DAVID HOCKNEY
ديفيد هوكني
大卫·霍克尼
דיוויד הוקני
デイヴィッド·ホックニー
데이빗 호크니의
Дэвид Хокни
Nathan Swimming
BHAC JI-HO
Бхаке Джи-Хо
О корейском скульпторе Бхаке Джи-Хо (Bhac Ji-Ho) изестно не так много за границами Кореи, хотя на его родине периодически проходят его персональные выставки. Его последние работы – странные психоделические бюсты, сделанные из особой синтетической резины. Этот материал хорошо тянется, что делает все предметы очень пластичными по своей текстуре и легкими для деформации. Одинаковые безэмоциональные и безмолвные лица – срезанные посередине, растянутые, размноженные, искаженные – намекают на скульптуры сюрреалистов и производят по-настоящему гнетущее впечатление.
DANGER MOUSE AND SPARKLEHORSE
dark night of the soul
visual David Lynch
Dark Night of the Soul est un album écrit par Danger Mouse et Sparklehorse en partenariat avec David Lynch, qui a développé un essai photo qui sera publié avec les chansons. Le travail rassemble une large équipe de chanteurs d’artistes, qui ont enregistré et contribué aux compositions
FRANCOISE GAMMA
American Fantasy Classicsは、バルセロナを拠点とするアーティスト、フランソワーズガンマの作品を発表できることを嬉しく思います。 ウェブベースのグラフィックスの初期から美的に描かれたガンマの低解像度の幻覚は、暴力とエロティシズムの独特の催眠パルスを特徴としています。
珍しいクリスタルと秘密のレーザーの力を利用して、魅惑的なアニメーションは彼の最初の個展のためにサイバースペースの荒野から発掘されました。
ガンマの作品は、ロンドンのテートモダン、ロッテルダムのボイマンスヴァンベーニンゲン美術館、ベルギーのBOZAR、メキシコシティのスルマヤ美術館などでのグループ展で国際的に紹介されています。
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DUTCH INVERTUALS
Row Colors: Invertuals 2
These oversized, misshapen, foamy straightjacket bundles were made by Eindhoven-based duo Raw Color for design collective Dutch Invertuals. In a sweet range of minty pastels they look like they should provide a comfy bed, but wrapped around a head they’re more likely to suffocate. Created a couple of years ago as press material for Dutch Invertual’s participation in home furnishings exhibition Salone Internazionale del Mobile, the series creatively illustrates the malleability of material by taking flat foam and creating strange, abstract human sculptures.
Yunchul Kim
Effulge
La obra del compositor y artista coreano, Yunchul Kim, que actualmente reside en Berlín, gira en torno al potencial artístico de la dinámica de fluidos. Utilizando ferrofluidos, crea instalaciones que exploran las propiedades de la materia y evocan procesos naturales a nivel cósmico o en el interior de un organismo imaginario.
FILE RIO DE JANEIRO 2018
lawrence malstaf
NEMO OBSERVATORIUM
CCBBRJ
photo:Dim Carvalho
file rio de janeiro 2018
Se pudéssemos descrever o Observatório Nemo, falaríamos dele como uma sala, e não como um quarto, que só poderia ser visitado por uma ou duas pessoas, no máximo. No Observatório Nemo, o visitante se posiciona no centro de um cilindro transparente e pressiona um botão. Este botão então dispara um vórtice que faz pequenas bolhas de poliestireno tremularem em alta velocidade, que se movem muito rapidamente para serem seguidas pelo olho humano. A pessoa que está dentro decide a duração do tornado. O tornado opera a partir de 5 grandes ventiladores. Um localizado abaixo do visualizador e 4 outros ao redor do cilindro.
RUUD VAN EMPEL
루드 반 엠펠
Рууд ван Эмпель
Van Empel’s working method is a complex one. He photographs 4 or 5 professional models in his studio, and takes many series of detailed photos of leaves, flowers, plants and animals. Having gathered hundreds of pictures in a database, he selects those images with which he can achieve the best results. The models are mixed in the Photoshop program, clothes are photographed separately on a tailor’s dummy. In this way he creates new images of mainly children, black or white, set in a paradisaical environment.
aristarkh chernyshev
the project is the result of experimenting with a minimalistic shape, low-resolution aesthetics, an animated three-dimensional texture, and RGB LED technology. once works, such as the mona lisa and girl with a pearl earring, are applied to the construct via computer-generated programming, the screen displays them in a constant state of fluctuation and variability.
vincent leroy
文森特·勒罗伊
北极光环
Pebble
The ‘pebble’, conceived by vincent leroy, occupies a space with an incredible aesthetic experience. This gigantic elliptical mirror floats with utmost grace, softness and voluptuousness, like this example inside the ‘grand palais’ in paris. The installation forms a sensory experience rather than a visual one. With the mirrored effect, the ground and horizon move slowly until they disappear, making you lose your mark. French artist vincent leroy slows down time and displays his magical mechanism, using the same technology as his boreal halo: inflatable with steel cables in slow rotation.
Michael Hansmeyer
Subdivided Cube 4
At best, a computational approach enables architecture to be embedded with an extraordinary degree of information. Structure and surface can exhibit a hyper-resolution, with seemingly endless distinct formations. The processes can generate highly specific local conditions, while ensuring an overall coherency and continuity. As such, the resulting architecture does not lend itself to a visual reductionism. Rather, the procedures can devise truly surprising topographies and topologies, offering a thousand unique perspectives. Computational architecture can defy classification, it can evoke curiosity and elicit individual interpretations. The projects presented here forecast an exuberant architecture in which the exceptional supersedes the standard.
VLADIMIR TSESLER AND SERGEI VOICHENKO
Living Chair
