QUAYOLA

Captives
Captives is an ongoing series of digital and physical sculptures by Quayola and a contemporary homage to Michelangelo’s unfinished series “Prigioni” (1513-1534) and his technique of “non-finito”. The project explores tensions and equilibrium between form and matter, man-made objects of perfection and complex, chaotic forms of nature. In this series mathematical functions and processes describe computer-generated geological formations, endlessly evolving and morphing into classical figures resulting into life-size ‘unfinished’ sculptures.

Kaoru Okumura

Butoh

DeepDream

Okumura dances through morphing DeepDream projections by Michael Tyka. Her piece explores the contrast between Butoh’s inherent downward motion and DeepDream’s “obsessive expansion”. The two systems diverge but find harmony in the alien.

ERNESTO KLAR

Эрнесто Клар
Luzes Relacionais
File Festival
“Luzes Relacionais” (Relational Lights) é uma instalação interativa audiovisual que explora a relação das pessoas com o caráter orgânico-expressivo do “espaço”. A instalação usa luz, som, neblina e um sistema de software customizado para criar um espaço-luz tridimensional de morphing (metamorfose), em que os espectadores participam ativamente, manipulando-o com sua presença e seus movimentos[…] A obra funciona como um organismo vivo, com ou sem a presença e a interação dos espectadores. Quando os espectadores saem da área de rastreamento ativo, o sistema começa seu próprio diálogo com o espaço através de extrusão e transformação de sequências de formas geométricas luminosas. Quando os espectadores penetram e interagem com o espaço-luz projetado, uma expressão coletiva e participativa do espaço se desdobra. “Luzes Relacionais” amplia o tecido tridimensional do espaço, tornando-o visível, audível e tangível aos participantes.

MAR CANET & CARLES GUTIERREZ

videomaton
File Festival

The initial idea was to engage audiences with the classical paintings. The installation tries to transform the classical portraits into memorable and playful experiences. In short, by looking into a mirror a face of participant is captured by the system. Next, the captured face travels into one of the classical portraits. Hence, the viewer is invited into the gallery in order to recognize him or herself in one of the paintings. In other words, the art piece replaces the original painted faces by the faces of the audience. To be more specific, the authors have created an original face-morphing that integrates itself into the well-know portraits, like Meninas by Goya. To put in a nutshell, the common experience of modern art is replaced by a novel, playful and enjoyable encounter. The installation creates a framework of expression where audience spontaneously and freely interact in front of a mirror knowing that they are recorded. The results are experience by all audience in the gallery. The project was produced in 2011 as a commission of interactive art project for the new City Council of Madrid curated by Chema Conesa. “Videomaton” was presented in the opening of new City Council of Madrid located in the Cibeles square. The installation was exhibited for a year in the institution. The aim of the exhibit was displaying the famous art pieces of Madrid museums in a novel way.