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Elaine Hoey

FILE FESTIVAL
Animated Positions
This work draws reference from 19th century European nationalist paintings and explores the role of art in the portrayal of jingoistic patriotic ideals that have become culturally symbolic in the formation of the nation state.

Jeremy Shaw

Degenerative Imaging (Early Dementia)

This Transition Will Never End, 2008 – ongoing,
Single channel video, silent, currently 19’23”
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Jeremy Shaw works in a variety of media to explore altered states and the cultural and scientific practices that aspire to map transcendental experience. Often combining and amplifying strategies from the realms of conceptual art, ethnographic film, music video, mystical and scientific research, Shaw proposes a post-documentary space in which disparate ideals, belief-systems and narration are put into crisis.

Matt Mullican

Untitled

“This work arose from Mullican’s preoccupation with urban space and the creation of virtual cities and worlds. Mullican works with the symbols and old concepts that were used in the explanation of the world. The five parts of this work resemble archive boxes or type cases, which address the reduced character of virtual models. The containers could, however, also make us think of industrial complexes. They point to the loss of old concepts of the world and build on the creation of utopian ideals that remain valid for all time.” Teresa Lošonc

ARRON DUNWORTH

Dunworth shows a real ability to capture portraiture in a unique and visually exquisite way. He often plays with traditional ideals of masculinity and femininity- with exotic and visually revealing results. His subjects are elegantly poised, producing beautiful curves and patterns of light.

Nicola Dale

Nicola Dale

Model for Ideology V
Webster’s definition of ideology is: “A system of ideas and ideals, especially one that forms the basis of economic or political theory and policy.” Artist Nicola Dale’s sculptures, performances, and installations are interpretations of this definition of ideology—one of many subjects that Dale explores in her work.

ANDREI MOLODKIN

АНДРЕЯ МОЛОДКИНА
Democracy

Democracy, is a mirror reflecting the commodification of the democratic ideal. Empire at War, Molodkin’s portrait of an evangelistic George W. Bush, embodies the danger of theocracy – patriotism, nationalism, and religion are used to justify the most horrifying war crimes. Like a prismatic chessboard, Molodkin’s artworks articulate the contradictions between utopian ideals and reality.