Symbiosis
In the installation area, the human body is augmented with video projected virtual images. Viewer and technology enter a symbiotic relationship and as a result, bring to life wonderful biomorphic creatures. They change constantly – reacting to your every movement and turning into new and unique forms each time. The installation was inspired by the symmetry of living organisms, the structure of exotic insects, and reflections on extraterrestrial life forms.

Credo

A radio telescope scans the skys in search of signs of extraterrestrial life.
The received raw signals serve as input data for a neural network, which was trained on human theories and ideas of aliens. Now it tries desperately to apply this knowledge and to discover possible messages of other civilizations in the noise of the universe. Mysterious noises resound as the artificial intelligence penetrates deeper and deeper into the alien data, where it finally finds the ultimate proof.The sound installation revolves around one of the oldest questions of mankind – one that can never be disproved: Are we alone in the universe?

أندريه تاركوفسكي
塔可夫斯基
アンドレイ·タルコフスキー
АНДРЕЙ ТАРКОВСКИЙ
stalker
In the distant future, the protagonist (Alexander Kaidanovsky) works in an unnamed location as a “Stalker” who leads people through the “Zone“, an area in which the normal laws of reality do not apply and remnants of seemingly extraterrestrial activity lie undisturbed among its ruins. The Zone contains a place called the “Room“, said to grant the wishes of anyone who steps inside. The area containing the Zone is shrouded in secrecy, sealed off by the government and surrounded by ominous hazards.
cinema full

Light art installation
Sarah Sze’s work constitutes a curious inventory of our world—but one conceived for us, its inhabitants, rather than for forms of extraterrestrial life.

CARTE BLANCHE – CORPS DE WALK
Corps de Walk combines shapes and emotions in a unique, almost extraterrestrial “walk” by androgynous creatures. It makes a number of references to Killer Pig, Sharon Eyal’s first choreography for Carte Blanche, created in 2009. In Killer Pig, a piece for female dancers, Sharon Eyal plays with multiple incarnations of sensuality with a minimalist style and intense physical expression. She pursues that approach in Corps de Walk, but this time will all the company dancers involved. As with the previous piece, the costumes suggest androgynous nudity. She has collaborated with the Israeli musician DJ Ori Lichtik for many years, and once again here his music underpins her potent choreographic language, whose rhythm constantly evokes a beating heart.