바트 헤스
巴特·赫斯
בארט הס
БАРТА ХЕССА
SIlVERNanine Linning
Nothing has changed as radically in the last few decades as the technology we surround ourselves with on a daily basis. Modern means of communication let the world shrink to a pocket size Global Village. Medical technology promises life beyond its natural limits. Robotics, cybernetics and developments in the field of artificial intelligence put the equally fascinating as disquieting idea of artificial life within our grasp. Nanine Linning’s new production SILVER addresses the intimate – and increasingly intrusive – relationship between the human and the technological, showing the beauty of its aesthetics, but also questioning its promise of ever increasing progress and self-improvement.
The Firm of the Firmament
Mylène Boisvert was born in Drummondville, Quebec in 1971. She lives and works in Montreal where she completed training in Visual Arts at Concordia University and in Textile Design at the Centre design et impression textile (CDIT). She has several years of experience as a textile designer for the knitting industry and as a teacher at the CDIT. Her works were shown in several solo and group exhibitions in Quebec, Ontario, Buenos Aires, Paris and Tournai. A two-time bursary recipient from the Conseil des arts et des lettres du Québec, she was also awarded numerous prizes and she earned an honourable mention at Fibreworks 2014, a biennial Canadian fibre work juried exhibition.
تاكاهيرو ماتسو
松尾高弘
타카히로 마츠오
Такахиро Мацуо
Noctiluca
Swimming in a glowing, underwater sea of jellyfish would be a really beautiful experience. But, with limited access to the deep sea, this interactive installation by artist Takahiro Matsuo could be considered a backup to that kind of actual encounter. The dark blue room, a reminder of the oceanic abyss, is a seamlessly flowing design in which viewers can appreciate the beauty of these fascinating creatures without having to actually run the risk of a jellyfish sting.
Mannequin Death
Jarring and violent yet strangely hypnotizing, the video references the Kantian sublime landscape and the “sex appeal of the inorganic,” which, the Italian philosopher Mario Perniola argues, marks the transition from an organic, bodily sexuality to an inorganic and artificial one.
mirrors reflection field for coachella
彫刻は、空間を移動する単一の閉じた連続した偏心線を明確に表現します。
線の動き、速度、軌道は、アーティストが振り子を使用してスタジオで作成したドローイングによって通知されます。 これらの図面は、CADベースのソフトウェアを使用して、彫刻の作成に使用されるショップ図面に転記されます。
グラッターのアルミニウム彫刻は、視点に応じて優雅にうねり、根本的に反ります。 彫刻は、音楽理論に基づいて自動描画を行うためのビクトリア朝時代の装置である、アーティストのハーモノグラフの描画を参照しています。 ビクトリア朝のポップテクノロジーと洗練された超近代的な素材の融合は、概念的に厳密な一連の作業をもたらします。
The Robotic Chair
The Robotic Chair is a generic-looking wooden chair with the capacity to fall apart and put itself back together. With shuddering force, the chair collapses to the floor. With persistence and determination, it proceeds to seek out its parts and upright itself. Powered by MICROMO coreless dc motors, The Robotic Chair is distinguished in the world of objects for its capacity to elicit empathy, compassion and hope.
Shred
‘Shred’ is een generatieve animatie die NFT’s als grondstof gebruikt. Het algoritme dat de dynamische inhoud van het scherm activeert -op maat ontworpen door de studio- legt in realtime duizenden NFT’s vast die worden geüpload naar e-commerceplatforms. Vervolgens versnippert het de afbeeldingen in rijen pixels en weeft de rijen, net als in een weefgetouw, samen tot nieuwe configuraties. Deze onophoudelijke activiteit roept de onophoudelijke en onvermoeibare koorts van digitaal verzamelen op.
impacts sans titre
ДУ ХУ СА
ドーホー・スー。
서도호
specimen series refrigerator
348 West 22nd Street
Do Ho Suh est un artiste Coréen qui crée des installations spectaculaires en utilisant diverses matières et notamment le tissu polyester. Afin d’explorer les liens entre individualité et communauté, il utilise souvent le fils et le tissu pour investir l’espace. En déformant les perspectives et en jouant sur les propriétés même des matières utilisées, l’artiste met à l’épreuve notre perception de l’espace et notre place dans celui-ci. Époustouflant !
Интерактивное аудиовизуальное танцевальное представление
Breakdown исследует двумерный симулированный мир, в котором его физические правила постоянно меняются и ими манипулирует внешняя сущность. Обитатель этого мира находится в постоянном движении, чтобы приспособиться к его характеристикам. Он взаимодействует с физическими правилами и развивает диалог с сущностью, контролирующей силы. В конце концов, обитатель нарушает правила мира и попадает в новый мир, новое измерение.
Ad lib
Die Klangskulptur Ad lib. kombiniert eine medizinische Maschine für die automatische Lungenbeatmung mit einigen Orgelpfeifen, die einen musikalischen Akkord im konstanten Rhythmus des mechanischen Atems spielen, und schafft so ein künstliches Organ, das metaphorisch ein mechanisches Requiem ist, das unaufhörlich klingt. Der Titel des Werkes Ad lib., Eine Abkürzung für den lateinischen Ausdruck “ad libitum“, ist eine musikalische Beschriftung, die dem Interpreten Ermessensspielraum bei der Interpretation gibt und es beispielsweise ermöglicht, bestimmte Takte der Partitur “nach Belieben“ zu wiederholen. Die Skulptur soll sich auf die Situation beziehen, in der Menschen, die unter kritischen Gesundheitszuständen leiden, ihr Überleben an ein Atemgerät gebunden sehen und daher im Ermessen derer, die sich um sie kümmern.
Moncler’s Genius Fall 2020
Since its inception, the Moncler genius project has asked designers coming from diverse cultures to create capsule collections inspired by the iconic Moncler puffer jacket. For his collection, london-based designer Richard Quinn visited the retro-futurism of the sixties. With clear influences like stanley Kubrick’s 2001: A Space Odyssey and Twiggy, the collection perfectly blends maximalism, bold colors and couture shapes. Of course, Quinn’s flower prints — part of his design DNA — were not left behind.
Upgrading the Human Brain
Oracle
Oracle is an amalgam of concepts tied together by the common thread of the user interface.To that end, it is a reflection of AI and UI as they exist in society’s consciousness: On first glance masculine, cold and austere; yet muted in its austerity and restrained by a warmth that is undeniably feminine.
Nine Bats
The abstract and colorful patterns of Kølbæk Iversen suck our bodies and envelop us in total installations that deal with the body, corporeality and phenomena such as phantom pain. The works store poetic and existential narratives of what it means to be human.