LUCIO FONTANA

Spatial Environments with neon
Ambiente spaziale con neon
Fontana’s “Spatial Environments” are considered the most innovative outcome of the theories about space that Lucio Fontana first expressed in his Manifiesto Blanco of 1946. Here and in later manifestos, he described a new form of visual representation linked to space and time, which would move past the classic materials of sculpture and painting and employ modern technology to create “artificial forms, rainbows of wonder, words written in light” […] Ambiente spaziale con neon had a single red bent neon hanging from the ceiling in a room covered with pink fabric.

Andrei Tarkovsky

أندريه تاركوفسكي
塔可夫斯基
アンドレイ·タルコフスキー
АНДРЕЙ ТАРКОВСКИЙ
stalker
In the distant future, the protagonist (Alexander Kaidanovsky) works in an unnamed location as a “Stalker” who leads people through the “Zone“, an area in which the normal laws of reality do not apply and remnants of seemingly extraterrestrial activity lie undisturbed among its ruins. The Zone contains a place called the “Room“, said to grant the wishes of anyone who steps inside. The area containing the Zone is shrouded in secrecy, sealed off by the government and surrounded by ominous hazards.
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