo maior do que eu. Se ela não estivesse envolvida em problemas da sociedade, eu me sentiria culpado”, afirma.

ANTONY GORMLEY

Энтони Гормли
أنتوني غورملي
葛姆雷
アントニー·ゴームリー
Horizon Field Hamburg

Antony Gormley

ЭНТОНИ ГОРМЛИ
أنتوني غورملي
葛姆雷
アントニー·ゴームリー
FIRMAMENT III

HAROON MIRZA

هارون ميرزا
哈龙·米尔扎
ハルーンミルザ
ХАРУН МИРЗА

OLAFUR ELIASSON

オラファー·エリアソン
اولافور الياسون
奥拉维尔·埃利亚松
אולאפור אליאסון
Олафур Элиассон
The cubic structural evolution
Al centro del lavoro di Eliasson c’è la considerazione di come percepiamo e viviamo il mondo. Spesso fabbrica fenomeni dall’aspetto naturale (come la luce del sole, l’acqua corrente o la nebbia) in ambienti artificiali come una galleria d’arte. Questi fenomeni fabbricati coinvolgono direttamente i sensi del suo pubblico e sollecitano riflessioni su come viviamo le cose. Eliasson ha descritto questo effetto come la capacità di “vedere se stessi vedendo”. Il progetto di evoluzione strutturale cubica 2004 è un’opera d’arte partecipativa in cui gli spettatori contribuiscono alla costruzione di un mondo Lego. È un lavoro in cui Eliasson incoraggia un livello di coinvolgimento molto diretto. Gli spettatori sono in grado di guidare attivamente la loro esperienza del lavoro mentre prende forma organicamente per tutta la durata della sua installazione.

SOPHIA CHANG

София Чанг
صوفيا تشانغ
ソフィアチャン
Suspense

Facilitando il senso di sconosciuto, ignoto, attraverso la sua inattesa manipolazione della cornice architettonica, “suspense” dall’architetto americano Sophia Chang è un’installazione interattiva presso la galleria Invivia a Cambridge, Massachusetts. Curata e sponsorizzata da Allen Sayegh (co-fondatore di invivia) e Ingeborg Rocker (co – fondatore di rocker-lange architects), l’installazione è costituita da geometrie di tessuto ammorbidito che confondono i confini tra interno ed esterno.

Lee Griggs

Portrait modeling experiments
In-house artist at Autodesk, creating docs and tutorials for the Arnold renderer using Maya, 3ds Max, Softimage, Cinema 4D, Houdini and Katana. All images are rendered in camera with Arnold using multi-touch technology.

PINA BAUSCH

ピナ·バウシュ
翩娜。
פינה באוש
피나
Пина Бауш
بينا باوش
…COMO EL MUSGUITO EN LA PIEDRA, AY SI, SI, SI

Philippine Bausch, mais conhecida como Pina Bausch (Solingen, 27 de julho de 1940 — Wuppertal, 30 de Junho de 2009), foi uma coreógrafa, dançarina, pedagoga de dança e diretora de balé alemã. Conhecida principalmente por contar histórias enquanto dança, suas coreografias eram baseadas nas experiências de vida dos bailarinos e feitas conjuntamente. Várias delas são relacionadas a cidades de todo o mundo, já que a coreógrafa retirava de suas turnês ideias para seu trabalho.

Dan Flavin

ללא כותרת

דן פלבין היה אמן אמריקאי וחלוץ המינימליזם, שנודע בעיקר בזכות התקנותיו הראשונות של גופי תאורה. הפסלים המוארים שלו מציעים חקירה צורנית וקונספטואלית קפדנית של חלל ואור, ובו האמן סידר נורות פלורסנט מסחריות לקומפוזיציות גיאומטריות שונות. “אני אוהב אמנות כמו מחשבה טוב יותר מאשר אמנות כמו עבודה”, אמר פעם. “תמיד שמרתי על זה. חשוב לי שלא אלכלך את הידיים שלי. זה לא בגלל שאני עצלן אינסטינקטיבית. זו הצהרה: אמנות היא מחשבה. “

MICHEL BLAZY

bouquet final
我认为我的雕塑是生物。 我作为雕塑家的姿态通常包括触发一个过程,该过程会自行形成。 我尝试为材料的执行创造合适的条件。 软质材料使我感兴趣,因为它们在运动,它们的形状取决于自身,而我的控制权也受到限制。 关于“最终花束”系列,苔藓不断增长,但乍一看它们的发展速度并不明显。 这些形式形成得非常缓慢,靠在其他物体上,填充了空隙,有时会产生过多的材料,这些材料会无声地掉落并无限期地再次生长。” Michel Blazy参与作品“ Bouquet Final”。

FILE 2026 – Registration Open for the Digital Architecture and AI Festival – Art and Technology

FILE 2026

Digital Architecture and AI Festival :  investigates the use of computational technologies in the conception, visualization, and experience of space.  Works may involve virtual environments, simulations, digital facades, interactive architectural installations, and discrete systems. Algorithms and data become design tools. It is a practice that articulates art, architecture, and technology.

Applications are open until February 19, 2026. Access  the application form.

FILE 2026 | GENERAL REGULATIONS

IAIN CRAWFORD

伊恩·克劳福德
איאן קרופורד
이안 크로포드

Iain loves to capture images that have a strong graphic and textural quality, often searching out the graphical symmetry in chaos, while still maintaining the personality and emotion of the subject. His career has lead him to shoot campaigns for many of the world’s top brands and receive commissions from a host of top international magazines.

Julia Beliaeva

Human Flag
Julia Beliaeva ist eine ukrainische Künstlerin, die Technologien wie 3D-Scannen, 3D-Modellierung, 3D-Druck und virtuelle Realität einsetzt. Sie reflektiert das Umdenken von Tradition und traditionellen Medien in einer sich ständig verändernden virtualisierten Welt. Sie interessiert sich dafür, wie Technologie uns und unser Bewusstsein beeinflusst, und wie die neueste Technologie Sinn machen und traditionelle Medien aktualisieren kann. Insbesondere arbeitet Julia viel mit Porzellan, um über das Erbe und die verlorenen Traditionen durch eine Kombination aus neuen Technologien und der in der Ukraine beliebten Keramikindustrie nachzudenken, die heute verloren gegangen ist.

FILE SÃO PAULO 2025: SYNTHETIKA – ChrisLee

Robot Journey: Part 1, 2 & 3

ChrisLee

FILE SÃO PAULO 2025: SYNTHETIKA – Art and Technology – Cine SYN
Electronic Language International Festival

 

Robot Journey: Part 1, 2 & 3 – China

In a future where Earth’s environment has become uninhabitable, a lone robot sets out in search of a new home for humanity. After decades of travel, it discovers a planet strikingly similar to Earth — but it’s not alone. In The Last Explorer, the robot encounters mysterious presences and begins to develop emotions while exploring the unfamiliar world. Confronted with challenges, it must make choices that reflect its growing sense of awareness.

BIO

Chris Lee is a visual artist and independent creator from China. Trained in industrial design, he worked as a visual designer before turning to independent filmmaking. A lifelong passion for drawing now drives his ambition to develop an original series that blends animation with live action, showing that small teams and independent creators can produce powerful, high-quality stories.

Música: Karol Skowronek

ALVA BERNADINE

阿尔瓦伯娜丁
Альва Бернадин
Альва Бернадин называет себя антипортретистом, настолько редко он фотографирует человеческие лица. Излюбленной его темой являются зеркала, отражающие части женского тела.

Tom Lovelace

In Preparation No.04
Tom Lovelace works across photography, sculpture and performance, where concept prevails over form and his methodology is one of deconstructing conventions of a conceptual understanding of ‘discipline’. Primarily using the industrial landscape as his sourcing ground, he seeks to manufacture an ephemeral subject, creating environments and interventions that exist solely for the camera.

Lightrail

Frank de Jong, Pakwing Man & Eric Toering worked with professor David Kirsh and students
Moving with Interactive Design