“But without a narrative framework, the spectator struggles to grant the wormhole a concrete existence. WormHole is actually made up of two different parts. In performing arts, the quick passage from one universe to another is within everyone’s reach. Not to mention the cinema … On the other hand, its dramaturgical raison d’etre must be identifiable within the show, rather than in a wormhole that no one has yet been able to prove. What if in Wormhole the passage from a space odyssey to a shared apartment was made by a path called intermission? Authenticated and tested for centuries, this device would make it possible to add something concrete to all the choreographic hypotheses mentioned.” Thomas Hahn