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CLAIRE MORGAN

Клер Морган
كلير مورجان
克莱尔·摩根
クレア·モーガン
클레어 모건
Over My Dead Body
A primera vista, estos objetos parecen estar en movimiento. Objetos que dan la sensación de caerse como en el caso de la manta fresa. La escultura de Belfast, Claire Morgan utiliza objetos naturales como plumas, frutas y flores que deja suspendidos de hilos de nylon obteniendo sensaciones de ingravidez o de parada del tiempo.

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CLAUDIA ROGGE

كلوديا روج
克劳迪娅·罗格
クラウディア·ロゲ
클라우디아 로게
КЛАУДИА РОГГЕ

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csilla klenyánszki

GOOD LucK SERIES
GOOD LUCK IS A PERSONAL RESEARCH FOR BALANCE AND THE INTERPRETATION OF IT. THE (SIMPLE) IMAGES OF THE SERIES TRY TO SHOW THE MOMENT OF THIS BALANCE, WHERE ALMOST EVERYTHING IS PERFECT AND STILL.

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LAB[AU]

f5x5x5
f5x5x5 is a kinetic light sculpture conceived of and realized by the belgian design studio lab[au]. the project was most recently installed in the basilique de saint denis in paris for nuit blanche 2009. the design consists of fixed and kinetic aluminum frames that can move randomly or be programmed for use as a low resolution display. the piece is designed as a framework, taking inspiration from software development
frameworks. in the case of the project, the framework is a five by five module which is repeated five times to create the final form. one side of the work is white, while the other is black. the 125 pixel screen works on binary language and can transform captured data from the physical environment into kinetic actions.

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HELEN CHADWICK

海伦查德威克
ヘレン·チャドウィック
헬렌 채드윅
Хелен Чедвик
Piss Flowers
What will you do if it snows this winter? Throw snowballs? Get out the sledge? Or wee in the crisp cold whiteness as art? Helen Chadwick had an eye for the organic. She took closeup photographs of moist, freshly cut meat, superimposed images of her body cells over landscapes, and invented a unique winter methodology to create her Piss Flowers. Chadwick urinated in deep snow, then made casts of the interior spaces – instant caves – melted in the snow by the warm liquid. The resulting white forms of bronze and cellulose lacquer look like alien cities from a frozen planet, or fungal eruptions beneath the surface of the arctic ice. They are unique and haunting winter wonderlands.

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YANG MINHA

Meditação
FILE FESTIVAL
Se não temos o poder para reformar nosso ambiente, precisamos encontrar possibilidades de meditação usando os significantes que preenchem as cidades. “Meditação” é uma meditação prática e alternativa que só funciona quando você se deixa perder. Inúmeros símbolos estão comprimidos dentro da obra, expressos em padrões irregulares de som através das três instalações audiovisuais, e o som se transforma, formando imagens de ondas. A mídia reproduzida, ao ser comprimida e suprimida, traz mais possibilidades de pensamento e escolha do que os valores contidos em sua própria forma. Através desses processos, “Meditation” pode ser a ferramenta certa para a meditação.

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ALVA BERNADINE

阿尔瓦伯娜丁
Альва Бернадин
LA SUA È UN’ARTE SURREALISTA CHE SI MANTIENE IN BILICO TRA IL GROTTESCO E L’EROTICO; MOLTI POTREBBERO CONSIDERARLA REPUGNANTE. SPESSO HA IDEE FOLLI, MOLTO PIÙ SPESSO HA IDEE FORTEMENTE E PROFONDAMENTE FOLLI.

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Zaha Hadid Architects

ShenZhen Science Technology Museum
A cascade of terraces will frame a large atrium at the heart of the Shenzhen Science & Technology Museum that Zaha Hadid Architects is developing in China. Slated for completion in late 2023, the pebble-shaped museum will encompass 125,000-square-metres and contain a mix of public spaces, galleries and educational facilities. It has been designed by Zaha Hadid Architects as a landmark for Shenzhen’s new Guangming Science City – a masterplan intended to establish the city as a hub for innovation.

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Tim Hawkinson

Gumball
Tim Hawkinson is always good for a deep chuckle, and he delivers here with “Gumball,” a bubble-gum-pink sphere of cast body parts — feet, elbows, tummy, rear — a compact mutant portrait that begs to be rolled across the floor.

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Ken Okiishi

gesture/data
Ken Okiishi（生于 1978 年，美国）在不同的媒体系统中工作。他的作品在物质和记忆、感知和行动、图像网络和语言系统、技术和情感之间不安地徘徊。无论是通过视频、文本、绘画、物品甚至货币，他都反复煽动“现实世界”失去连贯性和代表性方案崩溃的时刻。

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Doug Rosman

Self-contained II
A neural network, trained to see the world as variations of the artist’s body, enacts a process of algorithmic interpretation that contends with a body as a subject of multiplicity. After training on over 30,000 images of the artist, this neural network synthesizes surreal humanoid figures unconstrained by physics, biology and time; figures that are simultaneously one and many. The choice of costumes and the movements performed by the artist to generate the training images were specifically formulated to optimize the legibility of the artist within this computational system. self-contained explores the algorithmic shaping of our bodies, attempting to answer the question: how does one represent themselves in a data set? Building on the first iteration of the series, the synthetic figures in self-contained II proliferate to the point of literally exploding. Through the arc of self-contained II, this body that grows, multiples, and dissolves never ceases to be more than a single body.

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LISSY ELLE

리시 엘
Lissy Elle, in arte Lissy Elle Laricchia, è una fotografa canadese. Spesso soggetto delle sue opere, è sospesa nel tempo e nello spazio, avvolta in un’aura magica. I suoi scatti sono sempre sognanti, persi in mondi onirici, alla ricerca della leggerezza del sè.

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Camille Legrand & Bart Hess

Epistēmē
Titled with the Ancient Greek word for knowledge and understanding, the installation is born of the belief that we absorb knowledge through the senses, with the skin acting as an interface between the body and the world around us. ‘To illustrate the skin in states of transformation, I imagined it as a canvas for sensations felt and information absorbed. The digital manipulation in each film melds body and sensation, skin and material, reality and virtuality to express the effects of each product,’

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