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Kreutzerkompani

Synk

Synk

source: vimeo
A collaboration between HC Gilje, sound artist Justin Bennett and choreographer Eva Cecilie Richardsen, first presented at the Ultima festival in Oslo, fall 2002,. The project is one of several extensions from Gilje´s VideoNervous project (1999-2000).
The idea of synk was that no prerecorded video or audio would be used, only material sampled during the performance was allowed, to investigate live as raw material : to impose a structure on a live situation to allow for unpredictable results within that frame structure.
Justin Bennett was one of the main audio collaborators for 242.pilots.
Synk was the most toured piece of Kreuterkompani, with performances at the Ultima festival in Oslo, Kiasma in Helsinki, Kanonhallen in Copenhagen, podewil in Berlin, Xfilm festival in Sofia and many more in the period 2002-07.
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source: vimeo

HC Gilje works with installations, live performance, set design and single channel video.
Gilje has presented his work through different channels throughout the world: in concert-venues, theatres and cinemas, galleries, festivals, outdoors and through several international dvd releases, including 242.pilots live in Bruxelles on New York label Carpark and Cityscapes on Paris-label Lowave.
He was a member of the video-impro trio 242.pilots, and was also the visual motor of dance company kreutzerkompani.
Gilje initiated the project “Conversations with spaces” where he explores how audiovisual technology can be used to transform, create, expand, amplify and interpret physical spaces.
Gilje is also the developer of VPT, VideoProjectionTools.
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source: movingtargetsno

Eva-Cecilie Richardsen is a process based artist with an interest in choreography as a structural device and an analytic tool, re-thinking formats and concepts in dance. Her praxis involves interventions and collaborative strategies, in formats such as film, photo, object and body. Richardsen has created and produced more than 30 major dance works since 1997, within her different artistic initiatives and companies, as well as commissioned pieces.
Richardsen graduated from the National Academy of the Arts, The Faculty of Dance in 1994.
She is admitted to the National Artistic Research Fellowship Programme, 2011-2014.
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source: movingtargetsno

Kreutzerkompani was founded in 2000 (continuing the work of Demodans since 1997) by choreographer Eva-Cecilie Richardsen and videoartist HC Gilje, and developed in collaboration with freelance members of the company. The performances are based on a continuous exploration of movements through video/audio/dance, filtering improvisation and structured material in a live-setting. Gilje and Richardsen lived and worked in Berlin in this period.
’Rarely is choreography and video as well coordinated and simultaneously so correlatively challenging as Kreutzer Kompani’s new work Elevator.’ (Dagbladet 2003)
’…interesting, original and challenging’ (Morgenbladet 2001)
‘Eva-Cecilie Richardsen and Kreutzerkompani have a special ability to create the perception of origin and primitive forces…
Choreographer Eva-Cecilie Richardsen represent the vanguard of Norwegian dance’ (Dagsavisen 2000)
‘Choreographer Eva-Cecilie Richardsen has stepped out centre-stage and placed herself foremost among young Norwegian choreographers…she displays a unique capacity for revival and personal developemant. Richardsen is a choreographer we can expect much of in the future. (Morgenbladet, 2002)