Eternity Be Kind
LaTurbo Avedon performs Myriam Bleau’s music in a multiplatform audiovisual performance. Eternity Be Kind exposes the codified spaces of performance and hints at a different future for personal and musical representation. Navigating between hyper-pop, mythical symbolism and baroque hints, the artists propose a multilayered experience of collective mise en abyme.
video
10 colonnes
Son travail le plus récent, simplement intitulé «10 colonnes», inaugure Bridge Projects en transformant l’espace d’exposition de 7 000 pieds carrés à Hollywood en un lever / coucher de soleil synthétique […] Smith a programmé les diodes électroluminescentes de chaque panneau pour faire défiler un séquence d’une heure de couleurs. La palette est baroque de l’ère spatiale, ses primaires et secondaires dotés du zing artificiellement amélioré de tertiaires délicieusement mélangés.
Chronos XXI
Chronos the god of time, permanently destroys and recreates. He who symbolises evanescence and return, was the thematic point of departure for the creation of the kinetic media installation Chronos XXI. The piece is a ‘finger exercise on antiquity’ by our Creative Director Joachim Sauter and was created during his residency at Villa Massimo in Rome. A pendulum continuously swings in front of a monitor. This motion controls the slow synthesis and destruction of depictions of Chronos on the monitor. Chronos appears in various interpretations by painters of the late Renaissance, Baroque and Classicism – as a man who disrobes Veritas, as a performer of volatile music, or docking Cupid’s wings, or as children and crop eating, a scythe and an hour glass carrying, beardy and winged old man.
video
10 Columns
His newest work, simply titled “10 Columns,” inaugurates Bridge Projects by transforming the 7,000-square-foot exhibition space in Hollywood into a synthetic sunrise/sunset[…] Smith has programmed the light-emitting diodes in each panel to cycle through an hourlong sequence of colors. The palette is space-age baroque its primaries and secondaries endowed with the artificially enhanced zing of exquisitely mixed tertiaries.
Matic Veler is ispired by researching his aesthetic development since upbringing up until now. One of the biggest inspiration, architecture of 17th and 18th century architecture, especially details and ornaments together with impression of magical environments combined with brutalism architecture he was surrounded in when he was child, help him to translate and reflect when creating garments and installations to impress viewers and customers. He uses Baroque architecture details and ornaments as his inspiration. Always starting with collecting different photos of details and studying different architects. Matic manipulates the ornaments into collages on which he draw sketches and then making toiles on mannequins.
彼得·科格勒
Liquid
Peter Kogler`s works belong to the developing “post medial paintings” (Peter Weibl) in the 80`s. Moulded by the new media, these took on the complex form of installations. One of the main questions was the mental relationship between virtual and real space, as well as the perceptive possibilities of connection. The work, which reminds you of chaotic structures and Baroque dimensions, is based on the circularly moment of repetition, that consciously corresponds to the position of kunst Meran (pedestrian zone).
Саманта Доннелли
Samantha Donnelly’s practice is concerned with breaking down subjects and reconfiguring them in new constellations. Bringing together appropriated ephemera and quotidian materials such as magazines or cut-out photographs to produce assemblages, Donnelly reworks material remnants from various areas of contemporary culture, allowing them to dialogue and resonate within the same piece. By drawing our attention to surface and formal elements such as composition and colour, Donnelly’s work often references art history, particularly Modernism and the Baroque.
