alain resnais
آلان رينيه
阿兰·雷奈
אלן רנה
アラン·レネ
알랭 레네
АЛЕН РЕНЕ
Smoking/No Smoking
Smoking/No Smoking
“As “Smoking / No Smoking” opens its range of options, the viewer is faced with the question of choice. Each segment is interrupted by a card with the inscription: “Or else …”.
Thereafter, the film starts to show what would have happened if one character had chosen this path, and not another.
The second surprise comes from, suddenly, the viewer realizing (whoever embarks on the trip, of course) that he spent almost five hours with his eyes glued to the screen, seeing and living a theater of possible destinations that invariably end five years later, in the cemetery behind the local church”.INÁCIO ARAUJO
STUDIO DANIEL CANOGAR
Fulguraciones
Fulgurations es una instalación generativa compuesta por una serie de pantallas LED que muestran un contenido en constante mutación. Responde a un algoritmo diseñado por Studio Daniel Canogar, inspirado en la actividad celular y otros tipos de comportamiento colectivo y patrones de la naturaleza. El código que rige estas imágenes utiliza el principio computacional de los autómatas celulares, desarrollado por el matemático John von Neumann. La lógica de este sistema funciona a través de la influencia de unidades vecinas, lo que provoca un comportamiento colectivo en la cadena con un alto valor estético.
Tomomichi Morifuji
The Surface of Bronze-gold Water
ANDREW HARLOW
أندرو هارلو
Anna Mayer
bad pants III
DENNIS NEUSCHAEFER-RUBE
The Wizard of Oz experiment
The Videoinstallation “The Wizard of Oz experiment” by Dennis Neuschaefer-Rube shows the movie „The Wizard of Oz“ 5829 times side by side. The movies are arranged in rows from left to right and time shifted by exactly one second each. The video starts at the top left, with the first second of the film and finishes bottom right with the last second of the film. The projection is in a that repeats every 98 minutes.
A computer voice speaks the whole subtitles of the film „The Wizard of Oz.“ in a 68-minute loop.
HO-RYON LEE
Хо-Ли Рен
Overlapping Series
Skylar Tibbits
Aerial Assemblies
Self-Assembly is a process by which disordered parts build an ordered structure through local interaction. We have demonstrated that this phenomenon is scale-independent and can be utilized for self-constructing and manufacturing systems at nearly every scale. We have also identified the key ingredients for self-assembly as a simple set of responsive building blocks, energy and interactions that can be designed within nearly every material and machining process available. Self-assembly promises to enable breakthroughs across every applications of biology, material science, software, robotics, manufacturing, transportation, infrastructure, construction, the arts, and even space exploration.
Felipe Pantone
Distance, Speed, Time, Formula
He works on gradients, combining geometric shapes and colors.
BRUNO WALPOTH
Бруно Уолпота
Скульптуры Бруно сделаны из лайма, ореха и иногда из свинца и выглядят абсолютно живыми. Трогательными, печальными, задумчивыми и бесконечно одинокими. Художник тщательно соблюдает размеры, пропорции, прорабатывает каждый мускул, каждую кость и каждую вену своих героев. А затем дает им имена. Потому что имя должно быть у каждого человека.
OLAFUR ELIASSON
オラファー·エリアソン
اولافور الياسون
奥拉维尔·埃利亚松
אולאפור אליאסון
ОЛАФУР ЭЛИАССОН
panoramic awareness pavilion
Panoramic awareness pavilion (2013), was created for the John and Mary Pappajohn Sculpture Park in Des Moines, Iowa. It is at once a large-scale light sculpture, which demands distance for proper appreciation, and a pavilion, which invites its audience to enter, explore, and engage with the work from within the structure.
Vincent Callebaut
Венсаном Калебо
Mangrove Towers
as the name indicates, the design of ‘mangrove towers’ references the shape and form of the distinctive tree. to be built at paris’ busy gare du nord railway station, the structures will accommodate a mixed program of offices, hotels and housing dedicated to international and traveling customers. the station’s platforms will be full of piezoelectrical captors polarizing under the action of the mechanical constraints generated by its inhabitants. the tubular façades will be composed of grätzel cells forming a photo-electrochemical skin.
STEVE REICH
スティーヴ・ライヒ
סטיב רייך
스티브 라이히
СТИВ РАЙХ
The Desert Music
Steve Reich – The Desert Music (with Kristjan Järvi & MDR Leipzig Radio Symphony Orchestra)
They can imitate you
But they can’t duplicate you
Cause you got something special
That makes me wanna taste you
I want it all day long
I’m addicted like it’s wrong
I want it all day long
I’m addicted like it’s wrong
They can imitate you
But they can’t duplicate you
Cause you got something special
That makes me wanna taste you
I want it all day long
I’m addicted like it’s wrong
I want it all day long
I’m addicted like it’s…
PAOLA GAETANO-ADI
Desiring Machine: and/or the female reincarnation of Sisyphus
Née en Argentine, Paula Gaetano Adi est artiste et chercheure dans les domaines de la sculpture, de la performance, et des installations interactives et robotiques. Elle utilise le corps humain et non humain comme point de départ de ses recherches, et s’intéresse aux effets discursifs et aux impacts affectifs des technosciences sur la subjectivité humaine et dans l’art. Ses œuvres ont été présentées sur la scène internationale à Beijing, Berlin, Madrid, Moscou, Stockholm, São Paulo, New York, Poznan et Buenos Aires, entre autres. Elle a reçu de nombreux prix et bourses, tels que le premier prix à la compétition VIDA 9.0 sur l’art et la vie artificielle, organisée par la Fundación Telefónica, et le premier prix LIMbØ du Musée d’art moderne de Buenos Aires, la bourse Fergus Memorial en 2009 et 2010 de même que la bourse accordée à un artiste ibéro-américain dans le cadre de la compétition VIDA 14.0. À l’heure actuelle, Paula Gaetano Adi est professeure adjointe dans le programme de Studio Art du College of Visual Arts and Design de l’Université de North Texas, où elle coordonne le secteur réservé aux nouveaux médias. À cette université, elle s’est également jointe au groupe Initiative for Advanced Research in Technology and the Arts (iARTA).
Victor Morales
Figures
