See No Evil, Hear No Evil, Speak No Evil
In taking on the triptych form, Yoshihide Sodeoka’s “See No Evil, Hear No Evil, Speak No Evil” finds transcendence in the intense frequency of violet noise. With a title referencing the Three Wise Monkeys 17th century carving over the door of the famous Toshogu shrine in Nikko, Japan, Sodeoka uses the digital video medium — specifically the trope of video feedback and television static bars — to represent a contemporary form of positive mindfulness and action.