Barberini & Gunnell
Transistor
Agnes Nedregard
imploding
Maxim Zhestkov
Pulsar 2021
“New dimensions inside monuments. An excerpt from my art project Pulsar 2021..” Maxim Zhestkov
KEN UNSWORTH
Suspended stone circle
ERNESTO NETO
ЭРНЕСТО НЕТО
ارنستو نيتو
埃内斯托·内图
ארנסטו נטו
エルネスト·ネト
어 네스 토 네토
Robert Henke
lumiére
a complete new version, the result of performing Lumière for more than one year, condensed into a more sophisticated, more complex, more fragile, more massive synaesthetic experience! photos and more info online in early February.Based on self written software, this work on the edge of concert and site specific installation finds previously unseen beauty and minimalistic elegance in a commonly underrated medium. High power lasers draw complex morphing shapes and connect points in space. Lumière combines precise geometric figures with floating organic structures, presenting the archaic sign language of an alien culture communicating via emerging and disappearing traces of extremely bright light.Percussive and textural sonic events provide a counterpoint to the visual rhythm, resulting in a multi sensorial experience which at times is fragile and quiet, at others massive and overwhelming. Each Lumière performance is a unique and site specific real time exploration of synchronicity and divergence, of light and darkness at the limits of perception.
Es Devlin
Blueskywhite
Devlin’s latest installtion is ‘BLUESKYWHITE’, a large-scale work commissioned by 180 Studios, which is currently showing at LUX: New Wave of Contemporary Art, a new exhibition co-curated by Fact and SUUM Project. The work combines light, music and language, and was conceived as a sculptural expression of our emotional response to the possible extinction of blue sky. The installation is formed of two parts: In Part I, text from Byron’s 1816 poem Darkness underscores the viewer’s passage through a 24m long red-lit tunnel. Part II draws from contemporary solar geo-engineering models documented by Elizabeth Kolbert and others which suggest that a haze of suspended particles might reduce global temperature to pre-industrial levels and might also turn the blue sky white.
Keigo Matsumoto, Yohei Yanase, Takuji Narumi & Yuki Ban
無制限の回廊
FILE FESTIVAL 2018
「UnlimitedCorridor」は、狭い物理空間で広大な仮想世界を横断し、空間知覚を操作する体験を可能にするVRシステムです。この作品は、人間の空間知覚の不確実性と視覚と触覚の相互作用を使用する、リダイレクトされた視覚触覚歩行と呼ばれる手法を使用しています。
Frank Kozing
フランク・コジック
Фрэнк Козик
Mao
Frank Kozik was born in 1962 in Madrid, Spain. His father was an American serviceman and his mother a young Spanish woman. He spent his childhood in Spain. This experience of growing up under the fascist dictator Franco would later serve as a major influence throughout his work.
HANISON LAU HOK SHING
Enchanted mountain on the sea
via highlike submit
CARLOS NO
Pillar
Portuguese artist carlos nogueira‘s series of sculptural works ‘villa bidão’ (braggart city) draw attention to societal issues such as poverty and deprivation, particularly the lives of billions of people without access to housing or drinking water. The improvised dwellings made from makeshift and recycled materials lack a stable framework and basic sanitation, recall the idea of a shanty town as a place unsuitable for habitation. through their metaphorical undertones — huge barrels evocative of a heavy burden and worn materials personifying neglect, the objects present subjects of scarcity and exclusion through visual artworks.
MAKI NAMEKAWA
Pianographique
Pianographique ist eine Reihe von Kollaborationen der visuellen Echtzeitkünstler Cori O’Lan und Maki Namekawa. Die Visualisierungen sind keine Videos, die mehr oder weniger synchron zur Musik sind, und es ist auch nicht das Spiel des Musikers mit vorgefertigtem Material, sie werden im Moment der Aufführung gemeinsam erstellt. Wie bei den meisten Visualisierungen von Cori O’Lan werden alle grafischen Elemente direkt vom akustischen Material abgeleitet, d. H. Vom Klang der Musik. Zu diesem Zweck wird das Klavier mit Mikrofonen aufgenommen und diese Signale werden dann vom Computer in eine Vielzahl von Informationen über Frequenz, Tonhöhe, Lautstärke, Dynamik usw. umgewandelt. Diese Informationen werden wiederum zur Steuerung des Grafikcomputers verwendet. Erstellen Sie grafische Elemente oder ändern Sie sie auf vielfältige Weise. Da diese Prozesse in Echtzeit stattfinden, besteht eine direkte und ausdrucksstarke Verbindung zwischen Musik und visueller Interpretation. Die Visualisierung wird eigentlich nicht vom Computer „erstellt“, sondern viel mehr von der Musik selbst – der Computer ist eher das Instrument, der Pinsel, der von der Musik gespielt wird.
minD
Vortexture
Vortexture puts forward an architecture that is agile, activity-based and challenges our ideas of organization and static typologies. Materializing permeant physical form – it is a space that is constant fluctuation. There is no final typicality; it’s an architecture in a process that regenerates and adapts with the change in space and time. Vortexture is a proposal for a new work environment simulated and tested via agent models and developed as a new kind of the urban district as a creative industry hub. Vortetute is time-sensitive. Vortexture is season sensitive. On weekdays, the office orients itself to create a user interface that is productivity-based, while during the weekend, the floor plan reshuffles itself to enhance creativity-based plan allowing more communal areas and meeting zones.
