CAROLINE LATHAN-STIEFEL
source: ravennataylorartlagoon
“‘Acanthus Climbing,’ installation, is currently in a group show at the Kohler Arts Center called “The Line Unleashed.” I have been working with these materials (pipe cleaners, yarn, fabric, plastic, thread, pins, and fishing weights) for over ten years and think of my installation work as drawing in space.”
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source: carolinelathanstiefel
I have been making room-sized sculptural installations consisting of materials such as pipe cleaners, plastic shopping bags, fabric, straight pins, yarn, wire, and lead weights since 2001. My work involves both the slow, plodding movement of patching pieces of cloth and plastic to linear structures made of pipe cleaners, as well as quicker, more gestural actions that connect all of the parts into systems, making large suspended sculptures. The installations are drawings-in-space that cover, divide, encircle, and fill the spaces in which they are situated. Monumental in scale and intensely colored and textured, the work aims to physically affect the body of the viewer.
The installations take various forms: parasitic-like growths that cover interior architectural elements and outdoors structures; hanging tent forms that immerse the viewer; suspended walls that curve and divide spaces; excessive, organic masses that transform rooms into caves. I see my work as being in flux—ever-changing, mutable, and replicating various states of proliferating growth.
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source: myartguides
Caroline Lathan-Stiefel has been making room-sized sculptural installations consisting of materials such as pipe cleaners, plastic shopping bags, fabric, straight pins, yarn, wire, and lead weights since 2001. Her work involves both the slow, plodding movement of patching and sewing pieces of cloth and plastic to linear structures made of pipe cleaners, as well as quicker, more gestural actions that connect all of the parts into systems, making large suspended sculptures. The installations are drawings-in-space that cover, divide, encircle, and fill the spaces in which they are situated. Monumental in scale and intensely colored and textured, the work aims to physically affect the body of the viewer.