Dutch based designer Anouk Wipprecht is working in the emerging field of “fashionable technology”; a rare combination of sartorial knowhow combined with engineering smarts and style, she has in a very short period created an impressive body of tech-enhanced designs bringing together fashion and technology in an unusual way. She creates technological couture; with background in fashion design combined with engineering, science and interaction design, she creates systems around the body that tend towards artificial intelligence; projected as ‘host’ systems on the human body, her designs move, breath, and react to the environment around them.

Паола Пиви
How I Roll

ダグラスD.プリンス

Huh

Samurai Chair

ميشا جوردن
Миша Гордина

ريتشارد جاكسون
理查德·杰克逊
РИЧАРД ДЖЕКСОН
リチャード·ジャクソン
Bob’s Pictures

اروين بلومنفلد
埃尔文布鲁门费尔德
ארווין בלומנפלד
ЭРВИН БЛЮМЕНФЕЛЬД

Коэн Демюйнк

Фридмен, Том
톰 프리드먼
トム・フリードマン
Tom Friedman’s art has been exhibited extensively in the United States and internationally. The quirky, and flawlessly executed work tends to defy categorization. While his art is often linked to 1960s Conceptualism and Minimal art, Friedman invents his own visual language through his almost obsessive attentiveness to detail and his striking ability to transform the familiar into the unexpected. He uses common household materials such as aluminum foil, spaghetti, fishing line, hair, Styrofoam, and Play-Doh to create works that rearrange the viewer’s perceptions of the everyday environment.

baby yar lg

inter-actions

КСАВЬЕ ВЕЙЛХАН
Jean Nouvel

On Your Wavelength (Canary Wharf)
“The installation acts a feedback loop. It actively rewards concentration, visitors feel a sense of achievement at casting away their inhibitions and achieving clarity”.
Marcus Lyall

The Contemporary Art Center in Córdoba is not a centralized building: the center moves from one space to another, it is everywhere. It is configured as a sequence of precincts linked to a public space, onto which all the different functions of the building flow. Conceived as a place for interaction, it is a common space in which one can express and exchange ideas, see an installation, access exhibitions, visit the cafeteria, spend time in the media library, wait for a performance to begin in the black box, or maybe simply look out onto the Guadalquivir River. The materials help to achieve the art factory character pervading the entire project. In the interior, bare walls, slabs of concrete, and continuous paved flooring establish a spatial structure susceptible to being transformed individually through different interventions. A network of electric, digital, audiovisual, and lighting infrastructures ease access to sockets and connections throughout the building. On the exterior, the building asserts its presence by means of a single material: prefabricated concrete fiberglass panels, or GRC.

克里斯托弗·哈斯勒
Кристофера Хасслера
Point of view

Автобиография
Автобиография – это абстрактная медитация на аспекты личности, жизни и письма, нелинейный подход к истории жизни, отражающий как воспоминания прошлого, так и спекулятивные перспективы. МакГрегор работал с танцорами из своей компании в 2017 году, чтобы создать хореографию из старых произведений, личных воспоминаний, произведений искусства и музыки, которые были важны в его жизни. Из этих элементов были созданы 23 секции материала движения, отражающие 23 пары хромосом генома человека. Затем хореографические события из 23 секций были введены в алгоритм, основанный на генетическом коде МакГрегора.

КСАВЬЕ ВЕЙЛХАН

تاكانوري ديك
Таканори Айба
たかのり あいば

Centro de Convívio de Grândola
No Centro de Convívio de Grândola uma completa transparência horizontal une todo o espaço, que como vivência se diferencia no “peso” dos vazios verticais.more…

neon luminance

一月史云梅耶
ヤン·シュヴァンクマイエル
Ян Шванкмайер
Dimensions of dialogue
Surrealist genius Jan Svankmajer’s stop frame masterpiece ‘Moznosti dialogu’ (Dimensions of Dialogue) drew on his experience with puppetry, experimental theatre and his role in the Czechoslovakian Surrealist Group, to create an examination in three parts of how humans communicate and what can often go wrong.

MAGNUM CHAOS

We don’t come from any place and we don’t come from any space.
Energy is thy secret origin. She begets life and she connects us to the whole.
Energy is the secret of thine origin.

آلان رينيه
阿兰·雷奈
אלן רנה
アラン·レネ
알랭 레네
Ален Рене
Last Year at Marienbad

Beacon

马克·瑞登
Марк Райден
マーク・ライデン
Aurora
Neen, dit keer geen Japanse koestenaar! We doen het gewoon op z’n Amerikaans. Mark Ryden is een koenstenaar die leuke cartoonachtige karakters in een surrealistische opstelling schildert. Mark Ryden is geboren in Medford Oregon in Amerika.

Borderline PD #1

Graduate Fashion Week 2018

“One of the boldest statement pieces of the week, even more so than the fluorescent collections! Neyazi’s huge puffy fat suit resembling garment was incredibly unusual. The ballooning dress took on a very unique silhouette.The models were send down the runway wearing headpieces which matched the round bunched bottom shaped dress. The brown, beige and burnt orange colour pallet evoked a bonfire and the huge blown up dresses adhere to a fire form.” Chloe Alexandra Lawrence

独特的视觉和声音安装。 一种三维金属结构，铰接在桥周围，并由视频映射设备进行动画处理。 通过电视屏幕的集成而产生的混乱，模糊了真实与虚拟之间的界限，并突显了进入三维世界的通道。
由创意标签1024架构开发的项目（Pierre Schneider和FrançoisWunschel，EXYZT集体的创始人），由WELOVEART制作。

Майкл Пуделка
Michal Pudelka is a young eccentric photographer living and working in the Czech Republic. After studying art and fashion in Slovakia and France, Pudelka founded his own fashion magazine – Anonym, and was signed as a photographer to several major brands.

kiss

sun child

АРНЕ КУИНЗ
The Visitor, Beirut

توماس ساراسينو
托马斯·萨拉切诺
トマスサラセーノ
Cloud Cities

“Katja is inspired by the influence of everydays’ digital technologies on society and with that the arising questions about the identity of our human body. She fuses everydays’ technology, the dancers’ body and the presence of the audience into unconventional performances. Who moves who?”

Prometheus Bound
In Greek Mythology, Prometheus stole fire (technology) from Zeus and gave it to humans, and for this, he got crucified on a mountaintop, and had to endure the eternal pain as a punishment. Since the beginning of our civilization, technology has been the source of prosperity and development. But also it has been the cause of great tragedies such as war sand nuclear accidents. Setting the Aeschylus Greek tragedy “Prometheus Bound” as a starting point, Koizumi created VR (Virtual Reality) theater which deals with this age-old tension between humanity and technology, through collaboration with a person who is desperately longing for the technological advancement – a person who is suffering from ALS (Amyotrophic Lateral Sclerosis- the deadly neurological disease that make a person paralyzed). Through the dialogues with the man about his personal life and his visions of the future, they created a sci-fi vision in which past and future, self and others, humans and machines are all merged into one sequence of abstract VR theatrical experience.

Уго Рондиноне
the night of lead

lumiére
a complete new version, the result of performing Lumière for more than one year, condensed into a more sophisticated, more complex, more fragile, more massive synaesthetic experience! photos and more info online in early February.Based on self written software, this work on the edge of concert and site specific installation finds previously unseen beauty and minimalistic elegance in a commonly underrated medium. High power lasers draw complex morphing shapes and connect points in space. Lumière combines precise geometric figures with floating organic structures, presenting the archaic sign language of an alien culture communicating via emerging and disappearing traces of extremely bright light.Percussive and textural sonic events provide a counterpoint to the visual rhythm, resulting in a multi sensorial experience which at times is fragile and quiet, at others massive and overwhelming. Each Lumière performance is a unique and site specific real time exploration of synchronicity and divergence, of light and darkness at the limits of perception.

Great Chain of Being
FILE FESTIVAL
The great chain of being, an ancient philosophical concept, attempted to explain the structures and relationships of the world as a form of hierarchy or set of strata. This philosophical idea is here expressed in the form of the entities that constitute the contemporary world. The philosophers of the past believed that the structure of the world had at its top a god, and that beneath there were angels, animals, plants, and elements. But this conception of the world, as a result of the changes in civilization and culture, resulted in the elements that constitute the world undergoing a transition and sustaining an unforeseen hierarchy. The works of art depict the contemporary structure in the form of robots, machines, people, animals, and virtual or digital entities. Within virtual systems, these entities undergo a process of creation, arrangement, use, disposal and recycling, through which they emerge and disappear. The work depicts the stories emerging from these processes, against the background of a systemically designed landscape akin to a factory.
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