Герберт Баглион

1000 shadows

source: arrestedmotion

It looks like Herbert Baglione has been having some fun in Parma, Italy recently. Hanging out in an abandoned psychiatric hospital, the renowned Brazilian street artist took advantage of the location to continue his 1000 Shadows project, a series of works where he paints floating silhouettes on floors and walls. In this setting, one can imagine the poor souls that used to live in this place.
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source: boredpanda

We love showing you street artists who push the boundaries of their art form, and Brazilian artist Herbert Baglione loves to deliver. When in Parma, Italy, Baglione took the opportunity to visit a local abandoned psychiatric hospital and fill it with shadows and phantoms from his wild imagination.

The long, smoke-like shadows are part of his 1000 Shadows project, in which he has been painting similar silhouettes in different installations around the world. These in particular are especially powerful, as they call to mind the tortured psyches that once inhabited these now-abandoned halls.

We’d love to see the look on someone’s face when they wander into this psych ward and discover these pieces without having known that they’re there.
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source: auibtimes

Herbert Baglione has developed a habit of stunning the critics and the common man alike with his street art. This street artist from São Paulo, Brazil is a maestro who never fails to mesmerize. Baglione has been painting on public streets and walls in Madrid, Paris and other undisclosed locations.

His latest wonder is a series called “1000 Shadows,” for which he chose an abandoned psychiatric hospital situated near Parma, Italy. He created some of the most intriguing pieces of modern art on the walls and the floors of the old building.

The hospital was originally sinister looking, as it was long abandoned. Baglione manages to create it even more frightening by painting a series of eerie shadows. If these do not throw a chill wave into your spine, you are far from a mere mortal. The experi’mental’ series is apparently crafted to scare the urban population to the extreme.

The winding figures which are anatomically fine otherwise, shift shapes in improbable positions. They lurk from unlikely places ranging from darkened rooms and disfigured walls. This is not the first time Baglione is engaged in daunting activities when it comes to his art. Mexico City witnessed a show recently, where he painted with own blood.

This time, Baglione invaded the unspecified mental hospital and used empty wheelchairs and broken walls to add more life to his art. Creepy figures originate from the chair and move towards improbable directions.

Many find Biglione’s art intriguing while some find it extremely negative which lacks sensitivity. No matter what the world may think of this series, it definitely adds a creative charm to the abandoned hospital. The shadows provide an amazing depiction of the people who stayed there. It also tells numerous stories of the fears, follies, screams and delusions which once echoed around the walls.
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source: appnewsfanswong

之前我們介紹過很多風格的壁畫，像是《乾淨街頭壁畫》、《可愛卡通壁畫》等等，大多我們常看到的街頭壁畫都是色彩鮮豔或是圖案逗趣的，很多藝術家也會藉由彩繪街頭來讓一個城市變得更有生氣活力，倒是比較少看到巴西藝術家Herbert Baglione這樣陰沉有如鬼影般的壁畫。
陰森《鬼影壁畫》

這裡是義大利Parma的一間廢棄精神病院，其實沒人出入的廢墟已經非常陰森，看到從輪椅下方有黑影飄出來感覺又更恐怖了…
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source: taringanet

Como si los hospitales psiquiátricos no eran lo suficientemente espeluznante, el artista callejero Herbert Baglione habita en ellos con sus propios fantasmas. Durante su visita a Parma, Italia, el artista dibujó negras sombras fantasmales en las paredes de un hospital psiquiátrico abandonado, Cada una de las siluetas negras parece muy potente e inquietante, ya que te lleva a pensar en todas las almas que vagaban por estos pasillos, perdido en los laberintos de su propia mente.
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source: reverbcity

xistem determinados locais em que o ar é mais pesado, não importada o passar do tempo, eles nunca perdem sua alma sombria. Geralmente são locais onde o sofrimento tomou conta, tanto que passam anos sem ninguém tomar interesse por eles.

O artista brasileiro Herbert Baglione, encarou um hospital psiquiátrico abandonado em Parma, para visualmente estampar nas velhas paredes do local todas as sombras que lá habitam. O projeto 1000 Shadows, existe desde 1999, sempre deixando sombras em chãos e paredes de locais abandonados.

Para Jung, a sombra representa o lado animalesco na nossa personalidade humana. A sombra projetada, por ser um ente irracional e cheio de instintos, leva uma inferioridade pessoal a se tornar uma deficiência moral. Quando esta deficiência acaba por isolar ou paralisar alguém, acaba criando um isolamento do mundo real. Baglione não poderia ter escolhido local melhor.

Além de Parma, o trabalho já esteve em projetado em São Paulo, Madrid, Niort, Miajadas, Paris e outros locais.
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source: el-nacional

1000 Sombras es un proyecto del artista brasileño Herbert Baglione que se basa en pintar sombras misteriosas en edificios abandonados. Las siluetas pintadas han aparecido en las paredes, pisos y techos de habitaciones vacías y casas abandonadas fuera de São Paulo y París. Sus interpretaciones creativas buscan añadir una narración a la arquitectura y a las almas que alguna vez habitaron.
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source: lupiga

Dugo smo se mučili i strpljivo čekali dok nismo napokon naišli na jednog Brazilca kojemu osnovni alat za preživljavanje nisu pouzdana desnica, profinjena ljevica, gipki pokret i kožna lopta. To dakako ne znači da Herbert Baglione nema savršenu tehniku, izvrstan osjećaj za prostor te nepogrešiv udarac. No, ne biste vjerovali, u Brazilu se ne bave svi nogometom, a današnji gost ovu je drevnu englesku vještinu, koju često, ne posve neumjesno zovemo i umjetnost, zamijenio kistom i bojom.

Dugo smo se mučili i strpljivo čekali dok nismo napokon naišli na jednog Brazilca kojemu osnovni alat za preživljavanje nisu pouzdana desnica, profinjena ljevica, gipki pokret i kožna lopta. To dakako ne znači da Herbert Baglione nema savršenu tehniku, izvrstan osjećaj za prostor te nepogrešiv udarac. No, ne biste vjerovali, u Brazilu se ne bave svi nogometom, a današnji gost ovu je drevnu englesku vještinu, koju često, ne posve neumjesno zovemo i umjetnost, zamijenio kistom i bojom.

Za razliku od milijuna zemljaka Herbert u trećoj godini nije uzeo loptu u noge već je pod utjecajem starijeg brata u ruke dohvatio boju. Posljednje desetljeće jedan je od najznačajnijih južnoameričkih umjetnika inspiriran uličnom umjetnošću.

Najčešće se bavi temama poput smrti, obitelji, individualizma i kaosa, a ovdje vam predstavljamo njegov posljednji rad koji je ostavio na zidovima napuštene psihijatrijske bolnice u Parmi. Dio je to projekta „Tisuću sjenki“ u sklopu kojeg oslikava zidove diljem svijeta. Lebdeće sjenke nekadašnjih stanovnika malo gdje imaju više smisla i ulijevaju manje straha nego na oronulim zidovima ludnice.
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source: strangeryru

Бразильский уличный художник Герберт Баглион (Herbert Baglione) творит в необычной манере, используя тени в своем творчестве. Его новый проект носит говорящее название «1000 Shadows» («Тысяча теней»).

В его рамках Герберт Баглионе изобразил жутковатые вытянутые тени, которые появились в заброшенной психиатрической больнице, расположенной в итальянской Парме.

Стены больницы стали лучшим «эмоциональным контекстом» для передачи щемящего чувства одиночества и запустения, которое царит в этом здании. Тени здесь повсюду: возле пыльных инвалидных колясок и на стенах с облупившейся краской. Проект «1000 Shadows» наполнил особым внутренним содержанием это покинутое здание и стал молчаливым напоминанием о душах тех людей, которые когда-то обитали здесь.

Эта серия бразильского художника напоминает знаменитый «Крик» от Эдварда Мунка.

Творчество бразильца не вызывает умиления или чувства радости.ю Скорее, наоборот, оно пробудит чувство одиночества, пустоты и безысходности. Но ведь и такое творчество нужно человечеству.
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source: jandannet

巴西街头艺术家 Herbert Baglione 不知怎样进入了一家位于意大利帕尔马的遗弃精神病院进行创作，作品颇为恐怖。从遗弃轮椅延伸到墙壁或者地板的黑色剪影容易让人觉得它们是生前受到折磨的怨灵，而这一切都是属于 Baglione 的项目《1000 Shadows》的一部分