STEVE WILHITE
R.I.P
dancing baby
GIF (JIF)
graphics interchange format

The inventor of the Gif file has revealed that the world has been mispronouncing his creation.
Steve Wilhite, who invented the Gif file in 1987, told the New York Times that the word is pronounced “jif” not “giff”.
“The Oxford English Dictionary accepts both pronunciations. They are wrong. It is a soft ‘G,’ pronounced ‘jif.’ End of story,” he said.
The internet has reacted strongly to Wilhite’s claim, pointing to a range of evidence from the White House announcing their allegiance via a note on their Tumblr: “Animated GIFs (Hard ‘G’)”, to simple common consensus.
Others have suggested that the hard ‘G’ relates to the acronym that the word springs from, which stands for Graphical Interface Format.
The Gif has enjoyed a surge of success in the last five years thanks to Buzzfeed-style listings of puppies and kittens and ‘live-giffing’, a form of on-the-spot reporting that had its first major outing during the 2012 presidential debates.
Wilhite may be the parent of the Gif, but most agree that the creation has outgrown its creator.
When even the White House is on the other side of the debate, it seems it might be best if Wilhite concedes defeat with grace.

מקוטו אאידה
会田誠
마코토 아이다
АИДА МАКОТО
THE GIANT MEMBER FUJI VERSUS KING GTIADORS

klecksography

Immersed Garden
Immersed Garden is in its true sense a sunken world. Floating bodiless in an underwater garden, natural sounds guide you through an immersive surrounding, somewhere between calming and irritating, natural and artificial. It is a playful exploration of the individual conception of safety and confusion and a personal approach to aesthetic references to habits of introspection and retreat in digital environments. It was created by fusing different digital processes like photogrammetry of selected natural places around Karlsruhe and field recordings in a local natural reserve. Underwater videos hybridize with 3D scans of trees and plants while invisible frogs are croaking and humming birds are buzzing by synthetic flowers. The artistic aim was to explore the personal perception of calming and irritating, playing with the concept of immaterialness and attentiveness. The artwork creates aesthetic references to philosophical and scientific theories of introspection and identity.

The Angle of God

Pile Up-High relief n° B5
“PILE UP: Hauts reliefs. Situé Works” crée une série de structures basées sur des murs, tous mettant en évidence le processus complexe derrière la pratique de l’artiste.

THE CHARACTER

Big & Green: Toward Sustainable Architecture in the 21st Century

罗斯·洛夫格罗夫
רוס לאבגרוב
ロス·ラブグローブ
로스 러브그로브
barrisol

aol
Universal Everything和Aol在这一系列定制数字运动画布中探索色彩，形式和运动的全新形式的视觉表达。
这些影片的范围从使用当代舞者和动作捕捉技术对手势和人体动作进行前沿研究到使用多色旋转陀螺和慢动作摄影进行更简单的低保真实验。 这些电影的核心是通过创作不可能的雕塑和构图来赋予真实感和幻想感。

Sounio temple

leon hendrickx

在她的项目中，居住在鹿特丹的西班牙裔艺术家拉拉·阿尔玛斯凯（Lara Almarcegui）研究了政治，社会和经济变化带来的城市转型过程。自1990年代中期以来，她研究了通常不被关注的城市特征：荒地，建筑材料，看不见的元素。劳拉·阿尔玛斯凯（Lara Almarcegui）在奥地利举行的首次个展中，为分裂国家创造了三件与维也纳市和历史悠久的展览馆密切相关的新作品，同时还重复了该艺术家在世界各地不同城市开发的早期作品。
Lara Almarcegui使我们看不到，看不到或注意到的东西可见。她进行解构以便发现-包括对未来乌托邦的看法。在Bauschutt Hauptraum脱离国家会议厅/脱离国家会议厅的建筑瓦砾中，拉拉·阿尔玛斯凯（Lara Almarcegui）通过堆放这些材料（回收过程的所有产品）来评估用于建造展览馆正厅的建筑材料。未来可能使用的愿景。具有光环的展厅变成了无形状的堆。如果这些吨的混凝土，木材，水磨石，砖，砂浆，玻璃，灰泥，聚苯乙烯和钢材重返建筑业，会发生什么？现在构成分离派主殿的材料可能会产生哪些新建筑？

Satyricon
Fellini Satyricon, or simply Satyricon, is a 1969 Italian fantasy drama film written and directed by Federico Fellini and loosely based on Petronius’s work Satyricon, written during the reign of Emperor Nero and set in imperial Rome. The film is divided into nine episodes, following Encolpius and his friend Ascyltus as they try to win the heart of a young boy named Gitón within a surreal and dream-like Roman landscape.
The film opens on a graffiti–covered wall with Encolpius lamenting the loss of his lover Gitón to Ascyltus. Vowing to win him back, he learns at the Thermae that Ascyltus sold Gitón to the actor Vernacchio. At the theatre, he discovers Vernacchio and Gitón performing in a lewd play based on the “emperor’s miracle”: a slave’s hand is axed off and replaced with a gold one. Encolpius storms the stage and reclaims Gitón. On their return to Encolpius’s home in the Insula Felicles, a Roman tenement building, they walk through the vast Roman brothel known as the Lupanare, observing numerous sensual scenes. They fall asleep after making love at Encolpius’s place. Ascyltus sneaks into the room, waking Encolpius with a whiplash. Since both share the tenement room, Encolpius proposes they divide up their property and separate. Ascyltus mockingly suggests they split Gitón in half. Encolpius is driven to suicidal despair, however, when Gitón decides to leave with Ascyltus. At that moment, an earthquake destroys the tenement.

AUTOCONSTRUCCION

CNDSD & Iván Abreu

FILE SÃO PAULO 2025: SYNTHETIKA – Art and Technology – CGI VIDEOS
Electronic Language International Festival

AUTOCONSTRUCCION – Mexico

AUTOCONSTRUCCIÓN is a live-coded audiovisual concert and a video game animation performed by real-time algorithms. Through speculative architectural fictions, it narrates the phenomenon of informal housing in places like Mexico, Latin America, Asia, India, and the outskirts of Europe and the U.S. The artists are interested in live coding as a fluid, granular way to craft audiovisual storytelling.

BIO

Iván Abreu is a Mexican-Cuban interdisciplinary artist who blends science, design, and technology to question human interaction and social systems. A Lumen Prize winner, his work has been shown at ZKM, Ars Electronica, and MAB. Malitzin Cortés (CNDSD) is a Mexican artist exploring sound, technology, and speculative architecture through live coding, audiovisuals, and critical narrative.

瞬く間に
インスタレーション、パフォーマンス、ビデオアーティストのXu Zhenは、ユーモアと皮肉を作品に組み合わせ、政治的および芸術世界の人間搾取システムに対する批評を提供しています。 Xuの作品は、個別に、および（2009年以降）彼の集団的実践であるMadeIn Companyを通じて作成されたものであり、暴力的またはエロティックなテーマのために頻繁に検閲されています。

ديانا سورة الحديد
戴安娜·哈迪德
Диана Аль-Хадид

Romain Laurent is currently based in New York City and specializes in conceptual photography, moving image and short movies. He was born and raised in the French Alps and studied product design at the Ensaama National School of Applied Arts and photography at Gobelins.

伊万·普格
이반 푸이그
L’ego

阿尔瓦伯娜丁
АЛЬВА БЕРНАДИН
La sua è un’arte surrealista che si mantiene in bilico tra il grottesco e l’erotico; molti potrebbero considerarla repugnante. Spesso ha idee folli, molto più spesso ha idee fortemente e profondamente folli.

TWIJFELGRENS

Sweet

オラファー·エリアソン
اولافور الياسون
奥拉维尔·埃利亚松
אולאפור אליאסון
Олафур Элиассон
Eye Eye

جيمس توريل
詹姆斯·特瑞尔
ג’יימס טורל
ジェームズ·タレル
설치작품 제임스 터렐
ДЖЕЙМСА ТАРРЕЛЛА
Gard Blue
James Turrell’s pivotal 1968 work Gard Blue represents a transformative period in his career, marking the crucial juncture when Turrell shifted the viewer’s attention to perception and the phenomenon of light rather than an object. Appearing in a large, box-like room constructed within the Central Court, Gard Blue is a projection of light. The clarity of Gard Blue’s presence is held by a single, arresting color.

做男孩做女孩
FILE FESTIVAL
“做男孩做女孩”是涉及视觉，听觉，触觉和气味的多感觉实验。 根据经验，我们的身体不仅仅是眼睛和耳朵。 它们是体验和挑战现实的工具。在装置中，我们通过嗅觉，触摸（通过红外灯和风扇），图像（在360度下使用3D胶片眼镜）和全方位声音的组合来激活所有感官，从而创造了一种幻觉。

Liminal Lands
Liminal Lands est une expérience multijoueur environnementale partagée par quatre personnes en même temps. Chaque personne se transforme en éléments de base contrôlant la vie à travers le paysage : algues, sel, eau et boue. Alors qu’ils se lancent dans une expérience rituelle commune, les gens se métamorphosent et changent tout au long de leur voyage, explorant chaque nouveau monde sous un angle différent du paysage. Les visiteurs se déplacent à travers différentes échelles et conditions météorologiques mondiales, abandonnant leur perspective humaine alors qu’ils sont attirés dans six royaumes différents inspirés par le macro-paysage.

volcano

スプツニ子！
カラスボット☆ジェニー
Pénis Cybernétique

原久路
Хисаджи Хара
A Study of The Salon

bloodstained mire
(expeditions)

吴珏辉
Hand Gesture

As a fine artist, she fell in love with photography as a main tool and a medium to create her visions. ‘Wearable Foods’ is the first long term project she started two years ago and it still continues to this day. This series of her work forces viewers to defy the actual meaning, the functionalities, and the aspects of what clothing signifies in our lives.

Three Supermarkets
Three Supermarkets is an infinite loop film with a shopping cart riding across multiple coexisting fictional supermarkets. As the first episode of the Phygital Supermarket Trilogy, this film explores the hybrid compositing of the emerging physical and digital media and techniques. The production process of this film uses industrial-grade six-axis Staubli robot arm as shooting equipment, green screen shooting, volumetric video capture, photogrammetry, Cinema 4D Mograph, Redshift shading & rendering, 2D/3D compositing, and other custom build techniques and workflows. Familiar but neglected objects, such as apples and snack bags, were scanned as either static models or animated model sequences from the physical world to the digital space.

天野 喜孝
يوشيتاكا أمانو
Амано, Ёситака
天野喜孝

Flor e Chagas

Horizon
“Horizon recreates my favourite time of day – twilight – when the sun sets and daylight drops away. The surrounding scenery then darkens, leaving a soft gradient of colour that extends up into the sky. Horizon captures this moment in time, but re-imagines it as an ever changing, interactive light show.” Flynn Talbot

Unfold
Inspired by the latest discoveries in the field of astrophysics, unfold, an immersive and sensory installation seeks to translate into sounds, images, and vibrations, the phenomena surrounding the formation and evolution of stars and galaxies.

TOKYO METACLOUD
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Vincent Leroy onthult ‘Tokyo Metacloud’, een gigantische zwevende wolk die door de straten van de japanse metropool trekt. De installatie, bestaande uit dunne gebogen bladen, speelt met de balans tussen materiaal, lucht en transparantie om een ​​indruk van extreme lichtheid te creëren. Nogmaals, het poëtische en contemplatieve universum van Leroy maakt kijkers los van de echte wereld en nodigt hen uit om te genieten van een meeslepende, dromerige ervaring.
.
Vincent Leroy unveils ‘Tokyo Metacloud’, a gigantic floating cloud that sweeps through the streets of the Japanese metropolis. The installation, consisting of thin curved blades, plays with the balance between material, air and transparency to create an impression of extreme lightness. Again, Leroy’s poetic and contemplative universe detaches viewers from the real world and invites them to enjoy an immersive, dreamlike experience.

Роберт Глигоровым
罗伯特·格利戈罗夫
روبرت غليغوروف
A plate of coltan for Mr. Steve Jobbs
Gligorov’s work attempts to shock the viewer. Each piece tantalizes the imagination, awakening it from a state of lethargy. Confronting a society accustomed to sophisticated and extreme forms of visual communication, Gligorov amplifies the shock value of his work in order to compete with the deluge of images that cloud our visual field.

What Will Come

Étagère Bow

White Water and Dust
White Water and Dust, a rare double bill by the internationally renowned choreographer Lin Hwai-min, brings great intensity of contrast between the two works. While White Water, set to piano music by Erik Satie, flows like a movable celebration of life, Dust, to a powerful rendering of Shostakovich’s String Quartet No. 8, evokes a memory of Goya’s Black Paintings.

After-Easter Show