Tongue in Cheek
My work is based on the concepts of balance and coordination. The body interests me as a perceiving mechanical structure. I use my own body as a primary tool to create pieces that experiment with equilibrium through physical, mechanical, plastic and conceptual means. My studio practice is rooted in the tradition of the artist engineer. I design and build suspended and pendular constructions that can sustain their own weight and mine as I perform with them. By climbing and inverting on the structures, I challenge my own perception and creative process.
With the combination of the two mediums sculpture and performance, I seek balance in the mind versus body relationship. My work alternates between theory and practice. The intellect occurs in the engineering of my structures and the sensuality arises from my body in motion, bringing together two talents commonly thought as disparate: male versus female, rational versus instinctive. All my pieces are created upon contrastive ideas and principles. I constantly play with contradictions whether they are of visual, physical or conceptual nature.