source: ivasfot

Los fotógrafos suizos Taiyo Onorato y Nico Krebs (nacidos los dos en el 79) estudiaron fotografía en la Universidad de Zurich para las Artes y trabajan como dúo en Berlín desde 2003. Los últimos diez años, han creado un impresionante cuerpo de trabajo y han expuesto internacionalmente. Mientras que no tienen miedo de explorar medios como la escultura o la instalación, la esencia de su obra radica en la fotografía.
Para su proyecto BUILDING BERLIN, Onorato y Krebs han creado una serie corta alrededor de la arquitectura, las proporciones, el vacío y referencias anacrónicas a la iconografía socialista. Esta serie fue fotografiada en edificios vacíos de Berlín entre 2009 y 2012 con negativo de 8×10 pulgadas. Colocando cuidadosamente unas estructuras de madera en el primer plano de los edificios, crean una ilusión óptica y cambian la forma en que interpretamos la estructura de estos edificios, recibiendo a su vez una lectura que es dictada por los artistas.
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source: fotografiafacilisimo
Los fotógrafos suizos Taiyo Onorato y Nico Krebs tienen una elegante y brillante serie de fotografías que utiliza vigas de madera para “jugar” y coquetear con edificios a través de sus lineas, ángulos y perspectivas.
Para cada una de estas artísticas fotos, el duo construyó una estructura básica de madera cuya forma se mezcla a través de la perspectiva con los edificios que figuran al fondo de las imágenes. Las escenas resultantes muestran como si por arte de magia las “lineas de madera” se conectaran con los edificios.
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source: urbanspree
Taiyo Onorato and Nico Krebs have created a short series around architecture, proportions, emptiness and anachronic references to socialist iconography. Taiyo Onorato (b.1979) in Zurich, Switzerland and Nico Krebs (b.1979) in Winterthur, Switzerland, are two swiss photograhers who also work as a duo since 2003. They live and work in Berlin. Taiyo Onorato & Nico Krebs studied Photography at the Zurich University for the Arts.
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source: petapixel
Swiss photographers Taiyo Onorato and Nico Krebs (yes, the ones who created a large format camera out of books) have a clever series of photos that uses wooden beams to play around with a few things photographers often think about: lines, angles, and perspective.
For each of the photos, the duo constructed a structure of wooden beams that blends in with buildings in the background from the perspective of the camera. The resulting scene looks as though the wood magically connects the lines of the buildings with the foreground.
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source: jotta
Taiyo Onorato and Nico Krebs studied Photography at the Zurich University for the Arts, and have been working together since 2003. Over the past ten years, they have created an impressive body of work and have exhibited internationally. Whilst they are not afraid of exploring mediums such as sculpture or installation, the essence of their work lies in photography. They deconstruct our relationship to cameras and to those who operate them, and analyse the way in which we perceive and understand photographic images, whilst looking to them for truth.
For their Building Berlin project, Onorato and Krebs painstakingly constructed outlines of buildings using pieces of wood and 2x4s. The wooden structures are placed in the foreground of the buildings, creating an optical illusion of sorts. In other images of the same series, a photocopy of an image of a window is thrown into the air and photographed. When thrown in front of a building, it creates the impression that the window is part of the building itself. Building Berlin makes us aware of the power of perspective, and playfully questions the ability of photography to adequately and truthfully represent a 3-D object. The frames built by Onorato and Krebs change the way in which we interpret the structure of these buildings, and we receive a reading that is dictated by the artists, obscuring the “true” form of the architecture.
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source: artdaily
The Swiss duo Taiyo Onorato & Nico Krebs (1979) are viewed by many as one of the most promising teams in contemporary photography. Since 2003 the pair have worked together on a variety of projects on the cutting edge of photography, sculpture and installation art. Their work provides intelligent and often ironic commentary on the history of photography, the nature of photos, how cameras operate and the role of the photographer. Few subjects remain untouched in their complex yet highly accessible work where reality collides with fiction and humour converges with seriousness. This summer Foam will be the first museum in the Netherlands to organise an exhibition of work by Onorato & Krebs, consisting of a unique presentation of new work and objects from their previous projects. Tayio Onorato and Nico Krebs became acquainted during their studies at the Zurich University of the Arts. Typical of their oeuvre is the interplay with the two-dimensional character of photography. They carefully construct their photos as sculptors do, moulding them until the final result is perfect – often paired with a subtle feeling for humour. This playful approach was developed during their studies, in reaction to the influential but strict and rigid documentary style of the Dusseldorf School of Photography.