Umbrella

source: artsynet
Conceptual artist He Xiangyu is perhaps best known for his headline-grabbing work The Death of Marat (2011), which featured a life-like resin sculpture of the corpse of Chinese dissident artist Ai Weiwei placed in the window of a German gallery. The title nods to the famous Neoclassical painting of French revolutionary Jean-Paul Marat by Jacques-Louis David, thereby elevating Ai to the status of a tragic hero. To create Cola Project (2009), an apocalyptic landscape of coal-like dark matter, He took over an entire lumber mill and employed a team of migrant workers to boil and reduce 127 tons of Coca-Cola over the course of a year. The piece has been read as a comment on the insidious nature of globalized consumer culture. He is an admirer of Maurizio Cattelan, and he shares something of Cattelan’s irreverence. “Nothing that isn’t allowed in China cannot not be done,” he has said.
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source: whitecube
He Xiangyu was born in Dandong, Liaoning Province in 1986 and currently lives and works in Beijing. He has held solo exhibitions in The Bathhouse, Tokyo; White Space, Beijing; Kunstlerhaus Schloss Balmoral, Bad Ems, Germany; Loft Art Gallery, Paris, and Wall Art Museum, Beijing. His work has been included in group exhibitions in Groninger Museum, The Netherlands; Ullens Center for Contemporary Art, Beijing; Iberia Center for Contemporary Art, Beijing, and Kunstmuseum Luzern, Switzerland.
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source: japantimescojp
He Xiangyu is a conceptualist with a clear vision of the world as a philosophical playground. The critical language employed in his artworks quotes from global consumerism, Americanism and militarism, emphasizing the power of infinitesimal change. He uses the shape of a leaf to describe creative process: Starting at the stem it branches out in many directions before returning to a thin tip in the end.