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CHARLES EAMES AND RAY EAMES

Чарльз и Рэй Эймс
تشارلز وراي ايمز
צ’ארלס וריי אימס
チャールズ&レイ·イームズ
찰스 임즈, 레이 임즈
Чарльз и Рэй Эймс
Powers of Ten

CHARLES EAMES

تشارلز ايمز
查尔斯·埃姆斯
צ’ארלס אימס
チャールズ·イームズ
찰스 임스
Чарльз Эймс

CHARLES AND RAY EAMES

Чарльз и Рэй Эймс
تشارلز وراي ايمز
צ’ארלס וריי אימס
チャールズ&レイ·イームズ
찰스 임즈, 레이 임즈
Чарльз и Рэй Эймс

Tobias Putrih

Re-projection: Hoosac

Influenced by the utopian projects — and notable failures — of innovative artists and designers such as Buckminster Fuller, Frederick Kiesler, and Charles Eames, Tobias Putrih likens his works to experiments, or design prototypes. His use of cheap materials, including egg crates, cardboard, and plywood signify both a sense of potential and impending collapse. Many of the artist’s works reference the architecture and spectacle of the cinema: a space suspended between fantasy and reality, image and environment. With Re-projection: Hoosac Putrih distills the cinema to its most basic element: fishing line stretched across the gallery mimics the conical trajectory of a beam of light. A spotlight hits the strands of monofilament which in turn become a screen, reflecting an image in illuminated dots. Inspired by the Hoosac Tunnel just east of North Adams — a storied, engineering marvel that draws ghost-hunters to the area — Putrih’s tunnel is, likewise, both real and a representation, an optical trick that invites both wonder and investigation.