Mariko Mori
ماریکو موری
森万里子
Мори, Марико
Infinite Energy
source: designboom
redefining the architecture of the espace louis vuitton are eight monumental pieces by internationally-renowned japanese artist mariko mori. the exhibition ‘infinite review’ amasses sculptures and experiential installations in a series of works that metaphorically reflect the never ending circulation of life and death as well as fragments from the artist’s personal experiences.
towering above visitors and traversing the space between the floor and ceiling are a triptych of luminous spirals. the soaring ‘infinite energy’ series is a visualization of an invisible force, felt and seen through their unseen participation with gallery entrants. LED lights corkscrew around the form changing chroma, variating through hues of blues, purples, and cyan based on nearby movement, detected by real-time monitors. the interface with visitors as they approach lends a sense of universal dynamism to the sculptural work. for their installation, the aerial structures required a nine part division, dissembling from spain and transferred, reconstructed, and finally illuminated in the space-specific site in tokyo. the three pieces are ‘purely based on my imagination‘ mariko mori explains, ‘how I picture energy flowing’.
.
.
.
.
.
.
.
source: novoambiente
Depois da ótima repercussão da exposição da artista Yayoi Kusama aqui no Brasil, agora é a vez de outra japonesa ganhar os holofotes do universo da arte esse ano – só que dessa vez, lá no Japão mesmo. Pelo menos por enquanto!
Mariko Mori está com a exposição “Infinite Renew” no Espaço Louis Vitton em Tóquio, e é a primeira artista japonesa a ganhar uma mostra exclusiva na galeria, que recebe trabalhos dos maiores designers do mundo. Quem visitar o lugar vai conhecer 8 trabalhos emblemáticos da artista, todos englobando o tema da renovação da energia e sua dinâmica infinita.
Para ilustrar a ideia da energia em movimento Mariko criou enormes esculturas espirais que são iluminadas por luzes de LED coloridas. Segundo a própria criadora, as peças que pendem do teto recebem e refletem a energia das pessoas que circulam por aquele espaço.
Afinal, tudo, inclusive nós, somos feitos de matéria energética, diz ela, que acredita que tudo – qualquer organismo vivo – está conectado. A artista conta que os objetos ali expostos representam exatamente a forma como ela enxerga a energia fluindo pelo espaço. Muito interessante!
.
.
.
.
.
.
.
source: skny
Mariko Mori is an internationally acclaimed artist. Her practice explores universal questions at the intersection of life, death, reality and technology. Her works has been acquired by museums and private collectors worldwide. Mori gained recognition for her interactive installation, Wave UFO, which debuted at Kunsthaus Bregenz, in Bregenz (Austria) in 2003. The installation was subsequently shown in New York (USA) with Public Art Fund, Genoa (Italy), and was included in the 2005 Venice Biennale (Italy). It was also featured in “Oneness”, a survey of Mori’s work that opened at the Groninger Museum (Netherlands), then traveled to the ARoS Aarhus Kunstmuseum, in Aarhus (Denmark), the PinchukArtCentre, in Kyiv (Ukraine). Oneness was also exhibited at Centro Cultural Banco do Brasil, in Brasília, Rio de Janeiro and São Paulo (Brazil) in 2011.
Mori’s recent large sculpture includes Sun Pillar (2011). This sculpture was the very first installation realized for the project of Faou Foundation in the Continent of Asia in Miyako Island of Okinawa in Japan with the mission to bring attention to Earth-consciouness. Faou Foundation was founded by Mori in 2010 as an educational and cultural non-profit organization to dedicate a series of harmonious, site-specific permanent art installations to honor the nature of six habitable continents. The upcoming Faou Foundation permanent installation entitled Ring will be installed over a beautiful waterfall at Visconde Mauá, in the city of Resende, not far from Rio de Janerio, Brazil in 2016.
Mori’s solo exhibitions have been exhibited throughout the world, including Royal Academy of Arts, in London (United Kingdom), Japan Society, in New York (USA), Espace Louis Vuitton Tokyo (Japan), The Museum of Contemporary Art, in Tokyo (Japan); The Brooklyn Museum of Art, in New York (USA); The Museum of Contemporary Art, in Chicago (USA); The Serpentine Gallery, in London (England); The Dallas Museum of Art, in Dallas (USA). Several renowned museums have presented Mori’s solo exhibitions, as well as acquired Mori’s works in their collections, including Centre Georges Pompidou, in Paris (France); The Prada Foundation, in Milan (Italy); The Museum of Contemporary Art, in Chicago (USA); The Los Angeles County Museum of Art, in Los Angeles (USA). The PinchukArtCentre, in Kyiv (Ukraine); The ARoS Aarhus Kunstmuseum, in Aarhus (Denmark), The Guggenheim Museum, in New York (USA);The Israel Museum, in Jerusalem (Israel); The Museum of Modern Art, in New York (USA) have Mori’s works in collection.
Mori has received various awards, including the prestigious Menzione d’onore at the 47th Venice Biennale in 1997 (for “Nirvana”) and the 8th Annual Award as a promising Artist and Scholar in the Field of Contemporary Japanese Art in 2001 from Japan Cultural Arts Foundation.
Mariko Mori lives in London, New York and Tokyo.