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KRIS VERDONCK

A Two Dogs Company
END

In the performance END artist Kris Verdonck shows the possible final stages of a human society in ten scenes. Melting glaciers, burning forests, cities under water, ubiquitous screens and cameras spying on us, the uncontrolled availability of weapons of mass destruction, and so on. END starts out from the images the media project onto our retinas all day and every day. The ten scenes are linked by a monologue spoken by a single character: the witness who sees it all happen. While this survivor – like the messenger in Greek tragedy – talks unceasingly, a series of ‘Figures’ appears on stage: machines and people or a combination of the two. They go from one side of the stage to the other, all in the same direction. Are they fleeing something? If so, what?

Dan Holdsworth

Acceleration Structures
Dan Holdsworth’s ‘Acceleration Structures’ explores and examines the topography of three great Alpine glaciers, capturing their fragility and intricacy like no artist has done before. Using geomapping technology, Holdsworth’s films guide the viewer through the skeletal landscape of each glacier, giving a unique perspective and a new understanding of their geography.

Joaquin Fargas

Glaciator
Glaciator is an installation composed by one to four solar robots that help to compress and crystallize the snow, this process turns snow into ice that is fixed to the glacier mass. The mission of these robots is to help to accelerate the ice formation process on glaciers, allowing them to grow with the addition of snow, regaining the mass they lost as a result of the melting of ice. Its final mission is to raise awareness about the climate change, the melting of the ices and its consequences on the planet.

The Great Animal Orchestra

Bernie Krause

Bernie Krause is one of the world’s experts in natural sound, and here we listen through Krause’s ears as he collects the sounds of purring jaguars, snapping shrimp, cracking glaciers–and the roar of the wild. It is an intensely personal narrative of life as it hits the ears, and of the planet‘s deeply connected natural sounds and music.

MELISSA F. CLARKE

untitled antarctica: ice gouge

A suspended video sculpture made out of glass, ice gouge, is informed largely by topographical submarine seismic data pulled from beneath the icy waters around Antarctica. While it evokes the terrain shaped by glaciers, ice gouge also denotes the icebergs that shape-shift into asymmetrical forms as they break down over time into water.