Berlinde de Bruyckere
БРЁЙКЕРЕ, БЕРЛИНДЕ ДЕ
En sus esculturas el aspecto mórbido es lo primero que impresiona a la mirada, pero luego cede paso al carácter ambiguo de las mismas. A nivel del lenguaje, es en generar esta ambigüedad aquello en lo que la artista se esfuerza. En el dialogo entre los materiales que utiliza, y en su ubicación en el espacio físico pueden encontrarse diversas lecturas.
Petrina Hicks
Venus
Petrina Hicks utilises the seductive and glossy language of commercial photography to create artworks that probe at the false promise of perfection, exploring photography’s ability to both create and corrupt the process of seduction and consumption. Petrina Hicks has exhibited widely through solo and groups shows in Australia, Germany, Spain, France, Italy, USA, UK, Japan, China, Mexico and Brazil.
Coralie Vogelaar
infinite posture dataset
She moves by endlessly morphing to the rhythm of the device – strapped in the frame of the screen – following or giving instructions; part human, part machine. The design of the device is inspired by a gadget to cheat the step-counter on your smartphone. Technology tricked by technology. Her movements, caught within a motion capture like tight suit deconstructing her body parts, talk of complex and conflicting emotions, but her face, from which we usually read how someone is feeling, is hidden. But is the machine that is observing her deconstructed and re-sequenced postures actually capable of recognizing what the body is communicating? Are we?
Yves Netzhammer
Empathic Systems
BART HESS
Distrito de Vestuário
Bart Hess criou a instalação para explorar maneiras pelas quais os humanos podem aumentar e estender as formas de seus corpos, criando uma espécie de prótese que é única a cada vez. Para criar a roupa, os indivíduos são amarrados a uma armadura robótica e depois baixados para uma piscina de água e cera. À medida que a cera se move na água, ela começa a endurecer, ligando-se ao corpo. A pessoa é então retirada da água, envolta em um casulo de cera que pode ser cortada ou quebrada.
Mint Design
Fall in Pop
‘Fall in pop’ by mint design is a large organic work composed of 3D screens made from a fabric that has been coated with a glossy finish called glass organdie (made from polyester), in which motifs are projected, filling the space with light and color. The central focus is a sculptural, draping form which extends from above one’s head, down to the floor, meant to give the feeling of waterfalls which bring moisture to forests, as images trickle down the textile, creating a sensory visual space.
JULIEN VALLEE
朱利安谷地
ジュリアン·ヴァレ
Жюльен Валле
WANG YUYANG
왕 유양
artificial moon
Artificial Moon is a sculptural piece by Beijing-based artist Wang Yuyang constructed from hundreds of various compact fluorescent lightbulbs. At over 13 ft. wide (400cm) the piece is an imposing recreation of Earth’s moon, using strategically placed lights to mimic craters and other surface features. Its creation is also particularly poignant, as it was originally put on exhibit in Shanghai, a city that due to light pollution is often unable witness the actual moon moving through the night sky.
Paolo Chiasera
Black Brain 3
Tom Humphreys
Don’t create a problem you can’t fix
FUJIKO NAKAYA
中谷芙二子
fog sculptures
ok-offenens kulturhaus linz
In 1970 Nakaya created her first fog sculpture when commissioned by the group Experiments in Art and Technology (E.A.T) to make a work for the Pepsi Pavillion of the Osaka World Exposition. In creating a work of white mist enclosing the building, Nakaya became the first artist to have used fog as a sculptural medium. E.A.T is an organisation devoted to facilitating working relationships between artists and engineers. Nakaya worked with American engineer Thomas Mee to create the fog for her Osaka commission, the technique for which she has continued to use, with minor moderations, for her subsequent fog sculptures since.Whilst Nakaya has also worked in film and video, it is her use of fog for which she is best known. Nakaya has used pure-water fog to create installations, performances, stage-sets and environmental park designs, often collaborating with other artists or with performers, choreographers and composers. Nakaya’s interest in fog has developed from its relation to our visual sense. In a thick fog we become disorientated, frustrated at our inability to see. In this way, Nakaya’s sculptures activate our other senses, to compensate for our loss of sight.
MARCHAND & MEFFRE
Detroit-in-ruins
KENDALL BUSTER
NEW GROWTH’STRATUM MODEL
Samuel Burgess-Johnson
Samuel Burgess-Johnson est un artiste peintre et directeur de création, basé à Londres. Inspiré par des visuels impressionnants, son travail est consacré à la représentation de nombreuses sorties de disques, des superbes albums et illustrations. Burgess-Johnson a conçu une multitude de supports qui enrichissent la communication visuelle des artistes comme Usher, Diplo, Ta-ku et beaucoup d’autres.
Les Astronautes
L’installation a pris place dans la ville de Québec au Canada, elle met en scène des centaines de frites de piscine qui envahissent une allée abandonnée. L’intervention amène et attire le public à découvrir un espace oublié dans la ville. Delirious Frites a été réalisée dans le cadre des Passages Insolites, un festival d’art public organisé par Exmuro.
CHRIS CHEUNG
VaporScape
A vaporização é sobre a mudança de estado, transformando assim o líquido em vapor onde ocorre em nosso corpo. Nós respiramos; nós suamos; batimentos cardíacos batem e o sangue flui. É assim que funciona a circulação interna e regular a temperatura corporal. O calor evapora através do suor, portanto, para o resultado. Nosso corpo funciona como uma orquestra, os micro sons são incríveis.
Zbynek Baladran
Dead Reckoning
