Einar Sneve Martinussen, Jørn Knutsen and Timo Arnall

Immaterials: Satellite Lamps
“Satellite Lamps shows that GPS is not a seamless blanket of efficient positioning technology; it is a negotiation between radio waves, earth-orbit geometry and the urban environment. GPS is a truly impressive technology, but it also has inherent seams and edges.”

Hans van Manen

Polish Pieces
Alvin Ailey
Introdans
music: Henryk Mikołaj Górecki
Photographer: Hans Gerritsen

In this exuberant ensemble work, Dutch choreographer van Manen displays his mastery for building dazzling creations from simple motifs and geometric patterns. Driven by the rhythms of Henryk Górecki’s score, the dancers come together and disperse in endlessly shifting formations that culminate in two sensual pas de deux.

George Balanchine

The Nutcracker
Waltz of the Flowers
New York City Ballet

“You don’t think of choreographers as mathematicians — yet group dances involve arithmetic and geometry. Nobody mastered those aspects of the art more brilliantly than George Balanchine.
See what he does with the “Waltz of the Flowers” in “The Nutcracker,” as in this short detail:As it begins, 14 women, arrayed in four rows, face front. The two demi-soloists start: They dance from our right to left, with two turning jumps at the end of the phrase. Then a row of four women behind them take up the same phrase — but now the first two women repeat the phrase in the opposite direction, from left to right.It’s like seeing screens sliding in opposite directions. Then the next row takes it up; then the next; suspense and excitement build. It’s an accumulating canon — not spread out across the stage but at close quarters”. Alastair Macaulay