Джузеппе Рандаццо
Meander 7 / Horizontal velocity vectors from x = 0
Los códigos de computadora que utilizan para crear proyectos de arte generativo, arte de los nuevos medios de comunicación, los proyectos de las disciplinas del diseño, la arquitectura o de otro tipo, pueden encontrarse en territorios que han sido en gran parte sin explorar, en el que el arte y la ciencia se encuentran. Al principio, los agentes están definidas por variables como la posición, la velocidad y los límites (por lo general de un círculo). Cuando empiezan a moverse, ya que el espacio se agota, chocan, rebotan entre sí y de paso cambian la velocidad y el color, generando una espesa red de variaciones cromáticas.

Limited Spaces N2
On approaching the piece, the viewer must mount a bicycle and start pedaling at a suitable and steady speed — only then will the projection of a film onto the screen start. In order to watch the film to the end one has to continue cycling without stopping. This work is built around a performance, produced by two actors: a man riding a bicycle and a woman, who, concealed behind the screen, moves depending on the man’s velocity, unintentionally creating changing reliefs which resemble sculptures. The abusive nature of the relationship embodied in the performance clearly draws on the ancient Greek myth about sculptor Pygmalion and his “artwork” Galatea on the one hand, and on the other references more contemporary feminist discourse, something to which the artist is far from being indifferent. The faster the man pedals, the faster and more forcedly the woman moves. Few trained artists could withstand such a speed.

The weight of light
Light, as we usually interpret it, is an element without mass and gravity. For “the weight of light” a physics engine simulates the kinetic forces of a moving object. This mass is projected on a wave shaped structure in virtual space. The moving object is represented as a light particle in physical space. Gravity, mass, density and friction affect velocity and acceleration of these light particles. As the particles movement is based on a simulation, it does not have to adhere to the physical realities we know from everyday life. Therefore the installation goes beyond expected behaviour. Thus the matter of light traverses a reinterpretation of our known reality.

池田亮司
이케다 료지
Редзи Икеда
Transfinite
test pattern [n˚2] presents flickering black and white imagery that floats and convulses in darkness on two screens, one on the floor and another floor to ceiling, in time with a stark and powerful, highly synchronised soundtrack. Through a real–time computer programme, Ikeda’s audio signal patterns are converted into tightly synchronised barcode patterns on the screens. Viewers are literally immersed in the work, and the velocity of the moving images is ultra–fast, some hundreds of frames per second, providing a totally immersive and powerful experience. The work provides a performance test for the audio and visual devices, as well as a response test for the audience’s perceptions.

HyperveloCity

HyperveloCITY is a fast forward connected cultural organism that grows on top of the subway stations in downtown Los Angeles. The movement time line of the users (pedestrians, students, cars and train) is used as the operational strategies of the buildings framework. Velocities and rhythms are used to generate a new perception of space. The distance of the institutions would generate a wider field of influence in a dense cityscape. The main three volumes are an urban art museum, educational institution and a new convention centre, all separated one kilometer from each other. The various components of HyperveloCITY are connected by way of a the underground train system. The project is structured to emphasize the use and efficiencies of the public transport system and create not-so-often-seen public spaces and realms in densest part of downtown Los Angeles.

Harmophon

This video only shows a short part of a longer incoming installation, which explores the relationship between 2 Harmonic waves in different graphical/musical ways.98 pair of points trigger notes depending on the collision position in the Y axis.Panning depends on the X position. For this piece the phase and velocity of booth waves are synchronised to collide in a harmonic chord.In the installation it would be possible to see/hear more complex relationships with longer running time.The chaotic converges in harmonic, the complexity converges in simplicity.