Rape and Pillage

source: highlike

Work: Year: 2013 Medium: embroidery on 39 Thai civil service uniforms Dimensions: Dimensions variable.
Photo: Courtesy of the artist and Yavuz Fine Art
.
.
.
.
.
.
.
source: ukeurosportyahoo

A visitor looks at Thai artist Jakkai Siributr’s installation “Rape and Pillage”, made up of embroidery on Thai civil servant uniforms.
.
.
.
.
.
.
source: trfineart

Jakkai Siributr is one of Southeast Asia’s leading contemporary artists working primarily in the textile medium. His fascination with textiles and embroidery began as a child in Bangkok, and he went on to study textile design in college and graduate school in the United States before returning to Thailand. He is noted for producing meticulously handmade tapestry and installation works that make powerful statements about religious, social, and political issues in contemporary Thailand. A main preoccupation of his art is the interaction of Buddhism and materialism in modern life, and the everyday popular culture of Thailand.

Jakkai has received increasing critical attention since his 2008 solo exhibition with Tyler Rollins Fine Art, Temple Fair, which was covered by such major publications as Time Magazine and the Financial Times. (Please click on the link at the bottom of the screen for more information about this exhibition.). A highlight of 2009 was his participation as a featured artist in the 2009 Asian Art Biennial at the National Taiwan Museum of Fine Arts, where his work was shown with noted artists from across Asia, such as Subodh Gupta and Xu Bing. A group exhibition in Thailand presented his works alongside those of multimedia artists from Thailand and India, and in the United States, his works were on exhibit in Miami and at the Rubin Museum in New York.

Jakkai returned with a new show in the gallery in April and May 2010. The exhibition, Karma Cash & Carry, featured a new series of textile compositions alongside installation and video works. Alluding to the way contemporary Thai popular religion incorporates such practices as fortune telling and winning lottery number prediction, Jakkai organized the exhibition around his conception of a karmic convenience store, where merit can be bought and sold. He made use of found objects associated with bringing good fortune, integrating them into his elaborate compositions of Thai fabrics, embroidery, and hand stitched sequined work. Jakkai’s hand stitching is an incredibly detailed and time consuming process – which he likens to a meditative practice – and this limits his annual production to only a handful of works. He maintains a rigorous connection to traditional Thai craft techniques while making a strong commentary on contemporary issues. Karma Cash & Carry marked a continued exploration of new themes and technical formats, with textile works that break out of the rectilinear tapestry form to create free-flowing shapes. He also introduced video for the first time in his oeuvre, as well as larger scale sculptural installation work.

In 2011, Siributr’s work was featured in the exhibition, Here / Not Here: Buddha Presence in Eight Recent Works, at the Asian Art Museum of San Francisco (April 1 – October 23, 2011), and in a major solo exhibition, Shroud, at the Art Center, Chulalongkorn University, Bangkok, Thailand (September 15 – November 12, 2011). He was also a participating artist in the 2nd Chongqing Youth Biennial Art Exhibition (October 11 – November 6, 2011). In 2012, his work was seen in Phantoms of Asia: Contemporary Awakens the Past at the Asian Art Museum of San Francisco (May 18 – September 2, 2012) and Exploring the Cosmos: The Stupa as a Buddhist Symbol at the Asian Civilisations Museum, Singapore.