三原 聡一郎
The Blank to Overcome
file festival
Part of the ”blank” project that the artist has been creating since 2011, “The Blank to Overcome” utilizes air pumps, power supply control circuitry, water, solution, glycerin, ethanol and electricity to produce bubbles in the air. The theme of ”blanks” denotes a space for an unsolved ”inquiry” through the perspectives for thinking about the post-3.11 present: how the bubbles are always shifting as a giant cluster, almost without mass or structure, and the facing up to this; and the framework since modernity that has prescribed society, and the ”involved” or the ”other”. From this work debate will surely emerge.

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克服するための空白

アーティストが2011年から作成している「ブランク」プロジェクトの一部である「TheBlankto Overcome」は、エアポンプ、電源制御回路、水、溶液、グリセリン、エタノール、電気を利用して空気中に気泡を生成します。 「空白」のテーマは、3.11以降の現在について考えるための視点を通して、未解決の「問い合わせ」のためのスペースを示しています。泡は、ほとんど質量や構造がなく、巨大なクラスターとして常にシフトしており、これに直面しています。 ; そして、社会を規定してきた近代以来の枠組み、そして「関与する」または「その他」。 この仕事から議論が確実に浮かび上がるでしょう。

ポンプ

In Search of Petra Genetrix

Petra Genetrix, the protagonist of the series Porosity Valley, is a migrant, mineral, and data cluster. In this lecture performance, the artist traces the origin of Petra Genetrix who constantly crosses borders, gender boundaries, and the concept of existence and nonexistence and creates her own hyperbolic mythology. While utilizing audio and video excerpts from her existing works, Ayoung Kim uses her own voice to create a verbal narrative exploring those agents who cross boundaries. By doing so, she continues to trace multifaceted crystal faces of Petra Genetrix, who is fundamentally porous and ambiguous.

Art of The Prank
“Media Prank” and “Culture Jamming” were the main anti-media countercultural tactics. Skaags was the “grandfather” of the so-called “media hoax“. Long before discussions of “fake news” or “memes” , he used lying and manipulation against the corporate media itself, producing funny, cynical and ironic effects. He made the mainstream media experience its own poison over and over again.” Wilson Roberto Vieira Ferreira
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“Media Prank” und “Culture Jamming” waren die wichtigsten anti-medialen gegenkulturellen Taktiken. Skaags war der “Großvater” des sogenannten “Medienhoax”. Lange bevor er über “Fake News” oder “Meme” diskutierte, setzte er Lügen und Manipulationen gegen die Konzernmedien selbst ein und erzeugte lustige, zynische und ironische Effekte. Er ließ die Mainstream-Medien immer wieder ihr eigenes Gift erfahren.” Wilson Roberto Vieira Ferreira
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“Media Prank” (pegadinhas) e “Culture Jamming” (trolagens) foram as principais táticas contraculturais antimídia. Skaags foi o “avô” dos chamados “media hoax”. Muito tempo antes das discussões sobre “fake news” ou “memes”, ele usou a mentira e a manipulação contra a própria mídia corporativa, produzindo efeitos engraçados, cínicos e irônicos. Fez por inúmeras vezes a grande mídia experimentar seu próprio veneno.” Wilson Roberto Vieira Ferreira

Vitreous
The nine virtual sculptures underlying vitreous resulted from experimental setups by Robert Seidel for generating three-dimensional clusters of fibrous refractions, as well as the gravitational lensing of different volumetric and chromatic densities. Singular elements gravitate towards each other, accumulating in a gigantic sculptural system, where each entity exists with its own visual axis and vanishing point. The impalpable luminous formations create prismatic interactions between the ridges and plateaux of the main colours floating in front of the infinite violet background.

L’électricité (electricity)

Frenchman Étienne-Léopold Trouvelot is best known for his astronomical illustrations, however he took the time to try his hand at photography by making this series of images which were taken by directly applying an electric current to a sensitive surface.

Захаров, Вадим Арисович
danaë installation
Drawing from the perpetually revisited myth of Zeus and Danae, an installation by Vadim Zakharov in the Russian pavilion at the Venice Biennale 2013 used consumable objects and the sequence of architectural spaces to make manifest underlying ideas about ‘rudeness, lust, narcissism, demagoguery, falsehood, banality, and greed, cynicism, robbery, speculation, wastefulness, gluttony, seduction, envy, and stupidity.’ the impregation of danae occurs when zeus appears to her as a golden shower after she is locked in a tower to prevent the professed death of her father. gender dynamics and the poetic cycle of gestation are reconstructed spatially with a total use of the pavilion– a first in the history of the building.

Ikon of Eros

The tempo of the music changes frequently, illustrating love that at times may be almost austere and at other times ecstatic. In the second movement an ethereal female chorus is suddenly punctuated by deep percussion instruments and gives way to an almost erotic middle eastern beat, contrasting a pure spiritual love with a more physical, sensual form.

أندريه تاركوفسكي
塔可夫斯基
アンドレイ·タルコフスキー
Андрей Тарковский
Solaris
In Solaris (1972), Andrei Tarkovsky presents a vision of contemporary society as one that has become cut off from nature, and provides a narrative that illustrates the possibility of remaining human in the inhuman world that is the result. The film contrasts a life-affirming natural landscape to an urban, constructed landscape where the natural world is submerged and invisible. The Solaris space station is both a projection of this second, inhuman, landscape and an allegory for Tarkovsky’s view of urban life. The narrative of the film concerns the journey by the central character, Kris Kelvin (Donatas Banionis), from emotional deadness to a rediscovery of his humanity as he charts a course between these two worlds, and the role that art, whether painting, music or film, plays in this.
cinema full

octopuss garden
Adeline Tan aka mightyellow is an illustrator and visual artist based in Singapore.Singapore is a modern city-state that people call the “garden city”. It is really like a garden, lots of arranged greenery and manmade stuff, not a lot of naturally occurring forests. Taking inspiration from personal experiences, the environment and popular culture, Adeline imagines alternate realities to current situations

Tornado
“Over the last decade Alÿs made recurrent trips to the highlands south of Mexico City to chase, video camera in hand, the dusty whirls whipped up by the wind in the burnt fields at the end of the dry season. Rumor has it that the genesis of this project was, in fact, a comic quid pro quo: Alÿs overheard a conversation where friends were talking about Don Quixote fighting windmills (in Spanish, molinos de viento), but he understood instead tornadoes (remolinos de viento). As in Cervantes work, Alÿs’s intent to penetrate the peaceful zone in the epicenter of the tornado illustrates a condition where ‘the vanity of the action is paired with the absolute necessity.” Félix Blume

迈克·温克尔曼
Майк Винкельман
minor peon

La cantidad no es lo mismo que la calidad, ya lo sabemos, pero el diseñador gráfico estadounidense Mike Winkelmann (alias Beeple) ha logrado hacer coincidir las dos cosas. Beeple, con su carácter autocrítico, decidió que la mejor manera de mejorar su talento artístico era completar una obra completa en un día, todos los días. Así nació el proyecto Everydays, que ya se encuentra en su octavo año consecutivo, y en 2015 la ciencia ficción es la principal inspiración. Cada año Beeple utiliza un medio diferente para crear sus obras artísticas, y este año el artista ha utilizado herramientas digitales como Cinema 4D, Octane Renderer, Z-Brush y X-Particles. En menos de 24 horas, Beeple es capaz de crear una ilustración digital hiperrealista que parece haber tardado mucho más en hacer. Los increíbles resultados resaltan paisajes y escenarios futuristas que parecen sacados de una película de ciencia ficción, donde hay un claro contraste entre la pequeñez de la figura humana (a veces casi imperceptible) y el aparato tecnológico que tiene frente a él. Otras obras, en cambio, representan formas más abstractas, que, sin embargo, nunca se apartan de su carácter futurista. Profundamente detallada y minuciosa, parece imposible que cada una de estas obras se cree y complete en un día, pero lo cierto es que la estadounidense El artista ya está en el 3030 de trabajo consecutivo y no parece querer frenar el ritmo. Es decir, es un artista reacio a la dilación.

Xenobots – the First “Living Robots”
Researchers used the Deep Green supercomputer cluster and an evolutionary algorithm to design new life-forms that could achieve an assigned task. Then they built them by combining together different biological tissues from Xenopus laevis embryos, hence the name Xenobots.
Credit:A scalable pipeline for designing reconfigurable organisms
Sam Kriegman, Douglas Blackiston, Michael Levin, and Josh Bongard
PNAS, DOI: 10.1073/pnas.1910837117

Сидни Си
Gradient Colors and Female Forms
Sydney Sie es una diseñadora gráfica y fotógrafa originaria de Taiwan. Aunque también ilustra y anima, lo que más me llamó la atención de su portafolio fueron sus fotografías, pues están llenas de gradientes de colores pasteles que les dan un toque ultra femenino (sin estar lleno de glitter y corazoncitos), y que a la vez están cargadas de misterio y surrealismo. Crea atmósferas e ilusiones ópticas mediante espejos y figuras geométricas que cortan y hacen contraste con las figuras suaves y femeninas.

村山诚泰
inorganic flora
Die wunderschöne Flora Inorganic-Serie wurde vom japanischen Künstler Macoto Murayama kreiert. Der Weg wurde in Fotografien und botanischen Illustrationen nicht gründlich untersucht. Dies bietet eine neue Form der Präsentation von Pflanzen, nicht mehr aus der komischen Vielfalt von Schweinen und Visionen in botanischen Illustrationen.

KIBLIND MAGAZINE
gif
Stephen’s original use of the GIF format mixes illustration, comics and animation, with no order of preference. His animated comics “Lycéennes” (“schoolgirls”) started to turn heads in 2011 (featured in Vice, Wired, cartoonbrew…)
His compositions include opulent palettes, where sci-fi meets fashion and lifestyle, on a sometimes vulgar, sometimes grandiose mode.

TELEPATHY
Les Smartphones sont obsolètes, Thelepathy utilise des amplificateurs en verre qui permettent de communiquer sans parler. Telepathic Taste et Telepathic Lunch sont des saynettes filmées qui permettent de comprendre l’usage de deux casques télépathiques sensoriels. Les vidéos illustrent le fait que l’on peut communiquer par télépathie non seulement par des pensées et des mots, mais aussi par diverses sensations physiques.

Брайан Ино
브라이언 이노
ブライアン·イーノ
בריאן אינו
براين إينو
Брайан Ино
Music for Airports
Initially, he referred to these quiet soundscapes as “discreet” music, and on Discreet Music (a wry deconstruction of “Pachelbel’s Canon in D”) demonstrates his basic tools: minimal melodies, subtle textures, and variable repetition. Around this time, he had also been collaborating with the German synth duo Cluster on a pair of moody, coloristic electronic albums, selections from which may be found on the Begegnungen and Begegnungen II compilations. But it was Music for Airports that finally codified these experiments into an aesthetic, and even provided a label for the sound: ambient music.

مارسيل دوشامب
马塞尔·杜尚
מרסל דושאן
マルセル·デュシャン
Марсель Дюшан
Étant donnés
Duchamp worked secretly on the piece from 1946 to 1966 in his Greenwich Village studio.[2] It is composed of an old wooden door, nails, bricks, brass, aluminium sheet, steel binder clips, velvet, leaves, twigs, a female form made of parchment, hair, glass, plastic clothespins, oil paint, linoleum, an assortment of lights, a landscape composed of hand-painted and photographed elements and an electric motor housed in a cookie tin which rotates a perforated disc. The Brazilian sculptor Maria Martins, Duchamp’s girlfriend from 1946 to 1951, served as the model for the female figure in the piece, and his second wife, Alexina (Teeny), served as the model for the figure’s arm. Duchamp prepared a “Manual of Instructions” in a 4-ring binder explaining and illustrating how to assemble and disassemble the piece.