Pop It Up

source: architizer

AKOAKI is a research and design practice founded by Anya Sirota and Jean Louis Farges. Our work blends architecture, art and media to produce social and surprising spaces. The projects tend to question generic types and expectations, often siding with informalist ideals. We imagine design as a generative, cultural infrastructure concerned with the production of civic, non-restrictive environments.
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source: ignantde

The giant three-dimensional stars have been erected in an old tannery in Amilly, France, as floating signifiers, designed to deliver iconographic ‘pow’.

Using simple portable wood working tools and a simple American vernacular stud construction, Pop It Up is anything but glitzy. The construction process, staged as a performance, was open to the public and is commissioned by the city of Amilly at a critical time for the tannery complex, since the site will be converted into a cultural art center in fall 2013. The surviving architecture, with it’s current state of coming-undone-ness and bared concrete structure, offers exceptional opportunities for experimentation and interim engagement. The stars encourage visitors to take a fresh look at the spatial potentials of an industrial site in the process of transformation and to imagine a more playful, dynamic and collective future.
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source: mocoloco

“Anya Sirota + AKOAKI, a design studio based in Michigan, USA, has installed two monumental stars in a defunct tannery in Amilly, France. The structures, built in situ, span over thirty feet point to point and deploy the logics of American vernacular stud construction in order to deliver an iconographic pow. As floating signifiers, they encourage visitors to take a fresh look at the spatial potentials of an industrial site in the process of transformation and to imagine a more playful, dynamic and collective future.

The project, titled Pop It Up, comes at a critical moment for the tannery complex. Come fall 2013, the site will be converted into a cultural art center. In its current state of coming-undone-ness, however, with its bared concrete structure and second-story wood flooring and windows removed, the surviving architecture offers exceptional opportunities for experimentation and interim engagement.

One seven pointed star hovers dexterously above the exhibition space clipped to the existing concrete structure. The second star steps out between columns on the ground floor, and balances precariously over the tannery tanks. The two mischievous protagonists become three dimensional supergraphics and perform in dialogue with the idiosyncrasies of the industrial building as well as the landscape beyond.

The forms which can be viewed from above, below and at eye level engage multiple and overlapping vantage points, suggesting that challenging geomet9ries can be arrived at through simple, approachable techniques independent of costly contemporary fabrication facilities. All elements in the project were produced and assembled on site fusing tools germane to conventional construction: a mill saw, a table saw, a pneumatic stapler and a few screw guns.

The construction process, free and open to the public, spanned two weeks and was performed in collaboration with students from the University of Michigan’s Taubman College of Architecture + Urban. All construction scraps were reused to furnish a viewing platform and terrace.

The project, commissioned by the city of Amilly and curated by Christophe Ponceau, was made possible through support from the City of Amilly, the Region Centre and Taubman College of Architecture + Urban Planning.

Pop It Up, including a photo installation by artist Marie Combes, is on exhibit at the Tanneries through September 29, 2013.

principles: Anya Sirota, Jean Louis Farges
team: James Chesnut, Allen Gillers, Christopher Reznich, Missy Ablin, Cathy Pyenson, Erika Lindsay
curator: Christophe Ponceau
address: 234 rue des Ponts, Amilly, France, 45200″
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source: espacedatapresse

Pop It Up est une installation architecturale éphémère réalisée en collaboration avec Anya Sirota (AKOAKI) et les étudiants d’architecture de l’Université de Michigan. Le projet engage les tactiques de construction légère insérées dans un paysage post-industriel résurgent.