Maya Alam

Interference Fit Canyon
“by Maya Alam uses an entropic drawing process to capture the coalescence of solid and fluid states of matter within a single object. The drawing is comprised of contours that delineate a cube with hard edges that appear to be soft from particular vantage points and soft edges that appear to be hard from others. These contours are mapped back onto the cube geometry in a transitional process whereby the legibility of the cube becomes progressively more inscrutable. The drawing process parallels the effects created by the presence of a cubic object within the L.A. River that disrupts the flow of water and accentuates the presence of detritus. A process of continual erosion acts differentially on the object over time, transforming its appearance and performance in relation to water flow”. Marcelyn Gow

Alyson Shotz

アリソン・ショッツ
Алисон Шоц
Fluid State

Alyson Shotz is an American artist based in Brooklyn, New York. She graduated with a BFA from the Rhode Island School of Design in 1987 and an MFA from the University of Washington in 1991. Alyson Shotz investigates issues of perception and space with sculptures made from a range of synthetic materials such as mirror, glass beads, plastic lenses, thread and steel wire.Karen Rosenberg wrote: “Ms. Shotz evokes natural phenomena with accumulations of beads, pins and other common materials…Often they respond to the challenge of visualizing concepts from theoretical physics (string theory, dark matter).”

CHRIS CUNNINGHAM

Björk: All Is Full of Love

The video reaches its harmonious climax as the robots join in embrace, still being detailed by the robotic machines beside them.
Each robot was designed by Cunningham, faces reminiscent of Björk’s own delicate visage. The sterility of the room and lighting and the rendered movements of the machines contrasts with the fluid motions of the robots as they connect in a purely human method.

Milo Moire

FLUID ECSTASY
by Peter Palm
is an artistic underwater video work by Peter Palm, which he realized on the island of Mauritius with the conceptual artist Milo Moiré. Filled with a naive sexuality, this short film lasting just under six minutes reveals surreal, grace-filled perspectives on the female nude. Beneath the surface, within the concealing element of water, nothing remains concealed.
The title “Fluid Ecstasy” describes a trance-like, natural bliss in the flow of merging.
“Fluid Ecstasy” presents a metaphysically ambivalent ambience that documents our prenatal state of becoming in the form of a visual metaphor. In an analogous notion of being, “being” is understood as that in which everything partakes, though in various ways. The origin of all life lies in water. Peter Palm shows the nude Milo Moiré in a peaceful world, comparable to our “being” in the womb prior to our birth.
Both Milo Moiré and Peter Palm have done without technical aids, with one exception … flippers, which make reference to the metamorphosis from fish to Homo sapiens.
The video was created during numerous dives.

MARIKO MORI & KENGO KUMA

ماریکو موری
森万里子
Мори, Марико
White Hole
Contemplation of The Cosmos

The collaborative installation White Hole between artist Mariko Mori and Architects Kengo Kuma is a experiential structure designed to contemplate the arise of the cosmos using a light weight structural form. The large white dome is built from spray polyurethane, primarily used for insulating buildings, applied over a draped mesh, forming the catenary structure. Kengo Kuma termed the structure Bubble Wrap which is then inverted to form a rough dome. The expanded polyurethane material was selected for its capacity to create volume from very little material, which the architects claims to be comprised of 99% air.  The envelope has the characteristic of being in a fluid, unsettled state, as though just created or born.

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