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future relic 04

source: minnovatiepuntbe

As a follow-up to his highly acclaimed short film Future Relic 03 starring Juliette Lewis, multidisciplinary artist Daniel Arsham returns with Future Relic 04. Resuming the same ideals as its predecessors, the new cinematic installment will also fuse together art, architecture and performance. As the Snarkitecture founder explains, “This film is much like the rest of my work in that there’s no specific message – it’s rather an invitation to rethink [our] everyday surroundings and architecture. The environment is something that I touch on as well in Future Relic.”

In terms of how the new chapter stands in relation to the ones before it, Part 04 is the most complex when it comes to “true cinematic technical ability.” Working with cinematographer Ben Nicholas, Arsham et al were faced with the daunting task of recreating a cockpit from scratch on a soundstage. In order to simulate an airplane flying through rough storms, the entire team was challenged both creatively and physically by the painstaking process.

Further exploring the intricacies of Future Relic 04’s cinematography, Arsham reveals the influence of his previous undertakings. Derived from the same concepts that inform his sculptural work, Arsham explains that many viewers see his oeuvre as portrayals of an apocalyptic future. However, for him, they are not so much doom-laden interpretations as they are embodiments of a different frame of mind. “I set out with the films to frame that world and to build a narrative around all of my work,” he says. “Film for me is the thing that most completely encapsulates all the areas that I like to work in: photography, sculpture, stage design, architecture – all of these things are brought through in filmmaking.”

By depicting an abstraction of the future while maintaining a relationship with the present, Arsham hopes to devise a unique scenario that feels both believable and real. You can watch Future Relic 04 in its entirety above. A feature film which will address the open narratives of all first four sections of the saga is set to debut in early 2016.

Coinciding with the premiere of the film of the same name is the release of Future Relic 04; a cast plaster sculpture, in an edition of 500. Each film features a future relic, a common object now obsolete in this future world, which is released as a collectable edition with the launch of each chapter. Future Relic 04 comes with a cast plaster sculpture cassette tape, a custom made stand, and art handling gloves. All carefully displayed in EVA foam.

The Future Relic 04 limited edition sculpture will be available exclusively on eBay beginning this Friday, December 11 at noon EST while the film will be released at the same time on Nowness.com. Click through the gallery above for a closer look at the future relic and behind-the-scenes impressions of the shoot.
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source: designboom

in the near future, years before the excavation of the moon, two young pilots report on the tidal fluctuations and storm systems they see on earth below them. from inside the cockpit of an airplane, the latest installment of the ‘future relic’ film series tells the darkly humorous story of the aviators’ grim realization that the human race is facing extinction. daniel arsham‘s ‘future relic 04′ expands upon the artist’s recurrent themes of ephemerality and decay, in an imagined, future civilization facing major ecological changes on earth.

debuting during miami art week, the short film is ‘the most complex I’ve made in terms of scenography, with all of the sets constructed by my studio team,’ arsham said. ‘this film is very different from the other sections of future relic, and I think it gives audiences a forecast of where the rest of the film is going, both conceptually as well as in its tone.’ the chapter — part of a series which will culminate in a feature film in 2016, will include a collectable edition artwork by arsham of a now-obsolete object found in this future world. watch the trailer for ‘future relic 04′ above, and see the full feature on NOWNESS here.
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source: fabricworkshopandmuseumorg
American, born 1980 Cleveland, Ohio
Daniel Arsham graduated from Cooper Union and received the Gelman Trust Fellowship Award in 2003. In 2004, he participated in the group show Miami Nice at Galerie Emmanuel Perrotin in Paris, which began representing Arsham in 2005. As one of the founders of the seminal Miami artist-run space The House, his interest in multi-disciplinary artist collaborations began early. Legendary choreographer Merce Cunningham asked Arsham to create the stage design for his work eyeSpace in 2007. Following this project, Arsham began designing for the Merce Cunningham Dance Company for performances in Australia, France, and multiple locations in the United States. In 2011, Arsham created the set for the final three performances of Cunningham’s legacy tour at the Park Avenue Armory. Despite never being trained in stage design, he has continued this practice, collaborating with Robert Wilson as well as Jonah Bokaer, a former Cunningham dancer. Arsham’s ongoing work with Bokaer includes REPLICA, which has been performed at such esteemed venues as The New Museum in New York; Instituto Valenciano de Arte Moderno in Valencia, Spain, and The Hellenic Festival in Athens, Greece. His most recent collaboration with Bokaer, titled RECESS, had its world premiere at Jacobs Pillow Dance Festival in 2011. Arsham and Bokaer will present a new collaboration with David Hallberg at Le Festival d’Avignon in France in July 2012, followed by another premiere at Jacob’s Pillow Dance Festival in August. To further explore the possibilities of spatial manipulation, Arsham founded Snarkitecture in 2007 with partner Alex Mustonen to operate in territories between the disciplines of art and architecture. Their imaginative practice recently won the commission to create two large public artworks for Miamiʼs new Florida Marlins ballpark, which opened in April 2012.
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source: artbook
Miami artist Daniel Arsham (born 1980) toys with our notions of what to expect from various materials and media, transcending the strict boundaries between art, architecture and performance. In so doing, he explores what is natural, what is fabricated, what has come about by chance and what is planned. His gouaches, sculptures and conceptual objects often mimic effects of subsidence, erosion or melting. Arsham graduated from Cooper Union, and received the Gelman Trust Fellowship in 2003. His work has been shown at institutions such as MoMA PS1, New York, and The Museum of Contemporary Art, North Miami, Florida, among many others, and he has collaborated with the Merce Cunningham Dance Company. This book is the only comprehensive monograph of his work available. It features three interviews with the artist and many images from gallery and museum shows and performances.
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source: naomi-jerlivejournal
Даниэль Аршам (Daniel Arsham), художник из Маями, работает с легендарным американским хореографом Мерсем Каннингем (Merce Cunningham. Аршам создает скульптуры для сцены и костюмы для танцоров. Это сотрудничество открыло перед Даниэлем множество дверей в мир искусства. В 1999 он оканчивает высшую школу дизайна и архитектуры в Маями.
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source: designbrasilsoupio
O artista americano Daniel Arsham produz obras que colocam em questão o diálogo entre arte e arquitetura, investigando o espaço expositivo da galeria. rsham afirma que sua fascinação pela desconstrução espacial veio de uma experiência de infância, quando um furacão destruiu completamente a casa em que morava em Miami.
Arsham fundou junto ao arquiteto Alex Mustonen o Snarkitecture, estúdio de prática colaborativa onde os dois desenvolvem projetos artísticos e arquitetônicos, onde investigam estrutura, material e programa e como esses elementos podem ser manipulados para servir novos e criativos propósitos. s obras de Arsham interferem diretamente no ambiente aparentemente “intocável” do cubo branco, e muitas de suas intervenções nos remete aos trabalhos do brasileiro Henrique Oliveira, que teve obra de destaque na 29ª Bienal.
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source: wegotalent
Véritable sensation dans le renouveau de l’art moderne américain, Daniel Arsham est un peintre et sculpteur new yorkais qui aime à se jouer des illusions dans ses oeuvres. Après ses sculptures en résines ou bien encore son installation igloo, l’artiste crée des sculptures figuratives dissimulées sous un effet drapée pour stimuler l’imagination du spectateur.
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source: wowsai
在纽约工作生活的艺术家、布景设计师Daniel Arsham，凭借将工业领域转化为色卡式“像素云”早而广受赞誉。Arsham目前正在洛杉矶OHWOW举行最新展览“The Fall, the Ball and the Wall”，他向摄影师Tierney Gearon展示了围绕着展览的超现实雕塑和虚构城市景观。这位年仅31岁的跨流派学者，曾与Dior Homme设计师Hedi Slimane、编舞家Merce Cunningham等合作过多个项目，逆转对空间和建筑的成见，例如用成千上万的乒乓球淹没舞台，用切割的发泡胶“蚕食”质朴的更衣室。“这类型的作品 里显然蕴藏着让人毛骨悚然的性质，它源自这样的想法：你看到认识的事物，对它有一定的期待，”Arsham谈及OHWOW里的作品，就像鬼屋；有你熟悉的 事物，但某些东西不太对劲。