АНДРЕАС ГУРСКИ
안드레아스 거스키
安德烈亚斯·古尔斯基
أندرياس غورسكي
アンドレアスことスキー
אנדריאס גורסקי
Bahrain
Andreas Gursky makes large-scale, colour photographs distinctive for their incisive and critical look at the effect of capitalism and globalisation on contemporary life. Gursky studied under Bernd and Hilla Becher at the Düsseldorf Kunstakademie in the early 1980s and first adopted a style and method closely following Becher’s systematic approach to photography, creating small, black-and-white prints.

Андреас Гурски
안드레아스 거스키
安德烈亚斯·古尔斯基
أندرياس غورسكي
アンドレアスことスキー
אנדריאס גורסקי
Andreas Gursky makes large-scale, colour photographs distinctive for their incisive and critical look at the effect of capitalism and globalisation on contemporary life.

Андреас Гурски
안드레아스 거스키
安德烈亚斯·古尔斯基
أندرياس غورسكي
アンドレアスことスキー
אנדריאס גורסקי
‘Pyongyang I’
Andreas Gursky makes large-scale, colour photographs distinctive for their incisive and critical look at the effect of capitalism and globalisation on contemporary life.

바트 헤스
巴特·赫斯
בארט הס
БАРТА ХЕССА
SIlVERNanine Linning
Nothing has changed as radically in the last few decades as the technology we surround ourselves with on a daily basis. Modern means of communication let the world shrink to a pocket size Global Village. Medical technology promises life beyond its natural limits. Robotics, cybernetics and developments in the field of artificial intelligence put the equally fascinating as disquieting idea of artificial life within our grasp. Nanine Linning’s new production SILVER addresses the intimate – and increasingly intrusive – relationship between the human and the technological, showing the beauty of its aesthetics, but also questioning its promise of ever increasing progress and self-improvement.