jip van leeuwenstein

surveillance exclusion
Camera’s and other technologies create a safer living environment than ever before. Mega databanks and high resolution cameras stock hundreds of exabytes a year. But who has access to this data? Not only the security department but also the advertisement industry is interested in this technology. They pay to use real time data to their advantage. They create advertisements that call your name, keep records of your personal interests and they follow you everywhere you go. By wearing this mask formed like a lens it possible to become unrecognizable for facial recognition software and because of it’s transparence you will not lose your identity and facial expressions. So it’s still possible to interact with the people around you.

DUMBTYPE

LOVERS
Computer-controlled, five-channel video/sound installation with five video projectors, eight-channel sound system, and slide projectors […] As an image, a pair of lovers often suggests a castle of exclusion. With the sexual liberation of the last few decades, the word now has more to do with physical coupling than with the sublimity of “true love.” AIDS has added a new dimension of wariness to this pairing. The life-size dancers in Lovers are drained of life. Projected onto the black walls of a square room, the naked figures have a spectral quality. Their movements are simple and repetitive. Back and forth, they walk and run with animal grace. Their actions become familiar over time, so that it is a surprise when two of the translucent bodies come together in a virtual embrace. These ostensible lovers–more overlapping than touching–are not physically entwined.

NANINE LINNING

BACON

He painted the abysses of the human soul: the British artist Francis Bacon. Basic mechanisms of relationships such as desire, domination and exclusion he presented with merciless honesty and painful beauty.
With her piece, Nanine Linning fathoms the emotional cosmos of Bacon`s paintings and detects in their uncompromising depiction an analogy with her own art. With excessive physicality, the choreography explores fundamental patterns of behavior, which blur the line between human and feral bearing by their archaic and merciless nature. From an almost disturbing proximity the spectator witnesses the struggle of the individual for affiliation.At the same time fascinating and disturbing, the piece celebrates its comeback on stage fourteen years after its first release. BACON, which received the »Swan« for the best Dutch choreography, returns with revised choreography and new video- and light design.

CARLOS NO

Pillar
Portuguese artist carlos nogueira‘s series of sculptural works ‘villa bidão’ (braggart city) draw attention to societal issues such as poverty and deprivation, particularly the lives of billions of people without access to housing or drinking water. The improvised dwellings made from makeshift and recycled materials lack a stable framework and basic sanitation, recall the idea of a shanty town as a place unsuitable for habitation. through their metaphorical undertones — huge barrels evocative of a heavy burden and worn materials personifying neglect, the objects present subjects of scarcity and exclusion through visual artworks.

HAUS-RUCKER-CO

하우스-루커-코
是由豪斯拉克科
“Climate Capsules: Means of Surviving Disaster”

In view of the advancing climate change, the exhibition “Climate Capsules: Means of Surviving Disaster” at the Museum für Kunst und Gewerbe Hamburg poses the question: “How do we want to live in the future?” and draws attention to the socio-political consequences of coexistence under new climatic conditions. In view of the fact that the politicians are hesitant to enforce strict measures for climate protection and the citizens very sluggish about changing their habits, the change appears inevitable. The world community is accordingly confronted with the challenge of investigating various possible means of adapting to the climate change. This exhibition is the first to bring together historical and current climate-related models, concepts, strategies, experiments and utopias from the areas of design, art, architecture and urban development – pursuing not the aim of stopping the climate change, but envisioning means of surviving after disaster has struck. More than twenty-five mobile, temporary and urban capsules intended to make human life possible independently of the surrounding climatic conditions will be on view – from floating cities and body capsules to concepts for fertilizing sea water or injecting the stratosphere with sulphur. A symposium, film programme, readings, performances and workshops will revolve around the interplay between design processes and political factors such as migration, border politics and resource conflicts, and investigate the consequences for social and cultural partitioning and exclusion.