Smoke & Mirrors

the cave

FLORENCE TO AND ALEX SMOKE

(Selig Hecht was the inspiration on research of dark adaptation)
Fovea

ANOUK WIPPRECHT AND ADUEN DARRIBA

Smoke Dress
Fellow designer, Valerie Lamontagne, writes: “SMOKE DRESS is a collaboration between fashiontech designer Anouk Wipprecht [NL] and technologist Aduen Darriba [NL]. The dress is a wireless and wearable tangible couture “smoke screen” imbued with the ability to suddenly visually obliterate itself through the excretion of a cloud of smoke. Ambient clouds of smoke are created when the dress detects a visitor approaching, thus camouflaging itself within it’s own materiality. The SMOKE DRESS, with its loose net of metallic threads and electrical wire, works at the scale of the magical illusionists trick, permitting a hypothetical magician’s assistant to perform her own disappearing act.

John Gerrard

Western Flag
Trails of smoke form an ever-changing black flag in this video footage created by Irish artist John Gerrard to highlight the threat posed by increasing levels of carbon dioxide in the earth’s atmosphere.

Bjarke Ingels Group

Steam Ring Generator

When BIG’s proposal for Amager Bakke, a plant that transforms waste into energy, located in Copenhagen, was released in 2011, many were skeptical about the project. Is it really possible to create a roof accessible to the public in an industrial building? Will they be able to make the plant’s chimney give off giant smoke rings (or rather, steam)? The idea seemed too good to be true.

Mark Napier

Mark Napier has been creating artwork exclusively for the Web since 1995. He combines his training as a painter with his expertise as a software developer to create “art interfaces,” software that addresses issues of authority, ownership, and territory in the virtual world.
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smoke
“A symbol of the human desire to monumentalize ideas in physical form, the Empire State Building is a subject of Mark Napier’s artwork in the past four years. This icon of American hegemony is key to exploring shifting structures of power, specifically the transition from steel to software as the medium of power in our time.”Mark Napier

Sasha Waltz

Sacre
Sacre is Waltz’s forceful version of The Rite of Spring. The stage is smoke-filled, and a cone of rocks and ash lies centre stage like the remains of a fire. Couples invade the stage, and clump into ragged groups that rupture and re-form: fracturing along gender lines, or splintering into disparate parts. Though she ends up overloading the piece with too many sub-scenes – too many rites, really – Waltz is terrific at simultaneously marshalling and unleashing the wild energies of her dancers, skewering the stage with images of birth, sex and death, of savage conformity and naked revolt.

Cinzia Campolese

Continuum
A reflecting panel that dominates an entire space, situated right in the middle of it. Two projectors that, at the opposite sides of the panel, offer a constant flow of images that meet each other and merge together, giving life to a real “virtual window” capable of connecting the souls of two different spaces. Everything among smoky suspensions, proceeding through cones of light: a dreamlike atmosphere to demonstrate that dualities can coexist.

TONY SMITH

SMOKE
The only large-scale work Smith ever created specifically for an interior space, Smoke now enchants passers by in its new outdoor home. This two-tiered aluminum sculpture stands 24 feet tall and is a combination of geometric components, including five tetrahedrons and forty-five extended octahedrons. more

update studio

Smoke

WIM VANDEKEYBUS & ULTIMA VEZ

MENSKE

Even the standing room only tickets have sold out, and the raging mass of disappointed kids looks like they may start a riot: the atmosphere before Ultima Vez’s performance is akin to a rock concert. Choreographer superstar Wim Vandekeybus’s company has toured the world with their trademark vocabulary of acrobatic, extreme, often violent movement, soaked in multimedia and energetic music. Menske (meaning approximately ‘little human’), their latest work, has all the typical flaws and qualities of classic Vandekeybus. On the conservative end of political intervention, Menske is an explosive concoction of brash statements about the state of the world today, a sequence of rapidly revolving scenes of conflicting logic: intimist, blockbuster, desperate, hysterical. The broad impression is not so much of a sociological portrait, but of a very personal anguish being exorcised right in front of us, as if Vandekeybus is constantly switching format in search of eloquence. Visually, it is stunning, filmic: a slum society falling apart through guerrilla warfare, in which girls handily assume the role of living, moving weapons. A woman descends into madness in an oneiric hospital, led by a costumed and masked group sharpening knives in rhythmic unison. A traumatised figure wanders the city ruins dictating a lamenting letter to invisible ‘Pablo.’ Men hoist a woman on a pole her whole body flapping like a flag. “It’s too much!” intrudes a stage hand, “Too much smoke, too much noise, too much everything!” And the scene responsively changes to a quiet soliloquy. At which point, however, does pure mimesis become complicit with the physical and psychological violence it strives to condemn? Unable to find its way out of visual shock, Menske never resolves into anything more than a loud admission of powerlessness.

Rodney Graham

Smoke Break

REBECCA BAUMANN

Improvised smoke device

JOHANNES VOGL

Йоханнес Фогл
The Tower (smoke machines Sculpture)

HUMO

Smoke

LEE BOROSON

smoke

FABIAN BÜRGY

Фабиан Бюрги
Smoke

ANISH KAPOOR

阿尼什•卡普尔
アニッシュ·カプーア
Аниш Капур
Ascension

Anish Kapoor’s rise to San Giorgio Maggiore is an interesting mix of meteorology, theology and art. It was built for the 2011 Venice Biennale, inside San Giorgio Maggiore. The installation consisted of a huge exhaust duct at the top of the church’s dome and four fan benches that circulated the air around a smoke generator on the floor, directly below the dome. The installation reminds us of a tornado that rises to the sky, but not as a meteorological phenomenon, but as an aesthetic manifestation: a work of art

FABIAN BÜRGY

Фабиан Бюрги
smoke

SURFACE TENSION LAMP

BubbleandSmokelamp

OLAF BREUNING

smoke bombs