PETER KOGLER
彼得·科格勒
source: projection-mappingorg
Peter Kogler has an impressive repertoire of work, but none more eye-catching than his hypnotizing Rooms of Illusions. He has sought after painting floors, walls and ceilings with a cacophony of lines that turns an ordinary room into a psychedelic illusion that is sure to get audiences in a mind-bending trance. His most recent work is on display at the Zagreb Museum of Contemporary Art, Kogler.
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source: open-up-your-eyesblogspot
“O artista encontrou na formiga e no cérebro dois temas básicos que unem o simbólico ao orgânico, fazendo assim referência à interpenetração da natureza e da tecnologia, a realidade e o virtual”
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source: kunstmeranoarteorg
Peter Kogler`s works belong to the developing “post medial paintings” (Peter Weibl) in the 80`s. Moulded by the new media, these took on the complex form of installations. One of the main questions was the mental relationship between virtual and real space, as well as the perceptive possibilities of connection. The work, which reminds you of chaotic structures and Baroque dimensions, is based on the circularly moment of repetition, that consciously corresponds to the position of kunst Meran (pedestrian zone).
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source: thecreatorsprojectvice
When it comes to illusions, it’s often the case that the most effective ones are the simplest. The power to use fewer lines to their maximum effect is a sure sign of a deft hand.
Austrian artist Peter Kogler has plenty of practice realizing enclosed spaces to their full potential. The gallery spaces he’s beautified above make us feel like we’re walking around inside the Lumpens-made music video for Drunken Tiger’s “Get It In,” fending for ourselves in the animated field of intersecting lines.
Kogler has been on the art scene since the 80s, and his earlier projects feature graphic, easily recognizable images of commonly reocurring motifs, like ants. But the goal of Kogler’s latest works—especially his exhibitions at Dirimart Gallery in Istanbul this year, and at Schirn Kunsthalle in Frankfurt in 2010—shifts the foundation of solid architecture through surface-level contributions only. By transforming spaces like staircases and boxy galleries by altering their external appearance, the setting becomes the artwork, and the viewer is able to stand in the project’s midst. Kogler uses floor-to-ceiling silkscreens and projections to achieve this effect.
And thus, an Escher-like illusion emerges out of a black and white grid. Kogler’s ability to think within the physical box of the gallery space allows his work to transcend outside of the proverbial one.
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source: blognaver
최고의 환곽 아트는 주로 심플하다.
적은 숫자의 줄로 최상의 효과를 만들어내는 아티스트는 분명 놀라운 기술을 보여주는 것이다.
오스트리아계 아티스트 Peter Kogler는 막힌 공간의 가능성을 재대로 보여주는 작품을 만들었다.
위에 있는 갤러리 공간은 관객들이 마치
Lumpens가 Drunken Tiger의 “Get It In” 곡을 위해 만든 뮤직 비디오 안에있는 것 처럼 느끼게 해준다.
80년대 부터 예술계에 몸을 담근 Kogler의 초창기 프로젝트는 개미같이 쉽게 알아볼 수 있는 주제로 그래픽을 만들었다.
하지만 Kogler의 최근 프로젝트들의 목표는 Dirimart Gallery와 Schirn Kunsthalle에서 처럼
정해진 건축 구조의 표면만 바꾸어 전체적인 변화를 주는 것이다.
계단과 네모난 갤러리들을 바꾸면서 관객은 프로젝트 사이를 걸을 수 있게 된다.
Kogler는 바닥부터 천장까지 실크스크린과 프로젝션을 사용하여 이 효과를 완성한다.
결과적으로 나오는 Escher 환각은 Kogler이 갤러리 공간의 한계를 넘는 작품을 만드는 능력을 보여준다.
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source: gutenvertv
Peter Kogler lleva varios años creando efectos visuales e instalaciones que juegan con la percepción del ser humano. En sus obras manipula el espacio apoyándose en paredes, mobiliario, árboles, agua, etc. y a esto le agrega efectos de sonido. Vale mucho la pena sumergirse en su propuesta artística.
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source: grattemontagnecanalblog
Une dernière note pour ce soir plus pour moi, en égoïste : ne pas oublier d’aller (re)voir les photos et les vidéos de Peter Kogler comme celle-ci :
Des fourmis, des souris blanches, des labyrinthes, des espaces déconstruits, déformés par illusion d’optique. des images (que ?) créées par ordinateur depuis 1980. Quelle richesse, quelle diversité !