栗林隆
타카시 쿠리바야시
ТАКАШИ КУРИБАЯШИ

Wald aus Wald

source: highlike

Work: The white trees that appear to float in the gallery space have been molded by Artist from japanese larch trees in Yamagata, using Awa washi (handmade paper). Having taken on the from of trees, the washi, which is made from natural materials such as kozo(hybrid mulberry tree) and mitsumata(paper bush), has become a symbol of the ecology of our natural world. Peer out through a crevice at the world that lies above the ground, and observe the forest from an insect’s perspective.( Mori Art Museum).
Image: “Sensing Nature” Mori Art Museum 2010 Installation view.
Photographer: Osamu Watanabe
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source: dezeen

Later this week visitors to the Hong Kong Arts Centre will be able to stick their heads through the ceiling of one gallery to find themselves in a paper winter wonderland.

The installation by Takashi Kuribayashi comprises trees in a snowy landscape hovering above the gallery floor as part of an exhibition called Vision of Nature: Lost & Found in Asian Contemporary Art.

It will be on show in the Pao Galleries of the Hong Kong Arts Centre from 10 December 2011 to 29 January 2012.

Hong Kong Arts Centre (HKAC) has entered into the third year of its guest curator programme to explore curatorial concepts and artistic practices in Asia. This year, it is the HKAC’s pleasure to be collaborating with Director of the Mori Art Museum (Tokyo, Japan), Fumio NANJO, again to curate this year’s exhibition Vision of Nature: Lost & Found in Asian Contemporary Art. With “nature” as its theme, our exhibition demonstrates how art reveals and explores nature, studying the role of nature in Asian contemporary art.
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source: tdwa

今週末、香港アートセンターでは、訪れた人はギャラリーの天井から顔を出して、紙でできた冬のワンダーランドを見ることができます。

栗林 隆によるインスタレーションは雪景色の木々の中に展示の一部としてギャラリーの床上に木の枝を広げています。これは自然の視点：アジア現代芸術のLost & Foundと言われています。

香港芸術センターのパオ・ギャラリーでは２０１１年１２月１０日から２０１２年１月２９日まで雪が降るのです。

香港アートセンター（ＨＫＡＣ）がアジアにおける芸術練習と学芸コンセプトの探求のために客員学芸員プログラムを行なってから３年目になります。今年は、森美術館（日本・東京）の館長である南條史生と一緒に行うことができ、非常に喜ばしく思っています。また、今年の展示：自然の視点Lost & Foundをアジア現代美術において主催できることを喜ばしく思っております。
「自然」をテーマとして、私たちの展示はどのようにして芸術が自然を明らかにし、探求できるのかを示しています。そしてアジア現代芸術として自然の役割を学んでいるのです。
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source: escritoriodearterio

Bem vindo a uma floresta alva, calma, inabitada. A sensação de paz e quietude proporcionada por esta visão é o que o artista Takashi Kuribayashi pretendeu transmitir aos visitantes da Hong Kong Arts Centre, algum tempo atrás. E para isso, bastava inserir a cabeça por um dos buracos da instalação criada por ele! A partir desse momento, se adentrava exatamente nesta floresta tranquila e invernal, criada com o delicado papel tradicional japonês. O cenário de árvores feitas à mão – foram produzidas 90 unidades de três a quatro quilos, cada uma – em uma paisagem de neve pairando sobre o chão fazia parte da exposição Vision of Nature: Lost & Found in Asian Contemporary Art. Segundo o artista, era impossível perceber se tratava-se de uma floresta ou de um campo de neve, dependendo apenas da interpretação de cada um. A mostra saiu de cartaz no ano passado, mas mesmo assim, é possível imaginar exatamente a sensação de quem se deparava com esta paisagem em torno de própria cabeça, não é?
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source: inspiroo

Surrealistycznym doświadczeniem jest chwila spędzona w lesie Kuribayashi Takashi. Ta niezwykła instalacja angażuje widza do interakcji z przestrzenią, poszukiwań światła z “innego” świata – papierowego lasu. To niemal metafizyczne odwiedziny bajkowej krainy. Ekspozycja jest częścią wystawy Vision of Nature: Lost & Found w galerii Pao Hongkongu Arts Centre. Pięknie !!!
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source: cerclemagazine

Ces arbres fantomatiques de l’artiste japonais Takashi Kuribayashi ont été crées pour s’intégrer à l’exposition Vision of Nature: Lost & Found in Asian contemporary Art, vouée à célébrer la nature et sa connexion à l’art.
C’est à la Pao Galleries of the Hong Kong Arts Centre que flottait jusqu’en janvier 2012 cette forêt poétique et absurde de conte de fée fabriquée à partir de papier. L’artiste explique que l’installation Wald aus Wald est conçue comme une antichambre dans l’espace d’exposition, permettant aux visiteurs de percevoir les autres œuvres à la manière des insectes, entre les branches d’arbres. Certains trous pratiqués au niveau des troncs ne laissant apparaitre que le visage des curieux, telles des coccinelles étranges.Basée sur la forme des arbres de Yamagata au Japon, l’installation éthérée est représentative de l’œuvre de Takashi Kuribayashi. L’artiste, né en 1968 à Nagasaki est rapidement parti en Allemagne pour compléter ses études d’art. Il a participé à de nombreuses expositions au Japon et ailleurs. Son travail, très apprécié dans le monde entier pour sa poésie et son lien avec les éléments naturels, est visible de manière permanente au Towada Art Center d’Aomori. L’artiste à obtenu le Yoshinobu Ashihara Prize en 2011.