Signals
SIGNALS is a collaborative project by artists Nicolas Sassoon and Rick Silva that focuses on immersive audio-visual renderings of altered seascapes. Sassoon and Silva share an ongoing theme in their individual practices; the depiction of wilderness and natural forms through computer imaging. Created by merging their respective fields of visual research, SIGNALS features oceanic panoramas inhabited by unnatural substances and enigmatic structures. The project draws from sources such as oceanographic surveys, climate studies and science-fiction to create 3D generated video works and installations that reflect on contamination, mutation and future ecologies.

Panorama Augmente
Le projet du Panorama augmenté souhaite ici valoriser la richesse des représentations panoramiques de Morat et alentours au fil des siècles. En effet les représentations des paysages autour de Morat sont nombreuses et très emblématiques de la région. Les détails, la richesse des différents supports (gravure, peinture…) sont les derniers témoins d’une époque révolue. Leur format n’est pourtant pas souvent optimal pour une consultation de la part du spectateur : étant des représentations très allongées, sur feuille, ces derniers sont encadrés sur un mur et peuvent atteindre de grandes dimensions. De ce fait l’espace physique nécessaire à leur consultation n’est souvent pas compatible avec la réalité de l’espace physique qu’un musée peut mettre à disposition. La solution de numérisation de ce patrimoine tend à pallier à se problème mais la distance entre le spectateur la consultation virtuelle crée une distance évidente.

Hertzian Landscapes
Hertzian Landscapes (2019) is a live visualization of the radio spectrum. Unlike visible light, waves in the radio spectrum cannot be perceived by us directly yet this space is teeming with human activity. Hertzian Landscapes employs a digital receiver to scan large swaths of radio spectrum in near real-time and visualizes thousands of signals into a panoramic electromagnetic landscape. Users can zoom in to specific frequencies by positioning themselves in front of the panorama as if controlling a radio tuner with their body, giving them a sense of walking through the spectrum.

Broken Panorama
The Specular series is a project that presents a set of audio-visual installations of different light sculptures created through the use of projected light and reflective materials.
Each sculpture redirects light in a different way and the reflective property of the material allows each sculpture to blend with its environment while also modifying our perception of its shape. Networks of algorithms generate interlinked sound and light. A cycle repeats but with infinite variations in multi-temporal-scales.

Abyss of Light

Abyss of Light is divided into three screens and into three acts, the traditional structure of classic narrative film. In the first act, all the images synchronize to form a single panorama of Bryce Canyon in Utah. In the second, the screens break away from one another into three parallel sequences wherein each projection shows the same one hundred images at different speeds. In the third, all three images synchronize once again to form a single wrapping panorama of Death Valley, California. The work is an ode to the American western, one of my favorite film genres. Despite my admiration, however, my desire is not to imitate westerns. Instead, I set up an abstraction in opposition to the idea of narrative, something that can be seen in all of my work. In Abyss of Light, continuous disruptions of the American landscape document my refusal to see the land as backdrop for man’s heroic conquering of the wild; instead I see it as a foreground, a subject to be contemplated for itself and for which wildness is a state of grace.

UK Pavilion at the Astana Expo 2017
At the heart of the UK pavilion is a stunning 60 metre panorama depicting a living, universal landscape generated entirely by computer. It captures the relationship between the Sun, the Earth and its climate in incredible detail through virtual day and night. At a stunning 40,000 pixels wide it is the largest project of its kind ever undertaken.

マウリツィオ·カテラン
Маурицио Каттелана
Ci sono artisti che creano spunti per le riviste, e ce ne sono altri che si inventano riviste per darsi degli spunti. È il caso di Maurizio Cattelan, controverso esponente del panorama creativo contemporaneo, padovano di nascita ma “americano” per scelta, autodidatta e poi manager di sé stesso, autore, tra le altre cose, di happenings tra i più chiacchierati della storia dell’arte, quali forma di provocazione visiva estrema. Non bastassero le sue stesse produzioni a muovere gli animi, ci si mette pure una collezione, firmata a suo nome, di immagini raccolte qui e lì per poi essere impaginate insieme in un unico giornale, Toilet Paper, ideato dall’artista stesso in coppia con il fotografo Pierpaolo Ferrari e pubblicato dalla Deste Foundation for Contemporary Art di Atene.

МЯО СЯОЧУНЬ
缪晓春
مياو شياو تشون
THE FAR SHORE
Miao Xiaochun was born in 1964 in Wuxi, China. He undertook an MFA at Central Academy of Fine Arts, Beijing, China graduating in 1989, before embarking on a second MFA at the Kunsthochschule Kassel, Kassel, Germany, graduating in 1999. An influential figure in China’s wave of new media art, Miao Xiaochun is an artist primarily concerned with appropriation and East-West dialogue. For example, his photographs, assembled through a computer program, are sprawling panoramas of China’s social masses.

Урс Фишер
A Place Called Novosibirsk
Urs Fischer materializa la fantasía, da forma a motivos y acciones que rara vez ocurren en el mundo visible. Siguiendo un símil pictórico, su paleta es de las más variadas de cuantas pueden encontrarse hoy en el panorama internacional. El artista suizo es capaz de trabajar en ámbitos antitéticos y es, así, uno de los mejores referentes para entender la deriva que ha tomado la escultura en las últimas décadas, su heterogeneidad, su radicalidad, el enorme espectro de posibilidades físicas y objetuales que ofrece. La escultura de Urs Fischer camina entre diferentes estados físicos.

Урс Фишер
Problem Painting
Urs Fischer materializa la fantasía, da forma a motivos y acciones que rara vez ocurren en el mundo visible. Siguiendo un símil pictórico, su paleta es de las más variadas de cuantas pueden encontrarse hoy en el panorama internacional. El artista suizo es capaz de trabajar en ámbitos antitéticos y es, así, uno de los mejores referentes para entender la deriva que ha tomado la escultura en las últimas décadas, su heterogeneidad, su radicalidad, el enorme espectro de posibilidades físicas y objetuales que ofrece. La escultura de Urs Fischer camina entre diferentes estados físicos.

УРС ФИШЕР
Fischer materializa la fantasía, da forma a motivos y acciones que rara vez ocurren en el mundo visible. Siguiendo un símil pictórico, su paleta es de las más variadas de cuantas pueden encontrarse hoy en el panorama internacional. El artista suizo es capaz de trabajar en ámbitos antitéticos y es, así, uno de los mejores referentes para entender la deriva que ha tomado la escultura en las últimas décadas, su heterogeneidad, su radicalidad, el enorme espectro de posibilidades físicas y objetuales que ofrece.

ماثيو اليوم جاكسون
Мэтью Джексон день

Born Panorama City

ダグエイケン
道格·艾特肯
altered earth
Aitken’s focus is the Camargue region of southern France, where he’s spent months capturing the reedy lagoons, splendid fauna and empty panoramas of a geography that’s been settled since Roman times yet scarcely developed since. The snippets of life are werer shown as ’Altered Earth: Arles, city of moving images’, an exhibition at the Parc des Ateliers in historic Arles. In the park’s hangar-like Grande Halle, Aitken’s enormous cinematic screens create what he calls ’an almost holographic view of the physical landscape’. They dangle from the vaulted ceiling like fantastical backdrops in a Hollywood sound studio, drawing the viewer into the landscape. He calls the effect ’liquid architecture’, though it’s unclear whether he’s referring to the venue, which seems to melt away in the background, or the labyrinthine arrangement of screens, which guide visitors like the current of a winding stream.

moving mesdag
Panorama Mesdag 4k

Vertical panoramas

オラファー·エリアソン
اولافور الياسون
奥拉维尔·埃利亚松
אולאפור אליאסון
Олафур Элиассон
Your Rainbow Panorama

Olafur Eliasson’s dazzling “Your Rainbow Panorama” is a permanent installation on the rooftop of the ARoS Museum in Aarhus, Denmark. The spectacular work of art has a diameter of 52 metres and is mounted on slender columns 3.5 metres above the roof of the museum. Visitors can literally walk through the entire color spectrum viewing the world for the first time in all pink, green, blue and yellow tones.
“Your rainbow panorama enters into a dialogue with the existing architecture and reinforces what is assured beforehand, that is to say the view of the city. I have created a space which virtually erases the boundaries between inside and outside – where people become a little uncertain as to whether they have stepped into a work or into part of the museum. This uncertainty is important to me, as it encourages people to think and sense beyond the limits within which they are accustomed to moving”. -Olafur Eliasson

朱金石
boat

Tra le opere presentate, Boat di Zhu Jinshi è un’installazione monumentale di 12 metri realizzata utilizzando bambù, cotone e 8.000 fogli di carta di riso legati tra loro. Si tratta di un lavoro che cerca di riconciliare due tradizioni diverse, mostrando come l’arte astratta cinese sia stata una forza inesplorata nel panorama contemporaneo.

Panorama of Central Park

オラファー·エリアソン
اولافور الياسون
奥拉维尔·埃利亚松
אולאפור אליאסון
Олафур Элиассон
Your Rainbow Panorama

Морис Бенаюн
莫里斯·贝纳永
Cosmopolis
Overwriting the city

Cosmopolis endeavours to examine urban realities through people’s eyes. It is an artistic, and scientific interpretation of urbanization, making a visit a physical and intellectual experience.
The visitor enters a big, moving panorama of a constantly changing city. Twelve observation binoculars, much like those found at scenic lookout points, allow one to be surrounded 360° by twelve urban environments. Seven Occidental cities and five Asian cities: Paris , Berlin , Barcelona , Chicago , Johannesburg , Cairo , Sao Paulo , Beijing , Shanghai , Chongqing , Chengdu , Hong Kong , can thus be discovered, each from different viewpoints. Bearing no resemblance to the touristy landscapes one may expect to see, these scenes lay out major urban issues simply through a choice of viewpoint: transportation, environment, architecture, energy, health…

Андреас Гурски
안드레아스 거스키
安德烈亚斯·古尔斯基
أندرياس غورسكي
アンドレアスことスキー
אנדריאס גורסקי
Paris, Montparnasse
Sein Paris, Montparnasse, zum Beispiel vier Meter lang und fast zwei Meter hoch, reproduziert auf den ersten Blick einen riesigen Wohnkomplex in Frankreich, der auf den ersten Blick als strenge Fassade aus kleinen Zellen wahrgenommen wird. In einem zweiten Moment wird bemerkt, dass das Foto von großen Ausmaßen die Verzierung des Lebens in der Gesellschaft in diesem Raum dokumentiert.”Sie haben das Gefühl, dass Sie jede dieser Wohnungen betreten können, selbst wenn Sie eine Lampe oder eine Person erkennen, die gerade den Vorhang schließt”, kommentiert Ralf Beil, Direktor der Mathildenhöhe, das Paradoxon in Gurskys Gewerkschaftsarbeit zwischen riesigem Panoramablick und absoluten Details.