查尔斯·雷
צ’ארלס ריי
チャールズレイ
찰스 레이
hinoki

Variations On a Dark City

L’ultimo Dio
Lamberto Teotino ir dzimis Romā, un 2002. gadā absolvēja Venēcijas Mākslas akadēmiju. Viņš ir specializējies vizuālajā mākslā un viņa darbi pārsvarā balstās uz attēlu pētīšanu. Pēta valodas attīstību padziļināšanos, lai to pielāgotu jauniem tehniskajiem instrumentiem. Pēc Teotino uzskatiem, objekta pētīšana piedāvā konceptuālu iznākumu, kura vienā pusē atrodas vēsturiskās un psiholoģiskās īpatnības, bet otrā pusē – zinātne.

7 ways

waves
“The latter image, Waves, was taken in Benin, West Africa last winter where I spent a lot of time on the beach, just looking at the ocean and thinking. I had the skirt made for it after I once realized my shirt was the same color as the ocean. Although the two images share the same idea, for me the’re very different: In Invisible the woman looks hollow whereas in Waves it’s as if the landscape grew through her.”

Guda Koster é uma artista holandesa que compõe esculturas vivas. A artista utiliza tecidos, cores e padrões originais que lhe permitem criar harmonias e pinturas enigmáticas e misteriosas. Cada uma de suas obras mistura elementos concretos e surreais.

SEFT-1

Arachne-Vanitas

Spatium

Aesthetics of failure. Disruption of dimension, magnitude and quantity in the timeless gap. Delicacy of destruction. In a void that serves a nonconventional level of perception.

This is the Spatium as a detachment of an interval in a moment of glitch. Superposing architecture with a malfunctioning device to be surrounded with. Spatium defines the possibilities what these spaces can transform into for the audience that is given the opportunity to experience.

Charon
אנחנו בפתחה של מהפכת רובוטיקה, שכבר החלה לשנות את נוף הייצור, הסיור, הניתוחים והלוחמה המודרנית. אבל מה עם נפש האדם?
כארון הוא התגלמות פיזית של המתח בין בני אדם, סוכנים אוטונומיים רובוטיים, והמודלים הווירטואליים שעליהם מסתמכים הסוכנים הללו כדי להבין את העולם. אובייקט נוצר ממסלול הטיסה של quadcopter אוטונומי בזמן שהוא יצר איתי אינטראקציה במעבדת מעקב תנועה. כוחות פיזיים וירטואליים כאחד הפעילו את השפעתם על המל”ט, ויצרו חציית גבול דו-כיוונית בין מודל העולם הפנימי של המל”ט, לבין הסביבה הפיזית החיצונית שלו. צורה זו יכולה להיחשב כצל של חציית גבול זו, הניזונה מהחילופין המורכב בין אדם בעל חושים לצורת פרוטו-חיים רובוטית.
כארון הוא איש המעבורת על גדת הנהר, המתווך בין העולם הפיזי לעולם התחתון. במיתולוגיה היוונית כרון נולד מארבוס (חושך) וניקס (לילה) שהיו שניים מחמשת היצורים הקדמוניים הראשונים שנוצרו על ידי מקור כל הקיום, כאוס. שמו של כרון בא מהמילה היוונית צ’רופוס, “מבט חד”. המל”ט מקבל באופן אלחוטי את הראייה והמחשבות שלו ממערך של מצלמות ומחשבים הפועלים כהרחבה של הווייתו. המעבדה, כאשר היא נחשבת כמערכת שלמה, דומה לפונקציות הביולוגיות של יצור חי. מערכת זו היא הדגל של אורגניזם גלובלי שרק מתחיל להתעורר.

ACTS/ALPHA BLOCKER
In ACTS—short for “Absolute Contempt for Total Serenity”—Ruby captures liquid dye inside clear urethane and balances these pure prisms atop scuffed, inscribed, and spray-painted Formica bases. These works expand upon his earlier Formica sculptures such as Big Grid/DB Deth (2008), a scratched-up monolith that exudes a cold, prisonlike institutional menace. In ACTS, the juxtaposition of unfeeling laminate slabs against vibrantly pigmented urethane is a potent one; it transforms the urethane from a passive, glassy vitrine into an active agent of incarceration that suffocates the blossoming furls of dye.

VERSAILLES occupation 3
via highlike submit

欧文奥拉夫
ארווין אולף
アーウィンオラフ
어윈 올라프
Эрвин Олаф

SEMICONDUCTOR
HALO is a large scale immersive artwork which embodies Semiconductor’s ongoing fascination with how we experience the materiality of nature through the lens of science and technology. Taking the form of a large cylinder, the structure houses a 360-degree projection of scientific data while an array of 384 vertical wires are played by the same data, to produce the sound. The work draws the viewer into its centre in order to inhabit the results of particle-collisions, produced by experiments taking place at CERN, in Geneva, Switzerland.

chair

دينيس أوبنهايم
丹尼斯·奥本海姆
デニス·オッペンハイム
데니스 오펜하임
Деннис Оппенгейм

Reading Position for Second Degree Burn

“Reading position for second degree burn”, an experiment in which he sunbathed for five hours with a book on his torso. The Time, The Sun, the Light and the Book titled Tactics: Vol II, Cavalry Artillery, by German Colonel Balck: Would it be the Enlightenment of Iron and Fire? Is it the culture that marks our bodies as we mark horses? Or just a book that Dennis took to the beach and asleep forgot about his body?

Томас Рентмайстер

维克托里娜米勒

安杰伊·德拉甘
АНДЖЕЙ ДРАГАН
アンジェイ·ドラガン
Time dilation

Andrzej Dragan ist ein polnischer Fotograf mit einem hochgelobten Doktortitel in Quantenphysik. Wenn er seine beiden Leidenschaften vermischt, gibt er uns einen Physikkurs über Zeitdilatation. Die relativistische Gravitationstheorie besagt, dass die Krümmung der Raumzeit (aufgrund der Gravitation) die Zeit im Vergleich zu der außerhalb des Gravitationsfeldes gemessenen verlangsamt. Eine Uhr im Erdmittelpunkt bleibt hinter einer Uhr an der Erdoberfläche zurück. Am Ende des Videos werden die Auswirkungen der Schwerkraft auf das GPS erläutert. Zwischen der von den Satellitenuhren angezeigten Zeit und der des GPS auf der Erdoberfläche liegt ein Fortschritt von 38,7 µs pro Tag. Dieser Unterschied führt zu einem potenziellen Fehler von 11 km bei der Geolokalisierung. GPS-Berechnungen integrieren diesen Unterschied, um eine Position mit einer Genauigkeit von wenigen Metern zu bestimmen.

米歇尔·弗朗索瓦
walk through a line of neon lights
Les sculptures de Michel François tentent de donner à la matière la fulgurance du dessin. Une fois construites, le processus créatif perdure au moyen de l’installation, laquelle cherche à faire cohabiter l’ensemble autour d’un sens commun. Connexions, tensions et résonances ouvrent ainsi un dialogue inédit entre les pièces, où noirceur et liberté prédominent.

Esprit Nouveau n°9

Mirror

Machine Hallucination
Refik Anadol’s most recent synesthetic reality experiments deeply engage with these centuries-old questions and attempt at revealing new connections between visual narrative, archival instinct and collective consciousness. The project focuses on latent cinematic experiences derived from representations of urban memories as they are re-imagined by machine intelligence. For Artechouse’s New York location, Anadol presents a data universe of New York City in 1025 latent dimensions that he creates by deploying machine learning algorithms on over 100 million photographic memories of New York City found publicly in social networks. Machine Hallucination thus generates a novel form of synesthetic storytelling through its multilayered manipulation of a vast visual archive beyond the conventional limits of the camera and the existing cinematographic techniques. The resulting artwork is a 30-minute experimental cinema, presented in 16K resolution, that visualizes the story of New York through the city’s collective memories that constitute its deeply-hidden consciousness.

Юха Арвид Хелминен

داميان هيرست
达明·赫斯特
דמיאן הירסט
ダミアン·ハースト
데미안 허스트
Дэмиен Херст
Mickey Mouse

セレスト・ブルシエ＝ムジュノ
셀레스트 브루시에-무주노
Chorégraphie

比尔•维奥拉
빌 비올라
ביל ויולה
ビル·ヴィオラ
Билл Виола

Faraday dress

While the odds of you getting hit by lightning is approximately one to one octillion, Dutch designer Anouk Wipprecht and music performance group Arcattack have created a wearable a metal dress that discharges one million volts of electricity. Part futuristic, part anime-meets-high fashion, the dress comprises metal plates, 600 rings of chain mail, 3D ‘plasma ball’ mounts on the shoulders and a spiked helmet with a grille on the front.

Mai Hi Ten Yu
Yamaha artificial intelligence (AI) technology enabled the world-renowned dancer Kaiji Moriyama to control a piano by his movements. The AI adopted in the system can identify a dancer’s movement in real time by analyzing signals from four types of sensors attached to a dancer’s body. This system has an original database that links melody and movements, and, with this database, the AI on the system creates suitable melody data (MIDI) from the dancer’s movements instantly. The system then sends the MIDI data to a Yamaha Disklavier™ player piano, and it is translated into music.

Electronic Traces
E-TRACES, memories of dance
The shoes are based on the clone of Lilypad Arduino technology, which is designed for sewing into wearables. It appears that 3 force sensitive resistors are used as analog pressure sensors, measuring the force applied on the ground by the dancer’s feet.

Ли Вей
لى وى
리 웨이

ROTOЯ
The Rotor is equipped with a four channel speakersystem and a 360° camera. The artists control the speed of it’s rotation which directly influences the projected video-images as well as the sound-characteristics and the perception of the object itself. Acceleration & deceleration become main parameters, which enables the artists to compose an otherworldly piece that seems to follow it’s own logic. A strange communication between audio, video, object and light establishes itself and seduces the audience. There is the hypnotic movement of the sculpture while inevitable auditory and visual feedback is used as a central aesthetic element: The rotating speakers are amplified by static microphones, provoking complex feedback loops and patterns, that trigger psychoacoustic sensations.

Вернер Рейтерер