PRZEMEK DZIENIS
I can’t speak, I’m sorry
Przemek Dzienis (born 1984) – graduated from the National Film School in Lodz. He works mainly with portraiture and analyses the relation between the man and everyday items. Przemek Dzienis has also experimented with the notion of multiplication, with figures and objects and their activity in space
Sabrina Ratte
Jump Cut II
En el segundo episodio de Jump Cut, disponible para ver arriba por tiempo limitado, Gingras se une a la música y productora de Montreal Marie Davidson y a la videoartista canadiense Sabrina Ratté, residente en París. La pieza de 25 minutos imagina el cuerpo como una escultura viviente, mientras las minucias de los movimientos corporales de Gingras se transforman de un lado a otro entre un cuerpo virtual animado por Ratté.
NINO CAIS
Il lavoro di Nino ci invita a riconsiderare gli oggetti che ci circondano, prestando loro attenzione sotto una prospettiva diversa. Tuttavia, improbabile per molti artisti contemporanei, Nino non sovverte oggetti trovati per fare un commento sull’arte stessa, chiedendosi cosa sia o cosa non sia arte, né intende fare una critica alla società dei consumi.
KIRSTY MITCHELL
كيرستي ميتشل
柯丝蒂米切尔
קירסטי מיטשל
カースティ·ミッチェル
Кирсти Митчелл
The Coronation of Gammelyn
« Wonderland« , une série fascinante de la photographe anglaise Kirsty Mitchell qui nous entraine tel Alice au Pays des merveilles dans un univers coloré et onirique, à la fois poétique et surréaliste. Un monde fantastique magnifique qui rend hommage aux contes de son enfance, mêlant nature et mode dans des compositions imaginées avec finesse et délicatesse…
Chris Salter
n-Polytope: Behaviors in Light and Sound after Iannis Xenakis
N_Polytope: Behaviors in Light and Sound After Iannis Xenakis is a spectacular light and sound performance-installation combining cutting edge lighting, lasers, sound, sensing and machine learning software inspired by composer Iannis Xenakis’s radical 1960s- 1970s works named Polytopes (from the Greek ‘poly’, many and ‘topos’, space). As large scale, immersive architectural environments that made the indeterminate and chaotic patterns and behaviour of natural phenomena experiential through the temporal dynamics of light and the spatial dynamics of sound, the Polytopes still to this day are relatively unknown but were far ahead of their time. N_Polytope is based on the attempt to both re-imagine Xenakis’ work with probabilistic/stochastic systems with new techniques as well as to explore how these techniques can exemplify our own historical moment of extreme instability.
Anna Dumitriu
Cybernetic Bacteria
In the earliest stages of my work, I was intrigued by normal flora bacteria, the ubiquitous bacteria that live on us, in us, and around us. At the time this area was described as being of no commercial or medical interest – an ideal area for artistic research some might say! It threw into question for me the ways in which our scientific understanding of the world is limited by mundane things like finance, and how the limits of our understanding are drawn by factors other than curiosity.
Actual Objects
Vicky
Vicky is an interactive film that tells the non-linear story of a future hurricane on the southern border of the United States in 2028. The narrative, which is augmented by sound design from Theo Karon, is spread across multiple screens, each of which houses a different character reflecting on the situation in different ways.
TONY MATELLI
ТОНИ МАТЕЛЛИ
Arrangement
Using an often hyperrealistic idiom, Matelli describes the more disquieting sides of human beings and human society. His sculptures straddle the boundary between uneasiness and humour: in a number of the works he turns innocence into absurdity, such as when animals or humans are maltreated by various weapons and devices.
Vjsuave
Suaveciclo
File Festival
Vjsuave est Ygor Marotta et Cecilia Soloaga, un duo d’art des nouveaux médias, basé à São Paulo, au Brésil. Spécialistes de l’animation, de la projection en mouvement et du graffiti numérique, ils ont réalisé 4 courts métrages, «Run», «Homeless», «La Cena» et «Trip». Leurs principales performances sont: «suaveciclo» – un tricycle adapté pour projeter dans le rues, peinture en direct et animation avec ipad, performances audiovisuelles en direct, vidéo mapping et installations audiovisuelles spécifiques au site. Ils veulent communiquer l’amour à travers la lumière. Leurs performances sont poignantes, chaleureuses et personnelles, fabriquées à partir de supports dessinés et peints à la main, transformées en animation numérique, puis cartographiées par projection d’une manière qui semble donner vie aux rues de São Paulo. Les personnages dansent et courent à travers le paysage urbain, avec un mélange convaincant de mouvement simulé et de véritable projection en mouvement.
STUDIO FUKSAS
Matilda Home
The idea to bring design also in common life attracted us. This is a new concept of habitat of house. It’s a mobile home it can be everywhere around the world; everybody can be a client. It’s a modular unit so many of them can be added together like a cloud. It can even be a city .This is not an object, it is a concept, it can be a city, a landscape or simply an home. Easy to build, it can be done in different materials more or less expensive. Matilda is a completely different space since nowadays we don’t need so much storage space, you just need to have a screen. The only thing is important is to have a nice place to eat, to seat and to sleep but also this can be done with something you close when you don’t need
NASA/GSFC/SDO
sun
GREGORY EUCLIDES
غريغوري إقليدس
Грегори Эвклид
