Chris Salter

n-Polytope: Behaviors in Light and Sound after Iannis Xenakis
N_Polytope: Behaviors in Light and Sound After Iannis Xenakis is a spectacular light and sound performance-installation combining cutting edge lighting, lasers, sound, sensing and machine learning software inspired by composer Iannis Xenakiss radical 1960s- 1970s works named Polytopes (from the Greek ‘poly’, many and ‘topos’, space). As large scale, immersive architectural environments that made the indeterminate and chaotic patterns and behaviour of natural phenomena experiential through the temporal dynamics of light and the spatial dynamics of sound, the Polytopes still to this day are relatively unknown but were far ahead of their time. N_Polytope is based on the attempt to both re-imagine Xenakis’ work with probabilistic/stochastic systems with new techniques as well as to explore how these techniques can exemplify our own historical moment of extreme instability.


In ancient Greek Omphalos means navel as in navel or center of the world. Jalet’s creation examines the question of origins. The choreographer reflects on the human predicament and life in the cosmos, a recurrent theme in his work. For his first Latin American creation, Jalets brings together an ensemble of 20 dancers who perform to the music of Marihiko Hara et Ryūichi Sakamoto. This stunning performance makes light of gravity and instability, unfolding at the very edge of empty space. Exceptional event: the only performances in France as part of a world tour.