laura letinsky
source: wowsai
拍摄者Laura Letinsky,名为“Sara和Jeff-窗边”(1993)拍摄者非常想表现出更为真实的爱情生活,想绕过主流爱情观对理想爱情的束缚
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source: artsy
Driven by her interest in “control, accidents, and contrivance,” Laura Letinsky is best known for her exquisitely composed still life photographs, redolent with ambiguity. Early in her career, she photographed couples in the intimacy of their own homes, creating sensual visual narratives about love and relationships. By the late 1990s, Letinsky stopped photographing people and replaced them with objects—a stained napkin, orange peels, half eaten bits of candy—that hinted at human presence. Keenly aware of the rich narrative possibilities inherent in still lifes and influenced by 17th-century Dutch still life painting, Letinsky crafts tabletop vignettes that suggest larger narratives, as she explains: “It’s this idea that the narrative has already occurred; the meal has been eaten, the cornucopia has been consumed, something has been consummated, and this is what’s left in the early morning light.”
Canadian, b. 1962, Winnipeg, Canada.
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source: dovauchicagoedu
Laura Letinsky is a Professor in the Department of Visual Arts. Recent exhibitions include the Museum of Contemporary Art, Chicago, The Photographers Gallery, London, and Denver Art Museum, CO. Previous shows include the Canadian Museum of Contemporary Photography; Casino Luxembourg; Galerie m Bochum, Germany; Museum of Modern Art, New York; and The Renaissance Society, Chicago. Collections include the Art Institute of Chicago; J.P. Getty Museum, Los Angeles; Hermes Collection, Paris; Musee de Beaux-Arts, Montreal, QUE; Museum of Fine Art, Houston, TX; and San Francisco Museum of Modern Art. Yancey Richardson Gallery, New York represents her. She is a Professor at the University of Chicago. Grants include the Richard Driehaus Foundation, Anonymous Was A Woman Foundation, John Simon Guggenheim Fellowship, and Canada and Manitoba Arts Council. Publications include Feast, Smart Museum of Art, UC Press, 2013, After All, Damiani, 2010, Hardly More Than Ever, Renaissance Society, 2004, Blink, Phaidon Press, 2002, and Venus Inferred, University of Chicago Press, 2000. Forthcoming is Ill Form and Void Full, Radius Press, 2014.
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source: lauraletinsky
Letinsky, BFA from the University of Manitoba, 1986, and MFA from Yale University’s School of Art, 1991, is now a Professor in the Department of Visual Art at the University of Chicago. Exhibitions include the Mumbai Photography Festival, Mumbai, India; MIT, Cambridge, MA; Museum of Contemporary Art, Chicago; The Photographers Gallery, London; The Denver Art Museum, CO; Getty Museum, Los Angeles; Museum of Modern Art, New York; and The Renaissance Society, Chicago. She is represented by Yancey Richardson Gallery, NYC. Awards include the Canada Council International Residency, Kunstlerhaus Bethanien, Berlin, The Anonymous Was a Woman Award, and the John Simon Guggenheim Fellowship. Publications include Ill Form and Void Full, Radius Press, 2014, Feast, Smart Museum of Art, UC Press, 2013, After All, Damiani, 2010, Hardly More Than Ever, Renaissance Society, 2004, Blink, Phaidon Press, 2002, and Venus Inferred, University of Chicago Press, 2000.