MISCHER TRAXLER
Relumine
LA FURA DELS BAUS
Richard Wagner – Das Rheingold
Zu behaupten, dass der Theaterzauberer Richard Wagner zeitgenössische Filmtechniken vorweggenommen hat, ist wie zu behaupten, dass seine Musik Modernismus und Atonalität vorweggenommen hat: Es kann keinen endgültigen Beweis geben. Unbestreitbar bleibt, dass Wagner überzeugende Darsteller braucht: Sänger und Schauspieler, die auch unter schonungslosen Kamera-Nahaufnahmen überzeugen, und Dirigenten, die große, ungebrochene Spannweiten überzeugend gestalten können, ohne unangenehme Tempo- oder Stimmungsschwankungen.In den begleitenden „Bonus“ -Kommentaren besteht Mehta sehr darauf, dass dieser Ring von La Fura dels Baus inszeniert wird, einem Straßentheater- / Pantomimen-Kollektiv, das er bewundert.
NINO CAIS
Il lavoro di Nino ci invita a riconsiderare gli oggetti che ci circondano, prestando loro attenzione sotto una prospettiva diversa. Tuttavia, improbabile per molti artisti contemporanei, Nino non sovverte oggetti trovati per fare un commento sull’arte stessa, chiedendosi cosa sia o cosa non sia arte, né intende fare una critica alla società dei consumi.
Kazuhiro Yamanaka
collapsible moon
The big circular Lamp of Kazuhiro Yamanaka draws inspiration from his particular relationship with the moon.
BJOERN SCHUELKE
Bildverarbeitungsmaschine
Björn Schülke ist von den kinetischen Skulpturen des deutschen Klangkünstlers Peter Vogel und Jean Tinguely beeinflusst und schafft komplexe vom Betrachter aktivierte Maschinen, die Bewegung, Überwachung und Klang kombinieren.
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Björn Schülke é influenciado pelas esculturas cinéticas dos artistas sonoros alemães Peter Vogel e Jean Tinguely e cria máquinas complexas ativadas pelo espectador que combinam movimento, vigilância e som.
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Björn Schülke is influenced by the kinetic sculptures of the German sound artists Peter Vogel and Jean Tinguely and creates complex machines activated by the viewer that combine movement, surveillance and sound.
WINKLER & NOAH
Winkler+Noah are a couple of Award winning Photographers and Directors based in Italy. Working together as a duo since 2006 in Europe and USA. Ranked in the top 10 worldwide, photographers and directors Winkler+Noah are an award winning Italian duo that has been working together since 2006 both in Europe and the USA.
Nicole Clouston
Mud
Nicole Clouston is a practice-based researcher currently completing her PhD in Visual Art at York University. In her practice she asks: What happens when we acknowledge, through an embodied experience, our connection to a world teeming with life both around and inside us? Nicole has exhibited across Canada in Montreal, Victoria, Edmonton, and Toronto. She is currently the artist in residence at the Coalesce Bio Art Lab at the University at Buffalo.
Anouk Wipprecht
Dutch based designer Anouk Wipprecht is working in the emerging field of “fashionable technology”; a rare combination of sartorial knowhow combined with engineering smarts and style, she has in a very short period created an impressive body of tech-enhanced designs bringing together fashion and technology in an unusual way. She creates technological couture; with background in fashion design combined with engineering, science and interaction design, she creates systems around the body that tend towards artificial intelligence; projected as ‘host’ systems on the human body, her designs move, breath, and react to the environment around them.
SONJA VORDERMAIER
sleepwalkers
在她的作品中，艺术家Sonja Vordermaier（* 1973）研究了多种材料的特定特性和动态品质。 Vordermaier雕塑和房间装置令人不安的美感，无论是棱角形的或无定形的，晶体的或植物的，技术性的还是猖ramp的-Vordermaier雕塑和房间装置的令人不安之美都是基于将常见的建筑材料转变为具有令人着迷的刺激力和几乎无穷无尽的联想潜力的结构。
»材料的组合导致相反的共生关系：软变硬，固体变轻，柔韧性变硬。艺术家的以过程为导向的作品（…）也是雕塑概念的作品，通过对非典型材料的表演性处理加以扩展，这些非典型材料在它们的联系中达到了新的材料状态。物体变成了物体，不仅触发了观看者的肉体接触，而且触发了他们的情感接触。«（Wiebke Gronemeyer）
Cod.Act
Sound City
Suspended from the ceiling by two springs and equipped with an oscillating weight fixed inside its body, a Sound City loudspeaker shakes in a disorderly manner in space. The music it plays reacts directly to the movements as if the musicians were inside the loudspeaker and trying in vain to adapt their playing to the turbulences. The originality of the movements comes from the pulsations and interferences produced by the interaction of two coupled harmonic oscillators (the spring and the pendulum) not having the same natural frequency. The two pneumatic jacks to which the springs are attached control the amplitude of the swings.
