highlike

JONATHAN MONAGHAN

Höhle der Wölfe
Den of Wolves ist eine Videoinstallation, die auf einer Reihe von Referenzen basiert, um eine neue vielschichtige Mythologie zu weben. Die Arbeit folgt drei bizarren Wölfen durch eine Reihe von zunehmend surrealen Einzelhandelsgeschäften, die nach den Insignien eines Monarchen suchen. Die Arbeit besteht aus einer kontinuierlichen Kameraaufnahme und ist eine eindringliche, traumhafte Reise, die Verbindungen zwischen Populärkultur, institutioneller Autorität und technologischer Überabhängigkeit herstellt.

Jonathan Monaghan

Den of Wolves
Den of Wolves is a video installation drawing on a range of references to weave a new multi-layered mythology. The work follows three bizarre wolves through a series of increasingly surreal retail stores as they search for the regalia of a monarch. Composed of one continuous camera shot, the work is an immersive, dreamlike journey drawing connections between popular culture, institutional authority and technological over-dependence.

David Spriggs

Regisole
Spriggs’ ‘Regisole’ is inspired by the ancient equestrian statue of the same name originally erected during the 3rd century AD for a Roman Emperor in Ravenna, Italy. ‘Regisole’ means ‘Sun King’. Regis is Latin for king, and Sol means the sun. The original ‘Regisole’ was destroyed after the French Revolution since it was seen as a symbol of monarchy. Spriggs’ positioning of the police officer and horse accurately represent the description of the positioning of the original ‘Regisole’, such as with the outstretched hand of the officer in the ‘adlocutio‘ position (Latin: addressing) exercising power and authority.

Aranda/Lasch

1774
In the year 1774 Louis XV died, marking the sunset of one of history’s most lavish monarchies. In the same year a young Swede named Johann Gahn, working in the deepest and wettest levels of a mine, discovered the metal Manganese. At a molecular level, when combined with oxides, manganese displays a striking “super-crystal” modularity. In this solid aluminum chair, two historic events—the super-excess of Louis XV and the super-crystal of Manganese—are fused into a single moment of design