Laura Scozzi

Jean-Philippe Rameau
Les Indes Galantes

The first merit of this new production, streaming with intelligence, is that Laura Scozzi and Christophe Rousset have read Fuzelier’s verses deeply. And of Rameau, we must add, so much the composer, perpetually dissatisfied with his poets, harassed them word for word, when he did not take up the pen himself. In addition to lines which, like his contemporary Marivaux, seem to have been invented instantly, Fuzelier has built a dialectical finesse between peace and war, joy and hatred, pleasure and violence, the state of Nature and the state of society. The Gallant Indies according to Laura Scozzi are not a gigantic burst of joy. On the contrary, they reveal a perpetual and restless balance between shadow and light and are a look, less consensual but true and human, on the Age of Enlightenment. Here is a startling ideological reversal, without any forcing: Laura Scozzi has simply revealed the implicit nature of a libretto, so far read superficially.

Kengo Kuma

Botanical Pavilion
To realize the ‘Botanical Pavilion’, Kengo Kuma worked alongside Geoff Nees — a melbourne-based artist and curator who has also worked on a number of architectural pavilions. Made in the japanese tradition of wooden architecture, where pieces interlock, held by tension and gravity, the structure at the NGV triennial features a tessellated interior lined with timber collected from trees felled or removed over several years at Melbourne’s royal botanic gardens. Some of the trees used within the architecture pre-date european settlement, while others signal the development of the gardens as a site of scientific research and botanical classification. Prioritizing natural phenomena over scientific order, the botanical species used are color-coded, rather than following any taxonomic order. this approach offers a statement by the designers against the reductive nature of science during the colonial era — a mindset at odds with many indigenous cultural beliefs and knowledge systems.

Ryoji Ikeda

池田亮司
이케다 료지
РЕДЗИ ИКЕДА
superposition

superposition is a project about the way we understand the reality of nature on an atomic scale and is inspired by the mathematical notions of quantum mechanics. Performers will appear in his piece for the first time, performing as operator/conductor/observer/examiners. All the components on stage will be in a state of superposition; sound, visuals, physical phenomena, mathematical concepts, human behaviour and randomness – these will be constantly orchestrated and de-orchestrated simultaneously in a single performance piece.

Rosie Danford Phillips

Opulent Virulence
“My collection is inspired by my fascination with nature; an interpretation of the complexity and unrestrained beauty of nature, which I express through complex layering, colour and a maximalist aesthetic that takes joy in abundance and opulence. I create my own ecosystems of layered and built fabrics in knit, print and unconventional embroidery. My clothes are in a state of rewilding – I infect the silhouettes with rich colourful textiles, giving them life. I grow my embroideries over graphic and sculptural silhouettes to emphasise and contrast the organic and the built landscape.” Rosie Danford Phillips

frank verkade

Paradise

serpent mouthpiece

Paradise is the term used to describe a place or state of timeless harmony and beauty. Whether connected to religion or not, the term Paradise echoes Utopian realms of humanity living at one with nature, sharing their tope with every exotic and fantastical creature imaginable.

MYEONGBEOM KIM

МИЕОНГБЕОМ КИМ
김명범
Myeong Beom Kim is from Seoul, Korea. He produces otherworldly installations and sculpture works that juxtapose man-made elements with nature to create surreal dream spaces. Utilising suspension as a common motif, his works are constantly poised in a state of ambiguous wonderment. Within his installations, living things are held inside the fragile confines of light bulbs and helium balloons replace tree foliage, literally uplifting the tree and its roots.

Matteo Zamagni

Nature Abstraction

Nature Abstraction is an immersive sensory experience that explores the arcane forms of fractals, mathematical visual representation of natural and biological forms.
The project gives an insight of their aspects through virtual reality, where they appear as three planets: Birth, Communion and Aether; Each accompained with scores designed to facilitate meditative state and relaxation;The audience is guided to explore these planets and dive into their vast complexities as well as observing the contrast between the entirely digital created world inside the VR against the fully analogue created film projected onto the faces of the cube which have been filmed in real life, recreating using analogue visual effects and various chemical elements.

rachel garrard

Body Systems I
British-born artist Rachel Garrard creates a range of multi-disciplinary work that explores the great unknown, looking to quantum physics and other theories of the universe for inspiration and guidance. Both her video performance pieces and works on paper capture, despite their earthly limitations, the infinite nature of life on this planet and beyond. In a personal statement on her blog, the artist explains “that exploring the outer reaches of the universe can be similar to exploring the inner reaches of the human psyche and that both are governed by the same forces.

MARTIN KALTENBRUNNER

reactable
file festival

The ReacTable is a collaborative electronic music instrument with a tabletop tangible multi-touch interface. Several simultaneous performers share complete control over the instrument by moving and rotating physical objects on a luminous round table surface. By moving and relating these objects, representing components of a classic modular synthesizer, users can create complex and dynamic sonic topologies, with generators, fi lters and modulators, in a kind of tangible modular synthesizer or graspable fl ow-controlled programming language. The instrument was developed by a team of digital luthiers under the direction of Dr. Sergi Jordà. The “Interactive Sonic Systems” team works in the Music Technology Group within the Audiovisual Institute at the Universitat Pompeu Fabra in Barcelona, Spain. Its main activities concentrate on the design of new musical interfaces, such as tangible musical instruments and musical applications for mobile devices. The reactable intends to be: collaborative: several performers (locally or remotely), intuitive: zero manual, zero instructions, sonically challenging and interesting, earnable and masterable (even for children), suitable for novices (installations) and advanced electronic musicians (concerts). The reactable hardware is based on a translucent, round multi-touch surface. A camera situated beneath the table continuously analyzes the surface, tracking the player’s fi ngertips and the nature, position and orientation of physical objects that are distributed on its surface. These objects represent the components of a classic modular synthesizer. The players interact by moving these objects, changing their distance, orientation and the relation to each other. These actions directly control the topological structure and parameters of the sound synthesizer. A projector, also from underneath the table, draws dynamic animations on its surface, providing a visual feedback of the state, the activity and the main characteristics of the sounds produced by the audio synthesizer.

ELLEN JANTZEN

Эллен Янцен
Disturbing the Spirits

Disturbing The Spirits, explores the photographers recent interest in the healing power of nature. In her series’ statement, the St. Louis-born photographer questions, “As human actions impact the natural environment, can artists heal nature? Does art bring special powers to the table? If so, what are they? What is ‘art’? What is ‘nature’? What needs healing?”

ANDREW LYMAN

Alone Together

The phrase Alone Together describes a nature of personal relationships and relating to one another that I have found to be characteristic of an experience the generation I am a part of encounters, if not others as well. The phrase in context of communication calls upon the experience and realization that your mental state is completely unique and solitary. There is a push to connect with others as well as to find someone to spend your life with, and along with this push comes the expectation of a complete and total togetherness. There is an eventual point of realization and discovery of your own mental state and its perpetual solitude, transcending physical closeness with others. The photographs in the series evoke contemplation of this experience, through imagery of the mundane, capturing a quiet departure into a somewhat bizarre disconsolate self-investigation. The photographs play with the association of Alone Together to intimacy and love, with an alternate interpretation or redefinition according to newfound phenomenon.

ALEX VERMEULEN

SOH19 States of Nature

JOHNNY RANGER

조니 레인저
ジョニーレンジャー
ג’וני ריינג’ר
约翰尼游侠
جوني الحارس
Six Mil Antennas
SIX MIL ANTENNAS is a 360 degree immersive film that employs a range of visual and audio codes to bring a surrealist perspective to the forefront. Framing shifting communication processes in a fictional setting, the whimsical, open-ended work re-imagines different states of the world in a futuristic timeframe. Through a series of events, the piece alternates its tone between deconstructed gravity, aesthetic sensuality and satirical humor. Inserting filmed actors in faux designed landscapes, the film creates non-linear narratives of a personal, social and political nature and expresses a complex intertwining multiverse, in which the characters and abstract landscapes evolve.