AVANT CAR GUARD
Infiltrate The House of Art
Martin Messier
ECHO CHAMBER
Performance audiovisiva in più tableau, Echo Chamber si ispira a tecnologie che ci permettono di sondare all’interno del corpo, come gli ultrasuoni e l’agopuntura, generando una composizione sonora in cui predomina l’idea di risonanza. Nel creare un’interfaccia modulare di tre pannelli che consente molteplici manipolazioni, Messier ha determinato i confini delle possibilità per l’esecuzione di una coreografia di suoni e luci. Impugna lunghi aghi come se fossero note di uno strumento, perforando una piastra audio-reattiva che innesca sequenze sonore.
NIKKI PRESSLEY
Drawers
Nikki Pressley’s work is concerned with examining and disrupting the narratives associated with personal and collective history, language, belief and memory. She is interested in interpretations of time and space that are malleable and destabilising in relation to humanity and self. The work consists of drawings, sculpture, projection, design and organic materials that function as contemplations on these various ideas, often creating broad relationships from project to project.
Michael Pinsky
Transparent Room
Transparent Room suspends viewers in a virtual space where they see through walls to hidden rooms and city streets, and through ceilings to the sky. The room’s confining walls are replaced by projections of the outside world, its time accelerated as clouds speed by and as cars and pedestrians alike race down the street. In this caricatured passing of time, views of the cityscape and of the building’s interiors are magnified, first showing details, then textures and, finally, just single colours.
Nova Jiang
نوفا جيانغ
Cow
«Вака» – скульптура художника Новы Джайнг, которая работает как «Интерактивная корова», показывая, как выглядит пищеварительная система этого любимого поставщика молочных продуктов. Скульптура, созданная в 2010 году, использует механическую систему Руба Голдберга, которая, скорее всего, напомнит вам несколько старых игрушек.
Matthew Yaeger
levitation
Guda Koster
Rot mit weißen Punkten
Guda Koster ist ein niederländischer Künstler, der lebende Skulpturen und Performances schafft, deren Ergebnisse die Fotografien sind. Kosters Werke entstehen in Parallelen von Zeit, Raum und Textil. In ihren Arbeiten verwendet Koster Stoffe, Farben und Muster, die die Codes und Bedeutungen unterstreichen, die unsere Kleidung vermittelt.
KAROLINA SOBECKA
カロリナ・ソアベッカ
Каролина Собечка
Wildlife
FILE FESTIVAL
At night a projection from a moving car is shone on the buildings. The car projects a video of a tiger whose movements are programmed to correspond to the speed of the car: as the car moves, the tiger runs along it speeding up and slowing down with the car, as the car stops, the tiger stops also. The framerate of the movie corresponds to the speed of the wheel rotation, picked up by a sensor. The viewers are elevated from the everyday reality through this element of fantasy into a world with more dimensions, possibilities and perhaps beauty.
ANDRE ERMOLAEV
volcanic rivers
Ridley Scott
David, Artificial Intelligence
Prometheus & Alien Covenant
“Since the first sequence, when he interacts briefly with the man who gave him life and soon realizes the stupidity of his mania for greatness, the android demonstrates wanting even more than what he received at birth. Could he, a creature, become a creator?” Virgílio Souza
cinema
TADAO CERN
TADAO CERN IS A PHOTOGRAPHER AND ARTIST BASED IN VILNIUS, LITHUANIA. HE GRADUATED IN ARCHITECTURE, BUT IN SPRING OF 2010 HE DECIDED TO TRY SOMETHING NEW AND HE FOUND HIMSELF IN THE WORLD OF PHOTOGRAPHY. THESE IMAGES ARE DIGITAL RECREATIONS ICONIC PAINTINGS USING PHOTOGRAPHY AND DIGITAL RETOUCHING.
Jessica Packer
Train Performance
Recently, I have found that traveling has made my anxiety peak. I suddenly feel trapped on a train, or in a car, and start being unable to breath. In order to both face this fear as well as do a performative piece about it, I taped myself up on a train. This is putting in to a literal sense the emotions I feel when traveling.
MANUELA LALIC
genius idea
Je porte une attention particulière à l’aspect fonctionnaliste de notre système d’organisation sociale en tant que modèle de société. Pour créer l’effet d’une tension entre ce qui est individuel et collectif, j’utilise des objets, mobilier et matériaux fonctionnels comme des indices de notre logique de vie. Mes installations, performances et objets questionnent des mouvements de masse (ex : prendre le métro) pour montrer du doigt notre société qui préfabrique et standardise nos désirs et nos besoins. Par l’accumulation, il se trame une matière première à partir de laquelle elle élabore des mises en scène minimalistes ou exubérantes qui questionnent nos moments collectifs (ex : pique-nique, mariage, réunion universitaire) tout en indiquant des préoccupations d’ordre politique et écologique.
