GRÖNLUND & NISUNEN
Wave of Matter
La pièce, intitulée Wave of Matter, se compose d’une grande feuille de métal au ras du sol avec des milliers de petites billes de métal sur le dessus, automatisées pour s’incliner au minimum toutes les minutes environ. Le résultat est visuellement époustouflant avec toutes les perles se déplaçant de l’autre côté, créant un effet similaire au sable le long du rivage lorsque l’eau se retire. Le bruit de bruissement des billes métalliques est également très semblable à celui de l’eau. C’est assez hallucinant.
Jonathan Pepe
EXO-BIOTE
The Exo-biote project aims to invent a typology of possible forms and movements by diverting “soft robotics” technologies. The installation features moving sculpture-objects. These hybrid objects swell with air and seem to be alive, to breathe. These components are part of a whole, they belong to the same body, one whose humours and pulsing organs we can observe. A spasmodic choreography leads the viewer on an inner journey, into the meanders of one of those absurd reasoning processes that logicians calls “apagogies” by proposing hypothetical prostheses for the consumer market. It is as if the objects presented here were commodities, objects ready to use, mass-produced surrogate organs.
XAVA PHOTOGRAPHY
via highlike submit
E/B OFFICE
Filament-Geist
Filament Mind ist eine durch Menscheninformationen gesteuerte Installation von E/B Office, die die kollektiven Kuriositäten und Fragen der Besucher der Teton County Library in Wyoming durch eine dynamische und interaktive Raumskulptur visualisieren soll.
CHRYSSA VARNA
Industrial Improvisation
The project investigates how kinetic design and industrial robotics can embody the complexity of movement found in contemporary dance. Using structured improvisational techniques, a combination of pre-choreographed and improvised performances have been designed to form a gestural dialog between a dancer and two robotic performers. The result is an emerging set of movements that construct an unpredictable and evolving choreography.
Laura Lima
ЛАУРА ЛИМА
劳拉·利马
لورا ليما
Puxador [«Pilares»]
la obra se integra a Por amor a la disidencia con el fin de generar un desbordamiento de lo que implica la sala como límite y condicionante del espacio de exhibición. En este sentido, el cuerpo no sigue una narrativa, tan sólo activa la pieza para generar un desplazamiento hacia el exterior, haciendo visible la altura, la distancia y la tensión entre la escala humana y las dimensiones del edificio, al mismo tiempo nos dirige hacia el paisaje que rodea al museo.
Rhona Byrne
Huddlewear
For this exhibition, Huddlewear becomes a tool for activating exchanges in relationships between individuals, groups and communities. The exhibition invites and encourages visitors to wear and inhabit Huddlewear and to explore the intimacy and complexities of connection in real time. The interconnected designs of the garments can be worn by pairs and groups and aim to explore the wearer’s sense of self and vulnerability during moments of interaction and gathering. By inviting participation and reflection the ‘Huddle tests’ exhibition will involve a series of events and activities as well as an open invite for ‘group work’ for the duration of the exhibition.
daan roosegaarde
waterlicht
Dubbed “the northern light of the Netherlands” by Studio Roosegaarde, the Waterlicht installation is designed to create the impression of a “virtual flood”.The waving lines of light spread across 1.6 hectares bear a resemblance to the northern lights – the natural phenomenon created when charged particles enter the Earth’s atmosphere – when viewed from underneath.
Mathias Krissmer
II00II0I0I00II000I
“Krissmer’s ‘Kinetic Paintings’, explore visual composition, movement and scale in a way that thrills and disorientates. They are an optical experience simultaneously aesthetic and perceptual. The digital projections can be taken to any scale making them architectonic and potentially intimate. Their focus on a geometric language set in dynamic movement creates a certain sculptural juxtaposition, enhanced by the predominant use of black and white. The occasional introduction of bright colours further dramatises the Krissmer aesthetic. These are works that inspire, that must be experienced by the mind and the body.”
SARAH OPPENHEIMER
사라 오펜하이머
Shirin Neshat
Ramin
Samuel St-Aubin
Prosperity
Prospérité est un dispositif autonome qui manipule les grains de riz. Une pince se déplace d’un support à l’autre, saisissant sur son passage les grains qui ont été placés aléatoirement pour ensuite venir les déposer de façon ordonnée sur un deuxième support. À la suite de ce processus, les grains de riz sont ainsi alignés, mais leur orientation initiale a été conservée. Prosprérité est une machine autonome qui ne requière aucun ordinateur. Tout le fonctionnement est intégré au microcontrôleur principal ainsi qu’à ses 3 périphériques, le lecteur de grain de riz, le contrôleur de mouvement linéaire et le contrôleur de la tête (pince).
Chloé Moglia
Horizon
O limbo está no centro da arte de Chloé Moglia. Seja como integrante da Compagnie Rhizome, solo ou em produções conjuntas, a artista está sempre preocupada com a leveza. Em suas performances, que combinam força física e poesia, ela derrota as leis da gravidade e o medo das alturas. Além disso, ocorrem reflexões sobre o tempo, principalmente pela lentidão de seus movimentos. Chloé Moglia transita entre a disposição de arriscar e a busca de sentido e empolga o público ao brincar com o medo da queda. A performance de Chloé Moglia aqui apresentada intitula-se Horizon. O nome desta obra-prima física, criada em 2013 por encomenda do Festival Paris Quartier d’Été, foi escolhido de forma excelente. Horizon é um jogo entre o trapézio e uma estrutura esguia que serve tanto como elemento escultural quanto como elemento de sustentação. Nesta constelação, Moglia cria um espetáculo leve que se encaixa perfeitamente em seu entorno.
Arcangelo Sassolino
The way we were
Not only does Arcangelo Sassolino transform failure into art, but he manages to make the art of failing a profound part of the art of living. He goes even further in the awareness of risk. He is aware that his experiments may not hold up to the forces that he himself puts in place but this possible collateral damage wants to represent an additional value, becoming precisely the existential metaphor of the concepts of risk and failure. His installations explore the behavior and mechanical limits of matter, he forces their characteristics to distort their shape, gravity, pressure, friction, statics, and of each possibility Sassolino contemplates the risks of collapse with its precise timing and programming.
BASTIEN VIVÈS
polina
YINKA SHONIBARE
תנקה שוניברי
インカ・ショニバレ
ЙИНКА ШОНИБАРЕ
Yinka Shonibare MBE là một trong những gương mặt quan trọng nhất của nghệ thuật đương đại hậu thuộc địa. Anh sinh ở London nhưng lên ba đã sang Nigeria sống, sau này quay lại Anh để học mỹ thuật. Những tác phẩm điêu khắc quan trọng của anh là những đàn ông, đàn bà, trẻ con không đầu, gợi lên sự dịch chuyển về mặt thể lý này, cũng như gợi lên thứ ngôn ngữ phổ quát của toàn cầu hóa.
YIN XIUZHEN
Инь Сючжэн
尹秀珍
Liva Isakson
Svikt, rum 2
Installationen Svikt – Rum 2 utgörs av två lösa väggdelar som hålls samman med gummiband som löper genom de synliga takbjälkarna. Den ena väggen hålls stående med hjälp av den liggande delen. På så sätt uppstår en beroendeställning mellan dem. Skulle den liggande väggen tas bort skulle verket förlora sin balans och kanske falla samman.
Nicole L’Huillier and Sands Fish
Telemetron
Nicole L’Huillier and Sands Fish decided to explore how design and creativity might evolve as we begin to do more than merely survive in space. The Telemetron is a unique musical instrument that takes advantage of the poetics of zero gravity, and opens a new field of musical creativity. The project attempts to expand expression beyond the limits of Earth-based instruments and performers. Leveraging sensors, data transmission and capture (for performance after flight), as well as their experience as composers and performers, Sands and Nicole explore a new body language for music.
Nicolas Sassoon and Rick Silva
Signals
SIGNALS is a collaborative project by artists Nicolas Sassoon and Rick Silva that focuses on immersive audio-visual renderings of altered seascapes. Sassoon and Silva share an ongoing theme in their individual practices; the depiction of wilderness and natural forms through computer imaging. Created by merging their respective fields of visual research, SIGNALS features oceanic panoramas inhabited by unnatural substances and enigmatic structures. The project draws from sources such as oceanographic surveys, climate studies and science-fiction to create 3D generated video works and installations that reflect on contamination, mutation and future ecologies.
