Heidi Norton
source: blogart21org
Generally we think of plant life as a kind of fuel — a material vitality that exists to be consumed and transformed to a higher purpose: as food, medicine, paper, or housing. As such, vegetation is not often recognized as a material capable of interiority — with an autonomous desire, or a will, that could be inaccessible to humankind. Still, we know that plants seek light. We know they are active in so far as they grow and we know that, left to their own devices, they would consume a given area. Heidi Norton works with common house plants, framing them in planes of glass, resin, wax and paint. She sets up these scenarios in her studio and photographs the transformation of plants over time. In other instances she installs the 3D works as sculptures. Some plants die over the course of an exhibition. Less often, they sprout, generating new life within a sculpture. Photographs and sculptures depict the same phenomena and so play back and forth between something fixed in time — a moment of deterioration — and something in flux. In so doing, Norton creates a moment for apprehension, a moment at which the interiority of plants, framed by the artist in a visible procession towards death and rebirth, might be easier to conceive. Heidi Norton (born in Baltimore, MD in 1977) received her MFA from the School of the Art Institute of Chicago in 2002.
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source: mcachicagoorg
Heidi Norton (American b. 1977, lives in Chicago) received her BFA from University of Maryland and her MFA from the School of the Art Institute of Chicago, where she is currently a professor of photography. Norton has had solo exhibitions in Chicago at Johalla Projects, Northeastern Illinois University, and Ebersmoore, and in San Francisco at Hungry Man Gallery. Her work was also included in the exhibition Snapshot at the Contemporary Art Museum in Baltimore, and in other group shows Mark Wolfe Contemporary in San Francisco, Monique Meloche Gallery and Andrew Rafacz Gallery, both in Chicago, and in New York at NADA Hudson, and the Knitting Factory. She is represented in the collection of the Art Institute of Chicago and in the Midwest Photographers Project at the Museum of Contemporary Photography at Columbia College Chicago.