ايسي مياكي
איסי מיקים
イッセイミヤケ
이세이 미야케
ISSEY MIYAKE
homage
R.I.P
ISSEY MIYAKE valued free and unconventional thinking – thinking that took into account the spirit of creation, curiosity and love as a universal expression.
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ISSEY MIYAKE schätzte freies und unkonventionelles Denken – Denken, das den Geist der Schöpfung, Neugier und Liebe als universellen Ausdruck berücksichtigte.
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ISSEY MIYAKEは、自由で型破りな思考、つまり創造の精神、好奇心、愛を普遍的な表現として考慮した思考を大切にしました。
Dromos
Dromos is a metaphoric AV Performance that takes its concept from the philosophical work of P. Virilo who is mostly known for founding the idea of Dromology (science of speed). Dromos invites audience to a criticism experience of the ’peed’ role that impacts all aspects of our daily lives. During 40mns, it focuses people attention on this essential factor that shapes our world. With its message, Dromos invites you to wonder about your relationship with progress. It’s an unconventional work with an original sensorial approach, placing the audience inside an immersive environment.
梁基爵
Digital Hug
File Festival – Hipersonica
The project is in collaboration with Henry Chu, Adrian Yeung, Thomas Ip, Joseph Chan, XEX GRP, and Hamlet Lin. It started from the fabrication of digital hubs but it turned out to make you feel like having an intimate hug, such is the chemistry coming from the new media performance “Digital Hug”. GayBird and his group of “musical frankensteins” developed a series of unconventional custom-made musical instruments and a responsive sound installation, which are played in complement to interactive video-mapping images and animation. Digital Hug emphasizes “new instruments for new music”, with the aim of bringing a unique and performative live electronic music performance to viewers.
Who Wants To Be A Self Driving Car?
The moovel lab collaborated with MESO Digital Interiors to prototype this immersive experience. The idea was to make a machine that replaces the human senses with the sensors that a self-driving car might use. Our unconventional driving machine is essentially a steel-frame buggy with in-wheel, electric motors, complete with hydraulic breaking. Drivers lay head first on the vehicle; the positioning used to enhance the feeling of immersion (and vulnerability) created during the experience. A physical steering wheel controls the turning of the vehicle.The VR experience is created using data collected by the sensors outfitted on the driving machine.
Olly has his whole life ahead of him, whether that means forging a career as an artist or designer or maybe even both. For now, though he’s focusing on fashion with a foundation course at CSM. “I love making things,” he says. “I think you can tell a lot of stories with clothes. Right now I wouldn’t say my style is quite there yet, as I’m only beginning, but I’ve been doing some quite experimental stuff, exploring unconventional shapes and fabrics. I like to toy with stereotypes.” He pauses. “I’m just doing what I want and what feels right to me.”
Eggs Are Good For Your Hair
Katja is inspired by the influence of everydays’ digital technologies on society and with that the arising questions about the identity of our human body. She fuses everydays’ technology, the dancers’ body and the presence of the audience into unconventional performances. Who moves who?
Opulent Virulence
“My collection is inspired by my fascination with nature; an interpretation of the complexity and unrestrained beauty of nature, which I express through complex layering, colour and a maximalist aesthetic that takes joy in abundance and opulence. I create my own ecosystems of layered and built fabrics in knit, print and unconventional embroidery. My clothes are in a state of rewilding – I infect the silhouettes with rich colourful textiles, giving them life. I grow my embroideries over graphic and sculptural silhouettes to emphasise and contrast the organic and the built landscape.” Rosie Danford Phillips
Me, My Selfie and I
Katja is inspired by the influence of everydays’ digital technologies on society and with that the arising questions about the identity of our human body. She fuses everydays’ technology, the dancers’ body and the presence of the audience into unconventional performances. Who moves who?
瓦妮莎比克罗夫特
נסה יקרופט
ヴァネッサ·ビークロフト
바네사 비크로프트
ВАНЕССА БИКРОФТ
Lia Rumma
VANESSA BEECROFT WAS BORN IN GENOA (ITALY) IN 1969 AND CURRENTLY RESIDES IN LOS ANGELES. HER WORK HAS SHOWN INTERNATIONALLY SINCE 1993, AND OFTEN PRESENTS PROVOCATIVE SOCIAL COMMENTARY AND CRITIQUE. BEECROFT IS NOTED FOR HER INNOVATIVE PERFORMANCES AND UNCONVENTIONAL APPROACH TO THE CREATION OF IMAGES AND COMMUNICATION.
邱昊
When two talented people meet, an edgy fashion designer and an unconventional photographer, an astonishing project, intriguing in many levels, originates. The Serpens collection lookbook is the product of the collaboration between the Chinese fashion designer Qui Hao and the Shanghai based, French photographer Matthieu Belin. Named after the constellation of the northern hemisphere – the reptile, the mythological symbol that represents both good and evil – Serpens is as mysterious, futuristic and compelling as its name implies. An extravagant collection in which the size is the absolute dominant. Oversized clothes touched by the magic wand of minimalism.
瓦妮莎比克罗夫特
נסה יקרופט
ヴァネッサ·ビークロフト
바네사 비크로프트
ВАНЕССА БИКРОФТ
Vanessa Beecroft was born in Genoa (italy) in 1969 and currently resides in Los Angeles. Her work has shown internationally since 1993, and often presents provocative social commentary and critique. Beecroft is noted for her innovative performances and unconventional approach to the creation of images and communication.
“Katja is inspired by the influence of everydays’ digital technologies on society and with that the arising questions about the identity of our human body. She fuses everydays’ technology, the dancers’ body and the presence of the audience into unconventional performances. Who moves who?”
Insides Evening Cape
Hannah Soukup brings a multidimensional approach to apparel design by combining traditional and unconventional techniques using innovative materials and technologies to transform ideas into provocative, and intriguing wearable experiences. She is a futuristic thinker and passionate ideator with her process deeply rooted in material research and experimentation, evolving ideas through draping and sculpting on the body to bring to life intimate interactions with the garments and realities.
The screw
Egle Rakauskaite is a leading Lithuanian artist, prominent on the world scene for her highly individual and memorable works. Born in 1967, she studied painting at Vilnius Academy of Arts and graduated in 1993. Described by critic Lolita Jablonskiene as “a unique artist, who does not follow any current trends of Lithuanian art”, Rakauskaite works in various media (video, performance, photography, making objects), free to associate and assemble them in different configurations as the project demands.In the early years of her career, she made objects out of unconventional and perishable materials such as chocolate, jasmine flowers, human hair, honey and fat. As she states, “these materials were used to protest against paint and canvas. Many critics attributed this interest in unconventional materials and also some of the images I constructed to my interest in feminist art. However, I think that at present the differences between male and female creation are not that visible any more. It is important that the art work opens itself to the consciousness and sub-consciousness of the viewer”.
FLOATING ORCHESTRA
‘floating orchestra’ by london-based poietic studio (richard harvey and keivor stainer) is an unconventional electronic
instrument controlled by iPhone. the orchestra is composed of levitating balls whose physical height determines their volume.
although the studio intends that future renditions of the project are controlled via gestures, in the current model an iPhone
application permits users to adjust the sounds and height and angle of the raising balls.