Clone Chaise

source: techtudo
A Chaise Clone é uma espécie de espreguiçadeira luminosa que possui a forma anatômica de um ser humano, ela possui um detector que é capaz de dizer quando tem alguém sentado nela. A partir desse detector ela interage com o usuário conforme a sua respiração e batimentos cardíacos.

Os designers estão cada vez mais integrando tecnologia de ponta com seus projetos para produzirem criações inovadoras. Uma das coisas mais comuns hoje em dia é ver trabalhos que lembram filmes de ficção cientifica, e a Clone Chaise é um ótimo exemplo disso. Ela foi criada pelo designer britânico Sam Buxton que apresentou o seu projeto no Montreal Museum of Fine Arts, ele diz em seu site que essa é apenas a primeira edição da cadeira de seis que ainda estão por vir.
saiba mais

A cadeira consegue detectar quando uma pessoa está sentada nela, e as luzes começam a acender conforme isso acontece. Dessa maneira o coração digital e os pulmões da cadeira começam a funcionar. É como se a cadeira ganhasse a vida quando está junta de um ser humano.
A Clone Chaise tem um design bastante criativo, ela é feito com aço, acrílico e alguns equipamentos eletrônicos para produzir a luz quando a cadeira detecta as pessoas que estão sentadas nela. Essa cadeira mede 600 x 750 x 1.850 milímetros, um tamanho mais do que o suficiente pra maioria dos seres humanos.
.
.
.
.
.
.
.
source: museum-designru
Этот анатомический световой шезлонг реагирует на присутствие пользователя – начинает светиться, когда кто-то находится поблизости. Индивидуальный интерактивный объект включается в среду обитания со своим биением сердца и дыханием через лёгкие. Модель входит в постоянную экспозицию Художественного музея в Монреале.
.
.
.
.
.
.
.
source: cnidnworld
產品設計師Buxton創作了系列微型折疊作品MikroWorld，猶如一張不銹鋼板製成的一個完整的生活單元。受倫敦設計博物館委託，他繼續為Tank展區創作MikroCity。也許MikroUniverse會緊隨其後？
.
.
.
.
.
.
.
source:kinetica-museumorg
The distinctive work of Sam Buxton is dominated by his innovative use of advanced materials and technologies. From his immensely popular MIKRO series (miniature fold-up sculptures, laser cut into thin strips of stainless steel through an acid etching process) to his explorations concerning interactive intelligent surfaces on the familiar objects around us, his work has continually managed to blur the lines between art, science and design.

Through his work, which has regularly involved relatively common objects ranging from business cards to a dining table, Buxton has demonstrated an ability to see potential in what others take for granted. His ongoing efforts in developing objects that can communicate, display information and react to the actions of the user, demonstrate his commitment to investigating the delicate relationship between the human body and its environment. Buxton’s fusion of art and science has resulted in a highly innovative and unique range of personal designs, many of which, have utilized the latest, most advanced materials and technologies available. Considered a “design prospector” by his peers, his ambitious vision and unrelenting commitment have resulted in groundbreaking advances in applied design. Subsequently, Buxton was short-listed for the Design Museum’s ‘Designer of the year’ award in 2004.
.
.
.
.
.
.
.
source: dezeen
Sam Buxton has sent us images of pieces on show at Kinetica Museum in London, as part of the Luminaries and Visionaries show that opened last night.

Buxton’s work includes three pieces incorporating electroluminescent technology: the Clone Chaise is from his Surface Intelligent ObjectS (SIOS) series.

The exhibition includes work by several designers and artists working with projected lighting technology.
.
.
.
.
.
.
.
source: abcdesign

O designer de produto inglês Sam Buxton quis inovar quando foi fazer seu cartão de visitas. Usando tecnologia da indústria eletrônica, ele fez um fino cartão de aço inoxidável que se desdobrava na imagem dele trabalhando no computador.

Depois, ele acabou criando várias situações para o personagem que ele chamou de MIKRO-man, salas, escritório e cenas super cheias de detalhes a partir de uma única placa de aço, e que virou o MIKRO-world!

O designer gosta mesmo de experimentar com a tecnologia, como na mesa Electrolumiscence, que é um protótipo criado a partir da experimentação sobre a interação entre ser humano e os móveis.

A Electric chair foi um trabalho comissionado pelo British Coucil para uma mostra na China.
.
.
.
.
.
.
.
source: sculptureorguk

The distinctive work of Sam Buxton is dominated by his innovative use of advanced materials and technologies. From his immensely popular MIKRO series (miniature fold-up sculptures, laser cut into thin strips of stainless steel through an acid etching process) to his explorations concerning interactive intelligent surfaces on the familiar objects around us, his work has continually managed to blur the lines between art, science and design.

Through his work, which has regularly involved relatively common objects ranging from business cards to a dining table, Buxton has demonstrated an ability to see potential in what others take for granted. His on-going efforts in developing objects that can communicate, display information and react to the actions of the user, demonstrate his commitment to investigating the delicate relationship between the human body and its environment. Buxton’s fusion of art and science has resulted in a highly innovative and unique range of personal designs, many of which, have utilized the latest, most advanced materials and technologies available.

Considered a ‘design prospector’ by his peers, his ambitious vision and unrelenting commitment have resulted in groundbreaking advances in applied design. Subsequently, Buxton was short-listed for the Design Museum’s ‘Designer of the year’ award in 2004.