Suzy Lelièvre
Echelle
Después de haber hecho sus estudios de Bellas Artes de Nîmes, seguido de Lyon, este joven artista se ha convertido rápidamente en un experto en pecados, metamorfosis, de todo tipo de elementos domésticos.
Es un diseño que se niega a la funcionalidad, jugando con los materiales y la producción de siluetas mutantes. Cuando Suzy Lelievre dibuja una valla de seguridad de una tienda, está es en papel. Una barandilla de protección puede perfectamente estar en yeso.
Suzy no toma ventaja de las cosas: cada objeto cotidiano se convierte en sus dedos en una forma incongruente. Produce figuras que están en la frontera entre el arte y el diseño.
Nestor Lizalde
El pasajero
El Pasajero es una obra de arte electrónico que genera formas lumínicas a través de sus 400 lámparas de gas, reaccionando a diferentes comportamientos mediante el sonido y algoritmos variables. Su cuerpo formado por nueve módulos semitransparentes, irradia tanto por su frontal como por su parte trasera una luz orgánica cuando las partículas de gas contenidas en sus lámparas son excitadas mediante impulsos de alto voltaje. A través de sus paredes acrílicas pueden verse los componentes electrónicos que dan vida a este golem sintético que opera como escenografía en este primer proyecto de N0Collective, una experimentación que transita la hibridación de los Nuevos Medios con las Artes Escénicas en busca de nuevas experiencias interdisciplinares.
RICHARD GOODWIN
black dots
MELISSA GAMWELL
Well bronze age
Melissa Gamwell is an artist and writer based in New York. A recent graduate from the Royal College of Art, she currently works with a focus on abstraction of functional industrial objects, creating one-off pieces primarily in ceramic and metal. In addition to making objects, she researches and writes on her interest in both historical and modern object mythologies, contributing to publications such as Ceramic Review, PIN-UP magazine and Arc magazine.
James Tenney
Cellogram
composed by James Tenney
performed by Ashley Walters – cello
James Tenney made significant early musical contributions to plunderphonics, sound synthesis, algorithmic composition, process music, spectral music, microtonal music, and tuning systems including extended just intonation.
Peter Macapia
Dirty Geometry:Cloud
Dirty Geometry: Cloud is a six-panel folded screen generated using algorithmic computation with random variables. Between the drawing and the surface lies an infra-thin space perpetually reconstituted; one hue replaces another as the light shifts outside; becoming more intense, now
SEIKO MIKAMI
Desire of Codes
This interactive installation consisting of three parts is set up in YCAM’s Studio A, a space that is normally used for theatre performances.
A large number of devices resembling tentacles with built-in small cameras are placed across a huge wall (Part 1), while six robotic “search arms” equipped with cameras and projectors are suspended from the ceiling (Part 2). Each device senses with insect-like wriggling movements the positions and movements of visitors, and turns toward detected persons in order to observe their actions. In addition, a giant round-shaped screen that looks like an insect’s compound eye is installed in the back of the exhibition space (Part 3). Visual data transmitted from each camera, along with footage recorded by surveillance cameras installed at various places around the world, are stored in a central database, and ultimately projected in complex images mixing elements of past and present, the venue itself and points around the globe, onto the screen. The compound eye visualizes a new reality in which fragmentary aspects of space and time are recombined, while the visitor’s position as a subject of expression and surveillance at once indicates the new appearances of human corporeality and desire.
CHRIS CUNNINGHAM
Björk: All Is Full of Love
The video reaches its harmonious climax as the robots join in embrace, still being detailed by the robotic machines beside them.
Each robot was designed by Cunningham, faces reminiscent of Björk’s own delicate visage. The sterility of the room and lighting and the rendered movements of the machines contrasts with the fluid motions of the robots as they connect in a purely human method.
QUBIT AI: Banz & Bowinkel
Bots
FILE 2024 | Installations
International Electronic Language Festival
Bots presents a computer-controlled society through a series of algorithmically controlled humanoid avatars that appear on physical carpets using augmented reality (AR). Real-time performances synthesize human behavioral patterns into a formalized digital social study. Omnipresent, combined with our devices and incorporated into virtual environments, the work reminds us of our own digitalized world, in which we are surrounded by invisible bots.
Bio
Giulia Bowinkel (born 1983) and Friedemann Banz (born 1980) live in Berlin and have worked together under the name Banz & Bowinkel since 2009. In 2007 they graduated from the Art Academy with Albert Oehlen and started making art with computers . His work encompasses computer-generated imagery, animation, augmented reality, virtual realities and installations.
Naho Matsuda
EVERY THING EVERY TIME
The piece presents a running commentary on the activity of the city in which it’s located. The ‘poetry,’ which is created by an algorithm which randomly selects and rearranges the data collected from a number of site-specific points, and is posted on a website. The Pis pull the poetry from the website over 4G and then transmits the letter addresses via ethernet to the arduinos and then to the motors using I2C network protocol. The act of this then triggers the algorithm to generate a new poem.
GEORGE IVANOVICH GURDJIEFF
“Man lives his life in sleep, and in sleep he dies.” ‘As a result of this each person perceives things from a completely subjective perspective. He asserted that people in their typical state function as unconscious automatons, but that a person can “wake up” and become a different sort of human being altogether” GEORGE IVANOVICH GURDJIEFF
meetings with remarkable by Peter Brook
