yes there will be singing
From the beginning, I never wanted to work with just Bill Viola-style hidden projectors projecting on to screens. I wanted to work with architecture and with corners and doorways and windows. A lot of Robert Morris’ writing was important to me – still is. He talks about presence, about presence in the work of art and about being present, and that’s been really influential for me. — Diana Thater
ダグエイケン
道格·艾特肯
sonic fountain
A large round hole—if it were a hot tub, it would be comfortably orgy-sized—has been gouged roughly out of the slick concrete floor of 303 Gallery and filled with milky gray water. Attached to the black duct-work and girders of the ceiling directly above it is a square of pipe surrounded by a speaker array. In the center of the square and at each of its corners is a computer-controlled spigot, dripping, spitting or jetting out, in a rhythmically complex 15-minute cycle, milky water pumped up from the pit in a closed circuit. This is Doug Aitken’s Sonic Fountain.