ארווין וורם
アーウィンウーム
ЭРВИН ВУРМ

UFO CAR

source: lustnation

Fat cars and sculptures of men with hard-on’s are what can be expected with larger than life artist Erwin Wurm. Obviously at the height of his career, it is safe to say that Mr. Erwin has yet to lose his sense of humor when it comes to his subject matter. He challenges his viewers with objects that defy the laws of gravity and follow no form to general functionality. Erwin creates a world that is full of imagination and visual excitement that intrigue even the most snobby of art critics. -LN

Erwin Wurm (born 1954) is an Austrian artist born in Bruck an der Mur / Styria. He currently lives and works in Vienna and Limburg, Austria. Since the late 1980s, he has developed an ongoing series of “One Minute Sculptures”, in which he poses himself or his models in unexpected relationships with everyday objects close at hand, prompting the viewer to question the very definition of sculpture. He seeks to use the “shortest path” in creating a sculpture — a clear and fast, sometimes humorous, form of expression. As the sculptures are fleeting and meant to be spontaneous and temporary, the images are only captured in photos or on film.

In The Artist Who Swallowed the World (Hatje Cantz) Wurm is quoted as saying: “I am interested in the everyday life. All the materials that surrounded me could be useful, as well as the objects, topics involved in contemporary society. My work speaks about the whole entity of a human being: the physical, the spiritual, the psychological and the political.”

Erwin Wurm is known for his humorous approach to formalism. About the use of humor in his work, Wurm says in an interview: “If you approach things with a sense of humor, people immediately assume you’re not to be taken seriously. But I think truths about society and human existence can be approached in different ways. You don’t always have to be deadly serious. Sarcasm and humor can help you see things in a lighter vein.” Although the images are slightly humorous, they also differ enough so from the true image they can be haunting. Wurm’s work portrays manipulated images of things in everyday life, things we find familiar, but they become distorted. Pieces like Truck, where a truck curves up against the building or another example would Narrow House, a thing claustrophobic house, take something familiar to all and distort it by enlarging, curving it, of slimming it down. Quote: “I will often use humor to seduce people,” admits Wurm. “To get them to move closer, but it’s never very nice when they look closer.”

Most Recently, Erwin Wurm has worked on a series of sculpture titled Fat Car, which depict “puffy, obese, life-size sculptures that bulge like overfilled sacks”. The first of his Fat Car series was developed with Opel designers but they were unsuccessful in achieving the kind of shape that Wurm had in mind. In order to create the quality of fat, the artist uses polyurethane foam and styrofoam covered with lacquer.
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source: boumbang

Erwin Wurm est un artiste autrichien né en 1954 à Bruck an der Mur. Il a étudié la sculpture à la Kunstakademie de Vienne, puis est devenu professeur aux Beaux-Arts de Paris et commissaire d’expositions. Autant d’étapes qui lui ont permis à son tour de devenir artiste.

S’il est un mot qui pourrait caractériser et signer son travail c’est celui de « Wolume » tant l’ensemble de son œuvre est marqué par la questionnement sur la place, la position, l’équilibre et l’encombrement.

À ses débuts, l’artiste se fait remarquer avec ses « Dust pieces », sculptures intégrant comme seule composante la poussière, façonnée et mise en scène sous cloche ou à même le sol, de manière à révéler la présence d’un mystérieux « quelque chose ».

Puis, l’artiste se démarque plus nettement avec ses « One minute figures » et ses « One minute sculptures », performances pendant lesquelles il demande – au moyen d’une notice – aux visiteurs des musées où il expose de prendre une position particulière pendant un instant très court. S’allonger sur des balles de tennis, rester debout sur deux ballons, enfiler dix pulls, placer des cornichons entre ses doigts de pieds ou prendre une chaise à bras le corps… Quelles que soient les instructions, le résultat est le même: un corps contraint à s’adapter, à se mélanger, à prendre une autre forme souvent non naturelle et la création d’une sculpture éphémère et vivante, caractérisée par l’équilibre précaire et la tension. Une méthode que Erwin Wurm applique également à des objets: un canapé dont l’un des pieds tient seulement sur une allumette, une chaise en équilibre sur deux carottes ou encore un bidon de produit ménager placé contre un mur grâce à une simple branche. Autant de tentatives où le Erwin Wurm sculpteur, devient un Erwin Wurm metteur en scène, scénariste ou chef d’orchestre et où objets et humains deviennent une matière à détourner, à réinventer et à sculpter. Ces ready made humains distillent un humour ravageur et un sens de l’absurde réconfortant.
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source: publicdeliveryorg
Erwin Wurm, one of Austria’s most important and internationally famous sculptors, has been preoccupied with expanding the concept of sculpture since the 1980s. Wurm is primarily a sculptor, and traditional sculptural concerns such as the relationship between object and pedestal, the function of gravity, the fixing of form, and the manipulation of volume, play through all his work.
Increasing, remodeling or removing volume, the habitual interests of many sculptors, are given a new twist in Wurm’s work. Volume and adding volume are treated as sociocrital issues. In 1993, Erwin Wurm wrote an instructional book on how to gain two clothing sizes in eight days. Eight years later, he made his first Fat Car by plumping up an existing car with styrofoam and fiberglass, which resulted in a pitiful, chubby version of the original sportsy model. By taking the question of obesity, Wurm probes the link between power, wealth and body weight. He also wants to offer a sharp criticism of our current value system, as the advertising world demands us to stay thin but to consume more and more.
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source: dobleclic
Erwin Wurm is an Austrian sculptor and photographer born in Bruck an der Mur in 1954 who lives and works in Vienna. Trained at the Academy of Applied Arts in Vienna and the Academy of Fine Arts in Vienna between 1979 and 1982.
In his work appear in both the artist himself, as other people working with him in absurd statuesque poses, in most cases with the use of everyday objects. Its images are not simply the documentation of a performance. With this procedure is to constantly review the concept of sculpture in two respects: first, relocating to humanize objects and, secondly, objectified the human body.
Incongruous and unusual revolve around the work of Erwin Wurm (Bruck, 1954) and the viewer is torn between bewilderment and laughter. Function objects change and people change their meaning. Up is down and down is lateral. Perceptions are tested and created a parallel world where the artist questions resemble those of the philosopher where to find us, about us, why the world? Despite the questions, honestly confesses Wurm: “Every time has its own truth. That’s what artists and philosophers seek. However, both fail constantly. ”
At the age of 15 he knew he wanted to be an artist. His father worked as a detective in the police and their vision of the artists was more than suspicious. The fact that his son was like to be a taboo. ”My father loved everyone, even people he put behind bars. They send her little sculptures of towers or churches made with matches or cigarettes. He had a collection of miniesculturas. Maybe that made me want to be an artist “.
Sculpture is precisely the act that has been at the center of their concerns. Try, for example, volume, weight, balance and the way out of a podium, as in his sculpture than a minute, where the audience is instructed to produce for a given time: “Open your pants and put a bunch of flowers “,” Get into the nose two pencils and a stapler in the mouth “are some of the instructions to follow, and thus interact with the artist’s idea. The video and photography realize these episodes ephemeral. The concept of sculpture in Wurm’s work crosses borders and mixed with action to create powerful images that have a direct impact.
His work has appeared in the international art scene representative and belongs to the most important artists of the present.
The sample memory in the era of globalization: Perspectives from the look from the outside, curated by Sarolta Schredl, includes works by 20 years of artistic work of Erwin Wurm and is presented in the context of 200 years of Independence by Austria Embassy in Bogota in collaboration with the Austrian Federal Ministry for European and international affairs.
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source: theworldofphotographers
Erwin Wurm (born 1954) is an Austrian artist born in Bruck an der Mur / Styria. He currently lives and works in Vienna and Limburg, Austria.
Since the late 1980s he has developed an ongoing series of “One Minute Sculptures,” in which he poses himself or his models in unexpected relationships with everyday objects close at hand, prompting the viewer to question the very definition of sculpture. He seeks to use the “shortest path” in creating a sculpture—a clear and fast, sometimes humorous, form of expression. As the sculptures are fleeting and meant to be spontaneous and temporary, the images are only captured in photos or on film.
In The artist who swallowed the world (Hatje Cantz) Wurm is quoted as saying: “I am interested in the everyday life. All the materials that surrounded me could be useful, as well as the objects, topics involved in contemporary society. My work speaks about the whole entity of a human being: the physical, the spiritual, the psychological and the political.”
Erwin Wurm is known for his humorous approach to formalism. About the use of humor in his work, Wurm says in an interview: “If you approach things with a sense of humor, people immediately assume you’re not to be taken seriously. But I think truths about society and human existence can be approached in different ways. You don’t always have to be deadly serious. Sarcasm and humor can help you see things in a lighter vein.”
He is mentioned in the Red Hot Chili Peppers music video Can’t Stop, in which a sign states that his art was an inspiration for the video. In a recent iTunes interview Flea is quoted as saying Wurm’s picture of a man with a pencil in his nose was a significant influence on the video (Flea himself appears in the video, at a certain point, with markers in his nostrils, pencils in his ears and paint pot caps over his eyes). The photos in “One Minute Sculptures” were impulsively made and are quite bizarre.
Most recently, Erwin Wurm has worked on a series of ‘fat car’ sculptures which are “puffy, obese, life-size sculptures that bulge like overfilled sacks”. The first of his Fat Cars was developed with Opel designers but they were unsuccessful in achieving the kind of shape that Wurm had in mind. In order to create the quality of fat, the artist uses polyurethane foam and styrofoam covered with lacquer.
Erwin Wurm’s works are apart of prestigious collections worldwide including Solomon R. Guggenheim Museum, Peggy Guggenheim Collection, The Walker Art Center, Museum Ludwig, Kunstmuseum St. Gallen, Musee d’Art Contemporain de Lyon, and the Centre Pompidou.
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source: mine-dartblogspot
Erwin Wurm, né en 1954 à Bruck an der Mur (Autriche), est un artiste autrichien. Il vit et travaille à Vienne.
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source: taringanet
Erwin Wurm es un escultor y fotógrafo austríaco nacido en Bruck an der Mur en 1954 que vive y trabaja en Viena. Formado en la Academia de Artes Aplicadas de Viena y en la Academia de Bellas Artes de Viena entre los años 1979 y 1982.
En su obra aparecen tanto el propio artista, como otras personas que colaboran con él, en absurdas poses esculturales, en la mayoría de los casos con el empleo de objetos cotidianos. Sus imágenes no son otra cosa que la documentación de una performance. Con este proceder trata de revisar constantemente el concepto de escultura en dos aspectos: de un lado, reubicando los objetos para humanizarlos y, de otro, objetualizando el cuerpo humano.
El video de la canción “Can’t Stop” de la banda Red Hot Chili Peppers está inspirado en la obra de este artista.
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source: bigpicturesi
Erwin Wurm je avstrijski slikar, kipar in fotograf. Rojen leta 1954. Končal je Univerzo za uporabne umetnosti na Dunaju, smer kiparstvo. Živi in dela na Dunaju in v New Yorku. Po vsem svetu je že imel več kot 150 samostojnih razstav.
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source: ryuchan123blogfc2
オーストリア生まれ。1982年ウィーン美術アカデミー卒業。人と物、人と人を滑稽な関係性でつなげる「一分間の彫刻」と題した作品で知られる。1992年パリのギャラリー・アルノード・ルフェーヴルでの個展を皮切りに毎年、精力的に展覧会を行い、ヨーロッパを中心に高い評価を得ている。近年では、マーク・マンダース、ヤン・ファミリー、木村太陽など、彼の作品と呼応するユーモアと日常をテーマにする作家も国内外で人気を集めている。
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source: artspycn
Erwin Wurm是一位奥地利艺术家，他出生于1954年。目前在维也纳生活。Erwin Wurm最初的梦想是成为画家，但他的老师认为他在三维空间里更有天赋，于是他被安排去学了雕塑。后来的事实证明了这位老师确实独具慧眼。他不仅在雕塑方面展示了天赋，而且他的很多作品都是对雕塑的一种革新，他富有创意的创作扩大了雕塑的既有范畴。
一分钟雕塑
人们对雕塑倾向于有这样的看法，认为雕塑应该是要保存几千年的东西，就像米开朗基罗的大卫雕像那样。但Wurm认为现在人们的生活已经发生了根本的变化，快节奏的生活应该有符合其节奏的创作。相对于人们对雕塑是“经过长久创作并被长久保留”的固有看法，Wurm认为那些突发的，瞬间的场景也不应该被排除在雕塑之外。
于是，从20世纪80年代后期开始，他进行了一个“一分钟雕塑” 的系列创作。在这些作品里，他自己或者他的模特借由周围的人或物摆出一个姿势，并保持一分钟。在这一系列创作中，他把蔬菜、水果，桌椅，洗发香波等日常生活物品纳入到“一分钟雕塑”的创作中，在Erwin的设计之下，一分钟雕塑里呈现的人与人，人与物之间产生了一种意外的关系。他的一分钟雕塑很多都是让人一看之下就印象深刻的场景，比如头和双脚都被桶套住的男人，头顶椅子的Wurm，脚上放着两瓶香波的男人，把一只美国高跟鞋用额头顶在墙上的Wurm，把头塞进一位妇女衣领里的男人，等等。由于这些雕塑都只是短暂存在的，同时又充满自发和临时性，所以这些“一分钟的雕塑”只是用照片或者视频的方式被保留了下来。但就是这样的作品促使了人们去重新思考“雕塑”的定义。
Wurm的创作最鲜明的特色之一就是对脂肪的使用，胖屋子，胖汽车，和胖冰箱等都是体现这一鲜明风格的作品。在他创作的一组 “胖汽车”雕塑作品中，那些看起来像跑车的东西都是由大量的脂肪组成的。这些作品涉及了健康和体重过重的问题，象征着物质已经获得满足的中年人（中产阶级）的一种生存现状，是对我们的社会生活进行的一种自省——但是通过一种看起来简单直接，同时又包含幽默的方式。
脂肪系列
对于Wurm来说，创作能否用最直接的方式进入事物的核心是非常重要的。Wurm说：“我曾经读到过这样一句话，找到最短的道路是这个世界最重要的事情，我把这句话一直铭记在心。在我进行创作的很长一段时间，我都设法寻找最短的方式来表达我的想法，简短直接是我创作的信念。比如，我的作品很多都是以幽默或漫画式的方式呈现出来的，这也是我在寻找最短路径方面所进行的一种尝试。”
的确，Wurm的很多作品都以幽默的方式出现，他希望以一种轻松的方式把观众带入事物的核心地带。他寻求一种制作雕塑的最短路径，一种清晰而快速的的表达方式。对于自己作品中的幽默感，Wurm说： “如果你用幽默的方式去处理一些事情，人们立即会假定你没有严肃看待那些事情。但我认为，现实社会和人类的存在可以有不同的方式。您并不需要总是很严肃。讽刺和幽默可以帮你以一种更轻松的格调来看待事物。”
Wurm认为，大多数艺术品尝试代表崇高和重要的东西，但他觉得这是令人反感的。Wurm认为自己也是在表达严肃的问题，只不过希望以一种轻松的方式出现。他说：“即便是我们在谈到疾病或悲伤事情的时候，也应该能找到一种不那么沉重的表达方式。轻松的方式阐述这些事情并不意味这浅薄，而是一种更积极看待问题的方式。比如，当我用幽默的方式谈论死亡，我的悲哀某种程度上被消除了，因为死亡在这里失去了严峻性和严肃性。”
House Attack
看了Wurm的这么多作品，如果听到有人说Erwin Wurm是一个中规中矩的人，不知道你是不是会怀疑，还是根本就不信。事实上，人们看了Wurm的作品后，会很容易认为他的作品表达的是一种荒谬的状态，并以此对这位艺术家做出相应的推断。但Wurm本人却不希望观众用这种方式看待自己的作品。他认为自己的作品是对固有生活场面的一种摆脱，那些看起来荒谬的场景应该都能从我们内心的渴望中找到线索——如果我们以感性和直觉作为观看作品的出发点的话。
Wurm最近开始做一些带有光泽的雕塑，比如他的最新作品Hypnosis，它们的外表都很光滑，看起来像镜子一样。当观众站在它们旁边的时候，就会反射出他们的影子，而且这一切都是瞬间发生的，在那个瞬间，观众也成为了那件作品的一部分。可以说，这也是一分钟的雕塑——被另外一种方式表现了出来。
Hypnosis
Wurm在谈到自己的总体创作的时候说：“我对日常生活感兴趣。所有围绕我们周围的材料都可能是有用的，以此类推，各种物体以及对象，现代社会涉及的各种话题都是可以被纳入雕塑的创作。我的作品谈论的是整体的人，包括身体，精神，心理和政治的各个层面。”说到这里我们可以联想到，Wurm的那件作品“吞下世界的艺术家”正是Wurm个人的最好写照。
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source: magrelaxby
Современное искусство очень часто логике совсем не следует. Но тем оно и интересно. Эрвин Вурм (Erwin Wurm) является одновременно и художником, и скульптором, и фотографом. Поэтому и творчество у него такое разностороннее. На его работы нужно просто смотреть и чувствовать. А что чувствовать – это уже у каждого по-своему. Эрвин живет и работает в Вене и Нью-Йорке. По всему миру прошло более 150 его персональных выставок.