Carl Kleiner

Карлом Кляйнером
Tulips Postures
Carl Kleiner creates sleek editorial content for fashion and lifestyle brands, and that sensibility shows in his photo and video series Postures which features artfully arranged tulips. Using minimal metal rods, bent at strategic ends and angles, Kleiner showcases the graceful curves of the flowers’ long necks and gently ruffled petals and leaves. A further sense of movement is instilled through the stop-motion video, which combines still photos of the blossoms’ subtle changes into a dramatic dance.

ELEVENPLAY x RZM

Discrete Figures
‘Discrete Figures’ unites the performing arts and mathematics in a dramatic exploration of the relationship between the human body and computer generated movement (simulated bodies) born from mathematical analysis. As an additional layer of complexity, the performance piece utilizes drones, A.I., and machine learning in the quest for a new palette of movement to foster undiscovered modes of expressive dance that transcend the limits of conventional human subjectivity and emotional expression.

Robert Battle

Роберт битва
No Longer Silent

Robert Battle’s dramatic ensemble work No Longer Silent, set to Erwin Schulhoff’s percussive score “Ogelala,” features dancers evoking a complex and mysterious ritual. Originally created in 2007 for The Juilliard School, Battle’s alma mater, the work was part of a concert of choreography that brought to life long-forgotten scores by composers whose work the Nazis had banned. Powerful phrases stir the imagination with images of flight and fatigue, chaos and unity, and collectivity and individualism as dancers, clad in all black, travel in military rows.

Richard Quinn

Fall 2018
Even though he was only given a few days’ notice of the royal’s attendance, Quinn lived up to the expectations. He maintained his focused vision, shining the spotlight on his impressive printwork and flair for standout, dramatic silhouettes. An array of abstracted floral prints — all created in-house at the designer’s print studio in Peckham — were mashed up on loose halterneck dresses, delicately pleated chiffon skirts and oversize bomber jackets, to create a visual feast of color and pattern.

Peeping Tom

Vader
Peeping Tom’s dance shoves certain motifs towards the very limits of acrobatics. Yet between bruised, nostalgic people, or people in love, the situations are deeply dramatic and expressed with feeling. This new piece develops the generic persona of the old father, his mythology, his prestige and his ridicule, his pitiable power deleted by gradual disintegration. It is an intensely human portrayal.