highlike

Karina Smigla-Bobinski

Ada
File Festival
Similar to Tinguely’s “Méta-Matics”, “ADA” is an artwork with a soul. It acts itself. At Tinguely’s it is sufficient to be an unawarely struggling mechanical being. He took it wryly: the machine produces nothing but its industrial self-destruction. Whereas “ADA”, by Karina Smigla-Bobinski, is a post-industrial “creature“, visitor-animated, creatively acting artist-sculpture, self-forming artwork, resembling a molecular hybrid, such as a one from nanobiotechnology. It develops the same rotating silicon-carbon-hybrids, midget tools, miniature machines able to generate simple structures. “ADA” is much larger, esthetically much more complex, an interactive art-making machine.

Thibault Brevet

DRM Chair (Chair that self-destructs after 8 uses)
The DRM Chair has only a limited number of use before it self-destructs. The number of use was set to 8, so everyone could sit down and enjoy a single time the chair.
A small sensor detects when someone sits and decrements a counter. Every time someone sits up, the chair knocks a number of time to signal how many uses are left. When reaching zero, the self-destruct system is turned on and the structural joints of the chair are melted.

JEAN TINGUELY

让汤格利
ז’אן טינגלי
ジャン·ティンゲリー
장 팅겔리
Жан Тингели
homage to new york
JEAN TINGUELY’S “Homage to New York” was billed as the ultimate homemade gadget — a towering contraption composed of found junk, dismembered bicycles, dismantled musical instruments, glass bottles, a meteorological balloon and electric motors in questionable condition. It was slated to come to life and spectacularly self-destruct in a one-night-only performance for some 250 patrons and reporters in the Abby Aldrich Rockefeller Sculpture Garden at the Museum of Modern Art on March 17, 1960. And self-destruct it did, but not quite according to plan.Mr. Tinguely’s self-destructive sculpture had failed — and thereby, in a sense, succeeded. Mr. Tinguely, a Swiss artist who died in 1991, was by 1960 well known for such Dada-inflected works; he posed with the wreckage after the performance and took a bow.