Энрике Оливейры
هنريك اوليفيرا
亨里克 – 奥利维拉
אנריקה אוליביירה
エンリケ·オリベイラ
앙리끄 올리베이라

Baitogogo

source: highlike

About: In the form of paintings, sculptures or installations, the hybrid art of Henrique Oliveira (b. 1973, lives and works in São Paulo) evokes both the urban and the vegetable, the organic and the structural, as well as art and science, through compositions in which the unexpected generates a universe tinted with the fantastic. Graduating from the University of São Paulo in 1997, the artist explores fluidity, the combination and color of materials, which endows his installations with a certain pictorial quality. Oliveira often borrows materials from the Brazilian urban landscape, notably tapumes, wood taken from fences surrounding and blocking access to construction sites. By using these materials, Oliveira highlights the endemic and parasitic nature of these constructions; evoking wooden tumors,* his installations function as a metaphor for the favelas’ organic growth, thus revealing the dynamic decay of São Paulo’s urban fabric. In the artistic lineage of Lydia Clark or Hélio Oiticica, he uses the very context of this sprawling city as a raw material. The way in which it is treated, as well as its unexpected apparition, destabilizes the visitor’s perception of space. Through a kind of architectural anthropomorphism, Henrique Oliveira reveals the building’s structure. At the Palais de Tokyo, he plays on the space’s existing and structuring features, prolonging and multiplying pillars in order to endow them with a vegetable and organic dimension, as though the building were coming alive. The artist draws inspiration from medical textbooks, amongst others, and particularly from studies of physical pathologies such as tumors. Through a formal analogy, these outgrowths evoke the outermost layers of the bark of a common tree. The texture of this wooden tapumes installation inevitably calls to mind certain tree essences from Amazonian, humid tropical forests: the rivulets and other nodes constitute uncontrollable networks, in a logic that man can no longer suppress. Curator: Marc Bembekoff Part of the “Nouvelles Vagues” season at the Palais de Tokyo Opening the 20th June From the 21st June till 2014.
Photographer: Mark Domage
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source: retaildesignbr

O artista contemporâneo brasileiro Henrique Oliveira cria enormes instalações utilizando como matéria-prima madeira de compensado. A complexa arte abstrata de Henrique, segundo o próprio artista, não tem propósito ou mensagem clara, porém seus trabalhos lembram grosseiras pinceladas em uma tela e são cheias da organicidade de um organismo vivo, de vísceras e do interior do corpo humano.
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source: rebazartblogspot

When Henrique Oliveira returned to his home in Ourinhos, Brazil, after graduating from college in 1997 with a degree in social communication, he found the resolve to change course and dedicate himself to painting. A year later, he installed his first show in a bar in São Paulo and within a few short months was enrolled in the prestigious fine arts program at the University of São Paulo. His emphasis shifted over the course of his studies from pictorial illusion to experiments with surface. He began to layer canvas on canvas like a collage, or rub sand into his paint to add texture. As he worked, he watched the wood fencing–known as tapumes–around a construction site across from his studio weather and deteriorate. A week before the end-of-year student exhibition, the fences came down. He gathered the wood and set to work on his first installation.
Oliveira’s use of weathered strips of tapumes to evoke the stroke of a paintbrush or the folds of human flesh has become a trademark. His installations, combined with his ongoing explorations of the expressive movement and cumulative effects of layers of paint, have rapidly earned Oliveira international recognition. His work has been exhibited on three continents and in 2010 he was included in both the São Paulo and Monterrey Biennials and received Brazil’s illustrious Marcantonio Vilaça prize for the arts. The National Museum of African Art is proud to be the first US museum to showcase the work of this emerging star as part of a dialogue with South Africa’s Sandile Zulu.
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source: dasartes

Nasceu em Ourinhos, interior de São Paulo, em 1973. Atualmente vive e trabalha em São Paulo. É formado em Artes plásticas, com bacharelado em pintura na Escola de Comunicações e Artes (Universidade de São Paulo) e é Mestre em Poéticas Visuais.
Já expôs suas obras no Rio de Janeiro, Goiás, Bahia, Paraná, México, França, EUA, Espanha, Argentina,
Recebeu os prêmios: Marcantônio Vilaça para Artes Plásticas, Prêmio Festival de Cultura Inglesa (SP), Troféu “Water Tower” , na categoria artes plásticas (SP), Prêmio aquisição (Centro Cultural SP), Prêmio Projéteis FUNARTE de Arte Contemporânea (RJ), Prêmio Fiat Mostra Brasil, e o Prêmio Visualidade Nascente (Centro Universitário Maria Antonia).
Teve estúdio residência no Cité Internationale des Arts (França, 2008) e Atelier Amarelo (SP, 2005).
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source: naimoka

Installations sculpturales en bois de l’artiste brésilien Henrique Oliveira, semblables à d’énormes racines ou à des boursouflures organiques qui envahissent les espaces d’exposition dans lesquels elles sont présentées. Henrique Oliveira est né en 1973 et vit à São Polo.
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source: art-assortyru

Бразильский художник Henrique Oliveira (Энрике Оливейра) подошёл к своему творчеству с выдумкой. В современном искусстве очень сложно найти нишу, которую ещё не заняли или не опробовали, но вот этому скульптору это удалось. Он собирает кусочки деревьев, которые были срублены и готовились отправиться либо в печь либо на свалку и создаёт из них невероятные масштабные инсталляции.

Для того, что бы создать трёхмерную композицию – Tridimensional – Henrique Oliveira долго собирает кусочки дерева на улицах родного города Сан-Пауло. После того, как инсталляция закончена, зрители попадают в удивительный мир. Огромный ствол дерева, изогнувшийся и скрутившийся в морские узлы, поражает необычностью. Это целая живописная картина. Огромная мозаика, собранная из кусочков разных деревьев. Приглядевшись, можно понять, что каждая щепка, каждый кусочек представляет собой как бы мазок кисти художника.

В настоящее время эта скульптура выставляется в Смитсоновском Национальном Музее искусства Африки, который находиться в США, город Вашингтон.
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source: sahattabuk

هنريك اوليفيرا فنان يستخدم لمسات ابداعية في نحت الاخشاب ليظهرها وكأنها حقيقة هذا الفنان الفائز الفائز بالعديد من الجوائز على مستوى العالم من مواليد 1973 اقام هذا المعرض في البرازيل ليجعل من قاعات المعرض لوحات بالكامل محتضنة هذه المنحوتات الجميلة
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source: drevoastavbycz

Brazilský umělec Henrique Oliveira je autorem masivní skulptury ohromného dřevěného hada, který se v prostorách galerie rozpíná tolik, že „trhá“ stěny a strop místnosti. Jeho dílo je kombinací hned několika rozměrů umělecké tvorby – snoubí v sobě sochařství, malířství i architekturu.