highlike

A.LTER S.ESSIO PERFORMER ART GROUP

A.lter S.essio
“Loss”
via highlike submit
A.lter S.essio的组织Panem Et Circenses负责制作和行政管理,是Fabrice Planquette基于各种艺术合作发起的一个部分。
Fabrice Planquette偶尔邀请各个领域的人共享一个创意空间。 他给出了第一个动力和方向,每个人都有自己的语言,敏锐的感觉和前景。 2007年底,开始创作表演。 该系列已经由LOSS,LAYERS,ENDURANCE,EXTENSION(S)和ASCENSIO开始,并将继续进行SURFACE,DESERT(三重奏)和ENSEMBLE(7位舞者的作品)。 所有这些部分都是相互联系的:套件,互补,并行,对立。 他们遵循着对人类及其所处环境的探索的进步。 与环境,自己,对方面对

ANISH KAPOOR

Espejo Islámico
El Espejo Islámico es un espejo cóncavo circular que mide 2,4 metros de diámetro. Está compuesto por un total de 4437 piezas de acero inoxidable pulido (2241 octágonos y 2196 cuadrados) y su perfecta interpretación alude a la transición formal, matemática y geométrica entre el cuadrado y la esfera, una preocupación intelectual milenaria para arquitectos, místicos , científicos y artistas por igual.

CHUNKY MOVE

Glow

Glow是艺术总监Gideon Obarzanek和互动软件创作者Frieder Weiss撰写的具有启发性的30分钟编舞文章。 在复杂的视频跟踪系统的光芒之下,孤独的有机物在人类形态的内外变异,变成了陌生,感性和怪诞的生物状态。 利用最新的交互式视频技术,可以根据舞者的动作实时生成数字景观。 身体的手势会延伸,并进而控制围绕它的视频世界,而不会呈现出完全相同的两种表演。

MARSHMALLOW LASER FEAST

En los ojos del animal
En los ojos del animal, un viaje a través de la cadena alimentaria, es una interpretación artística de las perspectivas sensoriales de tres especies británicas. Creada con escáneres Lidar, vehículos aéreos no tripulados (UAV) o drones y cámaras de 360 ​​° a medida, la pieza está configurada en un paisaje sonoro binaural utilizando grabaciones de audio provenientes de Grizedale Forest en el norte de Inglaterra.

Erwin Stache

Kilo Ohm
Erwin Stache is a German composer and sound artist who designs installations for specific locations. His Kilo Ohm – which you can of course try out yourself – uses the electrical resistance of the player’s skin to generate sound. Each new touch sounds different.

Julien Mier, Magical Mistakes & Keita Onishi

Divide, Multiply
The King Deluxe label teamed up with animator Keita Onishi to create an innovative music video for ‘Divide, Multiply’[…] The final result is a seriously aesthetically pleasing work of videographic art, living up exactly to King Deluxe’s ‘audio-visual laboratory’ manifesto. With its geometric simplicity, and cog-like machinery driven by symmetrical beats, the video instills the utmost satisfaction deep within every viewer.

MICHEL BLAZY

bouquet final
我认为我的雕塑是生物。 我作为雕塑家的姿态通常包括触发一个过程,该过程会自行形成。 我尝试为材料的执行创造合适的条件。 软质材料使我感兴趣,因为它们在运动,它们的形状取决于自身,而我的控制权也受到限制。 关于“最终花束”系列,苔藓不断增长,但乍一看它们的发展速度并不明显。 这些形式形成得非常缓慢,靠在其他物体上,填充了空隙,有时会产生过多的材料,这些材料会无声地掉落并无限期地再次生长。” Michel Blazy参与作品“ Bouquet Final”。

BAUMGARTNER + URIU

Taipei Performing Arts Center
he morphology and shape of the building was designed using sound-waves that were analyzed and transformed into three dimensional vectors. These vectors became the formal and structural framework for the design of the exterior envelope. The building materializes with a metal and glass enclosure that reveals its activities in a variety of scales and angles to the city.

Santiago Villanueva

The Slow Motion Band
Villanueva began his training and initiation in1984 from 1986-1995 he worked as an artist and teacher with Abraham Dubckovsky the Argentine sculptor and architect planner. His work: causes, produces and creates visual and physical impressions and sensory pleasures, space and forms that are capable of enclosing and hiding something and demarcating soluble volumes. The pieces are of respectful sizes, clean lines and defined but at the same time fragile, silky smooth but yet again clear due to the materials used. As he describes it, art linked to the intimate experiences of the body and time, in search of an interior portrait joined with beauty resulting in essential interlocutor.

MINOU LEJEUNE

Minou Lejeune, born in Maastricht, the Netherlands, is graduated as a Jewellery designer at MAFAD: Maastricht Academy of Fine Arts and Design. She sees herself as a jewellery designer and prop maker. In her work, she takes the normal out of its context, twists and play with it, to see where it ends up. She wishes to explore the limits within the relationship between fashion, wearable objects and performance. Her body related objects are made to be part of something bigger. It’s her aim to collaborate with all kinds of ‘story tellers’; art directors, photographers, fashion designers, and so on.

Simon Blackmore

Weather Guitar
Garland Fielder is a Houston based artist that received his MFA from the University of North Texas in 2005. He has exhibited regionally, nationally and internationally. His work is primarily focused on the interpretive components of visual art, bringing into question the act of “reading” a painting or object. Fielder is also a frequent contributor to Art Lies, ArtsHouston and Glasstire.

PETER MOVRIN

“Movrin’s main inspiration has always been his childhood, where tradition, God and meat were the subject of everyday life. As an only son of a butcher in a small Slovenian town, surrounded by woods and bears, his growing up marked him with a roughness that he transcends in his designs with a special kind of romanticism. In this hard provincial life meat became his medium of expression, as a child he would carve steaks in a way that would appeal to his bewildered eye. There were, however, also fresh issues of Vogue magazines in the house, brought from trips to Trieste, that stirred up his imagination.” Black Sheep

mode:Niko Riam