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Vincent Callebaut

Венсаном Калебо
Mangrove Towers

as the name indicates, the design of ‘mangrove towers’ references the shape and form of the distinctive tree. to be built at paris’ busy gare du nord railway station, the structures will accommodate a mixed program of offices, hotels and housing dedicated to international and traveling customers. the station’s platforms will be full of piezoelectrical captors polarizing under the action of the mechanical constraints generated by its inhabitants. the tubular façades will be composed of grätzel cells forming a photo-electrochemical skin.

MORPHOSIS ARCHITECTURE

Phare Tower
The scheme transforms the austere ground floor plaza level into a vibrant public space. Typical urban social spaces, gardens, cafes, and shops, as well as an observation deck and sky restaurant are distributed vertically throughout the tower and are accessible to the public.

Rachel Whiteread

Embankment
“In the past few years my work has become more formal. Ghost came from a very specific place, whereas the piece I made for Documenta last year was not cast directly from a particular place, but from the underside of secondhand floorboards. It was a more generalised, formal piece. Plaster is my most frequently used material, but I have experimented with rubber, mainly out of a need for flexibility.”

Balazs Kicsiny

Winterreise
Captured moments are central in Kicsiny’s installations. His characters are simultaneously frozen still and in motion. In some works this paradox becomes literal, as in the installation Winterreise that depicts two priests skiing in different directions using the same skis, which makes forward motion impossible. The figures seem lost, isolated and their journey endless. In their hands they hold Jacob’s staffs, navigational instruments used in the 17th century. The work alludes to the continuous search for one’s place in life.

JANE BENSON

The Splits (Rehearsal)

The Splits begins with the bisecting of various string instruments into two halves, cutting them along their length, creating two separate instruments. The two halves must then be played together to complete a tune and are, thus, for duets (or quartets, octets or dectets) only—pieces which she is creating in collaboration with musicians and composers. The act of splitting at once destroys the integrity of the instrument as an object, and disrupts the conventional process of aesthetic creation that the instrument traditionally permits. Splitting is not merely an act of destruction, however. Instead, it opens graceful passages for imagined evolution: the split instrument becomes a newly creative instrument, permitting the creation not only of new music, but new communities (visual artist, the composer, the musicians, and the audience). Ms. Benson has “split” two violins, a viola, cello and double bass: all, cheap, mass-produced string instruments made in China.

URS FISCHER

Урс Фишер
A Place Called Novosibirsk

Urs Fischer materializa la fantasía, da forma a motivos y acciones que rara vez ocurren en el mundo visible. Siguiendo un símil pictórico, su paleta es de las más variadas de cuantas pueden encontrarse hoy en el panorama internacional. El artista suizo es capaz de trabajar en ámbitos antitéticos y es, así, uno de los mejores referentes para entender la deriva que ha tomado la escultura en las últimas décadas, su heterogeneidad, su radicalidad, el enorme espectro de posibilidades físicas y objetuales que ofrece. La escultura de Urs Fischer camina entre diferentes estados físicos.

KIMIKO YOSHIDA

كيميكو يوشيدا
吉田公子
키미코 요시다
קימיקו יושידה
КИМИКО ЙОШИДА

FANETTE GUILLOUD

anamorphic

La anamorfosis es una ilusión óptica por la cual imágenes pintadas sobre espacios tridimensionales cobran forma cuando el espectador se sitúa en un determinado lugar. El fotógrafo francés Fanette Guilloud, de tan sólo 21 años, ha incursionado en esta técnica en su serie de trabajos Géométrie de l’impossible (Geometría de lo Imposible), donde no sólo nos muestra lo que puede lograrse con la anamorfosis, sino que además cada una de las imágenes es, justamente, un objeto imposible. es decir un objeto imaginario cuya construcción real jamás podría realizarse.

Golan Levin

Ghost Pole Propagator II
Ghost Pole Propagator captures and replays the skeletons of passersby in its environment, creating a layered and dynamic tapestry that reflects the history and activity of a locale. Presenting a universal communication of presence, attitude and gesture, the stick-figures this artwork generates are compact and expressive means of representing the human form. The format of the work is variable; in some presentations, the project serves as a kind of ‘interpretive monitoring station’ for nearby pedestrian traffic.

ISAMU NOGUCHI

ИСАМУ НОГУЧИ
イサム·ノグチ/
איסמו נוגוצ’י/
이사 무 노구치
野口勇
ايسامو نوغوشي
NINE FLOATING FOUNTAINS

NELLY AGASSI

נלי אגסי
Borrowed Scenery

Nelly Agassi is a multi-disciplinary artist who uses media as diverse as sketching, knitting, video and performance. Her work deals with materials, body and space. For example, in her dress-centered performances, Agassi knits and sews a dress around herself – a dress that expands into the gallery (or outdoor) space and transforms itself from an item of clothing into a voluminous object.

Éric Sadin

Globale Surveillance
Nous vivons dans un monde sous surveillance : plus personne n’oserait en douter. Mais quelle forme prennent aujourd’hui les nouveaux dispositifs de contrôle et en quoi sont-ils différents des pratiques du siècle dernier ? Comment modifient-ils notre rapport au monde et aux autres ? Vont-ils jusqu’à menacer le droit à la vie privée ? Globale Surveillance dresse une zone spatiale hypersurveillée, à l’intérieur de laquelle acteurs et spectateurs sont soumis à quantité de procédures de traçabilité rendues visibles, a contrario de nombreux mécanismes quotidiennement à l’œuvre et marqués par le phénomène angoissant de l’invisibilité.

Maotik

Erratic Weather
Despite some world leaders skepticism, climate change is a reality and the world isn’t just warming, in some parts of the planet the weather is becoming more erratic. During the last years, our generation has started to observe the effects and consequences of this shift, witnessing violent and unexpected climate phenomenons. Erratic Weather is a digital art project aiming to represent changing atmospheric conditions into an immersive multimedia experience. During the performance, the system uses various source of weather information retrieved from an online database and processed on real time to generate a visual and a surround sound composition. During 30 minutes the audience will experience the life cycle of swirling phenomenons such typhoon, hurricane and tropical cyclone , demonstrating the devastating power of the nature and the emergency to preserve it.