Five-Man Pedersen
483 linhas
A obra de arte 483 linhas amplia esta imagem de vídeo analógico até que ela tenha 16 metros de largura e, em seguida, dobra essa imagem várias vezes para que ela se encaixe verticalmente no espaço da galeria, adicionando aí oscilações de profundidade na imagem que podem ser ativadas por ‘ajuste’ do vídeo projetado para corresponder a essas ondas. As linhas estritamente organizadas podem ser ilusórias, criando uma arquitetura confusa de horizontes, enquanto o vídeo reproduzido mostra um passado, presente e futuro paralelos.
اليكس ماكلين
亚历克斯·麦克莱恩
Алекс Маклин
Mist Encounter
Mist Encounter is a summer pavilion stands in the large outdoor plaza in front of the Taipei Fine Art Museum. The summer sun and breeze will drift in and animate the scaffold and mesh structure. An indistinct mist will arise from the outer square and draw visitors to come closer. As visitors walk from the outer to inner square, they will be gradually enveloped by the mist, and things will appear and disappear as the mist alternately gets heavier and lighter. The effect will be similar to an experience of passing through a heavy fog in a magical forest.
Animistic Imagery
The exhibit introduces visitors to Duffy, the AI Artist, with an invitation to collaborate inside her Symbiotic Studio. This immersive space, made possible through projection mapping and interactive technology, invites guests to become the AI’s muse. As Duffy captures movements generated by visitors through real-time tracking, she draws links and connections, consulting a vast collection of colors and archetypal images of life on Earth. The result is an infinite series of surprising works of art—an artificial interpretation of humanity and the natural world.
Hotspot Twinklers
Nude No 5
Eleanor Dubinsky and Melanie Maar
Mary Ellen Strom’s works unearth submerged narratives in the environment, history, and in cultural discourse. Working primarily in video, Strom uses the language(s) of drawing, painting, sculpture, and dance. These media are used to generate an embodied understanding of place by utilizing movement, signs, and metaphors.
Регина Шуман – художник-минималист, работающий со световым искусством, изначально вдохновленный живописью цветового поля и такими художниками, как Марк Ротко, Дональд Джадд и Дэн Флавин. Ящики и инсталляции Шуман изготовлены из специально изготовленных для нее акриловых цветных пластин. Ее работа – это больше, чем просто бетонное искусство. Цветные светлые комнаты Шумана, задуманные как эмоциональные пространства, вызывают сильные чувства чего-то потустороннего. Ее минималистичный подход влияет на все, от ее выбора материалов до того, как она играет с формой и цветом.
With her distinctive point of view as well as a unique sense of color and intriguing details, Julia Noni masterfully manages to integrate her subjects into almost every environment, which brought her international recognition in the different worlds of fashion, advertising, and portrait photography.more…
Энтони Хоу
એન્થોની હો
アンソニーハウ
앤소니 하우
Kadupul
Orchid that blooms only at night. Interior, hanging, electrically powered kinetic sculpture comprised of forty two “wings”.
circles
Lightning Ride
“With Lightning Ride, it is now poles of technology, organics and mysticism that collide with electricity as a connecting point. The video is produced from excerpts of “Taser Certifications”, a sort of ceremony authorizing in the United States the use of Tasers in the condition of being tased by someone else. Filtered with the Photoshop’s “oil painting effect”, slowed down and accompanied by a disturbing soundtrack, the succeeding images show us bodies and faces whose deformations and positions evoke a feeling of pain as well as a Christian ecstacy. Everything unfolds as if the miracle of electricity, symbol of the rationalization of the world, revived paradoxically an aspiration to transcendence, antipodes joining each other and disappearing in profit of a new map of possibilities.” (Sarah Ihler-Meyer)
drama queens
Terrence Zhou, oorspronkelijk afkomstig uit Wuhan, China, is een veelbelovende modeontwerper gevestigd in New York City. Met een achtergrond in design en wiskunde, steunt Terrence op zijn veelzijdige kennis van de Chinese traditie, wiskunde, Griekse mythologie en artisticiteit om collecties te creëren die schijnbaar niet van deze wereld zijn.
PLANT BOT
plant bot is a time based interactive art installation where the fates of a living plant and a computer are interdependent. Essentially the plant attempts to train a computer using image recognition. Through this process the computer will learn to recognize when the plant needs water based on images it takes of the plant. If the plant appears healthy, the computer will maintain a regular water regiment. If the plant does not appear healthy to the computer it will attempt to aid the plant by adjusting to what it “thinks” the plant needs based on the images gathered. As the computer becomes more intelligent and hence more adept at caring for the plant, the plant will conceivably thrive and grow in proportion. If the computer is unsuccessful, conceivably the opposite will occur.