QIU HAO AND MATTHIEU BELIN
邱昊
When two talented people meet, an edgy fashion designer and an unconventional photographer, an astonishing project, intriguing in many levels, originates. The Serpens collection lookbook is the product of the collaboration between the Chinese fashion designer Qui Hao and the Shanghai based, French photographer Matthieu Belin. Named after the constellation of the northern hemisphere – the reptile, the mythological symbol that represents both good and evil – Serpens is as mysterious, futuristic and compelling as its name implies. An extravagant collection in which the size is the absolute dominant. Oversized clothes touched by the magic wand of minimalism.
ALEXANDER EKMAN
Jogo
Convidado pela primeira vez ao Palais Garnier, o coreógrafo Alexander Ekman viveu um sonho: trabalhar com os bailarinos do Ballet da Ópera de Paris! Para mergulhá-los no universo de sua peça, ele os convidou a tocar. Afinal, a dança não é também entretenimento, diversão, prática, exercício e manipulação? Aqui, o jogo é tudo e em todos os lugares. Dos adereços aos sets. Pois, como repete o coreógrafo, brincar nos deixa felizes; nunca se deve deixar de ser criança. Nos estúdios Massenet e Blanchine, a fotógrafa Anne Deniau se concentra em alguns adereços emblemáticos dessa produção, enquanto o dramaturgo Nicolas Doutey reflete sobre essas novas composições visuais.
MARCELA ARMAS
I-Machinarius
In I-Machinarius, Mexican artist Marcela Armas presents a map of her native country, which takes the form of machinery whose belts are continuously lubricated by oil. In front of the map, presented here in an inverted form, the black liquid flows towards the “north”, acting as a symbol of Mexico’s economic dependence on the United States.
YVES MARQUILLIE
singularity pattern
PAUL FRIEDLANDER
بول فريدلاندر
ポール·フリードランダー
Paul Cocksedge
ポール・コックセッジ
폴 콕세지
ПОЛ КОКСЕДЖ
保罗•考克斯基
Capture
‘Capture’ è un lampada in alluminio di grandi dimensioni (1,6 metri) a forma di cupola, la cui struttura concava irradia un flusso luminoso di una luce calda e soffusa. A livello formale la lampada è caratterizzata da un netto contrasto tra la sua superficie nera esterna e la luce irradiata dall’interno. Il lavoro sperimentale di Paul Cocksedge è conosciuto per l’intenzione e la capacità di esplorare i limiti dei materiali e il suo impegno e creatività nell’innovazione tecnologica.
Heide Fasnacht
Impermanent Collection
SPUTNIKO!
スプツニ子！
カラスボット☆ジェニー
Menstruation Machine
So what does Menstruation mean, biologically, culturally and historically, to humans? Who might choose to have it, and how might they have it? The Menstruation Machine — fitted with a blood dispensing mechanism and electrodes simulating the lower abdomen — simulates the pain and bleeding of a 5 day menstruation process. The machine was developed with research support from Professor Jan Brosens at the Department of Medicine, Imperial College London.
Nicolas Fleming
orange stick
TIM WALKER
تيم ووكر
蒂姆·沃克
טים ווקר
ティム·ウォーカー
팀 워커
Тим Уокер
Xiao Wen Ju
Tim Walker (født i 1970) er en engelsk modefotograf med base i London. Hans interesse for fotografering begyndte allerede før han ville på universitetet, og arbejdede for Conde Nast Publications i London. Da han senere blev nummer 3 i en fotografikonkurrence i den engelske avis The Independent, valgte han at tage tre år på Photography BA Hons degree på Exter college of art. I 2008 blev hans første egen udstilling holdt på Design Museum i London, hvilket også resulterede i en udgivelse af en bog med hans billeder. Flere museer som Victoria and Albert Museum og National Portrait Gallery i London har alle permanente udstillinger med billeder taget af Tim Walker.
JOHN KORNER
Tsunami
Daniel Lefcourt
Double Imposition
Daniel Lefcourt’s monochromatic works criticize and dismantle the processes of painting itself: its inspirations, its materials, and the spaces in which it occurs. Using source material such as photographs of the trash in his studio, Lefcourt creates indecipherable surfaces in low relief that hover between abstract and representational, as well as flat versus textured; The New Yorker has called the artist’s conceptual practice “a surrender to mystery.”
