HITO STEYERL

Factory of the sun
In this immersive work, which debuted at the 2015 German Pavilion at the Venice Biennale, Steyerl probes the pleasures and perils of image circulation in a moment defined by the unprecedented global flow of data. Ricocheting between genres—news reportage, documentary film, video games, and internet dance videos—Factory of the Sun uses the motifs of light and acceleration to explore what possibilities are still available for collective resistance when surveillance has become a mundane part of an increasingly virtual world. Factory of the Sun tells the surreal story of workers whose forced moves in a motion capture studio are turned into artificial sunshine.

Bahar Yürükoğlu

Flow Through

“Flow Through takes as its departure point Bahar Yürükoğlu’s experiences during her travels to the Arctic Circle in 2015, both in the summertime, when the sun doesn’t set, and during the winter months, when darkness prevails. In the exhibition, the artist creates fictional spaces based on the dualities she observed in the Arctic region; blurring the boundaries between presence and absence, past and future, nature and civilisation, as well as cyclical movements and inevitable transformations, these installations, photographs and videos test the viewer’s perceptive capacities, and demand that the dichotomy between the subject and the object is set aside”. Duygu Demir

Penique Productions

Park Lage
In the installation, an 11m x 15m x 25m orange inflatable that completely covered the historic courtyard, the viewer accesses the interior of the work and observes how the previously known space, or not, was reconfigured by a monochromatic plastic cover, through which only the shapes of a reality that has just become a work are drawn. This work makes visible a space that was previously just the place where things live. A work that the wind, the sun, the rain and the passing of people keeps alive, breathing.

Assocreation

Solar Pink Pong
file festival
Solar Pink Pong” is a hybrid of street and video game. Players of this game can interact with an animated pink sunlight reflection on the street using their bodies and shadows. The device that makes this game possible can be mounted on utility poles or building sides.

Kimchi and chips

Halo
99 robotic mirrors continuously move throughout the day to follow the sun like sunflowers. These mirrors, arrayed across two 5 meter tall towers and one 15 meter long track, each emit a beam of sunlight into a cloud of water mist. The beams are computationally aligned so that together they draw a bright circle in the air. Dependent entirely on the presence of the sun for its completion, the work explores the possibilities and limitations of technology to capture what is out of reach, to harness nature and bring the sun down to earth. Collaborating with the natural fluctuations in the climate, Halo appears only for moments when the wind, sun, water, and technology coincide, creating a form which exists between the material and immaterial.

Charlotte Thrane

Store Krop / Big Body

More people die in bed than anywhere else. For natural as well as for unnatural reasons. We spend up to a third of our lives sleeping. Souvent it happens in bed. From time to time we also have sex there.

Studio Bigert & Bergström

Solar Egg
The egg is made out of stainless golden mirror sheeting, its multifaceted form breaking up the surroundings that it reflects into a multiplicity of different mirror images. Landscape, mine, town, sky, sun and snow are here combined into a fragmented image that can evoke associations with the complexity spanned by today’s discussion about climate and sustainable community development.more

Francesco Cavalli

Eliogabalo (Heliogabalus)
Written in 1667 by Italian composer Francesco Cavalli, the opera is based on the life of the Roman child emperor Heliogabalus, who anointed himself a sun god and was known for overt displays of wealth, power and sexuality.more

Joel Tauber

Searching For The Impossible: The Flying Project
Blanchards Zeichnung machte mir klar, dass ich diesen Traum von der Kombination von Musik und Flucht tatsächlich verwirklichen wollte. Ich wollte mit Heliumballons fliegen, aber ich wollte Musik und Atem, um diesen Flug anzutreiben. Meine Theorie war, dass Atem plus Musik plus… sechsundvierzig Fuß Heliumballons gleich Flug wären. Der Dudelsack war entscheidend für das Funktionieren dieser Gleichung. Der Dudelsack ist das einzige Instrument, von dem ich weiß, wo man durch Drücken eines Ballons Musik machen kann. Wenn die Heliumballons aus Hörnern aufsteigen würden, die aus dem musikalischen Ballon der Dudelsackmusik kamen, wären Flug und Flug untrennbar miteinander verbunden. Vielleicht würde dies mir erlauben, die Physik und Metaphysik des Fliegens so zu kombinieren, wie es ER Brewster versuchte. Ich hatte Angst, dass ich nicht fliegen könnte. Ich hatte auch Angst, dass ich nicht herunterkommen könnte, wenn ich fliegen könnte. Ich schwebte über eine Stunde in der Luft. Ich benutzte die Ventile, um für einen Großteil des Fluges eine Höhe von 150 Fuß aufrechtzuerhalten.

ÉTIENNE-LOUIS BOULLÉE

Cénotaphe à Newton

Boullée promoted the idea of making architecture expressive of its purpose, a doctrine that his detractors termed architecture parlante (“talking architecture”), which was an essential element in Beaux-Arts architectural training in the later 19th century. His style was most notably exemplified in his proposal for a cenotaph (a funerary monument celebrating a figure interred elsewhere) for the English scientist Isaac Newton, who 50 years after his death became a symbol of Enlightenment ideas. The building itself was a 150 m (500 ft) tall sphere, taller than the Great Pyramids of Giza, encompassed by two large barriers circled by hundreds of cypress trees. The massive and spheric shape of the building was inspired by Boullée’s own study called “theory of bodies” where he claims that the most beautiful and perfect natural body is the sphere, which is the most prominent element of the Newton Memorial. Though the structure was never built, Boullée had many ink and wash drawings engraved and circulated widely in the professional circles in 1784. The small sarcophagus for Newton is placed at the lower pole of the sphere. The design of the memorial is intended to create the effect of day and night. The night effect occurs when the sarcophagus is illuminated by the sunlight coming through the holes in the vaulting, giving the illusion of stars in the night sky. The day effect is an armillary sphere hanging in the center that gives off a mysterious glow. Thus, the use of light in the building’s design causes the building’s interior to change its appearance.